James Quandt An Impulsive Master Jacques Rozier’s films are free-wheeling and intermittently brilliant, but his importance in the French New Wave remains unsettled. August 21, 2025 issue
Ingrid D. Rowland The Gentleman of Verona The majesty, serenity, and opulence of Paolo Veronese’s paintings bolstered the myth of Venice’s vibrancy at a time of social, political, and religious decline. August 21, 2025 issue
Jarrett Earnest ‘I Am the Heir to Delacroix’ Jack Whitten’s brilliantly restless innovation is a rigorous interrogation and a surging expansion of what painting can do. July 24, 2025 issue
Ruth Bernard Yeazell The Collector as Autocrat Even as he assembled a world-class art collection, Albert C. Barnes always saw himself as an embattled underdog. July 24, 2025 issue
Anna Shechtman Tick Tock, Knock Knock Christian Marclay’s newest work arrives at a moment when digital data collection—once a source of awe—inspires something closer to dread. June 22, 2025
Jenny Uglow Orchid Frenzy The discovery of a Brazilian orchid with huge red-and-purple flowers in the early nineteenth century set off a mania for the exotic plants in Victorian England. June 12, 2025 issue
Philip Clark The Atonal Genie Arnold Schoenberg’s music still challenges listeners, but his twelve-tone technique turns up in all sorts of unexpected places, from horror film scores to cartoons to jazz. June 12, 2025 issue
Gabriel Winslow-Yost The Revolution Will Not Be Star Wars What Andor depicts most clearly is precisely what its kind of storytelling can’t say. July 24, 2025
Martin Gardner The Third Coming “For those who cannot believe in the Second Coming, or the Messianic hopes of orthodox Judaism, there are the UFOs! If the earth is being visited by extraterrestrials, surely the aliens must be friendly or by now we would have learned otherwise.” January 26, 1978 issue
Stephen Jay Gould Dinomania When dinosaurs get the Hollywood treatment, will museums follow suit? August 12, 1993 issue
Daniel Mendelsohn The Wizard “Avatar’s desire to have its anthropological cake and eat it too suggests something deeply unself-aware and disturbingly unresolved within Cameron himself.” March 25, 2010 issue
Lauren Michele Jackson Humorless Barbie Greta Gerwig’s Barbie finds its comedy in the inflexibility both of plastic and of modern womanhood. August 27, 2023
Salamishah Tillet ‘I Wanted to Paint What I Know’: An Interview with Jordan Casteel Casteel’s first solo exhibition in New York City, ‘Within Reach,’ is a collection of large-scale oil portraits, on view at the New Museum for just one more week. December 26, 2020
Claudia Dreifus An Interview with Art Spiegelman If you were drawing Donald Trump as an animal, who would he be? A very conventional part of my brain goes, “He’s a… wild boar.” Except that pigs are intelligent. Now I have drawn him as bloated frog. More recently, I drew him as a large turd. April 13, 2018
Emily Raboteau An Interview with Artist Chloë Bass I first encountered the work of conceptual artist Chloë Bass when I came upon a reflective billboard—a giant mirror—planted in the grass of Harlem’s St. Nicholas Park, with the words “How much of love is attention?” written across it. August 19, 2020
Eleanor Davis, introduction by Gabriel Winslow-Yost Sketching an Uncertain Future Eleanor Davis is one of the very best cartoonists working today. November 2, 2019
Elke Schulze He Ridiculed the Nazis The carefree world of Father and Son gives little hint of the fate that would be suffered by its creator, E. O. Plauen, who had become world-famous for his comic strips and was driven to take his own life. September 14, 2017
Chris Ware Saul Steinberg’s Universe Saul Steinberg’s images grow and even live on the page; somewhere in the viewing of a Steinberg drawing the reader follows not only his line, but also his line of thought. May 26, 2017
Lucy Sante Virtuoso of the Tiny Richard McGuire’s Sequential Drawings: The New Yorker Series is a tribute to the spot illustration, the unsung toiler of the magazine page. November 17, 2016
Lora Kelley ‘A Moment of Pleasant Indecision’ A new exhibition focuses on the labor behind the lobsters, caviar, and martinis that helped define early-twentieth-century travel. August 3, 2025
Alma Guillermoprieto Bodies by Joe With his strange machines and an uncanny, intuitive understanding of muscles, Joseph Pilates created a new technique for improving strength and movement. August 21, 2025 issue
Frances Wilson Tremendous Stickers The Mitfords, a family of extremophiles, are characters that ultimately don’t translate to the screen. August 21, 2025 issue
Poorna Swami Our Nusrat The Pakistani singer Nusrat Fateh Ali Khan earned fans the world over. For decades they have debated just what he stood for. June 16, 2025
Martin Filler Candid Cameron The British Victorian photographer Julia Margaret Cameron put her personal imprint on art’s newest medium to indelible effect. June 13, 2025
Zoe Hu Break the Aspiration Meter! Far from providing a nostalgic refuge from the contemporary Internet, The Sims taps into some of its most foundational assumptions. June 8, 2025
Michael Greenberg The Vanishing Mr. Beame With absorbing footage of gutted apartment buildings and ravaged storefronts, Drop Dead City anatomizes the drama of New York’s descent into near bankruptcy. June 26, 2025 issue
Carolina A. Miranda Close to the Punches Vincent Valdez has made an unlikely career portraying human figures, especially underdogs and antiheroes. June 26, 2025 issue
John-Baptiste Oduor An Obstinate Commitment to Defeat The conceptual artist Mike Kelley considered the creative expression of ordinary people to be beautiful, pathetic, and fascinatingly bizarre. June 4, 2025