Tags: var

1 dataset. 100 visualizations.

The same small dataset visualised in a hundred different ways, with notes on the strengths and weaknesses of each one.

Once Upon a Browser

Browse through some truly web-native artwork by Eric, and read all about it:

There is a lot, and I mean a lot, of room for variability in web technologies. We work very hard to tame it, to deny it, to shun it.

Marbla

A fun variable font with three axes: inktrap, balloon, and curve.

Monaspace

Five lovely monospaced variable fonts.

When Mathew Modine’s character first shows up in Christopher Nolan’s Oppenheimer, I figured the rest of the cinema audience wouldn’t have appreciated me shouting out “VANNEVAR BUSH IN THE HOUSE!” so I screamed it on the inside.

The Manhattan Project was not his only claim to fame or infamy. When it comes to the world we now live in, Bush’s idea of the memex has been almost equally influential. His article As We May Think became a touchstone for Douglas Engelbart and later Tim Berners-Lee.

But as Matt Thompson points out:

…the device he describes does not resemble the internet or anything I’ve ever found on it.

Then he says:

What Bush was describing sounds to me like what you might get if you turned a browser history — the most neglected piece of the software — into a robust and fully featured machine of its own. It would help you map the path you charted through a web of knowledge, refine those maps, order them, and share them

Yes! This!! I 100% agree with the description of browser history as “the most neglected piece of the software.” While I wouldn’t go as far as Chris when he says web browsers kind of suck, I’m kind of amazed that there hasn’t been more innovation and competition in this space.

If anything we’ve outsourced the management of our browsing history to services like Delicious and Pinboard, or to tools like Obsidian and Roam Research. Heck, the links section of my website is my attempt to manage and annotate my own associative trails.

Imagine if that were baked right into a web browser. Then imagine how beautiful such a rich source of data might look.

Like Matt says:

I don’t think anything like this exists. So Bush’s essay still transfixes me.

Mona Sans & Hubot Sans

Two new lovely open source variable fonts from Github.

Fontshare: Quality Fonts. Free.

A whole lotta nice fonts—most of them variable fonts—from Indian Type Foundry.

Roboto … But Make It Flex - Material Design

This version of Roboto from Font Bureau is a very variable font indeed.

Fluid type sizes and spacing — Piper Haywood

Prompted by Utopia, Piper shares her methodology for fluid type in Sass.

Manrope – free sans-serif variable font

This font is a crossover of different font types: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque. It employs minimal stoke thickness variations and a semi-closed aperture.

MD Nichrome by Mass-Driver

Marvin has some competition! Here’s another beautiful sci-fi variable font:

MD Nichrome is a display typeface based on the typography of paperback science fiction from the 70s and early 80s.

CSS { In Real Life } | Quick Tip: Style Pseudo-elements with Javascript Using Custom Properties

Oh, this is smart! You can’t target pseudo-elements in JavaScript, but you can use custom properties as a proxy instead.

Building Dark Mode | Product Blog • Sentry

Robin makes a good point here about using dark mode thinking as a way to uncover any assumptions you might have unwittingly baked into your design:

Given its recent popularity, you might believe dark mode is a fad. But from a design perspective, dark mode is exceptionally useful. That’s because a big part of design is about building relationships between colors. And so implementing dark mode essentially forced everyone on the team to think long, hard, and consistently about our front-end design components. In short, dark mode helped our design system not only look good, but make sense.

So even if you don’t actually implement dark mode, acting as though it’s there will give you a solid base to build in.

I did something similar with the back end of Huffduffer and The Session—from day one, I built them as though the interface would be available in multiple languages. I never implemented multi-language support, but just the awareness of it saved me from baking in any shortcuts or assumptions, and enforced a good model/view/controller separation.

For most front-end codebases, the design of your color system shows you where your radioactive styles are. It shows you how things are tied together, and what depends on what.

Proxima Vara by Mark Simonson

Oh, nice! A version of the classic Proxima Nova that’s a variable font that allows you to vary weight, width, and slant.

What Can You Put in a CSS Variable? / Coder’s Block

A reminder that the contens of custom properties don’t have to be valid property values:

From a syntax perspective, CSS variables are “extremely permissive”.

Times New Arial

Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!

Dark mode and variable fonts | CSS-Tricks

This is such a clever use of variable fonts!

We can use a lighter font weight to make the text easier to read whenever dark mode is active.

Rise of the Digital Fonts

A history of typesetting from movable type to variable fonts.

A Variable Fonts Primer

Everything you ever wanted to know about variable fonts, gathered together into one excellent website.

Variable fonts’ past, present and future, according to Dalton Maag

In this interview, Biance Berning says:

Cassie Evans from Clearleft is an interesting person to follow as she combines web animation with variable font technology, essentially exploring the technology’s practicality and expression.

Hells yeah!

We’re only just scratching the surface of what variable fonts can do within more interactive and immersive spaces. I think we’ll see a lot more progress and experimentation with that as time goes on.