Curation - Snook.ca

In the name of holy engagement, the native experience of products like Twitter, Facebook, and Instagram are moving away from giving people the ability to curate. They do this by taking control away from you, the user. By showing what other people liked, or by showing recommendations, without any way to turn it off, they prevent people from creating a better experience for themselves.

Curation - Snook.ca

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Future Historians Probably Won’t Understand Our Internet - The Atlantic

You can’t log into the same Facebook twice.

The world as we experience it seems to be growing more opaque. More of life now takes place on digital platforms that are different for everyone, closed to inspection, and massively technically complex. What we don’t know now about our current experience will resound through time in historians of the future knowing less, too. Maybe this era will be a new dark age, as resistant to analysis then as it has become now.

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“Link In Bio” is a slow knife

For a closed system, those kinds of open connections are deeply dangerous. If anyone on Instagram can just link to any old store on the web, how can Instagram — meaning Facebook, Instagram’s increasingly-overbearing owner — tightly control commerce on its platform? If Instagram users could post links willy-nilly, they might even be able to connect directly to their users, getting their email addresses or finding other ways to communicate with them. Links represent a threat to closed systems.

Anil Dash on the war on hyperlinks.

It may be presented as a cost-saving measure, or as a way of reducing the sharing of untrusted links. But it is a strategy, designed to keep people from the open web, the place where they can control how, and whether, someone makes money off of an audience. The web is where we can make sites that don’t abuse data in the ways that Facebook properties do.

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I Don’t Know How to Waste Time on the Internet Anymore

I started a Twitter account, and fell into a world of good, dumb, weird jokes, links to new sites and interesting ideas. It was such an excellent place to waste time that I almost didn’t notice that the blogs and link-sharing sites I’d once spent hours on had become less and less viable. Where once we’d had a rich ecosystem of extremely stupid and funny sites on which we might procrastinate, we now had only Twitter and Facebook.

And then, one day, I think in 2013, Twitter and Facebook were not really very fun anymore. And worse, the fun things they had supplanted were never coming back. Forums were depopulated; blogs were shut down. Twitter, one agent of their death, became completely worthless: a water-drop-torture feed of performative outrage, self-promotion, and discussion of Twitter itself. Facebook had become, well … you’ve been on Facebook.

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Back to the Blog – Dan Cohen

On moving from silos to your own website:

Over the last year, especially, it has seemed much more like “blog to write, tweet to fight.” Moreover, the way that our writing and personal data has been used by social media companies has become more obviously problematic—not that it wasn’t problematic to begin with.

Which is why it’s once again a good time to blog, especially on one’s own domain.

But on the other hand…

It is psychological gravity, not technical inertia, however, that is the greater force against the open web. Human beings are social animals and centralized social media like Twitter and Facebook provide a powerful sense of ambient humanity—the feeling that “others are here”—that is often missing when one writes on one’s own site.

That’s true …which is why brid.gy is such an incredibly powerful service for, well, bridging the gap between your own personal site and the silos, allowing for that feeling of ambient humanity.

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Why These Social Networks Failed So Badly

Ignore the clickbaity headline and have a read of Whitney Kimball’s obituaries of Friendster, MySpace, Bebo, OpenSocial, ConnectU, Tribe.net, Path, Yik Yak, Ello, Orkut, Google+, and Vine.

I’m sure your content on Facebook, Twitter, and Instagram is perfectly safe.

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