by
Brigitte Vézina,
Dee HarrisOpen Culture"Watering Place at Marley" by Alfred Sisley, 1875, CC0, Art Institute of Chicago, remixed with "TAROCH balloon" by Creative Commons/Dee Harris, 2025, CC0.
“Watering Place at Marley” by Alfred Sisley, 1875, CC0, Art Institute of Chicago, remixed with “TAROCH balloon” by Creative Commons/Dee Harris, 2025, CC0. Open Heritage and Contemporary Creativity Apollo or Venus in your living room? This is the proposition made by Denmark’s Statens Museum for Kunst (SMK) upon openly sharing its vast collection of 3D…
by
Brigitte Vézina,
Dee HarrisOpen Culture"Landscape along the Seine with the Institut de France and the Pont des Arts" by Alfred Sisley, 1875, CC0, Art Institute of Chicago, remixed with "TAROCH balloon" by Creative Commons/Dee Harris, 2025, CC0.
“Landscape along the Seine with the Institut de France and the Pont des Arts” by Alfred Sisley, 1875, CC0, Art Institute of Chicago, remixed with “TAROCH balloon” by Creative Commons/Dee Harris, 2025, CC0. We’re kicking off a three-part series leading up to the launch of the Open Heritage Statement in October. The Statement, developed by…
Acknowledging that some data should not be shared (for moral, ethical and/or privacy reasons) and some cannot be shared (for legal or other reasons), Creative Commons (CC) thinks there is value in incentivizing the creation, sharing, and use of open data to advance knowledge production. As open communities continue to imagine, design, and build digital…
Dear Open Movement Creators, Activists, and Stewards, A key question facing Creative Commons as an organization, and the open movement in general, is how we will respond to the challenge of shaping artificial intelligence (AI) towards the public interest, growing and sustaining a thriving commons of shared knowledge and culture. So much of generative AI…
In the past year, Creative Commons, alongside other members of the Movement for a Better Internet, hosted workshops and sessions at community conferences like MozFest, RightsCon, and Wikimania, to hear from attendees regarding their views on artificial intelligence (AI). In these sessions, community members raised concerns about how AI is utilizing CC-licensed content, and discussions…
From 6 to 8 November 2023, Creative Commons participated remotely in the 44th session of the World Intellectual Property Organization Standing Committee on Copyright and Related Rights. In this blog post, we look back on the session’s highlights on broadcasting, exceptions and limitations, and generative AI, from CC’s perspective.
Maarten believes that “Open GLAM is a necessity of a disbalanced copyright framework.” Maarten talks about how open access policies help institutions achieve their public missions. Open access policies in instutions provides good evidence that society and communities need access to cultural heritage to flourish. Open Culture VOICES is a series of short videos…
As part of Creative Commons’ ongoing community consultation on generative AI, CC has engaged with a wide variety of stakeholders, including artists and content creators, about how to help make generative AI work better for everyone. Certainly, many artists have significant concerns about AI, and we continue to explore the many ways they might be…