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- Caama wendu lɩzɩyʋ (kbp)
- German composer (hif)
- compositor alemany (ca)
- compositor y pianista alemán (es)
- danderu åtmoniu yan tituge' musika ginen Alemaña (ch)
- däitsche Komponist (lb)
- nemecký hudobný skladateľ (sk)
- niemiecki kompozytor (pl)
- njemački skladatelj (hr)
- موسيقي ألماني (ar)
- німецький композитор, піаніст, диригент (uk)
- 독일의 서양 고전 음악 작곡가 (1833–1897) (ko)
- Γερμανός συνθέτης και πιανίστας (el)
- saksalainen säveltäjä, pianisti ja kapellimestari (1833–1897) (fi)
- Alimaña jacha marka ankirïw suma q'uchux achuyirin pyanirichiw (ay)
- Aleman a komposer ken pianista (ilo)
- Duits componist en pianist (nl)
- Dáik-guók gì siŏh ciáh cáuk-ké̤ṳk-gă (cdo)
- German composer (1833–1897) (en)
- джэрмэным щыщ пшыналъэ цӀэрыӀуэ (kbd)
- Komposer dan pianis dari Jerman (in)
- Kompozitori gjerman (sq)
- Nemis kompozitorı hám pianisti (kaa)
- Pianist und Komponist der Romantik (bar)
- Tet-koet chok-khiuk-kâ (hak)
- alman bəstəkarı və pianoçusu (az)
- compositeu, pianisse pis kèf d'orcheste alemand (pcd)
- compositeur, pianiste et chef d'orchestre allemand (fr)
- compositor e pianista alemán (gl)
- compositor e pianista alemão (pt)
- compoxitô tedesco (1833-1897) (lij)
- compozitor și pianist german (ro)
- cumadóir ceoil agus pianódóir Gearmánach (ga)
- cummeyder Germaanagh (1833–1897) (gv)
- cyfansoddwr a aned yn 1833 (cy)
- deutscher Komponist, Pianist und Dirigent (de)
- germana muzika komponisto, pianisto kaj dirigento (eo)
- germuanilaine klassillizen muuzikan säveldäi (olo)
- komponis dot pianis tingon Jerman (btm)
- komponist, klawiarspeler an dirigent (frr)
- njemački kompozitor i pijanist (bs)
- német zeneszerző (hu)
- tysk komponist (1833-1897) (da)
- tysk tonsättare, pianist och dirigent (sv)
- nhà soạn nhạc người Đức thời kỳ Lãng mạn (vi)
- německý hudební skladatel, klavírista a dirigent (cs)
- compositore, pianista e direttore d'orchestra tedesco (it)
- немец композиторы, романтизм осороноң төп вәкилдәренең береһе (ba)
- ဂျာမန်တေးရေးဆရာနှင့်စန္ဒရားတီးခတ်သူ (my)
- немецкий композитор и пианист (ru)
- գերմանացի կոմպոզիտոր, դաշնակահար, դիրիժոր (hy)
- нїмецькый музичный складатель, клавіріста і діріґент з часів романтізму (rue)
- מלחין ופסנתרן גרמני (iw)
- آهنگساز آلمانی (fa)
- ドイツの作曲家、ピアニスト (1833-1897) (ja)
- 德国作曲家 (zh)
- pupoty apohára ha piáno ombopúva Alemáña megua (gn)
- Alimanya mama llaqtayuq takichaq wan pianu waqachiq (qu)
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- Grimes, Nicole. 2018. "Brahms as a Vanishing Point in the Music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6". Music Preferred: Essays in Musicology, Cultural History and Analysis, in Honour of Harry White, ed. Lorraine Byrne-Bodley, 523-549. Vienna: Hollitzer. . (en)
- Massey, Drew. 2021. "The Dilemmas of Musical Surrealism". In Thomas Adès in Five Essays, 93–139. Oxford: Oxford University Press. . . . (en)
- Parmer, Dillon. 1995. "Brahms, Song Quotation, and Secret Programs". 19th-century Music. 19:161–190. . (en)
- Bozarth, George S. and Walter Frisch. 2001. "Brahms, Johannes". Grove Music Online . . . (en)
- Floros, Constantin. 2010. Johannes Brahms, "Free but Alone": A Life for a Poetic Music, trans. Ernest Bernhardt-Kabisch from original in German . Frankfurt am Main: Peter Lang GmbH. . (en)
- Kross, Siegfried. 1983. "Brahms the symphonist". Brahms: Biographical, Documentary, and Analytical Studies, ed. Robert Pascall, 125–146. Cambridge: Cambridge University Press. Digitally reprinted 2008. . . (en)
- Geiringer, Karl and Irene Geiringer. 1982. Brahms: His Life and Work. Third edition, revised and enlarged with appendix . New York: Da Capo Press, Inc. . (en)
- Frisch, Walter. 2003. Brahms: The Four Symphonies. Yale Music Masterworks Series, gen. ed. and fwd. George B. Stauffer. New Haven and London: Yale University Press. Reprint from original in 1996 by Schirmer Books. . (en)
- Venn, Edward. 2015. "Thomas Adès and the Spectres of Brahms". Journal of the Royal Musical Association. 140:163–212. . (en)
- Anon. . Programme, Volumes 1916–1917, Boston Symphony Orchestra, pub. 1916 (en)
- Brody, Elaine. 1985. "Operas in Search of Brahms". The Opera Quarterly. 3:24–37. . (en)
- Frisch, Walter. 1984. Brahms and the Principle of Developing Variation. California Studies in 19th-Century Music Series, gen. ed. Joseph Kerman. Berkeley, Los Angeles, and London: University of California Press. . (en)
- Maurer Zenck, Claudia. 1999. "Challenges and Opportunities of Acculturation: Schoenberg, Krenek, and Stravinsky in Exile". In Driven into Paradise: The Musical Migration from Nazi Germany to the United States, eds. Reinhold Brinkmann and Christoph Wolff, 172–193. Berkeley and Los Angeles: University of California Press. . (en)
- Hull, Kenneth. 1998. "Allusive Irony in Brahms's Fourth Symphony", 135–168. In Brahms: Biographical, Documentary, and Analytical Studies, Vol. 2, ed. Michael Musgrave. Companion to Brahms: Biographical, Documentary, and Analytical Studies, Vol. 1, ed. Robert Pascall. Cambridge: Cambridge University Press. . Reprinted in 2000, Symphony No. 4 in E Minor, Op. 98: Authoritative Score, Background, Context, Criticism, Analysis, ed. Kenneth Hull, 306–325. Norton Critical Scores Series. New York: Norton. . Abridged from PhD diss., "Brahms the Allusive: Extra-Compositional Reference in the Instrumental Music of Johannes Brahms". Princeton: Princeton University. 1989. (en)
- Dahlhaus, Carl. 1980. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Mary Whittall and Arnold Whittall from original in German . California Studies in 19th-Century Music Series, gen. ed. Joseph Kerman. Berkeley and Los Angeles: University of California Press. . (en)
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