|
| 1 | +.. _communications-guidelines: |
| 2 | + |
| 3 | +======================== |
| 4 | +Communication guidelines |
| 5 | +======================== |
| 6 | + |
| 7 | +These guidelines are applicable when acting as a representative of Matplotlib, |
| 8 | +for example at sprints or when giving official talks or tutorials, and in any |
| 9 | +community venue managed by Matplotlib. |
| 10 | + |
| 11 | +.. _communication-channels: |
| 12 | + |
| 13 | +Official communication channels |
| 14 | +=============================== |
| 15 | +The following venues are managed by Matplotlib maintainers and contributors: |
| 16 | + |
| 17 | +* https://github.com/matplotlib/matplotlib |
| 18 | +* https://discourse.matplotlib.org/ |
| 19 | +* https://gitter.im/matplotlib/ |
| 20 | +* https://github.com/matplotlib/matplotblog |
| 21 | + |
| 22 | + |
| 23 | +Social Media |
| 24 | +------------ |
| 25 | + |
| 26 | +* https://twitter.com/matplotlib |
| 27 | +* https://instagram.com/matplotart/ |
| 28 | +* https://www.tiktok.com/@matplotart |
| 29 | + |
| 30 | + |
| 31 | +Mailing lists |
| 32 | +---------------- |
| 33 | + |
| 34 | +* https://mail.python.org/mailman/listinfo/matplotlib-announce |
| 35 | +* https://mail.python.org/mailman/listinfo/matplotlib-users |
| 36 | +* https://mail.python.org/mailman/listinfo/matplotlib-devel |
| 37 | + |
| 38 | +.. _social-media-coordination: |
| 39 | + |
| 40 | +Social media coordination |
| 41 | +------------------------- |
| 42 | +team mailing list: [email protected] |
| 43 | +public chat room: https://gitter.im/matplotlib/community |
| 44 | + |
| 45 | +Content guidelines |
| 46 | +==================== |
| 47 | +Communication on official channels, such as the Matplotlib homepage or on |
| 48 | +Matplotlib social accounts, should conform to the following standards: |
| 49 | + |
| 50 | +- be primarily about Matplotlib, 3rd party packages, and visualizations made with Matplotlib |
| 51 | +- also acceptable topics: Python, Visualization, NumFOCUS libraries |
| 52 | +- no gratuitous disparaging of other visualization libraries and tools; criticism is acceptable so long as it serves a constructive purpose |
| 53 | +- follow visualization communication best practices |
| 54 | + - don't share non-expert visualizations when it could be harmful |
| 55 | + - put on meeting agenda when answer isn't clearly to hold off on sharing. |
| 56 | + - clearly state when the visualization data/conclusions cannot be verified |
| 57 | + - do not rely on machine translations for sensitive visualizations |
| 58 | + - example: https://twitter.com/matplotlib/status/1244178154618605568 |
| 59 | +- verify sourcing of content (especially on instagram & blog) |
| 60 | + - Instagram/blog: ensure mpl has right to repost/share content |
| 61 | + - make sure content is clearly cited |
| 62 | + - example: a tutorial using someone else’s example clearly cites the original source |
| 63 | +- Limited self/corporate promotion is acceptable, but should be no more than about a quarter of the content of the blog/discourse post. |
| 64 | +- if you think content is borderline, ask on the :ref:`_social-media-coordination` channels before publishing it |
| 65 | +- acceptable image guide: |
| 66 | + - keep it geared towards science/data visualization, and non-controversial images |
| 67 | + - must be conform to the guidelines of all sites it may be posed on: |
| 68 | + - https://help.twitter.com/en/rules-and-policies/twitter-rules |
| 69 | + - https://help.instagram.com/477434105621119 |
| 70 | + |
| 71 | +Accessibility |
| 72 | +------------- |
| 73 | +Images in communications should be as accessible as possible: |
| 74 | + |
| 75 | +- add alt text to images and videos when the platform allows |
| 76 | + - https://webaim.org/techniques/alttext/ |
| 77 | + - https://medium.com/nightingale/writing-alt-text-for-data-visualization-2a218ef43f81 |
| 78 | +- warn on bright, strobing, images & turn off autoplay if possible |
| 79 | +- for images made by the social media team: |
| 80 | + - make graphic perceivable to people who cannot perceive color well, due to color-blindness or low vision |
| 81 | + - do not make bright, strobing images |
| 82 | + - more guidelines at https://webaim.org/techniques/images/ |
| 83 | + |
| 84 | + |
| 85 | + |
| 86 | +Social media account information |
| 87 | +================================ |
| 88 | + |
| 89 | +Behavior |
| 90 | +-------- |
| 91 | +When acting as a representative of the library, keep responses polite, and assume |
| 92 | +user statements are in good faith unless they violate the [Code of Conduct](https://www.python.org/psf/conduct/) |
| 93 | + |
| 94 | +Persona |
| 95 | +------- |
| 96 | +On social media, Matplotlib: |
| 97 | + |
| 98 | +* Is a sentient visualization library, so talks about itself as a we, us, our, and it. Avoids talking about itself in the 3rd person. |
| 99 | +* Is very earnest, eager to please, and aims to be patient & painfully oblivious to snark and sarcasm. |
| 100 | +* Gets over-excited over shiny visualizations - lots of emojis and the like - and encourages folks to share their work. |
| 101 | +* Highlights various parts of the library, especially the more obscure bits and bobbles. |
| 102 | +* Acknowledges that it is a sometimes frustrating tangle of bits & bobbles that can confuse even the folks who work on it & signal boosts their confuzzlment. |
| 103 | + |
| 104 | +Social graph |
| 105 | +------------ |
| 106 | +- only follow organizations/projects - mostly NumFocus projects |
| 107 | + - especially 3rd party packages |
| 108 | + - should at least be visualization related |
| 109 | + - sponsors are also acceptable |
| 110 | +- do not follow individual accounts for any reason (even maintainers/project leads/Guido!) |
| 111 | + |
| 112 | +Recurrent social campaigns |
| 113 | +-------------------------- |
| 114 | + |
| 115 | +- Release Announcements |
| 116 | + - Highlight new features & major deprecations |
| 117 | + - Link to download/install instructions |
| 118 | + - Ask folks to try it out. |
| 119 | +- signal boost third party packages |
| 120 | +- GSOC work during GSOC recruiting and work times |
| 121 | +- John Hunter Excellence in Plotting, submission and winners |
0 commit comments