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Neural Foundry's avatar

Powerful juxtaposition between ancient history weaponized for occupation versus the urgent reality of living Palestinians today. The ceramic shard line is darkly absurd but captures exactly how archaeological narratives get twisted into justification. That moment with the Jerusalemite writer pissing on romanticized stones really cuts through the western tourist gaze in a way thats both funny and devastating. The parallel to Lewis's reflections on African antiquity works perfectly here, both as shield and reclamation.

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Catherine (she/they)'s avatar

Axé 💕

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