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Basics in Rhythm PDF

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miguel cervantes
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2K views44 pages

Basics in Rhythm PDF

Uploaded by

miguel cervantes
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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INTRODUCTION Basics in Rhythm contains nine units of graduated shythm exercises beginning with simple whole and half note studies and progressing through complex changing:meter exercises. The rhythm "key", which begins each study, presents important rhythmic material and should be mastered before proceeding to the following exercise. Practice METHOD The rhythm exercises in this book are to be clapped and the syllables counted out loud. By counting out loud, the student will develop a system of “rhythmesyllable association”. This system will enable the student to read thythms at ht (regardless of the context or historical-style period). Repeat each measure of the rhythm “key” several times, or until mastered, before playing the rhythm exercise, FUNDAMENTALS OF RHYTHM Become familiar with the following fundamentals of rhythm. Mastery of the counting method through diligent practice will help the student to improve music reading skills. Nore Values AND RESTS Notes | Names Notes | Names | Rests = Whole = | Dotted Whole |=. a Half = | Boned Halt |= 7] Quarter y "J. | Potted Quarter |} dW) Eighth 1 d__| Potted Fighth | > [3 (FD sixteenth 7 J. [Dotted Sixteenth) — JED] thirtrsecond | 7 KA] tniPEEona | + Adot after a note or rest adds half of the value of the note/rest it follows. mame: din d od dedid +A second dot alter a note or rest adds half of the value of the first dot. wari duadtded — diededid * Alie (curved line) connects two or more notes of the same pitch. Do not play (clap) the second note ofa te, we u TIME SIGNATURES Most music js conveniently organized into measures (groups of beats) which are marked off by vertical bar lines. Double bar lines are used at the end of a large section of music or at the conclusion of a comp ats Terie? *Attime signature consists of either two numbers arranged vertically or some other symbol. The fop number tells how many counts or beats there are in each measure; any number may be used. The bottom number tells what kind of note value gets one count; only the following numbers may be used: to 2d ad 8d wd sed * In simple time the beat unit is divisible by two. For example, 3, 4 and so on. The symbol for 4 time or common time is ©. The symbol for & time or cut lime is & + In compound time the beat unit is divisible by three. For example, when §, 2 and lime signatures are used with fast tempos, the dotted quarter note gels one count. (When §, 8 and # time signatures are used with slow tempos, the eighth note gets one count.) Countinc MetHop © When the quarter note receives one count (%,3,4,2, etc.), use the following measure-wise counting method 47 Id oat (pronounced: one and two and three and four and): Tezesadre Teese sels a ae ® For the four-fold division of the beat (sixteenth notes) 222 873 «8 4 e and its variations, use 1 e & a (pronounced: one ee and a) m mM J Te aa 2@ asd & 4 6 * For the three-fold division of the beat and its variations, use 123,456 (§, 8, % time when the dotted quarter note receives one count} Bd. d + 2 3 5 6 Te2esesasace 1,?| ° (2a d4 mh om 6 @ b] e * The following examples illustrate how to count in time signatures that use the half note or eighth note as the beat unit: ld Wd LT $0 |S MeD Meu fend ed Ulead ao | tea eee Slow tempo § Wd £9"9 rrr frit! 28384 ESE + A rhythm triplet occurs in masic when three td 4 He equal note values replace two equal notevaties: | J} JT) Yd) SDT Seg eee sins 3 ® In fast tempos, triplets can be counted but they must be kept equal woomtcotee dd) 174 win IIT TD oe 7 My dnd IE earea ear aa UNIT 1 Note AND Rest VALUES: Whole, half, quarter, eighth oo J d METERS: ~ gga RayTHo Key 1 | Tada = . 123 4 423.4 ga a ee | Remember: Repeat each measure several times or until mastered. Exercise 1 | RuytHM Key 2 304 1 EXERCISE 2 RHYTHM Key 3. EXERCISE 3 RuyTHM Key 4 Exercise 4 RuytHo Key 5 Dict | imal eee Tass 1 20°3 48 102384 Exercise 5 RuytHM Key 6 Dict mar 42 3&4 1 28384 18283 4 1823 48 EXERCISE 6 RHYTHM Key 7 ey Ao Oo oion fade eae ll fe peda ad ae mat 1 2&3 h4& 1&2R3&4 1&82&3 4& 1&2 3&48 EXERCISE 7 10 RuytHM Key 8 Wig 1a 23k e 18283 &4 & 1(8)2(@)3 & 4 & 1 & 2 & 3(8)4(8) Exercise 8 RHYTHM Key 9 uct Ay De an 1&2 & 3 & 1&2 & 3 & Tk 2 & 3 & 1&@ 2&3 & EXERCISE 9 RHYTHM Key 10 Exercise 10 RuytHM Key 11 Dit poo fk WAR 1828 384R5 & TR ZEOESH 11@)218)3 & 48518) 1H 2H 3(AMAS & EXeRCcIsE 11 UNIT 2 Norte AND Rest VALUES: Quarter, eighth Jd METERS: ae 8 38-8 RuytHm Key 12 Exercise 12 13 Ruytum Key 13 123456 123456 123456 123456 Exercise 13 RHYTHM Key 14 2.3.45 120304 2040303 12 ne EXercise 14 “4 RHYTHM Key 15 Exercise 15 Ruytum Key 16 en oa Cle. 23 EXERCISE 16 15 RuYTHM Key 17 EXERCISE 17 RHYTHM Key 18 Ea EXeRcIsE 18 UNIT 3 NOTE AND REST VALUES: Sixteenth 3 J773 METERS: Fb. RuyTHo Key 19 5 5 1e@ar 3 4 1 2e&a3 4 1.2 Bea 12.3 ae&a EXERCISE 19 RuytHm Key 20 eseenlianey TeQazeGas 4 1 2e@odeua4 1 2 Sedadeda — 1e8e2 3-teda EXERCISE 20 RHYTHM Key 21 CL) FS SS. ee eae Tea? &3ehadekas Te@a2 3 4eha5 & 1 283 Aekaseua ExeRCIsE 21 q=Ss TSE SS Wit 1 & 2ekasek RHYTHM Key 22 cS 1 & 2e8 Tee 2e& EXERCISE 22 RuytHo Key 23 Se SS fedeeds sood] 7s 1e& 2e%a3 & Exercise 23 1e&2e&3eha 1e&2ehase& RuytHm Key 24 pasa 1 Rar & 1 &@ 2 Ba 1 &a2 wa set Takes EXERCISE 24 RuyTHM Key 25 ca Cc CALA AR CB FE oR @ [-o-2-eaade-oa | [Eeedddddd ae mes 1 & 2eka3 ha 1 @a2e@a3 & 1&a2&ase&a 1 &a2e&a3 ha EXERCISE 25 \ 20 RuyTHM Key 26 Sa 1 &a2zew Te& 2 &a 1 wa2re& 1e& 208 Tea Exercise 26 RHYTHM Key 27 CaR fatweaay yaa 108 208 308 1 &a2 &a3 ba 1 @are& 30% 1 @e2ek 3 ha EXERCISE 27 21 RuyTHm Key 28 ait eS = SS == SS mie ek 2ek) «61 Ba 2ea T)&a 2@&a 1 @ &(a)2 © &(a) EXERCISE 28 RHYTHM Key 29 viet SS = man: le&a2e&a le@a2e&a pe&a2ze&a le&a2zeka EXERCISE 29 22 UNIT 4 Note AND REsT VALUES: Sixteenth 4 ST METERs: RHYTHM Key 30 182838 1&2 83 1 2&3 8 1 2838 Exercise 30 23 Ruyruo Key 31 Exercise 31 RuyTHM Key 32 occa 14283 485 jada3s 183 EXERCISE 32 Ruytum Key 33 oa Fao CPS SS Cao ACLS Tete 1828384586 1283848568 128345 68 1823485868 EXERCISE 33 RHYTHM Key 34 EXERCISE 34 25 RuyTHM Key 35 FACUL ARSE, TS EXERCISE 35 CFR = eo CE Eee er er. ivdddtisaved wee dd dde de ad daddodadddddda| RRS PREC LAO CPP SP ery = Se Ao ECL SSF CER Ac, RHYTHM Key 36 EXERCISE 36 a4 i: af BE is fe [ | EY El ¢ AE 26 Tak UNIT 5 RuytHmic Device: Dotted notes and rests ir MeTERs: 72488 8 8 RuytHm Key 37 pesos \ ha nl: jp, Ta ae Silciaae” 18283 &4& Exercise 37 1e&a2&3K4 i her Tee Teka2 RHYTHM Key 38 1a@2% 3 18 2838 EXERCISE 38 RuyTHMm Key 39 a eee it Te&a2re&a EXERCISE 39 1828 3& a 28 RuytHM Key 40 Exercise 40 RHYTHM Key 41 Pea ees 7 4 [pe pe mas 123456 1283 4 5&6 1:2 384 5 68% 1283 4 5 6& EXERCISE 41 29 RuytHm Key 42 Exercise 42 RuytHm Key 43 cc3 a98 238 rec part B98 236 Exercise 43, 30 UNIT 6 RHYTHMIC DEVICE: Triplets (quarter, eighth, sixteenth) Wim METERS: 3 22°42 8 8 RuytHm Key 44 2 a 1 & a2 1 28 a 1&@arzea Exercise 44. RHYTHM Key 45 Ted 1&a2@aama 1&a2 38a 1 2&a3 EXercIse 45 2 2 3 at Hieeredy 2 3 RuytHm Key 46 Be ca ee 83 8 ey a8 2 Se A co omar Sa am i [[ppddadaldelddal] 4 twa 1&a2&a3&a4&a 1Wa2&a3Gasea 1ha2&a3@as&a 1&a28a36a4&a Exercise 46 Bs a et 8 Bars sa “8 OA a WBC OBS vues 1 32 RuyTHM Key 47 el 33 I oe eee & ‘Weyala}eals & aa 1a 2(8) (3) a) 4 118) a(2)8(a)3 & a 4 1& a2 Ga 3(8)a(4)Rla) Exercise 47 3 3 od 3 3 Ie 2 I si RuytHm Key 48 fee ss 3 2 3 wie eae 3a 8 1k 26 38485 1&2 3804 Sho Exercise 48 2 2 2 2 RuytHm Key 49 38 2 ea aeeeea teat as 1&a2&a3 1822 38a 1a@a2&a3ma : EXERCISE 49 | 2 2 ’ RHYTHM Key 50 a ggg ise Fer Fe FaCRa Takia 18223 485 1283 48a5 18a23&ag5& or1@az 3 1&2 1283 Thar 18923801280 Exercise 50 UNIT 7 RuyYTHMIC DEvIcE: Syncopation did Tied notes ad METERS: ce ¢ Ruytum Key 51 en on ee oe oe en ae ae Be ae 283 g5386 i eS Exercise 51 35 Ruytum Key 52 i EXERCISE 52 RuytHM Key 53 Exercise 53 RxHyTHM Key 54 ae

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