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Technique/ Articulation Description Notation: Fingering

This document provides a summary of common musical techniques used in string instrument playing, including: 1) Fingering techniques like articulation and fingering numbers refer to left hand finger positioning. Bowing techniques include down bow, up bow, slur, détaché, and others. 2) Ornamentation techniques involve portamento, glissando, trills, tremolo, and harmonics. 3) Articulation techniques include accents, marcato, martelé, spiccato variations, and pizzicato variations played with different parts of the hand. 4) Contemporary techniques expand traditional techniques through alternate playing positions and objects.

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100% found this document useful (3 votes)
891 views4 pages

Technique/ Articulation Description Notation: Fingering

This document provides a summary of common musical techniques used in string instrument playing, including: 1) Fingering techniques like articulation and fingering numbers refer to left hand finger positioning. Bowing techniques include down bow, up bow, slur, détaché, and others. 2) Ornamentation techniques involve portamento, glissando, trills, tremolo, and harmonics. 3) Articulation techniques include accents, marcato, martelé, spiccato variations, and pizzicato variations played with different parts of the hand. 4) Contemporary techniques expand traditional techniques through alternate playing positions and objects.

Uploaded by

ariel 0301
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We take content rights seriously. If you suspect this is your content, claim it here.
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Technique/ Description Notation

Articulation
Pressing down strings to
make notes (left hand)
0 = open string (no fingers)
Fingering 1 = index finger
2 = middle finger
3 = ring finger
4 = pinky finger
Arco With the bow, rubbing the hair arco
of the bow across the strings

Down bow Bow stroke is from frog to tip

Up bow Bow stroke is from tip to frog

Multiple notes played per bow


Slur stroke

Basic bowing, alternating


Détaché down/up bows, one note per
stroke
Legato Smoothly join the notes,
smooth bowing
Brush strokes Add a slight push onto each
(Louré or note
Portato)
Natural, expressive slide
Portamento between 2 notes

Chromatic – slide between 2


notes but briefly rest on each
Glissando semitone
Non-chromatic – slide
between 2 notes, more
extensive than portamento
Short, detached notes
Staccato

Very short and detached


Staccatissimo notes

1
Slurred Multiple staccato notes per
Staccato bow stroke

Stress or emphasise a note


Accent

Marcato Strongly emphasis or add


strong stress to a note

Martelé A sharp, biting attack on a


note, detached (staccato-ish)

Off-the-string staccato, light


Spiccato and bouncy, bow bounces off
strings in arc
Fast / Natural / At a fast tempo, bow bounces
Spontaneous off the strings naturally
Spiccato (without deliberate effort)
Slow / Artificial At a slower tempo, effort must
/ Conscious be put into the wrist to
Spiccato perform spiccato

Slurred Multiple spiccato notes per


Spiccato bow stroke
Throw bow onto string and let jeté or
Ricochet / bounce, producing 2-6 notes
Jeté in rapid succession
Play arpeggios over multiple
Arpeggiando strings at fast tempo, causes
bow to bounce off strings

Saltando Down bow - bow bounces off


strings in a single bow
direction, 2-6 notes on a bow
stroke (form of spiccato)

Up bow - bow bounces off


Staccato strings in a single bow
Volante / direction, 2-6 notes on a bow
Flying stroke (form of spiccato)
Staccato
Spiccato at high speeds, bow
Sautillé does not leave the string,
sounds like it does

2
Trill Fast repetitive alternation of
one note and another note 1
or 2 semitones above/below
Fast repeated bowing on a
Bowed single pitch (unmeasured,
Tremolo measured)

Fast repetitive alternation of


Fingered one note and another note
Tremolo more than 1 tone away
(unmeasured, measured)
Pizzicato Pluck the string with the pad
of the right hand index finger

Snap Pizzicato Pull string back and let snap


/ Bartok Snap against the fingerboard

Fingernail Pluck the string with nail


Pizzicato instead of the flesh

Left Hand Pluck the string with the left


Pizzicato hand (usually pinky finger)

Pluck the tremolo (measured,


Pizzicato Roll / unmeasured)
Tremolo

Con Sordino, Play with mute (con sordino)


Senza Sordino Play without mute (senza
sordino)
Sul Ponticello Play on or very near bridge sul ponticello
with bow

Sul Tasto Play over the fingerboard with sul tasto


the bow
Flautando Play near but not on the flautando
fingerboard

Col Legno Play the strings with the wood col legno tratto
Tratto of the bow (drawn like
normal)

3
Col Legno Strike the strings with the col legno battuto
Battuto wood of the bow

Modo Back to normal after col modo ordinario or ordinario or ord


Ordinario legno, back to using hair of or naturale
bow

Natural Play a naturally occurring


Harmonic overtone of a note by
‘splitting’ the string into equal
parts
Play an overtone of a note by
Artificial stopping a note and using the
Harmonic pinky to lightly touch a node
(notation: 2nd way is best)
Sul (string Play only on the specified
name) string

Vibrate the note by rocking usually no notation or


Vibrato the finger rapidly on the vibrato (with vibrato)
fingerboard senza vibrato (without vibrato)

Scordatura Tune the instrument to an


alternative tuning

Repeated string crossings,


Bariolage bowing same note on 2
strings

Playing multiple strings


simultaneously:
Multiple Stop 2 strings: Double Stop
3 strings: Triple Stop
4 strings: Quadruple Stop
Quadruple stop
Pizzicato Pluck the multiple stop,
Multiple Stop arpeggiated

Contemporary E.g. Plucking strings with pick, tapping instrument, bow near nut, bow
Techniques on other side of bridge, finger notes without bowing, bow tailpiece etc.

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