MOUTHPIECES

For Brass & Woodwind Instruments

 The Difference Between
Mediocrity & Mastery
A brass instrument mouthpiece is much more than an
add-on or accessory. It is a vital part of your instrument.
As interface between artist and instrument, it can mean
the difference between mediocrity and mastery.

2 Yamaha Mouthpieces
CONTENTS
Brass Woodwinds

Essential Mouthpiece Parameters 6 Selecting a Woodwind Mouthpiece 29

Dimensions & Shape 6 Mouthpiece Lineup 30
Material, Weight & Finish 9
Standard Series 10
GP Series 19
Signature Series 21
Mouthpiece Lineup 27

Yamaha Mouthpieces 3
 The Music Starts Here …

A mouthpiece affects both how you play and how your instrument sounds in
very significant ways. Fit and feel are obviously major factors, but the mouthpiece
also exerts a considerable influence on your tone, range, and even intonation.
The mouthpiece is the point of greatest sound pressure within the instrument,
therefore its acoustic qualities — dependent on material, thickness, shape, and
other factors — affect the overall sound of the instrument to a remarkable degree.
The taper of the instrument extends all the way from the mouthpiece to the
bell, so in a very real sense the mouthpiece is an integral part of the instrument’s
sound-producing mechanism. A part that must be chosen with the utmost care.

4 Yamaha Mouthpieces
 Why Yamaha?

Since every player and instrument is different, there can be no single “perfect”
mouthpiece. This makes the task of creating top-quality mouthpieces all the more
difficult. Advanced manufacturing technology is essential, but so is experience.
The Yamaha approach to creating superior mouthpieces is to bring experience
and technology together in perfect balance: experience in the form of continuous
consultation with some of the world’s leading artists — Yamaha has been producing
special custom mouthpieces for top artists for decades — and technology in the
form of precision computer-controlled machining equipment.
In contrast to some other areas of musical-instrument manufacture, mouthpieces
are not best crafted by hand. The tolerances that can have a big effect on
performance are far too small. Yamaha employs an advanced computer-aided design
and manufacturing system that ensures exact dimensions and contours in every
single mouthpiece. Shaped cutters are not used because wear and re-sharpening
rapidly alter the original shape. Instead, a computer-controlled lathe sculpts the
spinning mouthpiece blank precisely to the specified size and shape. Continuous
monitoring and a special cutter design guarantee that prescribed tolerances are
always maintained. Another advantage of computer control is that a constant cutter-
to-workpiece speed can be maintained relative to the position of the cutter. This
ensures a perfect finish, eliminating the need for final hand-polishing which could
result in distortion and inconsistencies from mouthpiece to mouthpiece.

Yamaha Mouthpieces 5
 Essential Mouthpiece Parameters
Brass Essential Mouthpiece Parameters

Every player needs to find the size and style of mouthpiece which best suits both his or
her physical and musical requirements. Since different mouthpieces can emphasize different
embouchure muscles, it is difficult to pinpoint the ideal mouthpiece at a single testing. A little
knowledge can, however, provide a valuable foundation for making the right choice.

Cup Shank

Throat

Rim Thickness

Inner Rim Diameter

Rim Bite

Backbore
Rim Contour Shoulder

Dimensions & Shape

The dimensions and shape of a mouthpiece have a direct effect on its feel, playability, and sound. Use
the parameters described below as a general guide when shopping around.

Inner Rim Diameter (Internal) Rim Contour

In general, a small rim diameter makes it easier Since this is the part of the mouthpiece that
to play high notes and can increase endurance, comes into direct contact with the player’s lips,
but volume is limited. A larger rim diameter, on it is a critical parameter for playing comfort. Rim
the other hand, provides plenty of volume and contour also has a large effect on attack clarity. A
easy low tones but endurance may be sacrificed. majority of players prefer a relatively flat contour
The ideal rim diameter will depend on each with the peak closer to the inner edge. This type
player’s physical traits, playing style, and musical of contour is generally considered to be the
requirements. The factors involved are very most stable, providing optimum contact with
individual … some players spend years searching the rim bite (described on the next page). Avoid
for the perfect rim. mouthpieces with scratched or pitted contours.

Inner Rim Diameter Shallow Deep

Cup Depth

6 Yamaha Mouthpieces
 Brass Essential Mouthpiece Parameters
Rim Thickness
Although a thick rim provides greater lip
contact area for easy high notes and extended
endurance, lip movement is limited so you lose
tonal flexibility. A rim that is too thin offers plenty
of control over a wide range, but can quickly cause
fatigue. Beginning players are probably better off
choosing a rim of medium thickness, but the best
approach is to play a variety of types and choose
the one that feels the most natural and plays the
easiest.

Rim Bite
The bite of the rim has a large influence on
attack clarity and pitch control. Mouthpieces with
a sharp bite generally make it easier to produce
accurate, stable pitch and a rich tone. If the bite
is too sharp, however, lip control is limited and it
Cup Silhouette
becomes difficult to make smooth note-to-note
transitions. A sharp bite can also be painful on the
lips and reduce endurance. At the other extreme
Shoulder
a round, very soft bite may be comfortable to
Most “U” shape cups have a fairly sharp
play, but will produce a blurred attack and poorly
shoulder which results in easy-to-play resistance
defined pitch.
and a well-defined, bright sound. “V” shape cups
have a smoother, rounder shoulder which produces
Cup Silhouette
low resistance and a soft, dark tone.
Cup silhouette encompasses both cup depth
and shape. Shallow cups produce a brighter tone
Throat Diameter
and are more controllable in the higher register …
The throat is the narrowest portion of the
at the expense of volume. Deep cups offer a dark
mouthpiece bore, and therefore the point of
tone, easy low notes, and plenty of power. Cup
highest sound pressure. The diameter and length
shapes range from “U” shapes to “V” shapes. The
of this part of the mouthpiece have a major
more “U” shaped a cup is, the brighter the sound
influence on playing resistance. A narrow, long
and the easier it is to play in the high register. As a
throat produces high resistance which contributes
cup approaches the “V” shape the sound becomes
to fast response, brilliant tone, and enhanced
darker and the lower register becomes easier to
playability in the high register. A wide, short throat
play. Some French horn mouthpieces employ a
is more playable in the low register and is capable
“double cup” design — essentially a combination
of producing greater volume — but requires lots of
of the “U” and “V” shapes — to facilitate playing
air from the player and can lead to fatigue.
throughout the instrument’s range.

Yamaha Mouthpieces 7
Brass Essential Mouthpiece Parameters

Backbore Shank
The “backbore” is the inner section of the This parameter is of prime importance in
mouthpiece bore which follows the throat. determining how well a mouthpiece matches your
The backbore has a complex flare which can instrument. The taper of the mouthpiece shank
significantly affect high-register pitch. The must perfectly match the instrument’s receiver —
diameter of the backbore also influences timbre there should be absolutely no “play”. The outer
and resistance. Like most other diameter-related diameter of the shank determines how deeply the
parameters, a narrow backbore results in increased mouthpiece seats in the receiver, thus affecting
resistance, brighter tone, and easier playing in overall pitch, the accuracy of individual notes, and
the high register. A larger backbore decreases even playing feel.
resistance for darker tone and easier playing in the
lower range.

Narrow

Wide

Backbore

Model Number System

14 A 4 a Inner rim diameter = 5–68 (narrow–broad)

Cup volume + shape = A–E (shallow–deep) C= standard
Ba
Cu
In

Ri
n

Rim contour = 1–5 (round–flat) 3= standard

ck
p
er

bo
co
vo
r

Backbore = a–e (narrow–broad) c= standard

im

nt

re
lu

ou
m
di

e
am

r
+
et

sh
er

ap
e

8 Yamaha Mouthpieces
Material, Weight & Finish

Brass Material, Weight & Finish

Perhaps less obvious than the shape parameters described in the preceding section,
material, weight, and finish are of the utmost important in determining a mouthpiece’s sound
and playability.

Material Weight
The most common material used for Generally speaking, light mouthpieces exhibit
mouthpiece production today is brass. Some older fast, flexible response while heavier types produce
French horn mouthpieces were made from nickel a more focused tonal core and are more suited
silver and these tend to have a “harder” tone than to powerful playing styles. The Yamaha Standard
brass types. Series concentrates on the medium weight range
for the best balance for all-around playing, while
the GP Series feature a more specialized weight
balance for outstanding expressive scope and
versatility.

Finish
Silver plate is an ideal finish for brass
mouthpieces. As long as the thickness of the
plating is sufficient, silver affords exceptional
Standard durability and will not flake or peel. Silver is also
non-toxic to most players.
Gold plate offers a smooth, luxurious feel
that actually contributes to enhanced lip control
flexibility. In the Yamaha GP Series and some
Signature Series models the gold plate extends
to the inside bore of the mouthpiece, achieving a
unique tone and exceptionally smooth airflow.
In some cases no plating is applied at all.
GP Series Generally speaking, gold-plate finishes provide
the smoothest feel with unrestricted lip movement,
while unplated silver gives the best “grip”. Silver
plate falls somewhere between gold-plate and
unplated silver.

Yamaha Mouthpieces 9
 Standard Series
Brass Standard Series

Produced using the most advanced computer design and manufacturing

technology, our Standard Series mouthpieces feature unmatched precision,
smooth attack, secure control, and easy playability. They have the ideal
weight for all-around usage and are available in over 100 configurations.

Trumpet Mouthpieces
Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Extremely small inner rim diameter. Flat and
TR-5A4 15.90 Semi-flat Thick Shallow 3.65 Narrow
wide. Small cup volume. Ideal for lead trumpet.

Very shallow cup for easy high notes. Good for

TR-6A4a 15.90 Semi-flat Thick Shallow 3.65 Narrow
big-band type lead trumpet.

Relatively small inner rim diameter, but still

TR-7A4 16.24 Semi-flat Thick Shallow 3.65 Narrow
flexible. Perfect for piccolo or lead trumpet.

Semi- Relatively large throat diameter with a sharp

TR-7B4 16.08 Semi-flat Thick 3.72 Standard
shallow shoulder. Bright sound with easy high notes.

Good for all-around playing, including solos.

Semi-
TR-8C4 16.19 Semi-flat Standard Standard 3.65 Combines an extended high range with rich
narrow
lows.

Somewhere between the 8C4 and 11C4,

Semi- affording easy playability over a wide range.
TR-9C4 16.28 Semi-flat Standard Standard 3.65
narrow Well-defined rim bite for easy blowing and
extended endurance.

Medium rim diameter with a shallow cup for

Semi-
TR-11A4 16.46 Semi-flat Semi-thick Shallow 3.65 easy high notes. Ideal for piccolo trumpet and
narrow
jazz idioms.

Wide-rim shallow cup with a slightly large back

Semi-
TR-11A5 16.38 Semi-flat Thick Shallow 3.65 bore delivers a rich upper range with ease.
wide
Well-suited for piccolo trumpet.

A somewhat shallow cup and medium rim for

Semi- Semi-
TR-11B4 16.46 Semi-flat Standard 3.65 extra endurance. Brilliant tone. Suitable for D,
shallow narrow b
E , and piccolo trumpets.

Relatively large throat with a sharp shoulder.

TR-11 16.32 Standard Semi-thick Standard 3.72 Standard Easy to play over the entire range, with a fairly
bright sound. Good for beginners.

Clean bite and well-balanced rim for all-around

Semi-
TR-11C4 16.46 Semi-flat Standard Standard 3.65 playing. Standard model for beginners and
narrow
advanced players.

Relatively flat rim with a shallow cup for fast

TR-13A4a 16.20 Semi-flat Thick Shallow 3.65 Narrow
response. Ideal for piccolo and lead trumpet.

10 Yamaha Mouthpieces
Trumpet Mouthpieces
Rim

Brass Standard Series

Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Semi- Semi- Superb clarity for large ensembles and orchestras.
TR-13B4 16.63 Semi-flat Standard 3.65
shallow narrow Well-matched to C trumpets. Powerful sound.

Medium rim diameter and cup volume for all-

Semi-
TR-13C4 16.50 Semi-flat Standard Standard 3.65 around playing. Good for ensembles and
narrow orchestras. Fairly dark sound.

Fast-response high range and powerful sound.

TR-14A4a 16.68 Semi-flat Semi-thick Shallow 3.65 Narrow Ideal for piccolo or lead trumpet.

Semi- Semi- Relatively large rim diameter and shallow cup.

TR-14B4 16.85 Semi-flat Standard 3.65
shallow narrow Outstanding overall balance for all musical genres.

Rim designed for outstanding facility and flexibility.

Semi-
TR-14C4 16.88 Semi-flat Standard Standard 3.65 Popular in ensembles and orchestras. Can produce
narrow high volume.

A fairly deep cup with a medium rim. Rich,

Semi-
TR-14D4 16.80 Semi-flat Standard Semi-deep 3.65 somewhat dark tone. Well suited to orchestral
narrow playing.

The 14B4 rim with a unique cup for a soft tone.

TR-14E4 16.84 Semi-flat Semi-thick Deep 3.88 Wide For rotary trumpets. Large backbore and throat.

Fairly large rim diameter with a shallower cup than

Semi- Semi- b
TR-15B4 16.96 Semi-flat Standard 3.65 the 15C4. Outstanding flexibility. Suits B , C, D,
b
shallow narrow and E trumpets.

Semi- Clean rim bite with a standard U-shaped cup.

TR-15C4 16.98 Semi-flat Standard Standard 3.65
narrow Bright, powerful tone. For advanced players.

Rim designed for outstanding facility and flexibility.

TR-15E4 16.92 Semi-flat Semi-thick Deep 3.88 Wide For rotary trumpets. Between the 14E4 and 16E4
in size.

Large rim and medium cup for easy playability over

Semi-
TR-16C4 17.00 Semi-flat Standard Standard 3.65 a wide range. High volume. Excellent for symphony
narrow orchestra players.

Semi- A deeper cup than the 16C4. Soft tone. Mellow-

TR-16D 17.14 Standard Standard Semi-deep 3.65
narrow but-solid sound that is ideal for orchestras.

The 16C4 rim with a unique deep cup. Heavy tone.

TR-16E4 17.14 Semi-flat Semi-thick Deep 3.88 Wide For rotary trumpets. Maximum inner rim diameter.

A good combination of large rim and relatively

Semi- Semi-
TR-17B4 17.30 Semi-flat Standard 3.65 shallow cup. Powerful sound. A good choice for
shallow narrow orchestra first-chair players.

Semi- Deeper cup than the 17B4. Powerful, dark sound.

TR-17C4 17.30 Semi-flat Standard Standard 3.65
narrow A popular choice with symphony orchestra players.

An even deeper cup than the 17C4 for an

Semi-
TR-17D4 17.30 Semi-flat Standard Semi-deep 3.65 exceptionally dark, heavy tone. Good for symphony
narrow orchestra players who prefer a mellow sound.

High volume with an exceptionally large inner rim

Semi-
TR-18C4 17.42 Semi-flat Standard Standard 3.65 diameter and deep cup. For advanced orchestra
narrow players.

Yamaha Mouthpieces 11
 Cornet Mouthpieces (Short Shank)
Rim
Brass Standard Series

Model Inner Cup Throat

Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Small inner rim diameter, flat and wide for
CR-7D4dS 16.24 Semi-flat Thick Semi-deep 4.10 Semi-wide extended endurance. Bright, round tone.
Outstanding high tones.

Small inner rim diameter with a relatively deep

Semi-
CR-8D2S 16.36 Standard Semi-deep 4.10 Wide cup. Soft yet lyrical tone that is excellent for
round
playing in the high range.

Appealing “British-style” soft tone. Medium

CR-9ES 16.44 Standard Standard Deep 4.50 Semi-wide rim and deep cup for easy playability over a
wide range.

Easy high register. Ideal for beginners. Same

Semi-
CR-11C4S 16.46 Semi-flat Standard Standard 3.65 rim and cup configuration as the 11C4
narrow
trumpet model.

The standard British-style cornet mouthpiece.

CR-11E4S 16.46 Semi-flat Standard Deep 4.20 Standard Exceptionally flexible for a wide range of
styles.

Slightly larger inner rim diameter than the

CR-13E4S 16.70 Semi-flat Standard Deep 4.50 Standard 11E4 for a richer, heavier tone. Deep “V” cup
delivers traditional soft cornet tone.
Slightly smaller inner rim diameter than the
16E. Beautiful soft tone. Centered tone and
CR-14ES 16.86 Standard Standard Deep 3.98 Standard
outstanding stability over the instrument’s full
range.
Popular with top British players. Unique
CR-16ES 17.05 Standard Standard Deep 3.98 Standard configuration with a fairly thin rim facilitates
advanced playing techniques.

12 Yamaha Mouthpieces
Cornet Mouthpieces (Long Shank)
Rim

Brass Standard Series

Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)

Semi- Small inner rim diameter. Suitable for playing

CR-6B4L 15.65 Semi-flat Semi-thick 3.76 Standard
shallow high notes.

Fairly small inner rim diameter, but with

CR-7A4L 16.24 Semi-flat Thick Shallow 3.65 Standard
outstanding flexibility.

Well-defined rim bite for easy, fatigue-free

CR-9C4L 16.28 Semi-flat Standard Standard 3.65 Standard
playability.

Piccolo trumpet mouthpiece with a CR shank,

Semi-
CR-11A4L 15.99 Semi-flat Standard Shallow 3.65 medium bore, and shallow cup offers a bright
narrow
upper range. Excellent for piccolo trumpet.

Medium bore with a shallow cup offers a

Semi-
CR-11B4L 16.64 Semi-flat Standard Shallow 3.65 bright and rich upper range. Well-suited for
wide
piccolo trumpet.

Standard type for players from beginner to

CR-11C4L 16.46 Semi-flat Standard Standard 3.65 Standard
advanced.

Semi- Bright tone suited to large bands and

CR-13B4L 16.63 Semi-flat Standard 3.65 Standard
shallow ensembles.

Fast-response high range and powerful sound.

CR-14A4aL 16.68 Semi-flat Standard Shallow 3.65 Standard
Well-suited for piccolo trumpet.

Semi-
CR-14B4L 16.85 Semi-flat Standard 3.65 Standard Outstanding overall balance for all genres.
shallow

CR-15C4L 16.98 Semi-flat Standard Standard 3.65 Standard Bright, powerful tone. For advanced players.

Large inner rim diameter and medium cup for

CR-16C4L 17.00 Semi-flat Standard Standard 3.65 Standard
easy playability over a wide range.

Ideal for orchestra players who prefer a large

CR-17C4L 17.30 Semi-flat Standard Standard 3.65 Standard
inner rim diameter.

Yamaha Mouthpieces 13
 Flugelhorn Mouthpieces
Rim
Brass Standard Series

Model Inner Cup Throat

Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Medium inner rim diameter and unique “U”
FH-11F4 16.46 Semi-flat Standard Standard 3.80 Standard cup for extra endurance. Excellent attack.
Easy for beginners.

A slightly smaller version of the 14F4.

FH-13F4 16.66 Semi-flat Standard Standard 4.30 Standard Particularly easy in the middle and high
registers. Outstanding flexibility.

Relatively large inner rim diameter ideally

matched to an original “V” cup. A good
FH-14F4 16.76 Semi-flat Standard Standard 4.30 Standard
choice for demanding professional studio
applications.

Same rim configuration as the 16C4 trumpet

model, thus interchangeable. Ideal for
FH-16F4 17.00 Semi-flat Standard Deep 4.30 Standard
orchestra players who prefer a large inner rim
diameter.

Same rim and bore configuration as the

TR17C4 trumpet model, thus interchangeable.
FH-17F4 17.22 Semi-flat Standard Deep 4.50 Standard
Ideal for orchestra players who prefer a large
bore.

Alto (Tenor) Horn Mouthpieces

Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Medium inner rim diameter and cup volume.
AH-37C4 18.60 Semi-flat Standard Standard 5.25 Standard Bright tone. Easy to play from the lowest to
highest notes. Outstanding endurance.

Large inner rim diameter and a fairly deep cup

AH-38D4 18.90 Semi-flat Standard Semi-deep 5.25 Standard produce a rich, heavy tone. Popular with top
British amateurs.

14 Yamaha Mouthpieces
French Horn Mouthpieces
Rim

Brass Standard Series

Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Semi- b
Ideal for B /HF horns. Smallest “V” cup in the
HR-28B 16.87 Standard Semi-thick shallow 3.90 Semi-wide
line, but with a soft, mellow tone.
(V cup)
Semi- Fairly thick rim with a relatively small inner
HR-29B 17.07 Standard Semi-thick shallow 3.90 Semi-wide diameter for superior high tone. Medium throat
(V cup) for easy all-around playing.
b
Standard Ideal for B /HF horns. Relatively sharp shoulder
HR-29C4 17.08 Semi-flat Thick 3.98 Standard
(U cup) and medium throat for clear tone.

Double-cup combining medium and extra-deep

Semi-deep Semi-
HR-29D4 16.88 Semi-flat Standard 4.50 “V” cups. Fairly small inner diameter, but with a
(double cup) narrow
large throat for rich tone.
Semi- Standard “V” cup model with a larger inner rim
HR-30B 17.27 Standard Standard shallow 3.90 Semi-wide diameter than the 29B. Smooth airflow. Ideally
(V cup) matches horns with a very narrow bell.
Medium inner rim diameter and “U” cup for fast
Standard
HR-30C4 17.28 Semi-flat Standard 3.98 Standard response. Standard type with ideal resistance
(U cup)
and powerful, rich tone.

Semi-deep Semi- Exceptionally rich tone. Matches horns with a

HR-30D4 17.08 Semi-flat Standard 4.50
(double cup) narrow wide bell. Excellent stability on high notes.
Medium inner rim diameter with a “V” cup for
Semi-
a “traditional” soft horn tone. High volume over
HR-31B 17.47 Standard Standard shallow 3.90 Semi-wide
a wide range. A good match for horns with a
(V cup)
narrow bell.
Semi-deep Semi- Heavy tone and high volume. Relatively flat rim
HR-31D4 17.28 Semi-flat Standard 4.50
(double cup) narrow of medium thickness for easy playability.

Semi- Large inner rim diameter for outstanding low-

HR-32B 17.67 Standard Semi-thick shallow 3.90 Semi-wide note tone. Largest “V” cup in the lineup. Rich,
(V cup) mellow tone.

Standard Plenty of volume. Relatively flat rim of medium

HR-32C4 17.48 Semi-flat Standard 3.98 Standard
(U cup) thickness for easy playability.

Largest double-cup in the lineup. Also ideal for

Semi-deep Semi-
HR-32D4 17.48 Semi-flat Standard 4.50 Wagnerian tuba. Large cup volume for a dark,
(double cup) narrow
heavy sound and easy low notes.

Standard Large “U” cup. Can deliver a big, expansive

HR-33C4 17.68 Semi-flat Standard 3.98 Standard
(U cup) sound. For advanced players.

Semi-
HR-33B 17.87 Standard Semi-thick shallow 3.90 Semi-wide “V” cup with rich and mellow tone.
(V cup)
Semi-
Largest “V” cup in the lineup. Heavy sound and
HR-34B 18.07 Standard Semi-thick shallow 3.90 Semi-wide
low notes. For advanced players.
(V cup)
Plenty of volume. U cup for powerful
Semi- Standard Semi-
HR-34C 17.81 Semi-thin 4.09 performance. Relatively thin rim for easier high
round (U-cup) narrow
notes.

Standard Plenty of volume. “U” cup for powerful

HR-34C4 17.88 Semi-flat Standard 3.98 Standard
(U cup) performance.

Standard Largest “U” cup in the lineup. Can deliver a

HR-35C4 18.08 Semi-flat Standard 3.98 Standard
(U cup) heavy sound. Suitable for large orchestras.

Yamaha Mouthpieces 15
 Trombone/Euphonium/Baritone Mouthpieces (Small Shank)
Rim
Brass Standard Series

Model Inner Cup Throat

Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Small inner rim diameter with an extremely
Semi-
SL-45AS 24.26 Standard Standard Shallow 5.85 shallow cup for brilliant tone. Easy high notes.
narrow
Ideal for bass trumpet.

Small inner rim diameter with a clean bite.

Semi- Semi-
SL-45C2S 24.26 Standard Standard 5.85 Easy playability with a bright tone. Popular
round narrow
with studio players.

Shallower cup than the 46C2. Outstanding

Semi- Semi-
SL-46BS 24.58 Standard Standard 5.85 high register. Fairly sharp shoulder. Brilliant
shallow narrow
tone.

Relatively large inner rim diameter. A good

Semi- Semi-
SL-46C2S 24.59 Standard Standard 5.85 choice for advanced jazz players. Ideal for
round narrow
demanding professional studio applications.

Semi- Outstanding endurance. Rich tone suitable for

SL-47S 24.98 Standard Standard Standard 5.85
narrow ensembles and orchestras.

The 48 rim combined with a very shallow cup.

Semi-
SL-48AS 25.25 Standard Standard Shallow 5.32 For alto trombones. Bright tone with good
narrow
volume. Ideal for baroque compositions.

Well-balanced rim and cup for all-around

SL-48S 25.25 Standard Standard Standard 6.62 Semi-wide playing. Refined design meets the needs of
professional players.

Same rim as the 48 with a relatively deep cup.

SL-48DS 25.25 Standard Standard Semi-deep 6.62 Semi-wide Rich lower register with a rich, soft tone. Also
ideal for euphonium.

The 51 rim with a relatively shallow cup.

Semi-
SL-51BS 25.23 Standard Standard 6.92 Semi-wide Powerful sound. Popular with ensemble and
shallow
orchestra euphonium players.

Shallower cup than the 51. Plenty of volume

and power. Solid tone throughout the
SL-51C4S 25.23 Standard Standard Standard 6.92 Semi-wide
instrument’s range. Ideal for symphony
orchestra playing.

Relatively large inner rim diameter with

SL-51S 25.23 Standard Standard Standard 6.92 Semi-wide large cup volume for a dark sound. Standard
euphonium model with a beautiful rich tone.

An even deeper cup than the 51 for a heavy,

EP-51DS 25.24 Standard Standard Semi-deep 7.11 Semi-wide rich tone. Specifically for euphonium. Ideal for
advanced players who prefer a dark sound.

Larger inner rim diameter and cup than the

SL-52S 25.65 Standard Standard Standard 7.11 Semi-wide
51. Heavy tone. For advanced players.

16 Yamaha Mouthpieces
Trombone/Euphonium Mouthpieces (Large Shank)
Rim

Brass Standard Series

Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Smaller inner rim diameter than the 48.
SL-47L 24.98 Standard Standard Standard 5.85 Standard Extended endurance. Plenty of volume. Ideal
for ensemble and orchestra playing.

Well-balanced rim and cup with a fairly narrow

Semi-
SL-48L 25.25 Standard Standard Standard 6.62 backbore. Meets the needs of professional
narrow
players.

Same rim as the 48 with a relatively deep cup.

Semi-
SL-48DL 25.25 Standard Standard Semi-deep 6.62 Rich low register with a soft tone. Also ideal
narrow
for euphonium.

The 51 rim with a relatively shallow cup.

Semi-
SL-51BL 25.23 Standard Standard 6.92 Semi-wide Powerful sound. Popular with ensemble and
shallow
orchestra euphonium players.

Shallower cup than the 51. Plenty of volume

and power. Solid tone throughout the
SL-51C4L 25.23 Semi-flat Standard Standard 6.92 Semi-wide
instrument’s range. Ideal for symphony
orchestra playing.

Relatively large inner rim diameter with

SL-51L 25.23 Standard Standard Standard 6.92 Semi-wide large cup volume for a dark sound. Standard
euphonium model with a large backbore.

An even deeper cup than the 51 for a heavy,

EP-51DL 25.24 Standard Standard Semi-deep 7.11 Standard rich tone. Specifically for euphonium. Ideal for
advanced players who prefer a dark sound.

Larger inner rim diameter and cup than the

SL-52L 25.65 Standard Standard Standard 7.11 Semi-wide
51. Heavy tone. For advanced players.

Extremely large cup. Outstanding middle and

SL-53L 25.91 Standard Standard Standard 7.11 Semi-wide low registers. Heavy tone. Ideal for beginning
bass trombone players.

Larger inner rim diameter and cup than the

SL-54L 26.15 Standard Standard Standard 7.11 Semi-wide
52. Suitable for larger orchestras.

Larger inner rim diameter and cup than the

SL-55L 26.35 Standard Standard Standard 7.11 Semi-wide
54. Heavy tone. Also ideal for bass trombone.

Yamaha Mouthpieces 17
 Bass Trombone Mouthpieces
Rim
Brass Standard Series

Model Inner Cup Throat

Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Medium cup and rim for easy playability
BL-58L 26.84 Standard Standard Standard 7.25 Semi-wide through the low and middle registers. Crisp
attack with outstanding flexibility.
Relatively thin rim. Rich sound even on pedal
BL-59L 27.22 Standard Semi-thin Standard 7.25 Semi-wide tones. Voluminous cup for solid lows and
plenty of power.
A German-style combination of fairly thick rim
Semi- with relatively shallow cup. Excellent flexibility.
BL-60BL 27.83 Standard Semi-thick 6.92 Semi-wide
shallow Easy playability and clear tone in the middle
and low registers.
Very deep cup with a large throat and
BL-60L 28.25 Standard Thin Standard 8.10 Wide backbore. Powerful, deep, low tone. For
advanced players.

Tuba Mouthpieces
Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Small inner rim diameter with a medium cup.
An ideal beginner’s model for young players.
BB-64 30.45 Standard Thick Standard 8.35 Standard
Well-balanced rim configuration for flexibility
and easy playability.
Relatively small inner rim diameter and
medium cup volume for easy playability.
BB-65 30.95 Standard Semi-thin Standard 8.35 Semi-wide
Excellent balance throughout the instrument’s
range, with a fairly dark tone.
Shallower cup than the 66. Outstanding
Semi-
BB-66B 31.37 Standard Standard 8.35 Semi-wide playability and flexibility. Fairly bright tone and
shallow
facile response over a wide range.
Voluminous cup. Fairly dark tone with plenty
BB-66 31.37 Standard Standard Standard 8.35 Standard of power. Excellent resonance and clarity.
Popular in ensembles and orchestras.
b
Excellent matching with E brass band
BB-66D4 31.49 Semi-flat Semi-thick Semi-deep 8.87 Semi-wide instruments. Very deep cup. Dark tone with
plenty of volume. Symphonic sound.
Large inner rim diameter with a shallow cup.
Semi- Easy playability with a bright tone. Particularly
BB-67B4 32.06 Semi-flat Semi-thick 7.02 Standard
shallow easy high notes and clear lows. Perfect for F
instruments.
Exceptional rim and cup balance for easy
b b
BB-67 31.93 Standard Standard Standard 8.35 Semi-wide playability. Good match for B , C, and E
instruments. Well-centered tone.
b
A perfect match for B and C instruments.
All-around versatility. Smooth, mellow tone
BB-67C4 32.06 Semi-flat Semi-thick Standard 8.10 Standard
throughout the instrument’s range. Plenty of
volume and power.
Large inner rim diameter with a small cup
Semi-
BB-68B 32.72 Standard Semi-thick 7.50 Standard volume and throat. Enhanced clarity in large
shallow b
B and C tubas.

18 Yamaha Mouthpieces
GP Series

Brass GP Series
Our GP Series have been created especially for professionals who
require superior quality from their mouthpiece.
The GP Series features an innovative shape and extra-heavy gold-
plate finish for players who prefer a focused, concentrated tonal core.

GP

Trumpet Mouthpieces
Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
A somewhat shallow cup and medium rim for
Semi- Semi-
TR-11B4-GP 16.46 Semi-flat Standard 3.65 extra endurance. Brilliant tone. Suitable for D,
shallow narrow b
E , and piccolo trumpets.

Semi- Fast-response high range and powerful sound.

TR-14A4a-GP 16.68 Semi-flat Semi-thick Shallow 3.65
narrow Ideal for piccolo or lead trumpet.

Relatively large rim diameter and shallow cup.

Semi- Semi-
TR-14B4-GP 16.85 Semi-flat Standard 3.65 Outstanding overall balance for all musical
shallow narrow
genres.

Rim designed for outstanding facility

Semi-
TR-14C4-GP 16.88 Semi-flat Standard Standard 3.65 and flexibility. Popular in ensembles and
narrow
orchestras. Can produce high volume.

Large rim and medium cup for easy playability

Semi-
TR-16C4-GP 17.00 Semi-flat Standard Standard 3.65 over a wide range. High volume. Excellent for
narrow
symphony orchestra players.

Semi- Powerful, dark sound. A popular choice with

TR-17C4-GP 17.30 Semi-flat Standard Standard 3.65
narrow symphony orchestra players.

Cornet Mouthpieces (Short Shank)

Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Slightly smaller inner rim diameter than the
CR-14ES-GP 16.86 Standard Standard Deep 3.98 Standard 16E. Soft, warm tone. Subtle, precise sound
enables consistent playing in all registers.

Slightly thin rim with a unique form enables

CR-16ES-GP 17.05 Standard Standard Deep 3.98 Standard
high-level playing techniques.

Yamaha Mouthpieces 19
 Flugelhorn Mouthpiece
Rim
Brass GP Series

Model Inner Cup Throat

Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Relatively large inner rim diameter ideally
FH-14F4-GP 16.76 Semi-flat Standard Standard 4.30 Standard matched to an original “V” cup. A good choice
for demanding professional studio applications.

French Horn Mouthpieces

Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Standard Smaller inner rim diameter than the 31.
Semi-
HR-30-GP 17.08 Standard Standard (double 4.40 All-around type. Shallow “U” cup facilitates high
narrow
cup) notes, while a deep “V” makes low notes easy.

Standard Medium rim configuration provides flexibility for

Semi-
HR-31-GP 17.28 Standard Standard (double 4.40 difficult passages. Relatively large throat delivers
narrow
cup) a heavy, somewhat dark tone with extra volume.

Standard Larger inner rim diameter than the 31.

Semi-
HR-32-GP 17.48 Standard Standard (double 4.40 Authoritative low notes. Large cup volume for
narrow
cup) a rich, mellow tone.

Trombone Mouthpieces (Small Shank)

Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Small inner rim diameter with a clean bite.
Semi- Semi-
SL-45C2S-GP 24.26 Standard Standard 5.85 Easy playability with a bright tone. Popular
round narrow
with studio players.

Well-balanced rim and cup for all-around

Semi-
SL-48S-GP 25.25 Standard Standard Standard 6.62 playing. Refined design meets the needs of
wide
professional players.

Trombone Mouthpiece (Large Shank)

Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Semi- Well-balanced rim and cup with a fairly narrow
SL-48L-GP 25.25 Standard Standard Standard 6.62
narrow backbore. Meets the needs of professional players.

Bass Trombone Mouthpiece

Rim
Model Inner Cup Throat
Backbore Playing Characteristics
No. Diameter Contour Thickness Depth (mm)
(mm)
Relatively thin rim. Rich sound even on pedal
Semi-
BL-59L-GP 27.22 Standard Standard Standard 7.25 tones. Voluminous cup for solid lows and
wide
plenty of power.

20 Yamaha Mouthpieces
Signature Series

Brass Signature Series

Trumpet

ERIC AUBIER
International soloist
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

TR-AUBIER 17.03 Semi-flat Standard Standard 3.80 Standard

FRITS DAMROW
Professor at the Zurich University of the Arts (Switzerland) and one of Europe’s best soloists
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

TR-DAMROW 16.92 Standard Standard Standard 3.86 Standard

MARK GOULD
The chair of brass department of Manhattan School of Music, the faculty of the Julliard School
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

TR-MG 17.30 Standard Standard Semi-shallow 3.88 Standard

ERIC MIYASHIRO
Lead player in a Who’s Who of Top Bands and founder of the EM Big Band
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

TR-EM1S 16.02 Semi-round Thin Shallow 3.65 Narrow

TR-EM2S 16.22 Semi-round Thin Shallow 3.65 Narrow

ERIC AUBIER Model FRITS DAMROW Model MARK GOULD Model ERIC MIYASHIRO Model
Powerful, full sound. An all- Full, resonant sound and a This mouthpiece has been Two cup sizes available.
around model. responsive feel when played. designed for a big orchestral Fatigue-free rim bite makes
For orchestral performers. sound with enough projection it ideal for lead trumpeters.
to fill a concert hall. The wide
inner rim size and open throat
allow a warm broad sound even
at fortissimo.

Yamaha Mouthpieces 21
Brass Signature Series

Trumpet

BOBBY SHEW
Jazz trumpeter renowned for powerful lead playing and expressive solos
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

TR-SHEW-LEAD 16.54 Semi-round Semi-thick Shallow 3.56 Narrow

TR-SHEW-JAZZ 16.85 Semi-round Semi-thick Standard 3.65 Standard

ALLEN VIZZUTTI
Soloist in a multitude of musical genres—from jazz to classical
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
TR-VIZZUTTI
16.67 Semi-flat Semi-thick Shallow 3.56 Narrow
TR-VIZZUTTI-GP

Cornet

PIERRE DUTOT
International soloist
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

CR-DUTOT-S 16.90 Standard Standard Deep 3.99 Wide

CR-DUTOT-L 16.95 Standard Standard Shallow 3.72 Standard

BOBBY SHEW Model ALLEN VIZZUTTI Model PIERRE DUTOT Model

The Lead model gives that extra sizzle and The shallow cup with smooth inner rim The trademark of the DUTOT-S is its
high note clarity for playing lead parts. edge gives a clear focused sound and rich cornet sound, making it perfect for
The Jazz model has a fairly deep roomy plays evenly in all registers. French-style cornet performances. The
cup for a warm, big sound, and a throat DUTOT-L possesses a full, bright treble
and backbore designed to give enough register, and is suited for use on piccolo
“jump and snap” for maneuvering through trumpets that have a cornet shank.
quick jazz passages with a rich full sound.

22 Yamaha Mouthpieces
 Brass Signature Series
Flugelhorn

BOBBY SHEW
Jazz trumpeter renowned for powerful lead playing and expressive solos

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

FH-SHEW 16.54 Semi-round Semi-thick Standard 4.40 Long taper

ERIC MIYASHIRO
Lead player in a Who’s Who of Top Bands and founder of the EM Big Band

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

FH-EM 16.06 Semi-flat Thin Standard 4.40 Long taper

PIERRE DUTOT
International soloist

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

FH-DUTOT 17.20 Semi-flat Standard Deep 3.99 Narrow

BOBBY SHEW Model ERIC MIYASHIRO Model PIERRE DUTOT Model

The Shew mouthpiece for This mouthpiece features a The standout features
flugelhorns gives a smooth, relatively shallow cup for a of this mouthpiece is its
silky tone. flugelhorn mouthpiece and smooth, full sound and
gives outstanding control of excellent playability.
tone and pitch.

Yamaha Mouthpieces 23
Brass Signature Series

French Horn

JAMES SOMMERVILLE
Principal horn with the Boston Symphony Orchestra

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
Standard
HR-SOMMERVILLE 16.93 Semi-flat Standard 4.30 Standard
(V cup)

THOMAS BACON
International soloist

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
Semi-shallow
HR-BACON 17.99 Standard Standard 4.50 Semi-wide
(V cup)

Trombone
PETER SULLIVAN
Principal trombone with the Pittsburgh Symphony Orchestra

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

SL-SULLIVAN 25.42 Standard Standard Semi-deep 7.15 Semi-wide

JAMES SOMMERVILLE Model THOMAS BACON Model PETER SULLIVAN Model

The inner rim size is fairly narrow, for This mouthpiece has a wide inner rim The Sullivan mouthpiece offers rich
enhanced flexibility in every range, diameter with a large V-shaped cup. orchestral sound with a powerful tonal
while the semi-flat rim contour gives projection. The rim and cup are fairly
tonal clarity. The V-shaped cup adds large for comfortable fortissimo, yet
security to the high range while the the mouthpiece also offers fine control
open throat size allows rich full-bodied for the most delicate passages.
tone in any dynamic.

24 Yamaha Mouthpieces
 Brass Signature Series
Trombone

NILS LANDGREN
International Jazz soloist

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
SL-LANDGREN-S
25.11 Semi-flat Semi-thin Standard 6.25 Semi-narrow
SL-LANDGREN-GP

ALAIN TRUDEL
Classical and Jazz soloist

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
SL-TRUDEL-S
25.23 Semi-round Semi-thick Deep 7.15 Narrow
SL-TRUDEL-GP

Bass Trombone
DOUGLAS YEO
Former Bass Trombonist with the Boston Symphony Orchestra
Rim Cup Throat
Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
SL-YEO-S
28.72 Semi-flat Semi-thin Semi-deep 8.00 Semi-wide
SL-YEO-GP

NILS LANDGREN Model ALAIN TRUDEL Model DOUGLAS YEO Model

The Landgren mouthpiece has a The Trudel mouthpiece offers players The Yeo mouthpiece features a large
comparatively large rim for jazz offering a big warm sound, and a rim and cup symphonic size cup for a big rich sound.
players a powerful sound and great size well suited for orchestral as well as It is characterized by a full, centered
flexibility. solo use. tone with a focused core and a brilliant,
well-defined overtone series.

Yamaha Mouthpieces 25
Brass Signature Series

Tuba

JIM SELF
Associate Professor of USC, Studio Musician

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

BB-SELF 32.86 Standard Semi-thick Standard 8.00 Standard

ROGER BOBO
Legendary teacher

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)
BB-BOBO-SOLO-S
32.20 Semi-flat Standard Semi-shallow 7.50 Standard
BB-BOBO-SOLO-GP
BB-BOBO-SYM-S
32.90 Standard Standard Semi-shallow 7.50 Standard
BB-BOBO-SYM-GP

SERGIO CAROLINO
Principal Tuba with the Porto National Symphony Orchestra

Rim Cup Throat

Model No. Backbore
Inner Diameter (mm) Contour Thickness Depth (mm)

BB-CAROLINO 32.44 Semi-flat Standard Semi-shallow 7.50 Standard

JIM SELF Model ROGER BOBO Model SERGIO CAROLINO Model

Jim’s mouthpiece embodies his long The Solo mouthpiece features a clear focused The Carolono mouthpiece has the ideal
experience of playing literally all tone that sings and projects, and is especially characteristics for all-around usage.
types of music in highly demanding suitable for solo performances and for use Perfect for both solo performance and
situations. with F and E b tubas. The Symphonic model is orchestral playing, it makes players feel
characterized by a warm tone, big enough to comfortable in all registers and has the
fill the concert with rich colorful sound. added benefit of great versatility.

26 Yamaha Mouthpieces
Mouthpiece Lineup

Brass
Trumpet
Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow EM1S EM2S SHEW-LEAD VIZZUTTI
5A4 6A4a 7A4 11A4/11A5 13A4a 14A4a
7B4 11B4 13B4 14B4 15B4 17B4
SHEW-JAZZ MG
11 DAMROW AUBIER
8C4 9C4 11C4 13C4 14C4 15C4 16C4 17C4 18C4
14D4 16D 17D4
Deep 14E4 15E4 16E4

Cornet (Short Shank)

Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow 7D4dS 8D2S 11C4S
9ES 11E4S 13E4S 14ES 16ES
Deep DUTOT-S

Cornet (Long Shank)

Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow 7A4L 11A4L 14A4aL DUTOT-L
6B4L 11B4L 13B4L 14B4L
Deep 9C4L 11C4L 15C4L 16C4L 17C4L

Flugelhorn
Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow SHEW
11F4 13F4 14F4
Deep EM 16F4 17F4 DUTOT

Alto Horn
Cup Volume Cup Diameter
& Shape Narrow Wide GP Series available
37C4 38D4 Signature Series

Yamaha Mouthpieces 27
Brass

French Horn
Cup Volume Cup Diameter
& Shape Narrow Wide
V Cup 28B 29B/SOMMERVILLE 30B 31B 32B 33B 34B BACON
U Cup 29C4 30C4 32C4 33C4 34C/34C4 35C4
29D4 30D4 31D4 32D4
Double Cup
30 31 32

Trombone/Euphonium/Baritone (Small Shank)

Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow 45AS 46BS 48AS 51BS
45C2S 46C2S 51C4S
47S LANDGREN 48S 51S 52S
Deep 48DS 51DS

Trombone/Euphonium (Large Shank)

Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow 51BL
51C4L SULLIVAN
47L 48L 51L 52L 53L 54L 55L
48DL 51DL
Deep TRUDEL

Bass Trombone
Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow 60BL
58L 59L 60L
Deep YEO

Tuba
Cup Volume Cup Diameter
& Shape Narrow Wide
Shallow 66B 67B4 BOBO-SOLO CAROLINO 68B BOBO-SYM
64 65 66 67 SELF
Deep 66D4 67C4

28 Yamaha Mouthpieces
Selecting a Woodwind Mouthpiece
The clarinet or saxophone player is just as dependent on mouthpiece design and quality as
his or her brass-playing colleagues. Although the basic configuration is the same for all clarinet
and saxophone mouthpieces, subtle differences can significantly affect the sound and playing
feel. Yamaha has prepared an array of top-quality woodwind mouthpieces to meet the musical

Wood winds
requirements of players at every level of proficiency in every genre.
A particularly important parameter for woodwind players is the tip opening. For beginners,
Yamaha offers mouthpieces with a narrow tip opening to facilitate a clear tone with easy
response and consistent intonation. More advanced players will be able to take advantage of
the fuller volume and better projection permitted by mouthpieces having larger tip openings.
Yamaha mouthpieces are created through careful consideration of all factors affecting
the woodwind sound. Inspection and quality control at every stage of production, and after
completion, ensure conformance with proven guidelines for musical performance.

Facing
Length
Chamber
Table
Tip Opening

Bank
Baffle Tip Rail

Yamaha Mouthpieces 29
 Yamaha Woodwind Mouthpieces
Yamaha Custom Ebonite Mouthpieces with exceptional clarity. Their accurate intonation and
Yamaha Custom saxophone and clarinet comfortable playability have made them popular with
mouthpieces are sculpted out of choice ebonite, many leading artists.
a high-quality hard rubber which offers a deep
Woodwinds

resonance and tonal qualities similar to those Standard Model Mouthpieces

of natural wood. Every step of the production, The Standard Series are made out of high-quality
from the initial shaping of the mouthpiece ‘blank’ phenol resin (plastic) and feature a design based upon
to the final hand crafting of the facing, is done the top-grade Custom Series. They are extremely
by Yamaha’s experienced artisans for complete consistent in specifications and playing quality, and
control ensuring consistent high quality. offer excellent value for their price. The facing of this
Yamaha has spent years working together series is slightly shorter than that of the Custom Series
with many of the world’s greatest musicians, making them easier to play, and easier for beginning
studying their mouthpieces and discovering ways students to achieve a rich characteristic clarinet
to improve them. The Custom Series incorporates sound. They also are available in a variety of sizes, to
this experience in the design and manufacture suit the needs players of many different styles.
of every mouthpiece in the series. The Custom
b
mouthpieces are characterized by a warm rich tone E Alto Clarinet
Model Facing Length (mm) Tip Opening (mm)

Clarinets 3C 1.30
4C 1.40

b
5C 22.0 1.50
B /A Clarinet 6C 1.60
Model Facing Length (mm) Tip Opening (mm) 7C 1.70
b
4CM 1.05 B Bass Clarinet
5CM 21.0 1.10 Model Facing Length (mm) Tip Opening (mm)
6CM 1.15
3C 1.60
4C 1.70
Standard
b 5C 31.0 1.80
E Clarinet 6C 1.90
Model Facing Length (mm) Tip Opening (mm) 7C 2.00
3C 0.95
4C 1.00
Playing Characteristics
5C 17.0 1.05 Model Comments
6C 1.10 Easy control and good response from lower to
3C
higher ranges, even for beginners.
7C 1.15
b 4C
Helps obtain a well-balanced tone over all
B /A Clarinet octaves, for professionals and beginners alike.
Model Facing Length (mm) Tip Opening (mm) Facilitates a richer, fuller volume than 4C, with
5C
3C 1.00 a greater tonal variety.

4C 1.05 An excellent mouthpiece for experienced

6C players seeking powerful volume, strong tone,
5C 19.0 1.10 and rich tone variety.
6C 1.20 A jazz favorite for penetrating volume with a
7C
7C 1.30 rich, strong sound and precise tonality.

30 Yamaha Mouthpieces
 Standard

Woodwinds
Custom Clarinet Custom Saxophone Standard Clarinet Standard Saxophone
Mouthpiece Mouthpiece Mouthpiece Mouthpiece

Saxophones
b
E Alto Saxophone
b Model Facing Length (mm) Tip Opening (mm)
B Soprano Saxophone
Model Facing Length (mm) Tip Opening (mm) 3C 1.50
4C 1.60
3CM 1.20
5C 23.0 1.70
4CM 1.25
6C 1.80
5CM 19.0 1.30
7C 1.90
6CM 1.35
7CM 1.40 b
B Tenor Saxophone
b
E Alto Saxophone Model Facing Length (mm) Tip Opening (mm)

Model Facing Length (mm) Tip Opening (mm) 3C 1.60

3CM 1.40 4C 1.70

4CM 1.50 5C 24.0 1.80

5CM 22.0 1.60 6C 1.90

6CM 1.70 7C 2.00

7CM 1.80 b
E Baritone Saxophone
b
B Tenor Saxophone Model Facing Length (mm) Tip Opening (mm)
Model Facing Length (mm) Tip Opening (mm) 5C 28.0 2.10
3CM 1.60
4CM 1.70 Playing Characteristics
5CM 24.0 1.80 Model Comments
6CM 1.90 Suitable for beginners. Helps bring out
7CM 2.00 3C distinctive, clear sound with good response in
high and low registers.

Standard Easy to obtain a balanced, clear, and focused

b 4C tone in any octave. Ideal for professionals and
B Soprano Saxophone beginners.
Model Facing Length (mm) Tip Opening (mm) Provides a somewhat richer tone with greater
3C 1.15 5C variety of colors than 4C and excellent
flexibility and response. Popular with soloists.
4C 1.20
Powerful volume and rich tonal variations.
5C 19.0 1.25 6C
Excellent for experienced players.
6C 1.30 Rich, bold, powerful volume and accurate
7C
7C 1.35 attacks. Well suited for jazz.

Yamaha Mouthpieces 31
 P 1 0 0 2 4 2 5 9
MOUTHPIECE GENERALCATALOG
WA-37R (P10028590)
http://www.yamaha.com/ Printed in Japan 2017.11