Creative Sparks of Innovations - Part 3
Creative Sparks of Innovations - Part 3
Introduction
Some eye openers and alarming facts: India has world’s largest population of illiterates –
about 380 million. Nearly every child in the 6-11 years age group is enrolled at schools,
but by Class V, one-third drop out, by Class VIII, half; and by Class X, nearly two-thirds
are out of school. Only 10% go for higher education. In all, over 170 million children and
youth in the age group of 6-24 years are out of the education system. And here are some
more numbers - 65% of Indians are below the age of 35 and a staggering 600 million are
under the age of 25. This is almost thrice the population of Britain, France and Germany
put together. It is also predicted that by 2020, the average age of Indians will be 29 years.
The capacities in Industrial Training Institutes (ITIs) and Polytechnics are grossly insufficient.
Moreover, it is widely accepted that the curricula are outdated and the delivery modes are
not user friendly. Thus, 88% of the population entering the workforce remains largely
unskilled and hence, unemployable. In such a scenario, how is it even possible for the
government to provide jobs to these growing populations! The problem of unemployment
looms large on the people as well as the government. A possible way of finding a solution
to above is to develop innovative ways of imparting employability skills backed up by duly
prescribed norms of evaluation and certification. Establishment of community based small
educational institutions called community colleges which are supposed to be institutions
meant For the community, By the community and Of the community can help to address the
educational needs of the underprivileged.
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To make the programme ‘Relevant’, need analysis should be done regularly to ascertain
the preferences of the defined community and to gather the education needs from them.
Five exploratory questions can be developed to identify the academic programmes at the
time of inception of the community level educational institute:
The community level educational institution is an institution with a difference, thus the
programmes need to be adapted to the needs of the community so that it is a natural
outcome of their social needs. The driving force behind the training institute should be
that it strives to provide and widen opportunities for all. After assessing needs of the
community through school visits, meeting with key persons, focus group meetings with
youth, women, Panchayat, and home visits, various academic programmes can be developed
to enable students to acquire necessary skills for livelihood and formal qualification for
social status and societal recognition. Thus the required types of courses can be identified
as per the needs of the people at grassroots. Moreover, the curriculum and content can be
developed in accordance with the market demand. The educational institute can conduct
community meetings. And if during these meetings great diversity is found in the demand
for academic programmes across varied age groups, programmes can be designed
accordingly. The demand can vary from programmes which are career based to those
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aimed at enhancing the self esteem of the learners across different age groups. In one
instance, there was a huge demand for English Speaking course and more professional
courses in computers such as Animation, Tally and Desk Top Publishing. In addition to
these courses on hardware, electrician, beauty care, hairstyling, and fashion designing were
also in great demand.
A mechanism of base line assessment can be utilized as a part of the evaluation process.
For courses such as Spoken English, Computers’, etc, a base line assessment can be done.
This helps to monitor the progress as well as assess impact of the curriculum on the
learner. The baseline assessment and evaluation can be developed simultaneously with the
curriculum and the course content. This also helps in coping up with different related
topics which are required in the same area. For example, in one community college a
course in Spoken English (Basic Level) was started, but after baseline assessment it was
found that there was a need for another foundation level course before that course. Thus
the mechanism of baseline assessment also helps to upgrade or evolve the curriculum of
the courses being offered. Moreover, in the beginning of the course a community level
institute also made a recording, with the learner introducing himself/herself, and after
three months, that is after completion of the course, the student was shown the same to
analyze the difference.
In order to “Value New Products”, it is extremely essential to understand the skill gaps
in various industry verticals. One of the educational institutes studied the list of twenty
high growth sectors enlisted by National Skills Development Programme, identified the
role in the value chain and then developed academic programmes. The framework of the
governance structure defined by the University with which it was registered was utilised
and followed to facilitate smooth functioning of the various academic and administrative
activities of the college. The college had constituted an Academic Committee and an
Examination Committee and on the top of them a Board to validate all the processes
undertaken in respect of conduct of academic operations and examinations. The members
of these regulatory bodies can be from diverse fields; from industry, to local community,
teachers from the college itself, local government representatives, etc.
The various outreach programmes help in analysing the needs of the community for
various courses. These programmes also play a crucial role in connecting with the potential
learners from the community. These programmes help in imparting awareness on education
and overall well-being. Within the community awareness can be generated about the
relationship between education, employability and economic development. Through various
awareness programmes the benefits of lifelong education can be advocated at various
levels. It helps in understanding the different barriers and challenges which hinder the
educational and employment requirements of the community.
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Innovative 4C model
One of the community level educational institution follows an innovative 4C Model for
providing a lifelong learning to the diverse community it serves for overall well-being. The
4Cs stand for Competent, Compassionate, Conscientious, Changemakers. This model also
highlights the teaching learning process of the community level educational institution
which is learner-centric and focuses on well-being and quality of life.
i) Competent
One of the constant endeavours of the community level educational institution should
be to enhance competency amongst its learners through opportunities in various
academic programmes designed as per their needs. All the programmes should have
well defined credit system. Technology can also be used as a tool to facilitate learning.
To promote the climate fit to meet the competitive needs, state-of-the-art laboratory
facilities and equipments, and class sizes tailored to learning needs can also be provided.
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ii) Compassionate
The students should be taught to respect all religions and thus all the festivals irrespective
of any religious conviction should be observed. Moral values should be inculcated as
a part of classroom teaching. Special spiritual sessions can also be conducted on a
regular basis. The students can be asked to document their feedback on their learnings
and reflections. In one of the community level educational institute the students start
their day with a prayer and by writing ‘thought of the day’ on the white board in the
hallway.
iii) Conscientious
Students should be taught to appreciate the hygienic practices and contribute to
cleanliness drives in their campus in order to enhance their sense of ownership of the
college. In addition to their learning in classrooms regular sessions should be held on
personality development and awareness of their rights and duties. Monthly analysis of
attendance of the students should be done and displayed on the notice board so that
the students stay alert on their regularity.
iv) Changemakers
It is important to make the youth responsible and proactive in community development
in their local area and for this the students can be organised into voluntary groups. The
concept can help to build leadership capabilities among them. In one such institute,
the students identified the top ten needs of their area and worked together to seek
solutions to the issues identified. They are involved in the process of developing a
community library and with the help of cycle rallies and street plays they spread the
awareness on the importance of education as ambassadors of change. The students
identify a theme each month and their activities are centered on the selected social and
environmental issues. These service learning programmes help in developing a sense
of civic responsibility among the students. These programmes not only enhance their
academic skills but also make them committed to their own community, thus finally
mobilizing change in the society.
The 4C model and its four parameters provide the standards according to which the
students can be acknowledged and recognised. All students should be provided equal
opportunity to excel in various facets of life. The guiding belief should be that since
the main purpose of education is to develop skills and knowledge, the emphasis
should be on producing the kind of learners who have the capability to bring a
positive change in the society.
The main emphasis should be to create an ambience that motivates students to grow
as an enlightened human. In order to achieve this, there should be full time counsellors
to cater to the needs of the students and aspirants at all levels and at all times. The
parents can be motivated to send their children to institute through regular parent
teachers’ meetings and home visits. The talent of students can be identified through
competitions, sports day and then linked with expert agencies. The students can be
encouraged to participate in various club activities such as dance, music, arts, theatre
for all round personality development. Seminars and workshops on rights and duties,
premarital counselling, career counselling, health and nutrition should be made a
regular feature. All these efforts inspire the learners to seek learning and not merely
pass exams. The community voluntary group programme can be used to inculcate the
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spirit of leadership and volunteerism amongst the students. Job fairs with corporate
partners can be organised to provide placement opportunities to the learners.
Additionally, the linkages can be done with bank for loan facilities and tie-ups directly
with market industry for providing jobs.
Thus, a community level educational institue ensures to promote job oriented, work
related, skill-based and life coping education to the deserving. It can play a significant
role in meeting the needs of unemployed, underemployed, underrepresented, and
disadvantaged sections across all age groups, culture and gender through various
academic programmes. In addition, it can rise to hold a unique position in this
juxtaposition of secondary and post secondary education for those who are able but
disadvantaged in terms of receiving adequate learning levels and quality education for
them to succeed in higher studies or career. It can also expand the demographic profile
of the students who cannot afford the minimal fees by providing loan opportunities
through bank linkages with special schemes and scholarships.
Conclusion
The community level educational institution in a humble manner can strive to customise
the educational programmes as per the needs of its students, and give the perfect platform
to one and all. It can be an endeavour to provide a lifetime experience of learning to the
diverse community it serves. Such community colleges can move towards a revolution
from evolution bringing about modest changes but surely effective ones which can lead
to innovative ways towards being change agents.
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Introduction
The Indira Gandhi National Open University has established a new emerging discipline,
Sustainability Science under the guidance of eminent agricultural scientist Prof. M. S.
Swaminathan in the backdrop of UN Decade for Education of Sustainable Development
(2005-2014). IGNOU is the first University in India and one of the few Institutions across
the globe that introduced Sustainability Science as a discipline. The foundation was laid
with the sponsoring of the plenary session on Sustainability Science at the 95th Indian
Science Congress on 6th January 2008 by the University. It is our great opportunity to share
the basic concept of this new discipline, its innovativeness in terms of developing the
programme and delivery mechanism through this article. The information has been
structured into three major components:
• Sustainability Science: Concept and Genesis in India
• IGNOU’s initiatives in developing and nurturing the new discipline
• Online delivery of programmes
Thus, Sustainability Science is the discipline that deals with the interaction between Nature
and Society. In the words of Prof. Swaminathan, ‘Sustainability Science is the study of arts
and science of Sustainable Development’.
Since livelihood security is the basic pillar to sustainable development, let us then delve into
the livelihood issues and available livelihood system in the country.
India is a society of large population and is the second most populated country in the
world. These large populations are fed by the natural resources around them which are
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degrading day by day. This finally leads to a state of poverty due to lack of traditional
livelihood option. Again, nation like India is highly vulnerable to the global phenomenon
of climate change. This is true especially in case of the poor sections of the society in
particular, where the rate of poverty is very high and agriculture is one of the key drivers
to GDP.
Livelihood system in India, mostly agriculture based, is built around – mountain, wetland,
river and biodiversity. Rural livelihood is dependent on agriculture, livestock, forest produce,
and produce from other resources like fish, labour etc. Livelihoods are dynamic in nature
and are influenced by various external and internal conditions making the interdependent
influencing factors more complex in nature. India is a country with huge diversity in
physical landforms, with different agro-climatic zones, high biological diversity that finally
leads to the diversity in culture and tradition. If one looks at the diversity in landform, it
shows a sort of inter-connectedness in different parts of the country. For example, the
Great Himalayas, the Ganges, the Indo-Gangetic plain, and the Western Ghats are the cases
where each of the components cannot be studied in isolation. So, the need of the hour is
to understand the existing conditions of the cyclic relations among the different landforms
and livelihood options.
Degradation of local natural resources, viability issues with traditional sectors like agriculture,
increase in climate vulnerability and changed aspirations are forcing people to shift to
other livelihood opportunity. Low productivity, environmental impact on land and water
resources, lack of access to formal financial system, poor forward and backward linkages,
institutional setup, technical knowledge and assistance, lack of storage and transport
infrastructure, poor-ineffective corrupt delivery mechanisms etc. are some other challenges.
From the farmers to the decision makers, all need a discipline that cares for the holistic
understanding of these aspects where the age old ethic centric principles are revisited and
are spread across the country. The mass participation for the growth of sustainable
development in India can be achieved through three major approaches, i.e. research,
sustainable development models and education.
Research enables us to understand the issues and approaches for solving the various
problems related to sustainable development. But the major obstacle is that research is
restricted to a limited number of people and the mass involvement calls for successful
implementation of the approaches and their extension. Education plays an important role
in enhancing awareness among people on these issues. The mode of education (in terms
of approaches and delivery mechanisms) also plays an important role when we have varied
groups of stakeholders. It has been well-tested that the open and distance learning (ODL)
system of education is the best and cost-effective option for mass education.
In brief, one can recommend that bringing sustainable livelihood needs a chain of
approaches where research and education are the basic components. Let us discuss the
role of education and specially the interventions made by ODL system in this direction.
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courses are structured at post graduate level. The programmes have been so designed to
keep the performer actively involved in identification of issues and development of
sustainable models for implementation. The following programmes have been introduced
at IGNOU for different stakeholders.
– Appreciation or leadership programme
Here, the main focus is on sector(s)/compartment(s) of livelihood and the course
is designed at an advance awareness level.
– Post graduate certificates/diplomas
The programmes being offered under the discipline of Sustainability Science include credit
programmes such as Post Graduate Diploma in Sustainability Science (PGDSS) and Post
Graduate Certificate in Climate Change and Sustainable Development (PGCCSD). Non-
credit programmes being offered are:
1) Appreciation Programme on Sustainability Science (APSS)
2) Leadership Programme on Nutrition Security & Sustainable Development (LPNSSD)
3) Appreciation Programme on Sustainable Management of Wetlands (APSMW)
4) Leadership Programme on Himalayan Ecosystems (LPHECO)
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The various unique features available to learners, programme coordinators and evaluators
are mentioned here. The instructional material (text, audio/video) is available to the students
through this platform. The status of application, assignments, synopsis, projects and
evaluation can be tracked easily wherever the internet connection is available.
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As a Programme Coordinator, one can get the progress of the following processes through
auto generated e-mail;
– Application Status
– Account activation
– Assignment submission
– Synopsis submission
– Evaluation status (Assignment, Synopsis, Project, and Term End Examination)
The learner is sent an email as soon as his/her account is activated. The Learner Profile
page is shown in Fig. 23.3.
The learner can also see who else is there in the class through the Class Group page shown
in Fig. 23.4. Information is also provided about the teachers who are going to teach and
mentor the students through the course.
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The Announcement page provides all the relevant information to the learners regarding the
programme such as the counselling schedule, scheduled web conferencing, scheduled chat
sessions, etc as shown in Fig. 23.5.
The learner can also check his/her status from time to time.
– Application status
– Account activation
– Study Materials at the platform (HTML and PDF format, with download option)
– Evaluation status (Assignment, Term End Examination, Synopsis approval, and Project)
– Counselling
The learner can go through the study material in HTML format or s/he can also download
it if required, from the Download Study Materials page as shown in Fig. 23.6.
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The learner can check his/her progress from the Check Your Progress page shown in Fig. 23.7.
The learner can check his/her status from the Transcript page shown in Fig. 23.8.
As an evaluator, one can check learners’ assignments, projects, term end paper etc. through
online mode within the specified duration. There are provisions for Online evaluation,
Assignments, Term End Paper, and Project/Dissertation as shown in Fig. 23.9.
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Online counselling sessions are conducted for the benefit of the learners as shown in Fig. 23.10.
The counselling sessions conducted through the programme are recorded and archived for
the use of learners. The page showing the list of counselling sessions is shown in Fig. 23.11.
A learner can access this page and take part of any counselling session as per his/her
convenience.
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The Challenges
With all the existing superior facilities to meet the present demands, these are certain the
challenges faced by stakeholders. It seems that due to the delay in streamlining the online
education mechanism in our university, coordinators are involved in a number unrelated
administrative responsibility that affects in reviewing the status of programmes. For example,
we are caught among different divisions in admission announcement, in finalising Term
End Examination Centre, payments to counsellors, evaluators etc. For learners and
counsellors, it may be difficult to attend counselling sessions from a network (especially
educational Institutes) where Port 1935 and Port 80 are blocked. These ports need to be
opened for running Adobe Connect.
Conclusion
A number of gaps still exist but we need to look in a progressive way and we hope the
challenges will slowly wipe out. Teaching sustainability science is everybody’s concern, and
so the onus is on us to facilitate the process of learning. Online mode brings active
participation of learners, their involvement in nurturing this new discipline and effective
way of delivery mechanism is met. Through this mode, up to some extent, we are able to
reach our target groups. We conclude by saying that by way of the innovative approaches
taken we have come a long way and we need not look back.
Acknowledgement: We would like to thank Dr. C.K. Ghosh and his team for giving the
opportunity to share our experiences in developing this new discipline in this special
teleconferencing session, Prof. Uma Kanjilal for her support, encouragement and giving
much freedom in managing the online SAVE platform. Our sincere regards to Prof. M. S.
Swaminathan and Prof. P. C. Kesavan for accepting us as their students in the field of
sustainability science.
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Introduction
In general there exists a fear psychosis among the students about mathematics. There are
instances of students getting unusually tense prior to the mathematics examination. There
are even instances of unfortunate incidents like students committing suicide on being
unable to bear the stress or the shame of under-performance. Perhaps the fear is more
with the guardians and their wards cannot escape the infection of this avoidable disease.
There is a tendency among the mathematics teachers to give emphasis towards development
of numerical capability in the child, which of course is desirable. But more than that, some
effort is required from their side to see to it that the children feel mathematics. Play-way
techniques of teaching-learning transactions in mathematics have been practiced by many
experts and those have yielded positive results. The idea behind such techniques is to
develop interest in the subject. One of the ways to make the students feel mathematics can
be to sensitise them to the issue that mathematics can be a way of life. It is not an obscure
subject departed from the real life situations. Rather, it pervades several issues of our life.
Travelling in a Train
Many daily commuters keep travelling between Howrah Station and the suburbs of Kolkata
which come enroute Bardhamaan, an important junction station. There are two routes for
travelling between Howrah and Bardhamaan. One is called the Main Line and the other
Chord Line. The Main Line goes northbound and turns westward from a junction station,
Bandel, whereas the Chord Line deviates from the Main Line at Bally, the fourth station
from Howrah and heads north-west and again meets the Main Line at Saktigarh, the third
station from Bardhamaan. The distance between Howrah and Bardhamaan along the main
line is 107 km, whereas along the Chord Line it is 95 km. This example is very handy in
explaining the meaning of the term chord, which is a straight line joining two points on
a curve. For similar reasons the distance between Asansol and Mughal Sarai is 544 km
along the Main Line, but 461 km along the Grand Chord Line. It has been observed by
the author that many passengers have the impression that the Main Line is straighter than
the Chord Line. They have such a misconception perhaps because of the word ‘main’. One
must appreciate that the expression ‘chord’ has the same meaning irrespective of it being
found in the geometry text-book or the railway time table.
These days the computerised railway reservation ticket carries the message regarding the
position of the berth (lower, middle, upper, side lower, side upper). One can easily verify
the same in case of any doubt. It is basically a problem of Modulo. If it is the case of
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For the said event, the distance of the first hurdle from the start in 40m and that of the
tenth and last hurdle from the finishing line is 45m which means that the ten hurdles are
spread over a length 400m – (40 + 45)m = 315m. Since there are ten hurdles, the number
of spaces between two consecutive hurdles is nine, each being equal to 315m ÷ 9 = 35m.
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Edwin Moses was famous for his 9 feet 9 inches stride, which is almost equal to 3 metres.
But he optimised on the extent of his strides to get the ultimate best possible result. As
mentioned earlier, he wanted to take 12 or 13 steps within a stretch of 35 metres. Here,
we also have to take into account the length covered while crossing a hurdle. 35 metres
minus that length has to be a multiple of 12 as well as 13, that is a multiple of their L.C.M.,
which is 12 × 13 = 156. Incidentally 156 × 0.2 = 31.2 which is less than 35 by 3.8. So he
adjusted his hurdle jumping stride (HJS) to 3.8m so that the remaining 31.2m can be
covered either in 12 or 13 strides. The HJS for any athlete is always larger than the running
stride and he was able to stretch that upto 3.8m, that is more than 0.8m beyond the
maximum possible stretch of his running stride. So, while taking 12 steps, each stride was
31.2m ÷ 12 = 2.6m and corresponding to 13 steps it was 31.2m ÷ 13 = 2.4m.
Thus Moses optimised his stride length for overall efficiency. Its maximum extent could
have been about 3m. He chose to bring it down to 2.6m or 2.4m depending on the
circumstances. The process was facilitated by the arithmetic mentioned above. However,
it does not imply that anybody knowing that much of arithmetic would be able to perform
like Edwin Moses. Rather, it is significant that Moses could tailor his physical capability in
tune with the arithmetic – no wonder, he was a great athlete.
As a matter a fact it was a mathematician’s plan and modern technology that helped in
keeping Sachin Tendulkar’s bat unusually quiet during the 4-0 whitewash of India by
England in 2011. The Strategy adopted by the English team was basically to draw Tendulkar
(Fig. 24.3) outside his off-stick in the early part of his innings rather than allowing him to
get runs on the on-side. Out of the 261 balls bowled to Tendulkar by the quickies of
England till the Edgbaston test, 254 have been pitched outside his off-stick, six on the line
of the off and middle stick and just one on the leg stick. Tendulkar scored 34, 12, 16, 56,
1, 40, 23 and 91 from eight innings, i.e. a total of 273 with an average of 34.13. The ploy
was an outcome of a computer-simulator plan masterminded by the team analyst Nathan
Leamon.
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The first three such numbers are 561, 1105 and 1729.
561 = 3 × 11 × 17 ; 2, 10 and 16 are all factors of 560
1105 = 5 × 13 × 17 ; 4, 12 and 16 are all factors of 1104
1729 = 7 × 13 × 19 ; 6, 12 and 18 are all factors of 1728
• 1, 81, 1458 & 1729 again constitute a peculiar class of numbers. It has the interesting
property that the product of the sum of its digits and the same expressed in reverse
order is equal to the number.
(1) → 1 × 1 = 1
(81) → 8 + 1 = 9; 9 × 9 = 81
(1458) → 1 + 4 + 5 + 8 = 18; 18 × 81 = 1458
(1729) → 1 + 7 + 2 + 9 = 19; 19 × 91 = 1729
It had been the experience of the author that an exposure to these and several other
peculiar features of Ramanujan Number not only generates an interest in mathematics
among them, they start taking a sense of pride in India’s contribution to mathematics and
get the impetus to know more about it.
Inspired by Ramanujan Number, I take this opportunity to share the peculiar properties
of few other numbers which also generates interest among the students.
i) 153, 370, 371, 407
13 + 53 + 33 = 1 + 125 + 27 = 153
33 + 73 + 03 = 27 + 343 + 0 = 370
33 + 73 + 13 = 27 + 343 + 1 = 371
43 + 03 + 73 = 64 + 0 + 343 = 407
ii) 1634
14 + 64 + 34 + 44 = 1 + 1296 + 81 + 256 = 1634
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Now, as the final example we shall seek the missing link between the following dates: 23
January, 30 January, 01 May, 02 October and 25 December. For finding the link, we
shall apply plain and simple arithmetic, not any puzzle solving trick. All are important
dates. These are respectively Netaji’s Birthday, Martyr’s Day, May Day, Gandhiji’s Birthday
and Christmas.
One aspect of the commonality is that these are all important dates. But there are many
other important days which we observe specially. Incidentally, some other crucial link
exists between these dates. Let us try to find that.
Conclusion
A few examples, which are by no means linked with each other, have been presented here
to establish that mathematics is not dissociated from issues pertaining to our existence. It
is unfortunate that the average mathematics teacher seldom talks about application of the
subject in real life situations. The attitude of the teachers in giving exposure to the students
towards applications will be able to remove the fear psychosis about mathematics and
generate confidence in the student.
We learn from mathematics that if we give something from what we have then it gets
lessened. It is the principle of subtraction. However, after stating so much about real life
application of mathematics I shall appeal to the teacher to be non-mathematical in one
respect that is in giving the students the much desired affection and confidence. They
should give these in such a manner that the said virtues possessed by the teachers defy
mathematical principles by growing rather than getting lessened.
References
• http://en.wikipedia.org/wiki/Edwin_Moses
• http://en.wikipedia.org/wiki/Taxicab_number
• http://everything2.com/title/Harshad%2520number
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Introduction
Language serves primary function of conveying information, and communicating feelings
and emotions. Language also reflects information like social status, occupation of a person,
and region to which s/he belongs. We also use language for aesthetic purposes to express
ideas, thoughts, beliefs and feelings creatively and imaginatively.
• Primary Function of a language is to convey information.
• Language is used to communicate feelings and emotions.
• Language gives information about a person (like region s/he belongs to, social
status, occupation).
• Language is also used for aesthetic reasons.
Language consists of words. The total stock of words of the English language or any
language is known as lexicon. Let’s face it, English is a complex language and can be
confusing. A lot of words are similar but with different meanings. It is almost impossible
to avoid making mistakes in English, but you might be able to avoid making these ones.
The language is extremely rich and offers a wide range of possibilities in terms of sentence
construction, synonyms, antonyms etc. But it also has many confusing aspects related to
the rules of grammar and spelling. There are a number of words which are similar but
have different meanings. All these complexities make it almost impossible to avoid making
mistakes in English, but let us look at some common errors that can be easily avoided.
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So what are Homophones? .... Homophones are words which have the same pronunciation
but different spellings and meanings. Some of the Homophones are:
pear (fruit)
pair (couple)
see (with your eye)
sea (the ocean)
Whereas Homographs are words which are spelled alike but which are different in meaning,
and sometimes pronunciation.
row (argument)
row (propel with oars)
tear (in the eye)
tear (rip)
In common usage homophones and homonyms can lead to confusion in comprehension
as shown in the following example. The pronunciation being similar, one is not able to
comprehend the intended meaning and this leads to confusion.
Once day in school, David was feeling extremely thirsty. He wanted to drink water.
But he knew that he would have to ask the teacher for that.
So he did:
“Miss Roberts, can I drink water?”
Miss was in an angry mood that day. She replied shortly:
“Allowed.”
“Miss, can I drink water?” repeated David. At his repeated question Miss turned
impatiently, (thinking that he just wanted to confirm) giving the same answer:
“Allowed.”
“Miss, can I drink water?” again repeated David. At this Miss lost her temper
“Why are you doing this, David? To cheek me?” she stormed.
“Of course not, Miss,” David replied, puzzled. “I was just repeating for the sake of
you, as you couldn’t hear it.”
“Who said that I couldn’t hear?”
“Miss, you said yourself. When you said the word ‘aloud’, I repeated it out loud.”
In this example because of the pronunciation being same the student could not differentiate
between ‘Aloud’ and ‘Allowed’. He got confused and had to face the ire of teacher.
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When you return a book, you give it back to the owner so we need not say “return back”
as it is incorrect. In case of fish aquarium and dance ballet, the descriptive word is
unnecessary, as an aquarium houses fish and a ballet is always a dance.
Incorrect: I’m going to give an examination.
Correct: I’m going to take an examination.
We often say ‘I’m going to give an examination’. However, this is incorrect as an examination
is not given but taken. Similarly, we often come across the usage ‘revert back’. The word
revert means to return to a previous subject or condition so the use of the word ‘back’ in
the sentence is incorrect.
When we say, “Could you repeat it again?” It is wrong. The word ‘repeat’ itself implies
saying it again, so there is no need to use the word ‘again’ with it. Similarly, it is incorrect
to use the phrase “more better”. Here, the word better implies that the mentioned option
is superior therefore the use of the word ‘more’ is inappropriate.
We often make mistakes in the usage of words such as data, media, strata, anyway and
criteria. The words data, media, and strata are Latin words; and the words criteria and
phenomena are Greek words that are used as plurals. The singular form of data is the word
datum. Traditionally, datum takes a singular verb, and data takes a plural verb. Therefore,
words medium, criterion, datum, stratum and phenomenon denote the singular form.
Incorrect: The data shows us some interesting facts.
Correct: The data show us some interesting facts.
Correct: This datum is the most important piece of information in our research.
Correct: These data are inconclusive.
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Common Errors in English
The word ‘anyway’ is an adverb and adverbs cannot be plural, so the use of ‘anyways’ is
incorrect and should be avoided.
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For example:
I advise everybody to be nice to their teacher.
What did I advise you?
When a columnist advises people, she gives them advice.
I advise everybody to be nice to their teacher.
The word compliment comes from Italian word Complimento. It is also a transitive verb.
It is an expression of respect, affection or admiration. In plural compliments can also mean
best wishes.
For example:
The dancer received many compliments for her performance on stage.
It was the nicest compliment anyone had ever paid me.
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Common Errors in English
For example:
You need more practice. (You need more preparation.)
I have done my football practice.
Practice makes perfect.
Without enough practice, she would not get better at English.
For example: The country works on the principle that all citizens have equal rights.
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For example:
I’m going to stay home and watch TV tonight.
I watched the cricket.
Watch out for pickpockets.
Look means to look at something for a reason, with an intention.
For example:
Look at that strange man.
Look at the pictures I took on holiday.
The word stationary can be used an adjective or an adverb. It means ‘not moving’ or ‘still’.
When something is standing still, it’s stationary.
For example:
The drunk driver hit the stationary van.
Please remain stationary.
The word stationery means writing and office supplies (e.g., writing paper, envelopes, and
pens). It can be used an adjective or a noun.
For example:
I received beautiful stationery with my name printed on it as a birthday present.
They went to the store to buy some stationery.
He wrote a note to procure the stationery?
Be in all its forms (like is, are, was, were) is used as a connecting/linking verb because they
link/connect the subject with a following word.
For example:
Be quiet. (a command or request)
Be a good girl.
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Common Errors in English
I am writing.
She is sleeping.
In the above example, the word “chilled” has been spelled incorrectly as “Child” This
makes it “Child beer” instead of “Chilled beer”, thus making it very funny to read and
also distorts the intended meaning.
Similarly in the following examples wrong use of English makes the sentence very funny
to read.
Incorrect: If you would like to clean up your room. Please contact the Reception.
Correct: If you want to have your room cleaned, please contact the receptionist.
Incorrect: The ancient building is renovating. Excuse me for bringing trouble to you.
Correct: The building is under renovation, inconvenience caused is regretted.
Incorrect: Building asks a smoked visitor in the outside smoking section that you cannot
smoke in.
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In the above example, push is a verb which means to use your hands, arms or body in
order to make somebody/something move forward or away from you. So we need not use
the preposition out with it.
Here welcome itself implies a cordial greeting or hospitable reception given to an arriving
person. Therefore there is no need to use the words “for coming” here.
Incorrect: Class teacher said to the student, “Pick up the paper and fall in the dustbin.”
Correct: Class teacher said to the student, “pick up the paper and put it in the dustbin”.
Here, the preposition “put” is missing and the verb “fall” has been used instead. This has
distorted the intended meaning.
Incorrect: Teacher said to the students, “Don’t create pendulum, the principal is oscillating
in the corridor.”
Correct: Teacher said to the students, “Don’t create pandemonium; the principal is making
rounds in the corridor.”
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Common Errors in English
In the above example, the words daughters and girls have been used, which refer to the
same meaning. This makes it very redundant and also humorous.
In the above example, “father of your name” has been used for “father’s name”. This has
made the sentence very humorous.
One can understand this easily as “He is smarter than I am” is obviously better than “He
is smarter than me am.”
Here, the sentence starts with lower case, which is wrong. The sentence is neither imperative
(a command or polite request) nor interrogative (a question). The subordinate conjunction
“or else” is used in this sentence which means “otherwise”.
Conclusion
The issue of errors in language is a little complicated. Minor deviations from the standard
use of English as judged by sophisticated users lead to errors in English and these may
result in low grades, lost employment opportunities, lost business, and amusing situations.
Avoiding these errors helps one to express oneself in a clearer, more acceptable and easily
comprehensible way.
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Introduction
Creativity is inherent in all of us. It finds expression in the form of hobbies or interests that
we pursue in life. Creativity can be instrumental in devising innovative solutions for difficult
problems. Therefore, creativity forms an integral part of any innovation process. Creativity
empowers us to sustain in a dynamic world and unleashes a universe of possibilities. With
enhanced creativity, instead of challenges you see opportunities; instead of problems you
see a chance to create breakthrough solutions. Creativity is not just writing poems or
making an art or solving complicated mathematical problems. Creativity exists in our day-
to-day life, in all areas of human activity, even at work and play.
Creativity is an essential human ability that can be applied to a wide range of activities.
Each and every human being has creative abilities, and all of us have them differently.
When we are able to channelise the power of creativity in ourselves, it produces a great
impact on our overall achievements.
What is Creativity?
Creativity is an integral and important part of the innovation process. Creativity requires
right-brain thinking for imagination, intuition, and feelings and the left-brain thinking for
analysis and collation of data.
Albert Einstein was once quoted saying that “Imagination is more important than knowledge.
For knowledge is limited, whereas imagination embraces the entire world, stimulating
progress, giving birth to evolution.” (Calaprice, 2000)
According to OSHO “Creativity is the quality that you bring to the activity you are doing.
It is an attitude, an inner approach – how you look at things. “So the first thing to be
remembered: don’t confine creativity to anything in particular. A man is creative – and if
he is creative, whatsoever he does, even if he walks, you can see in his walking there is
creativity. Even if he sits silently and does nothing, even non-doing will be a creative act.
Buddha sitting under the Bodhi Tree doing nothing is the greatest creator the world has
ever known.”
“Creativity is defined as the tendency to generate or recognize ideas, alternatives, or possibilities
that may be useful in solving problems, communicating with others, and entertaining ourselves
and others.” – Robert E. Franken, Human Motivation
Plato argued that creativity (such as a poet’s work) involved dictating whatever the Muse
chanced to speak. (Rothenberg & Hausman, 1976)
According to Wikipaedia, creative problem solving is the mental process of searching for
a new and novel creative solution to a problem, a solution which is novel, original and not
obvious.
What we understand about creativity is that, creativity is the ability to generate ideas for
products, services or processes that are new or those which never existed earlier. It requires
deviating from old methods and patterns of thinking and embracing new methods. It is
a process of producing something new, innovative and useful.
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To begin with, a large number of ideas are generated through the divergence tools
such as brainstorming or taking videos. The ideas are then filtered and converged
through selection tools such as anonymous voting, consensus mapping, etc. Another
tool is to encourage the creator to relax and do whatever comes to the mind. The
creators are usually asked to closely understand a situation that needs the innovative
solution. Then s/he should feel the intuition and work as it directs. There are some
common rules during idea generation, such as only one person should speak at a time
for generating ideas, and then another person can speak, and this pattern has to be
followed. These methods can be followed in isolation or together in a group.
• Techniques: Various techniques are used to generate and finalise an idea. Then the idea
has to be implemented to develop a product or process. The techniques used are:
o Problem Definition
o Idea Generation
o Idea Selection
o Idea Implementation
At the outset, the nature of the problem is defined. Then the ideas for possible solutions
are generated through a brainstorming process and these are elucidated through idea
selection process. The final step involves the idea implementation process. The process of
idea implementation is explained in Fig. 2.
As mentioned by Strickland (2008) in his article at Google the 20 percent time programme
is a great success. This is a scheme which enabled the employees of Google to use full one
day every week, to work on a project unrelated to their normal workload. This is quite a
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successful scheme at Google which also empowers the employees to be creative. Google
claims that many of their products in Google Labs started out as pet projects in the 20
percent time programme.
A presentation by Toth (2012) on ‘Social and Workplace Innovation’ mentions that
• 3M has a 15 percent programme that promotes employees spending paid time
dreaming, brainstorming and testing their own ideas.
• Gore & Associates provides ‘dabble time’ where employees are not held to
bureaucratic policy manuals and instead are empowered to experiment without
fear of punishment for failure.
Conclusion
In a world of increasing complexity, change and competition, generating new ideas and
implementing them in day-to-day life has become essential to thrive. The ability to think
creatively and drive innovations is an important skill for everyone. Creativity is futile and
useless if it is not followed with actions. It is extremely essential to evaluate, polish and
market ideas properly to make them valuable. The idea should not only be original and
useful, it should also be possible to convert it into action. Various tools and techniques can
be used for this. These can be used as part of problem solving, artistic expression, or
therapy. Creativity and knowledge creation are considered extremely important to the
success of organisations. Creativity of the workforce has a considerable influence on the
capability and efficiency of any organisation. Therefore, it is essential to foster creativity in
individuals. Special emphasis on encouraging and promoting motivation and problem
solving can help in achieving this.
References
• Calaprice, Alice Ed. (2000). The Expanded Quotable Einstein. Princeton University Press.
Available at: http://press.princeton.edu/chapters/s6908.html
• Franken, R.E. (1994). Human Motivation (3rd ed.). Belmont, CA: Brooks/Cole Publishing
Co. Available at: http://www.csun.edu/~vcpsy00h/creativity/define.htm
• Massey, Walter E. (2012). The Art of Innovation. Available at:
http://toteachornototeach.wordpress.com/2012/07/19/the-art-of-innovation/
• Rothenberg, A., & Hausman, C. R. (1976). The creativity question. Durham, NC: Duke
University Press.
• Strickland, Jonathan (2008). HowStuffWorks “Introduction to How the Googleplex Works”.
Available at: http://computer.howstuffworks.com/googleplex3.htm
• Toth, Attila (2012). Social and Workplace Innovation. Available at:
http://www.knowledge4innovation.eu/sites/default/files/events/120522_Speaker’s_
Slides.pdf
• What Is Creativity? – Creativity Is a Quality. Available at:
http://www.osho.com/en/highlights-of-oshos-world/what-is-creativity/
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Introduction
It is true that science develops an attitude of logical thinking and inculcates the spirit of
inquiry. Scientific attitude or scientific temper is characterized by traits like healthy skep-
ticism, freedom from prejudice, objectivity, open mindedness, rationality, curiosity, and
positive approach to failure. Normally, a person having scientific attitude uses the method
of science in decision making process in the course of life, whether it is knowingly or
unknowingly. Scientific attitude is not the prerogative of only the scientists or the students
and teachers of science. It is a way of life. The entire population can be put into three
categories - one category may include the well educated people having good accomplish-
ments in science, the second category may include the well educated people having no
background in science and the third category includes the uneducated or less educated
people. But a common feature of most of the people from these groups is that they act
scientifically and if I may be permitted to say so, they have a scientist in them. I would
say here that you also have a scientist in you. Don’t you believe? Let us see how is it
possible?
Who is a Scientist?
Before we justify that there is a scientist in every one of us, let us try to understand who
can be called a Scientist? Can a doctor be called scientist? Think for a while.
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atomic theory was backed by several experimental evidences. He is not the first to
propose that the atom is the smallest particle of matter, but he is the first to use
experimental evidence to support his theory.
• is a creative and critical thinker: Creativity and critical thinking are two very im-
portant characteristics of a scientist which help him in deriving theory or concrete
conclusions. For example, Albert Einstein was able to derive his theory of relativity
because of his creative thinking. In fact he was able to think beyond what was given
and known at that time. He saw links and connections where others did not. He
looked at things from different perspectives.
• is rational who believes that everything that happens has a reason. For example,
while taking bath in a water tub, Archimedes felt lighter. Keeping it in mind that
everything that happens has a reason, he could explain the principle of floating.
• is willing to suspend judgement until he is sure of his results. For example, Edison
believed that nothing is final in science, and patience and perseverance pay in arriving
at the result. Thomas Edison tested over 3000 filaments before he came up with his
version of a practical light bulb.
• tries new approaches to arrive at solutions. For example, Rayleigh had explained the
blue colour of the sky adequately by using the theory of scatterning. But why the
ocean is blue, could not be explained by the theory of scattering. For this Raman tried
a new approach and explained it on the basis of molocular scattering.
In brief we can say that a scientist has considerable knowledge of science, applies scientific
principles/concepts and uses method of science for solving different problems.
Where do we stand?
Now the question is where do we stand? Do we also have some traits of a scientist? Lets
us see.
1) It is true that all of us have considerable knowledge of science. For example, if
we take up the health related issues, we find that most of us have some knowledge
about diseases, their prevention, and some medicines. At the same time we know
what kind of food should be taken and which food items have good nutrients. We have
knowledge of measurement of various quantities like time, length, volume, speed, tem-
perature, etc. and their units. We know about energy like heat, light, and electricity and
its forms and their uses. We have fair idea about the environmental issues and related
problems, importance of oxygen for breathing and burning, and importance of carbon
dioxide for fire extinguishing and food production by plants, etc. It shows that all of us
have considerable knowledge of the facts and figures of science.
2) Secondly, it is also a fact that we apply scientific principles in our daily life even
without knowing them. For example, while cooking we put the flame to low after
one whistle by a pressure cooker or once boiling temperature is reached. Similarly,
you would have noticed that people make guess whether a bucket kept under water
tap is filled or not just on the basis of the changing sound without actually looking
at the bucket. Here they unknowingly apply the principle of vibration of air column.
While choosing which type of clothes to use in which season and why, we apply
principle of science. Another very common observation is that normally we bend our
body on one side while carrying bucket full of water in a hand. Similarly, we lean
forward while climbing a mountain or bend the bicycle while taking a turn on a
curved road. In all such happenings we apply one or the other principle of science
even without knowing the basic concepts or principles.
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3) The third important thing is that we use method of science in our daily life for
solving different problems. In order to understand how we use method of science
in our day to day activities, let us take an example.
One day you arrive home late at night, walk up to the door, unlock it, reach out to the
switch just inside the front door and switch it on. You encounter a problem that the light
is not switched on. Can you think for a while, as a normal human being what do you do
in this situation?
In fact in this situation you use the method of science for solving your problem. Before
coming to this problem, let us first understand what is the method of science?
Method of Science
The method of science consists of following steps in a systematic way. First you encounter
a problem and ask a question, then review the background of the situation, based on the
background you draw a hypothesis and then test the hypothesis by performing an experi-
ment. Based on the experimental observations you analyse the result and find whether the
hypothesis is true or not. If the hypothesis is true, you take decision accordingly and if the
hypothesis is false, you construct another hypothesis and this process continues until you
come to the final conclusion. All these steps of the method of science are shown in the flow
chart (Fig. 27.1). This method is used by all of us knowingly or unknowingly for solving
the day to day problems.
Encounters
Problem
Baground
Research
Construct a
Hypothesis
Perform an
Experiment
Analyze the
Data
Does Evidence
Hypothesis
Support
No Rejected
Hypothesis
Yes
Hypothesis
Accepted
Conclusion &
Result
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Now, let us take your problem again to understand how you use method of science for
solving the problem.
1. First you switch on the light, but find that still it is dark. This is the first step of
the method of science i.e. Observation
2. This is now the origin of the problem
3. Now you Question yourself: Is power supply there?
4. Immediately you make Hypothesis: Is it a case of no power supply.
5. Now, you perform some Experiment based on the idea that in case of a power cut
the lights in the neighbourhood should also remain off. So you observe the situation
regarding the neighborhood lights (this is an indirect evidence as you are not
responsible in any way about the switching on/off of the lights in the neighbourhood).
6. Based on the evidence you make an Analysis:
a) If any other house has lights on then your prediction or hypothesis fails.
b) If all houses are dark then your prediction or hypothesis is true.
7. Based on the analysis you draw Conclusion. If there is no power cut then your hypoth-
esis is rejected and if there is power cut then your hypothesis stands accepted.
If power supply is there, still lamp does not glow, what will you do next?
Obviously, you will try another switch in the house, with a revised hypothesis/prediction.
This is a new experiment under a revised hypothesis. You may switch on another bulb
or tube light, or you may check to ensure that the bulb is not fused, you may check the
connections, and so on.... In every case you will make a revised hypothesis, text it, analyze
the data and take decision. But in the entire process you are following the method of
science.
However, like any scientific experiment, there is possibility of error also. For example, in
this case if there are inverters or generators in some of the neighboring houses, then your
prediction may not be as discussed above.
In this way, you will notice that in almost all such cases we follow the method of science
in our daily life. This we can call a common man’s approach of solving the day to day
problems. Let us compare the two approaches of solving the problems.
Now, we can say that all of us have considerable knowledge of science, we apply scientific
principles/concepts in our day to day life even without knowing and we use method of
science in our daily life for solving different problems. If it is so why can’t we say that there
is a scientist in each one of us?
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In fact, there is no doubt that we have a scientist in ourselves, but the need is to nurture
the scientist and keep it alive by inculcating scientific attitude and following method of
science in daily life.
In order to keep the scientist alive in ourselves, we should
• be a keen observer,
• be curious about the world around us by asking whys and hows about the events
and happenings,
• think rationally and shun blind faith & superstitions,
• be logical and systematic in our daily activities,
• be open-minded and free of biases,
• be ready to accept positive criticism,
• be intellectually honest,
• not jump to conclusions without having firm evidence,
• be creative and a critical thinker, and
• try new approaches to arrive at solutions, and pursue our goal persistently
Conclusion
Now after knowing about the characteristic traits of a scientist, you should be able to tell
whether the statements like ‘The sun rises in the east in the morning’, and ‘The sun is
not going to rise in the east in the morning tomorrow,’ are scientific or not and why?
Think whether the predictions or explanations of Stock Markets provided by Finance
Reporters through television, newspaper or radio are scientific or not.
Conclusively, it can be said that the science is not just a subject to be studied, but it is a
way of life. For a progressive and meaningful life, we should not only have a minimum
knowledge of science, but we should develop a scientific attitude and follow method of
science for solving the problems. Curiosity to know the reason behind any event and
asking questions will certainly help in inculculating scientific attitude. I would like to
conclude by saying that think scientifically, act scientifically and live scientifically to keep
the scientist in you alive.
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Introduction
The power of computers to do almost anything is fascinating and interesting. With the
rapid technological advances today, such computers are being developed, which can ‘think’
or in other words, are ‘intelligent’. The science and engineering of making ‘intelligent’
machines, especially ‘intelligent’ computer programmes is called artificial intelligence. This
paper deals with various aspects related to artificial intelligence such as Realisation and
architecture of Artificial Intelligence and how Artificial Intelligence differs from human
intelligence.
While creating such Artificial Intelligence, researchers and engineers treat each specific
work application as an engineering problem. The researchers working on future intelligence
machines hope to achieve the following traits to be exhibited by the machines:
• Reasoning
• Commonsense knowledge
• Planning
• Learning
• Communication
• Perception
• Ability to move and manipulate objects
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Artificial Intelligence: Friend or Foe
Successes in AI (Seen in daily life): The examples of Artificial Intelligence seen in daily
life include the following
• Restricted Speech Recognition (in Banking and Airline reservation systems, etc)
• Face recognition software used in many applications
• Web tools like search engine crawlers, shopping suggestion program in online
shopping portals, Google translations, Mechanical Translation, some intelligent
chat programs, etc.
• Credit Card Fraud Detection
• Simple Robots (e.g., Asimo)
• 1D and 2D Bar Codes (in stores)
Successes in AI (Not seen every day): The examples of Artificial Intelligence not seen
every day include the following
• Chess Playing Machines (Belle)
• Optical Character Recognition Readers
• Space Exploration
• Industrial Inspection (Mining)
• Biometrics (Fingerprints, Iris, etc)
• Medical Diagnosis (MYCIN)
• Androids
These systems are built by collecting expert knowledge from experts in various domains
and making the system capable of updating this, based on experience.
It is hard to develop algorithms for a barely understood process going on in the environment
of the machine. There could be some problems and situations which cannot be interpreted
logically or algorithmically for the computer or machine to understand. A successful Artificial
Intelligence system must look at the data it has presented and determine what is important
(sometimes referred to as the ‘signal’) and what is not important (referred to as the ‘noise’).
Then using this data, or signal, it will ask a series of questions to try to help it achieve its
goal. To understand this more, let us take an example of toasting a bread slice.
How would an intelligent machine toast a slice of bread? First it will collect data which are
relevant to solve the problem of toasting the bread slice, such as the temperature, time,
etc. Data presented to the toaster may be the following:
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The data regarding the make and company of the bread and toaster is irrelevant. The
relevant data is considered as signal and the irrelevant data is noise. For collecting the data
about the environment it can collect more data by asking questions. Now for the toaster
to toast the bread, it should toast it taking care it won’t burn. If your toaster oven detects
that the toast is burning, it should turn off the heat. If a human detects that the toast is
burning or smoke is coming, he will turn off the heat but for the toaster to take this
decision it should be programmed to do so. It should be able to detect the burning of the
toast based on many factors like time of toasting, temperature. For humans this is a very
obvious decision but for an intelligent toaster it is not. For a human, this is an obvious
thing to do. If you let the toast burn, it will probably start to smoke and set off the smoke
detector. For the toaster, and the computer that controls it, this is not so obvious and thus
it will burn the toast. Therefore, the Artificial Intelligence system of the toaster must have
a set of rules that will help focus on the signal so that the toast would not burn. For
accomplishing the task of toasting the bread, it needs a set of rules to take decisions. For
this it will run the following programme:
Therefore, to decide whether the toast is burning or not, it needs to check the time of
toasting and temperature. If it detects the temperature to be 300 degrees fahrenheit and
the time to be 10 min then the answer would be true to the question whether it is burning
or not. Then if the answer is true it should turn off the heat.
There can be many such rules which should have answers in true or false to help an
artificially intelligent machine to take decision.
Humans have some virtues and morals values and because of which we know what is
right and what is not. But how would the machines differentiate this? Intelligent machines
should have some moral duty and virtues. They should contain a set of rules that most
people share, such as, “do not kill, unless in self-defense” or “do not lie, unless the suffering
caused by honesty is large”.
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Artificial Intelligence: Friend or Foe
Conclusion
At present, the human brain and its working is still a mystery, and it is very difficult to
create a machine which can think. So, there is still time for humans to plan accordingly
to create a perfect intelligent machine with all the key ethical, moral and social
considerations. The future of Artificial Intelligence is no doubt exciting.
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Introduction
The new technology has brought on new demands for information as well as new and
more sophisticated computing systems. Today, almost every one of us interacts with
computers on a daily basis to create new things and ideas, to produce documents, to
correspond with friends and associates, and for many other purposes including research.
But do you know that the excess and unsafe use of computers can have adverse effect on
our health and performance?
The answer of the above question is ergonomics. Ergonomics, also known as human
factors, is the science of designing the workplace environment to fit the user. Proper
ergonomic design is necessary to prevent repetitive strain injuries, carpal tunnel syndrome,
which can develop over time and can lead to long-term disability. Ergonomics is concerned
with the ‘fit’ between people and their technological tools and environments.
The long-term use of computers has been linked to a range of potential health problems.
Over the past few years a great many questions have arisen concerning the links that may
exist between the use of computers and the health and safety of those who use them. There
are health problems associated with working with computers, which include repetitive strain
injury, eye strain, back pain, stress and fatigue, skin complaints, and upper limb disorders.
Here are some of the factors that may impact our health and performance while using
computer with solutions to these problems.
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Computer - Health and Safety
i) Height: Your feet should rest comfortably on the floor or if necessary, should be
supported by a footrest. For most people the knees should be at a level equal to or
slightly lower than the hips. Adjust the chair height to attain a natural inward curve
of the spine and optimise the comfort of your lower back. If the chair is too low, your
lower back will flatten or round out. If the chair is too high, your feet, and therefore
your back, are unsupported. Circulation to the lower leg can also be compromised if
the chair is too high.
ii) Length of the seat pan: There should be 2-3 inches between the back of your leg and
the seat of the chair. This will allow for a natural bend in your knees. If the seat pan
is too short, it can create pressure points and discomfort in the back of the thigh. If
the seat pan is too long, you will not be able to sit back in the chair. Some chairs have
adjustments that shorten or lengthen the seat pan if necessary. Lumbar pillows can
also be used as a method to improve the fit of a seat pan that is too long.
iii) Lumbar support: The curve of the backrest should support the natural curve of your
back. You should not feel too arched, nor should you feel unsupported. If your chair
does not provide sufficient lumbar support, you might be able to use a lumbar pillow
or towel roll to improve the fit.
ii) Position of Legs: You should make sure that your legs are comfortable while you are
working on the computer for long durations. Generally, if you are a little aware, you
can know yourself in the beginning itself whether your sitting position is right for
your body or not. Depending on your height you might need to keep some extra
footrest underneath your feet to support your seating.
iii) Wrist: It has been recognised that repetitive movement at the wrist, as occurs with
prolonged use of a computer keyboard can lead to inflammation in the carpal tunnel
and the resultant painful syndrome. Patients usually feel pain in the forearm area as
well as numbness in the affected hand in the finger distribution.
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i) Eye strain: Eye strain refers to ocular fatigue, eye discomfort and headaches associated
from intensive use of the eyes. Common causes include glare on the computer screen,
reading small character sizes on the screen, and poor contrast between text and
background on the monitor.
ii) Blurred vision: Blurred vision can be caused by normal physiological changes in the
eye. It can also be caused by constant focusing on objects within 12" of the eyes, which
often occurs when reading in low light.
Any activity that causes the head to be held in one position for a long time without moving
can cause a headache. Such activities include typing or other computer work, fine work
with the hands, and using a microscope. Sleeping in a cold room or sleeping with the neck
in an abnormal position may also trigger a tension headache.
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ii) Positioning is everything: Correct positioning of your computer, keyboard and typing
copy is essential. Your screen should be positioned about an arm’s length from your
eyes and 20 degrees below eye level. Consider foot and wrist rests for added comfort.
iii) Proper Position of Keyboards: Place the keyboard in a position that allows the forearms
to be close to the horizontal and the wrists to be straight. That is, with the hand in
line with the forearm. If this causes the elbows to be held far out from the side of the
body then re-check the work surface height. Some people prefer to have their wrists
supported on a wrist rest or the desk. Be careful not to have the wrist extended or
bent in an up position.
iv) Room Lighting: Proper lighting in the room is very important. Try to reduce glare
and reflections from your screen and set your color, contrast and brightness levels to
suit you.
v) Palming: Sit straight at your workstation and rub your palms against each other till
you feel them warm. The warmth of your palms helps soothe and relax tired eyes.
Then, lightly cup your eyes with your palms and relax for 60 seconds.
vi) Splash water on your face: During breaks, splash water on your face while closing
your eyes. This has an overall relaxing effect and helps you feel refreshed.
Finally I would like to suggest you to take time out and follow our 20-20-20 rule. This rule
involves three steps.
In the first step, after every 20 minutes of looking into the computer screen, turn your
head and try to look at any object placed at least 20 feet away. This changes the focal length
of your eyes, a must-do for the tired eyes.
In the second step, try and blink your eyes for 20 times in succession, to moisten them.
In the third step, you should walk 20 paces after every 20 minutes of sitting in one
particular posture. It helps blood circulation for the entire body.
With so many of us spending lots of time in front of the computer every day it comes to
no surprise that research is showing a rise in visual problems. What can one do? First, it
is important to find out how you can protect your eyes through eye health exams and by
making a few minor changes in your computer viewing habits.
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Conclusion
One may raise doubts regarding the innovative angle of this topic. Needless to mention,
that there is nothings as such. However, most of the activities at the National Centre for
Innovations in Distance Education at the Indira Gandhi National Open University are
technology based where use of PC is an essential part of each activity. So it was felt that
a popular talk on the topic would be helpful for all the members of staff. Thus its inclusion
gets justified.
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Introduction
The year 2012 was observed as the National Year of Mathematics to commemorate 125th
birth anniversary of Srinivasa Ramanujan, this famous Indian
mathematician (Fig 30.1). Here, we present his life and works in
brief and some glimpses of his contribution to mathematics. The
reason for presenting his life and work is that he was an inspira-
tion to an entire generation of Indians at a time when India was
under the British rule. His work gave confidence that they too
could do significant work in Science. Subramaniam Chandrashekhar,
a Nobel laureate in Physics, talks about this in a documentary on
Ramanujan produced by Christopher Sykes. Indeed, his work
continues to inspire mathematicians around the world due to its
sheer profundity and his deep insights. The hallmark of his con-
tribution was that he used to arrive at strikingly remarkable
results quite intuitively and he could legitimately be called as an
innovator in mathematics. Fig. 30.1 Srinivasa Ramanujan
Fig. 30.2: House where Ramanujan lived around 1900 Fig.30.3: Kumbakonam Town High School where
Ramanujan studied
He was a very promising student at his school. Ramanujan had mastered algebra, arithmetic,
geometry and trigonometry. He borrowed second volume of Loney’s Trigonometry from
a college student and mastered it when he was 12 years old.
As an example of his precocious nature, the following anecdote about his school days is
often told. His teacher was teaching division. His teacher told the class that ‘If you distribute
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three bananas to three studens, each will get one banana’ (Fig. 30.4). His idea of Division,
lead to the Generalization: n / n =1, for every integer n.
Ramanujan is supposed to have asked his teacher that, “If we distribute no bananas to no
students, will the students get one banana each?”. Basically, he wanted to know the value
of 0/0. He is supposed to have told his friends that, “it may be anything. The zero of the
numerator may be many times the zero of the denominator and vice versa. The value
cannot be determined.”
When Ramanujan was in IV Form, his schoolmate C.V. Rajagopalachari raised the question
(given to him by a student in sixth form (11th Standard) x = 7 and y = 4: “If
and , what are the values of x and y? Ramanujan’s quick answer, was considered
an unexpected achievement by a student of Form IV.
In July 1909, Ramanujan was married to Janaki. It was an elaborate five-day, double
wedding ceremony at Rajendram, where Janaki’s elder sister Vijayalakshmi’s marriage also
took place. Ramanujan’s father was not present at that time. The strong will of his mother
was solely responsible for this major event in Ramanujan’s life.
Ramanujan continued his work on Mathematics and recorded the results he found in
what was later to be known as his Notebooks. The notebooks were as under:
Notebook 1 (around 333 pages), Notebook 2 (around 356 pages) Notebook 3 (around 30
pages) and a ‘lost notebook’, in fact a sheaf of approximately 100 loose pages. The ‘lost
notebook’ was found by George Andrews amongst the papers of G. N. Watson. It was given
to Watson by G. H. Hardy and later it could not be found and was considered as lost.
These Notebooks were his treasures, which he showed to convince influential men of his
abilities as a mathematician. As the eldest son of the family, he yearned for a job, to eke
out a livelihood and to support his parents and two brothers. He tutored a few students
in mathematics in Kumbakonam and sought employment as a tutor in mathematics but
with no success.
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In 1910, Ramanujan went to meet Mr. Ramaswamy Aiyar, who was Deputy Collector in
Tirukoilur, a small town in South Arcot district of Tamil Nadu, with a request to give him
a clerical job. Mr. Ramaswamy Aiyer, who was himself a good mathematician, felt that the
genius of Ramanujan should not be wasted in a small place. So, he sent him to Mr. P. V.
Seshu Aiyer, who was the Principal of Government College, Kumbakonam, with a letter
of introduction. Mr. Seshu Aiyer got him a temporary job in Accountant General’s office.
When this post came to an end, Ramanujan survived by giving tutions. Mr. Seshu Aiyer
sent Ramanujan to Dewan Bahadur Ramachandra Rao, who was the collector at Nellore.
Ramachandra Rao, who had earlier met Ramanujan, felt his talents will be wasted in a
small place like Nellore and sent him back to Chennai, offering to support him monetarily
so that he can continue his work in mathematics.
Finally, he was offered a job with salary Rs. 20 per month with the help of Mr. Ramachandra
Rao. The job was for a clerical post in the Accountant General’s Office in 1912. In March
1912, Mr. Narayana Aiyer, who was a manager in Madras Port Trust, got a clerical job for
him in Madras Port Trust.
When he was employed in Port Trust, other than the time he spent in office, he spent all
the time doing mathematics. He used to stay awake the whole night doing mathematics,
go to sleep at 6 O’clock in the morning, sleep for some time before leaving for office. He
showed some of the results to Mr. Ramaswamy Aiyer who brought to his notice a tract
called ‘Orders of Infinity’ written by G. H. Hardy. Ramanujan wrote to him explaining the
results he obtained.
Hardy’s Reaction
“A single look at them showed that they could be written down only by a mathematician of
the highest class. They must be true because, if they were not true, no one would have had the
imagination to invent them.”
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Within a week, the University of Madras at its Syndicate meeting decided to set aside Rs.
10,000 to offer Ramanujan a scholarship of £ 100 for a passage by ship and for his initial
outfit. Ramanujan wrote to Hardy about his having secured a scholarship of the University
of Madras, for two years. Ramanujan set aside his misgivings regarding travel by the sea
and Hardy stated that, “Consent was at last got very easily” when “his [Ramanujan’s]
mother announced that she had a dream in which she saw her son seated in a big hall
amidst a group of Europeans and that the Goddess Namagiri had commanded her not to
stand in the way of her son fulfilling his life’s purpose”. Ramanujan took up residence at
Hanumantharayan Koil Street in Triplicane. He lived with his mother and Janaki, his wife.
Soon after receiving the University’s Scholarship offer, in February 1914, he sent his wife
and mother back to Kumbakonam. He changed his hair-style, from the traditional
Brahminical style of a tuft, to the ‘English Crop’, equipped himself with western dresses
and prepared for his departure to England.
Ramanujan left Madras by the passenger ship S.S. NEVASA (of British India Lines) on
17th March 1914. Mr. Arthur Davies and Prof. Littlehailes attended to all the details
regarding Ramanujan’s passage to England. Prior to his departure, he arranged with the
University that £ 60 (out of scholarship amount of £ 250) a year be sent to his parents in
Kumbakonam. Thus, he fulfilled his responsibilities as the eldest son of the family.
After reaching England Ramanujan wrote to his friend Krishna Rao, “Mr. Hardy, Mr.
Neville and others here are unassuming, kind and obliging. As soon as I came here, Mr. Hardy
paid £ 20 to the college for my entrance and other fees and made arrangements to give me a
scholarship of £ 40 a year.”
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During his five year stay in Cambridge, Ramanujan published twenty one research papers
containing theorems on diverse topics like definite integral, modular equations, Riemann’s
zeta function, infinite series, summation of series, analytic number theory, asymptotic
formulae, modular functions, partitions and combinatorial analysis. His paper entitled
Highly Composite Numbers which appeared in the Journal of the London Mathematical
Society, in 1915, is 62 pages long and contains 269 equations. This is his longest paper. The
London Mathematical Society had some financial difficulties at that time and Ramanujan
was requested to reduce the length of his paper to save printing expenses. Five of these
21 research papers were in collaboration with Hardy. Ramanujan also published five short
notes in the Records of Proceedings at meetings of the London Mathematical Society and
six more in the Journal of the Indian Mathematical Society.
Ramanujan was awarded the B.A. degree by research in March 1916 for his work on
Highly Composite Numbers and published in the Journal of the London Mathematical
Society. Ramanujan’s dissertation bore the same title and included six other papers. This
work of Ramanujan, according to Hardy: “…is a very peculiar one, standing somewhat apart
from the main channels of mathematical research. But there can be no question as to the
extraordinary insight and ingenuity which he has shown in treating it, nor any doubt that the
memoir is one of the most remarkable published in England for many years”. He was elected
a Fellow of the Royal Society of London in February 1918. Ramanujan was elected to a
Trinity College Fellowship, in October 1918, which was a Prize Fellowship worth £250 a
year for six years with no duties or conditions.
His Illness
Ramanujan suffered illnesses before and after his marriage to Janaki (1909) and before his
departure to England. From May 1917, when he was first admitted to the Nursing Hostel
in Cambridge for five months, he seemed to have been in and out of TB. He stayed at
Sanatoria - Mendip Hills in Somerset (2-3 weeks in Oct. Matlock House in Derbyshire
(Nov. 1917 - June 1918), Fitzroy House in London (June - Dec. 1918) Colinette House,
Putney (end of Dec. 1918) - until his departure to India in March 1919.
Return to India
Ramanujan was persuaded by Hardy to return to India with the hope that he would
recover soon and return to take up the Trinity College Fellowship awarded to him for five
years. After completing nearly five years at Cambridge, early in 1919, when Ramanujan
appeared to have recovered sufficiently to withstand the rigours of a long voyage to India.
He left England on 27th February 1919 by S.S. Nagoya. Four weeks later on 27th March
he arrived at Bombay and soon after at Madras, thin, pale and emaciated, but with a
scientific standing and reputation such as no Indian enjoyed ever before.
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When his condition showed signs of further deterioration, after great persuasion, Ramanujan
was brought to Madras for expert medical treatment, in January 1920. Despite all the
tender attention he could get from his wife who nursed him throughout this period, and
the best medical attention from the doctors, his untimely end came on 26th April 1920,
at Chetput, Madras, when Ramanujan was 32 years, 4 months and 4 days old.
Partitions
A partition of an integer n is a division of n into any number of positive integral parts
n=2, n=3, n=4, n=5
= 1+1, =2+1, =3+1, =4+1,
=1+1+1, =2+2, =3+2,
=2+1+1 =3+1+1,
=1+1+1+1 =2+2+1,
=2+1+1+1,
=1+1+1+1+1,
p(2)=2 p(3)=3 p(4)=5 p(5)=7, etc
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In a path breaking work with Ramanujan and G.H. Hardy proved a formula that gave the
number of partitions of n with a very small error.
Prime Numbers
Ramanujan was interested in primes he computed tables of primes to understand their
properties.
The following is the list of 168 prime numbers less than 1000 that was found in one of
his notebooks.
2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53, 59, 61,
67, 71, 73, 79, 83, 89, 97, 101, 103, 107, 109, 113, 127, 131,
137, 139, 149, 151, 157, 163, 167, 173, 179, 181, 191, 193,
197, 199, 211, 223, 227, 229, 233, 239, 241, 251, 257, 263,
269, 271, 277, 281, 283, 293, 307, 311, 313, 317, 331, 337,
347, 349, 353, 359, 367, 373, 379, 383, 389, 397, 401, 409,
419, 421, 431, 433, 439, 443, 449, 457, 461, 463, 467, 479,
487, 491, 499, 503, 509, 521, 523, 541, 547, 557, 563, 569,
571, 577, 587, 593, 599, 601, 607, 613, 617, 619, 631, 641,
643, 647, 653, 659, 661, 673, 677, 683, 691, 701, 709, 719,
727, 733, 739, 743, 751, 757, 761, 769, 773, 787, 797, 809,
811, 821, 823, 827, 829, 839, 853, 857, 859, 863, 877, 881,
883, 887, 907, 911, 919, 929, 937, 941, 947, 953, 967, 971,
977, 983, 991, 997.
The constant π
The circumference of a circle bears a constant ratio to its diameter and this constant is
denoted by the Greek alphabet, π
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14 14
2 19 2 2143
9 + = = 3.1415926525826461252...,
22 22
4 9 2
3 5 7
8 1 6
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22 12 18 87
88 17 9 25
10 24 89 16
19 86 23 11
References
• RAMANUJAN- Letters from an Indian Clerk. Available at: http://youtu.be/4wz-1HTGBtU.
• Hardy, G.H. (1999). Ramanujan: Twelve Lectures on Subjects Suggested by His Life and
Work. AMS Chelsea Publishing.
• Hardy , G. H., Aiyar, P. V. S. and Wilson, B. M. (2000). Collected Works of Ramanujan.
AMS Chelsea Publishing.
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National Year of Mathematics
31 Tower of Hanoi
C.K. Ghosh
Introduction
Tower of Hanoi (ToH) is quite an age old mathematical game. It has a very interesting link
with the ‘lcosian Game’ which became popular during the middle of 19th century. How-
ever, we shall not discuss the link with the ‘lcosian Game’ here, rather we shall use the
game to present the ‘Method of Induction’ (used particularly in algebra) in a very inno-
vative way. First, let us talk briefly about the game, ‘Tower of Hanoi’.
The Game
It is said that the ‘Tower of Hanoi’ was invented by the French mathematician Edouard
Lucas in 1883 and was sold as a toy. Originally it was called ‘Prof. Claus’ of the College of
‘Li-Sou-Stian’. As a matter of fact the two names within the single inverted commas are the
anagrams of ‘Prof. Lucas’ of the College of ‘Saint Louis’.
Fig. 31.1: The toy with rectangular base and three pegs
The toy is depicted in Fig. 31.1. It shows a rectangular base with three pegs. There are eight
circular discs fitted into one peg in the form of descending order of diameter from bottom
to top. The problem is to transfer the eight discs to any of the two vacant pegs in least
possible number of moves. In each move only one disk can be moved and a larger disk
cannot be placed over a smaller one.
It is not difficult to establish that the minimum number of moves irrespective of the
number of discs is (2n-1) where n is the total number of discs. Thus one disc can be shifted
in 1 (=21-1) move, two discs in 3 (=22-1) moves, three discs in 7 (=23-1) moves, four discs
in 15 (=24-1) moves and five discs in 31 (=25-1) moves. For seven discs, the number of
moves should be 127 (=27-1), whereas for eight discs shown in the figure the number
would be 255 (=28-1).
The original description of the toy is based on a temple called ‘Tower of Brahma’ in the city
of Varanasi. The Tower is said to consist of 64 discs of gold. So the total number of moves
for shifting the 64 discs would be 264-1, that is 18,446,744,073,551,615 which is a 20-digit
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number. If someone is asked to accomplish the task and for the sake of argument let us
presume that he is capable of shifting one disk in one second then it would take him many
thousand of million of years to finish the job, which is much more than the predicted age
of the universe.
The number of moves corresponding to the number of discs which we had spelt out
earlier can be obtained in the form of a logical sequence. We shall now present that and
also show that the method of Mathematical Induction can be illustrated very elegantly
using the example of the ‘Tower of Hanoi’.
Mathematical Induction
Mathematical Induction is a method of using inductive logic for mathematical derivations.
It is essentially a method of mathematical proof typically used to establish that a given
statement is true for all natural numbers (n). The idea is to show that the statement is
true first for n = 1 then n = 2,3 and so on. It is presumed that statement is true for n=m
and based on that it is shown that it is also true for n = m + 1 If this can be established,
it means that if the statement is true for n = 1, it is true for n = 1+1, i.e. 2, again n = 2+1,
i.e. 3, and thus for all natural numbers.
Let us illustrate this first by proving the statement that the sum of the first natural numbers
Sn = 1 + 2 + 3 + ... + n = –(1)
Sm = 1 + 2 + 3 + ... + m =
Now,
= (m+1) [(m+1)+1]
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Tower of Hanoi
a blank stick, then we move a again conunterclockwise and place it over b. Thus in 3
(three) moves, the two-disc tower gets shifted from one position to another. The three
moves can be recorded as (a b a).
Basically, it may be observed that we have applied the method of induction. The disc a has
been moved in the same manner as was done in case of n=1. In between, during the
second move, b was shifted. We shall understand the method of induction better with n=3.
The third disc is c. It would be moved only once to the location where the tower is to be
shifted. It would be the central move flanked by the moves pertaining to n=2, before and
after. So the sequence will read as a b a c a b a. It can be seen that (aba) has been placed
on either side of c. The total count is 3 + 1 + 3 = 7, which is what we expect for n=3. Again
for n=4, we have to move the fourth disc d once to the location where the tower is to be
shifted. It would be the central move flanked by the moves pertaining to n=3, before and
after. So the sequence will read a b a c a b a d a b a c a b a. We have placed (a b a c a
b a) on either side of d. The total count is 7+1+7=15, which is what we expect for n=4.
Thus one aspect of mathematical induction gets reflected from the sequences and the
manner in which the respective sequences for n=2,3,4,5 ... evolve from n=1,2,3,4, ... The
other aspect is the derivation of the result for the number of required moves, which is 2n–1.
As in the case of the proof for the sum of first n natural numbers, we presume that the
result is valid for n=k, say. So we need to prove that the result is also valid for n=k+1.
We find that while moving from n=k to n=k+1, we express the number of moves as
(2k–1) + 1 + (2k–1)
= 2×2k –1+1–1
= 2 k+1–1
So, the result is also valid for n=k+1, which establishes the truth behind the fact that
required number of moves for n disks is 2n–1.
Thus we see that the game of Tower of Hanoi provides us with a very elegant method of
understanding the Method of Mathematical Induction.
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Creative Sparks of Innovation
Introduction
Sukumar was an unparalleled genius. He was a Bengali humorous poet, story writer and
playwright. He lived a short life but created many valuable literary pieces. His works
display the innovativeness of a literary genius who devised new expressions for reaching
out to his young readers and igniting the flame of creativity in their minds.
He was the founder and editor of a very popular children’s magazine, Sandesh, which
literally means ‘candy’ as well as ‘news’. The journal carried funny and sweet stories as well
as articles on general knowledge. After Upendrakishore, Sukumar continued to edit it until
he passed away prematurely in 1923. Satyajit Ray revived it in 1961, his son Sandip is now
the editor.
From an early age, Sukumar showed the same versatility as his father—versifying, drawing,
photographing, and directing amateur theatricals with almost equal proficiency. Sukumar
was also a book designer. In him, we find a writer who not only illustrated his own
writings but was also well acquainted with state-of-the-art reproduction and printing.
In 1906, Ray graduated with Honours in Physics and Chemistry from the Presidency
College, Kolkata. Sukumar received the Guruprasanna Ghosh Scholarship in 1911 to study
photography and print technology in England. He was a pioneer of photography and
lithography in India. While in England, he also delivered lectures about the songs of
Rabindranath Tagore before he won the Nobel Prize. Meanwhile, he had also drawn
acclaim as an illustrator. After studying in London and Manchester, he returned to India
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Sukumar Ray – The Pioneer and Innovator of Children’s Literature
and involved himself with the running of the family firm U. Ray & Sons, then a market
leader in graphic arts and photo processes. After the death of Upendrakishore in 1915,
Sukumar took over the editorship of the children’s magazine Sandesh. It was in the pages
of Sandesh that his apparently whimsical literary genius found its most complete expression
(Ghosh, 2004). He created a unique genre of nonsense literature built on a world of fantasy
and whimsy. Among his works, two especially shine: Abol Tabol and Ha Ja Ba Ra La
(HJBRL), the first in verse, the second in lovely pictorial prose with occasional sprinkles of
spectacular verse.
At some point before 1911, when Sukumar was sent off to England, Suprabha Das, the
beautiful teenaged granddaughter of the visionary Kalinarayan Gupta, was introduced to
Sukumar’s Nonsense Club. On Sukumar’s return from England in 1914, he married
Suprabha Das and their son, Satyajit, was born on May 2, 1921. Satyajit Ray later became
the most well known of Indian filmmakers. By this time Sukumar was attacked by the
bacteria of the then fatal disease of blackwater fever. Fever penetrated deeper and deeper
with the bacteria affecting one organ after another until Sukumar was bound to a wheelchair.
Yet he continued to write. Persistently he continued to bring out Sandesh, the children’s
magazine. His undying sense of humour and a yearning for surreal visions and images are
evident in his last poem Abol Tabol written in his death bed. Sukumar Ray died prematurely
at the age of 36 on September 10, 1923 of severe infectious fever, leishmaniasis, for which
there was no cure at the time. He died just nine days before the publication of his book
of nonsense verse Abol Tabol. The last poem in it, Abol Tabol was Sukumar ’s last
composition.
While he was a student of the Presidency College, he formed a club known as the ‘Nonsense
Club’. The membership of the club was open to those with a flair for the ridiculous,
practical joking and acting. The members were free to express their irreverent opinions
about the world at large. The very name of this club suggests the direction in which his
imagination worked. A number of delightful poems were penned by Sukumar Ray in
relation to the matters concerning the club. The two plays that he wrote for the club—
Jhalapala (Cacophony) and Lakshmaner Shaktishel (Lakshman and the Wonder Weapon)
—are instances of Ray’s uproarious finesse. In Lakshmaner Shaktishel the mythological
characters are distorted into utterly ludicrous figures as in Aristophanes’ The Frogs. Ravan
picks pockets; Hanuman is quite reluctant to get the magical herb ‘Bishalyakarani’ to save
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Creative Sparks of Innovation
Lakshman’s life and has to be bribed with a banana. There are flares of witty dialogues too.
As Satyajit puts it, “These contain the first expressions of Sukumar’s humour. In the
second play, characters out of Ramayana descend from the epic heights to a world of spoof
and horseplay… mixed up with vegetable curry, chemists, homeopathic drugs, Sandow,
the muscleman, and recurring decimals. Hanuman, the monkey-god, eats sugar-puffs; the
messenger of Death finds his salary in arrears and Jambuban is annoyed by the stink of
Bibhisan’s beard. Sukumar also made his debut here as a composer of songs, his simple
tunes and rhythms adding greatly to the fun.” (Dutta, 2004)
In Sandesh, Ray provided brief biographies of scientists, explorers, martyrs and famous
personalities, which play a significant role in shaping the minds of the young readers. The
language he used was simple, supple, entertaining and colloquial. The information was
presented in the form of a conversation without any erudite tinge that makes it detestable
to the young readers. Besides writing on the lives of great men, he also provided enriched
information on wild animals, marine creatures, plants and insects. He introduced his
readers to worlds beyond India, with their famous men and women, strange customs and
curious animals (Sen, 2012). He also published essays, world news, folktales, puzzles and
riddles with colourful illustrations of poetry. Around 92 essays were published in Sandesh
dealing with science and astronomy, on inventions like the telephone, radio, airplane,
calculator, underwater telegraphic cables and skyscrapers (Mitra, 2005). It was in Sandesh
that Khichuri (hotch-potch) (illustrations shown in Fig. 32.1), the first poem in his famous
Abol Tabol (Rhymes without Reason), appeared. It was Sukumar’s earliest nonsense rhyme
on animals, followed by Old Man of the Woods, Chandidas’s Uncle, The Shadow-Catcher, The
Lug-Headed Loon and others.
Sukumar Ray is also known as the most famous practitioner of ‘literary nonsense’ in the
subcontinent and is often compared to Lewis Carroll and Edward Lear. His works such as
the collection of poems - Abol Tabol, HaJaBaRaLa, short story collection Pagla Dashu, and
play Chalachittachanchari are considered nonsense masterpieces equal in stature to Alice
in Wonderland, and are regarded as some of the greatest treasures of Bangla literature. It
has often been mentioned that Sukumar’s characters resemble creations by Lewis Carroll
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Sukumar Ray – The Pioneer and Innovator of Children’s Literature
and Edward Lear. “There is a similarity,” admits Satyajit, “but there is also a basic difference:
while the creatures of Jabberwocky belong to the world of imagination, Sukumar’s creations,
whatever they may look like, belong to our familiar, everyday world. And many of them,
like his lug-headed loon, actually belong to Bengal.” (Mitra, 2005)
Carroll combines two words into one to formulate a Portmanteau, and we come across
weird sounds and words in his poems. Ray was also indebted to Lewis Carroll for the
portmanteau words. Portmanteau terms have created new animals in Ray, like the Hasjaru
(swan+porcupine), Bakacchaap (crane+tortoise), Girgitia (chameleon+parrot), or the Singharin
(lion+deer) as shown in Fig.32.1 above. Some of Ray’s ‘inventions’ are immortalized by
being used in the native language frequently (Mitra, 2005).
Just like Lear, and later Wilhelm Busch, Sukumar illustrated his own texts. They are
considered quite brilliant although he never had any formal training in art. We are introduced
to a series of unusual animals in Ray and all these introductions are well illustrated.
His creations often emerge as fictitious absurd creatures sporting uncanny qualities that we
are familiar with. Often they are citizens of an imaginary world where logic and fiction
seem to have blurred into one another. Characters like Hunkomukho Hyangla (Fig.32.3),
Tyanshgoru (Fig.32.4), Kumropotash (illustration shown in Fig.32.5), Paantobhooter Jyanto
Chhana, and Raamgorurer Chhana are absurd but wonderfully alive figments of Sukumar
Ray’s fertile imagination.
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They may remind you of the Jubjub Bird or the Jabberwock from Carroll’s poem ‘Jabberwocky’,
or Yonghy-Bonghy-Bo and Clangle-Wangle from Edward Lear (Sen, 2005).
Tyanshgoru (shown in Fig.32.4) is actually a bird, and Ray gives us the details of its food
habits and lifestyle. His creations—Kumropotash (shown in Fig.32.5), Hnuko Mukho Hyangla
(Fig.32.5) and Ramgorurer chhana —have found their permanent place in Bengali lives.
Obese men are compared with Kumropotash (Fig.32.5), grave and serious men with
Ramgorurer chhana, and anglophiles as Tnyasgoru (shown in Fig.32.4) (Mitra, 2005). Though
his target readership was chiefly children, Sukumar’s adult relationship has continued to
grow steadily. In fact, postcolonial Bengal discovered a streak of non-conformism, a critique
of contemporary bhadralok culture, lurking behind the apparently amusing poems and
prose by Sukumar (Ghosh, 2004).
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Sukumar Ray – The Pioneer and Innovator of Children’s Literature
In Bombagarer Raja Ray envisions a kingdom which is totally bizarre and where anything
is possible. The king hangs framed, fried and solidified mango juices— ‘Chabir freme
bnadhiye rakhe amsatto bhaja’. The queen of the state has a pillow tied to her head, while
her brother is busy fixing nails on buns. The king howls like a fox and there are broken
bottles hanging from the throne (shown in Fig.32.6). These kinds of weird associations
form the basis of Ray’s nonsense verses. In Ray’s Abol Tabol meaningless ideas combine
with recognizable norms making the poems comprehensible. To smell the sour sky, to lick
it after a shower and find that it has become sweet is a pleasant distortion of ideas that
could only have occurred to a genius like Ray. His creations are unparalleled, if not
unprecedented (Mitra, 2005).
There is a gentle satire in Ray’s Gnofchuri, where the manager creates bedlam because his
moustache has been stolen. In KaThbuRo his head is full of strange theories of researches
on timber. In the poem Pakapaki he plays with the word paka (ripe) and how its application
to different things gives different shades of meanings to the same word. DnaRer Kobita is
a terrific wordplay on dnaR (oar), daRi (beard) and dnaRi (period, oarman) and similar
sounding words. In Khai Khai he gives us a catalogue of all that can be swallowed—and
his list includes fists and bribes (Mitra, 2005).
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It is usually the polished and educated gentlemen of the society who is the main target of
Ray’s satire. This can be seen in poems like Tejiaa, Jiboner Hishaa, Babu. He also provides
illustrations portraying well-dressed Bengali babu with spects. In his poem, Lakshmaner
Saktishel, Sugrib protests furiously - “Don’t abuse me by calling me a human”, when he
is compared to a human being by Bibhisan. In this instance the entire mankind becomes
the target of his redicule. In poems like Ramgorurer chhana he makes fun of those who
are scared to laugh and thus grave and serious men also become objects of his satire.
Sukumar Ray’s Hesoram Hnusiarer Diary is a spoof on Conan Doyle’s Professor Challenger
and The Lost World. In Sukumar’s version, Professor Challenger becomes Professor Hesoram
and the Amazon forest becomes the forest of Karakoram. There we find a profusion of
prehistoric animals. There are animals that ravish bread and boiled eggs, and also animals
that complain even after devouring jelly. These peculiar animals are named in amusing and
matchless compounds of Latin and Bengali such as hyanglatheriam, gomratheriam,
lyagbyagarnish. Expressions he coined, like huko muhko hangla, ramgarurer chhana, and
kumro patash, have been household words ever since they appeared in print. In fact, it is
impossible to think of humour in Bengali without remembering Sukumar Ray (Dutta,
2004).
In Ha Ja Ba Ra La, Ray takes us to a world where our sturdy, conditioned mind faces a
challenge. HJBRL is written in a casual and conversational style. Ha Ja Ba Ra La reminds
the reader of the Lewis Carol’s ‘Alice in Wonderland’ (1865). The narrator is a child who
is both intelligent and observant, and his descriptions are rich if not flowery. Like Alice,
he faces a dull reality. In his case, it is a mountain of math ematics and grammar homework.
He lapses into mid-day reverie that lands him face to face with a cat that magically comes
out of a handkerchief. He meets a raven who scribbles furiously away on a tiny board and
stares at the boy with a cocked head. A little man, barely over a foot tall with a shiny bald
head, bumps into him. He flips his hookah like a telescope to size him up. Then there is
Grammabaron Homer, the goat (Basu, 2005). There is also a great trial as in ‘Alice in
Wonderland’. The court scene—where a sleepy bat is the judge, a crocodile an advocate
shedding crocodile tears, witnesses are valued because they have been purchased and
money is ultimately valuable—brings out the total corruption of the system in a good-
natured humour. When the old man asks the narrator of Ha Ja Ba Ra La his age and the
narrator replies that he is eight years three months old, he is confronted with a strange
question—whether his age is in the process of increasing or decreasing. The Ha Ja Ba Ra
La people turn their ages backwards after forty with fear of dying of old age. In reality also
most of the people are eager to hide their age and state the years less than what they
actually are (Mitra, 2005).
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Sukumar Ray – The Pioneer and Innovator of Children’s Literature
Conventionally, a plot should have a proper beginning, middle and end. In Ha-Ja-Ba-Ra-
La, the Old Man, while telling a story, defies all of these conventions. He begins in the
middle of an action; even the first sentence begins with Taarpor (and then), the characters
encroach without proper introduction, and the story stops in the middle leaving us guessing
for the rest. Moreover, Sukumar’s wonderful illustrations bring to life a tale of confusion
and chaos, intellectualism and innocence.
In the words of Rabindranath Tagore “The spontaneous effusion of Sukumar’s humor has
enriched Bengali literature and is unparalleled. The wide gamut and the dynamic movement
of his faultless rhyme-scheme, the unimaginable incongruity of his emotive associations
astound us at every turn. He had a scientific sobriety in his nature and therefore has been
able to evoke a play of the binaries with such promptness. Indeed, there has always been
some real resonance of humour in the domain of Bengali literature but Sukumar’s hallmark
of humour is unique and all surpassing. The immense gift of his refined humour along
with the pity of his premature demise would forever be aflame in the reader’s mind.”
Famous Works
When he was just eight years old Sukumar’s first poem Nadi (River) was published in Mukul,
a children’s magazine. When he was nine, he wrote Tick, Tick, Tong which was a translation
of the well known nursery poem Hickory, Dickory, Dock. Some of his famous works are:
• Abol tabol (Gibberish),
• Pagla Dashu (Crazy Dashu)
• Khai-Khai (Eat-Eat)
• Heshoram Hushiyarer Diary (The Diary of Heshoram Hushiyar)
• HaJaBaRaLa (Mumbo-Jumbo)
• Jhalapala O Onanyo Natok (Cacophony and Other Plays)
• Lakkhaner Shoktishel (The Weapon of Lakkhan)
• Chalachittachanchari
• Shabdakalpadrum
• Bohurupi
• Bhasar Atyacar (Torture of Language 1915)
Conclusion
Sukumar Ray’s literary style is very difficult to translate. His nonsense writing which is in
Bengali, and is his chief claim to immortality, is in the least translatable of literary forms.
He is a magician with words and language but this also makes translation of his works
difficult. It is also not possible to convey humour and jokes with deep vernacular voices
in other language and so he has unfortunately remained unknown outside Bengali circles.
Thus his greatest asset becomes his greatest limitation.
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Khichuri
Old Tickler
Go East or West, go North or south, by land sea or air,
But before you go, make sure the old Tickler isn’t there.
Tickler is a terror, and I’ll tell you what he’s after –
He’ll have you stuffing tickle chops until you choke with laughter.
Stew Much
A duck once met a porcupine; they formed a corporation
Which called itself a Porcuduck (a beastly conjugation!).
A stork to a turtle said, “Let’s put my head upon your torso;
We who are so pretty now, as Stortle would be more so!”
The lizard with the parrot’s head thought: taking to the chilli
After years of eating worms is absolutely silly.
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Sukumar Ray – The Pioneer and Innovator of Children’s Literature
[Original: ‘Haan chilo sojaru’ (Bengali), Translated by: Satyajit Ray (the able son of
Sukumar Roy)]
References
• Basu, Jayinee (2005). Hjbrl – a Nonsense Story by Sukumar Ray. Lulu Press: India.
• Biography of Sukumar Ray. Available at:
http://www.poemhunter.com/sukumar-ray/biography/
• Ghosh, Siddhartha (2004). Abol Tabol -The Making of a Book. In Chakravorty, S. and
Gupta, A. (Eds). Print Areas: Book History in India. Delhi: Permanent Black.
• Dutta, Swapna (2004). A portrait of Bengali writer Sukumar Ray. Available at:
http://www.papertigers.org/interviews/archived_interviews/sray.html
• Mitra, Zinia (2005). Sukumar Ray, Master of Science and Nonsense. Available at:
http://www.parabaas.com/translation/database/translations/essays/pZinia_sukumar.html
• Robinson, Andrew (1987). Selected Letters of Sukumar Ray. South Asia Research, Volume
7 (2): 169, SAGE.
• Robinson, Andrew (1989). Satyajit Ray: The Inner Eye. University of California Press.
• Sen, Mritika (2005). The Ray of Madness and Magic. Available at:
http://archive.deccanherald.com/Deccanherald/jun172005/sesame1416262005616.asp
• Sen, Satadru (2012). PJ, Bandhu: Sukumar Ray and ‘Third World Humor’. Available at:
http://satadru-sen.blogspot.in/2012/02/pj-bandhu-sukumar-ray-and-third-world.html
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Introduction
The name of Jamini Roy shines among the most notable painters of India, especially
modern India. Art is a form of beauty and it needs encouragement to be developed. This
encouragement must come from a wider circle and Jamini Roy took his art works to all
classes of people. No wonder, his art not only received appreciation but also motivation
from the common masses. He gave a fresh expression to his ideas and thoughts through
colours. Jamini Roy (1887-1972) is one of the greatest and most innovative Indian painters
of the 20th century, who changed the concept of Indian modern art. Achievements of
Jamini Roy are a proof of his laudable art works that brought fresh lustre to the country.
Perhaps he is the most prolific Indian painter who has created more than 15,000 paintings
and drawings.
His initial work seems inspired by Western style of painting. He made some brilliant forays
into a Post-Impressionist genre of landscapes and portraits, yet Roy’s early career was
calamitous and his early paintings came across as lack-lustre, bland and dull. He did odd
jobs in order to survive. He worked at the printing press in Allahabad, worked at a litho
press in North Calcutta, worked in the theatres, worked for a Jewish greetings card dealer
and used to paint cards in hundreds. He also worked for a cloth shop and for a wood-
engraver in North Calcutta. In the 1920s many experiments in art practices were taking
place in Calcutta and Santiniketan, and Jamini Roy was very much a part of that.
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Innovativeness in the Works of Jamini Roy
Till 1920s he continued painting in oil in western style following the impressionists and
post-impressionists though some experimental art practices were taking place in calcutta
and Shantniketan. He had also assimilated Egyptian, Byzantine and Classical European art.
From late twenties onwards he realised that the Western style is not working for him
although his work was being appreciated. Although trained at the Government School of
Art with classical artistic impulses he got influenced by the bold sweeping brush-strokes
of Kalighat Pat Chitra. It was in 1925 that he looked towards his own culture, and studied
the living folk and tribal art for inspiration. He returned to his own roots to understand
the folk arts of Bengal. And naturally he moved away from his earlier impressionist landscapes
and portraits. To reach the very source of the folk tradition Jamini Roy went back to his
native place, and there he studied the style and technique of Pat Chitra from the Patuas.
But the task of deriving a personal idiom of modern concept from a popular expression
was an uphill task. He worked hard for about seven years at his North Calcutta residence
to solve problems related to shaping his new visual language on certain principles. And
ultimately he succeeded in substituting the conventionally pursued ‘high art’, by pictorial
values of a rustic ‘popular’ art. Successively he mastered a style of painting conceived
entirely on two-dimensional terms.
Jamini recognised his preference as well as interest in the field of Kalighat paintings. From
that time onwards, his paintings started reflecting the Kalighat style. Roy’s rejection of the
then modern style of painting and his foray into the realm of Bengali folk paintings
marked a new beginning in the history of Indian modern art. He started painting in a
traditional manner with elements from the folk paintings, Kalighat Patas, scroll paintings
of Patuas, motifs terracotta temples of Bengal, clay and wooden dolls, maxi kanthas
(embroidered quilts), designs of Baluchari sarees and tribal art of Santhals and other
elements of the local community. In his art, there can be noticed elements of Dainhata
(Burdwan district centre for traditional stone sculpture of Bengal) in particular the stone
sculptures.
His drawings and sketches reveal their connection with traditional art forms and some of
them are uncommon like the drawings which remind us of the embroidered quilts and
the Baluchari sarees. Certain elements of Dasavatara cards and manuscripts, as well as of
paintings of the Bankura region can also be found in his work. The influence of the designs
of alpana and tribal wall paintings of the Western part of West-Bengal is also strongly
present. He translated the clay toys, horses and other animals into paintings (as shown in
Fig. 33.1). Jamini Roy also wrote an essay in Bangla titled “Patua Shilpa” in which he
detailed his observation of Pata (scroll painting) and square patas (Non-Kalighat style).
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Creative Sparks of Innovation
By the early 1930s he had made a complete switch to indigenous materials. His fascination
with the indigenous art of Kalighat painting and the terracottas of the Vishnupur temple
grew unabated. Quietly, yet firmly, the bold simplicity, linear flow began to fill his work.
The difference between Kalighat Patas and Jamini Roy’s drawings and paintings can be
mentioned here. Kalighat Patuas are traditional artists for generations, who have shifted to
Calcutta from various parts of Bengal and are trained indigenously. Jamini Roy belonged
to a family of rural origin and was trained in an art school. He later realised that by merely
copying from the Western style he will not be able to become a true artist. He also wanted
to take a path different from the Bengal School style of Abanindranath and therefore, he
started painting in indigenous style with his own innovation. His lines are simple but lead
to complex moments whereas in the Kalighat Patas lines are simple, bold and roundish
initially derived from clay images. In an interview with Bishnu Dey, he mentioned that,
“Painting like Europeans is not possible for me - I cannot paint like the Chinese, Persians
or Mongols, for all this is not possible since I am not in that atmosphere. Therefore I have
to search for my way out of my own quest. My aim is to have a different style. Now it
is accepted that I am having a different style.” This made him a unique painter and a great
artist of 20th century. This style also added a new dimension to Indian art.
Jamini Roy wanted his art to spread among the common people and not just be confined
to museums or galleries. He sold his paintings at very affordable price. He made several
copies of his paintings to meet the collectors’ demands. Apparent simplicity of his paintings
attracted common people apart from art lovers and critics. Various critics from different
countries including English novelist Foster wrote about his works.
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Innovativeness in the Works of Jamini Roy
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Creative Sparks of Innovation
Fig. 33.4: Krishna and Balarama, Tempera on card (Size: 27”X26”), 1940
The mother and child (Fig. 33.5), Radha and animals were painted in simple two-dimensional
forms, with flat colour application and an emphasis on the lines.
The main subjects were often enclosed within decorative borders with motifs in the
background. The figure of the Christ was also a subject that Roy often painted.
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Innovativeness in the Works of Jamini Roy
1) Sketches in pen and ink – These resemble Bankura style of pata paintings, terracotta,
and clay toys. These are basically key drawings for final paintings. The items lines are
more sophisticated in nature, which reminds his training in art school. In the patas of
Bankura traditions there are a few groups and styles. Beliatore Patas are more primitive,
closer to Santhal Patas. Jamini Roy’s sketches are mixture of these two styles of patuas.
2) Jamini Roy also followed the style of Bankura clays toys and presented it like a series
of designs. Some of these are made in paper stencils and touched up with colours
afterwards. These are all in colours – Gouache (Fig. 33.7). Thus he was experimenting
how those figures could be presented in paintings.
4) Few designs are drawn repeatedly in a similar way on papers. This shows a planning
of how these designs can be combined with other figures and motif in a painting.
These combinations helped him in the preparation of his final painting.
In terms of compositional discipline, his work sometimes reminds the rhythmic as well as
symmetrical arrangements of figures on the panels of late medieval Bengal. The lines
define the contours of the forms in neat sweeps and the colors, which are deep and
saturated, making Jamini Roy’s paintings thrive in rare vitality (Fig. 33.8).
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Creative Sparks of Innovation
Roy adopted the simplification of the forms, the bold, flat colours and the medium,
material and themes of local folk paintings. The appropriation of folk idioms manifested
in various ways. There was a phase in which he adopted the calligraphic brush lines of
Kalighat Patuas to create sophisticated forms. The austerity of lines only serves to highlight
Roy’s superb control over brush. The lines drawn lyrically and sometimes even sensuously
with lampblack over white or pale grey background show not only vigour, but also the
poetry latent in the human form. Roy brought the sensibilities of a formerly educated
artist to his appropriation of folk idiom. He did not escape sophistication in his figuration.
Moreover, the monumentality that he often brings to his figuration recalls the quality of
classical sculptures. His paintings are unique in nature giving us some exceptional
presentation from the mythic world, the world of folk tales, tribal man and village girls.
Innovativeness of Medium
Roy adopted the simplification of the forms, the bold, flat colours and medium, the
material and themes of local folk paintings. He discarded expensive canvas (Fig. 33.9) and
oil paint and opted for the more inexpensive material and medium of the folk artist.
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Innovativeness in the Works of Jamini Roy
He made his own painting surfaces out of cloth, wood, and even mats coated with lime;
and painted using earth and vegetable colours. Jamini Roy restricted his palette to seven
colours – Indian red, yellow ochre, cadmium green, vermillion, grey, blue, and white. In
his mid-thirties, he abandoned his conventional art practice. By the early 1930s, Jamini
Roy became fully conversant with the lines of the Kalighat idiom and switched over to the
native materials. His medium remained the tempera (Fig. 33.10 & 33.11).
Tempera, also known as egg tempera, is a permanent fast-drying painting medium consisting
of colored pigment mixed with a water-soluble binder medium (usually a glutinous material
such as egg yolk). Tempera is traditionally created by hand grinding dry powdered pigments
into a binding agent or medium, such as egg, glue, honey, water, milk, and a variety of
plant gums.
Tempera painting starts with placing a small amount of the pigment paste into a palette,
dish or bowl and adding about an equal volume of the binder and mixing. Some pigments
require slightly more binder, some require less. A few drops of distilled water are added;
then the binder (egg emulsion) is added in small increments to the desired transparency.
The more egg emulsion, the more transparent the paint. Tempera paint dries rapidly. It is
normally applied in thin, semi-opaque or transparent layers.
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Creative Sparks of Innovation
He also used Gouache on panels, cards, and boards as a medium for some of his paintings
(Fig. 33.12).
Fig. 33.12: Bankura Horse (with Durga), Gouache on board (38cm x 61 cm), 1935
Famous Works
Jamini Roy themes are drawn from joys and sorrows of daily life of rural Bengal for his
paintings. Besides painting scenes from the lives of the indigenous Santhals he worked
upon religious themes such as Jesus Christ, Sri Chaitanya, Ramayana and Radha-Krishna
but he illustrated them without narratives. Cats Plus, Cats Sharing a Prawn, Crucifixion with
Attendant Angels, Kitten, Krishna and Balarama, Krishna and Radha Dancing, Krishna with
Gopis in Boat, Makara, Queen on Tiger, Ravana, Sita and Jatayu, Santhal Boy with Drum,
and Seated Woman in Sari are some of his celebrated works.
Coates described one of his paintings, Bride and two Companions, which appeared in 1952
(Fig. 33.13) as, “Note the magnificent indigo of Bengal, and how the palms of the bride’s
hands are smeared with red sandal paste. Jamini Roy’s choice of colours looks at first sight
purely decorative. In fact, nearly everything in his pictures has a reason and a meaning.”
Fig. 33.13: Bride and two Companions Fig. 33.14: Dual Cats with one Crayfish
Tempera on card, 75cm×39 cm Tempera on card, 55.5cm × 44 cm
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Innovativeness in the Works of Jamini Roy
About Dual Cats with one Crayfish (Fig. 33.14) he said, “Yet another new style, colours
reduced in number and very restrained, an almost overwhelming sense of formality.”
References
• Anjan Sen. Painter Jamini Roy. Available at:
http://poieinkaiprattein.org/poetry/anjan-sen/painter-jamini-roy-by-anjan-sen/
• Dey, Bishnu. Review of Jamini Roy and his works.Visha Bharati Quarterly XXXV/I.
• Ray, Pranabranjan (2011). Jamini Roy's Art in Retrospect. Available at:
http://www.artnewsnviews.com
• Kanjilal, Kajal (2009). History of Indian Art. New Delhi: Saraswati House.
• Lalit Kala Akademi. (1992). Jamini Roy in the context of Indian folk sensibility and his
impact on modern art: Seminar papers. New Delhi: lalit Kala Akademi.
• Ray, Jamini (1997). Jamini Roy: Bengali artist of modern India. Gainesville, Fla: Samuel
P. Harn Museum of Art.
• Dey, Bishnu and Irwin, John (1944). Jamini Roy, Indian Society of Oriental Art.
• http://www.aicongallery.com/artists/jamini-roy/images
• http://www.indiaart.com
• http://www.indianartcollectors.com/artist/JaminiRoy
• http://www.indiapicks.com/Indianart/Indianart-index.htm
• http://www.saffronart.com/artsmart/top-10-painters-of-india
• http://www.itasveer.com/artsmart/top-10-painters-of-india
• http://en.wikipedia.org/wiki/Jamini_Roy
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Creative Sparks of Innovation
Introduction
The usage of networked Systems/Applications/ Services is increasing day by day and at
same time, hackers are playing a vital role in destructing the systems, applications and
services. Security is essential to protect the network, systems, services and applications
from hackers and in turn protect the sensitive data. Due to rapid developments in web
technology and tools, the entire software development for applications involves use of web
technology and tools such as LAMP (Linix Apache MySQL PHP) or WAMP(Windows
Apache MySQL PHP) or other Web tools (ASP, Dot net, IIS and so on). Since web-based
application development and deployment involves different web tools, web-based
applications are prone to compromise by a hacker due to vulnerabilities and security
breaches. The application developer has to pay attention during software development and
ensure secure coding to avoid vulnerabilities that protect the application from security
breaches and attacks.
Security Services
The violation in one or more of security services such as authentication, authorisation,
availability, confidentiality, integrity of a network, system or application leads to a security
breach (Mao, 2009; Rao, 2010; Rao, 2012).
— Authentication confirms the identity of a person or a system and permits one
system to determine the origin of another system.
— Authorisation and Access Control is the level of access control that is permitted to
use systems and services.
— Availability ensures that the system or an Application or a Service is always available
to the authorised parties when needed.
— Confidentiality provides the secrecy of information and allows only authorised
users to have access to information.
— Integrity ensures that only authorised parties are able to modify computer system
assets and transmitted information. It also provides for the correctness of
information.
— Nonrepudiation ensures that neither the sender nor receiver of a message be able
to deny the transmission.
These can be made secure by protecting the sensitive resources at the network, system and
the application domains. The components and sensitive resources at network domain
consist of the configuration files and access control lists at organisation’s gateway level
network. Sensitive Resources at System Domain consist of file system, system memory,
processes, IPC Objects (Shared memory, Message Queues, Semaphore) and system clock,
etc. Sensitive resources at services/ application domain include the setup and configuration
278
Web-Based Application Development: A Security Perspective
files of specific services like Email, Web, DNS and Proxy. It also includes the Programme
Code, the controls and other such related area of a specific application (E-commerce).
The following are various types of vulnerabilities that are to be addressed by the developers
while developing web-based applications:
• Unvalidated Input
• Broken Access Control
• Broken Account and Session Management
• Cross-Site Scripting (XSS) Flaws
• Buffer Overflows
• Injection Flaws
• Error Handling Problems
• Insecure storage
• Denial of service
• Insecure Configuration Management
Un-validated Input
Web applications use input from HTTP requests to determine how to respond. Attackers
can tamper with any part of HTTP request, including the URL, query-string, headers,
cookies, form fields, and hidden fields to bypass the site’s security mechanisms. The impact
of unvalidated input is that all web servers, application servers, and web application
environments are susceptible to parameter tampering.
Measures to be taken: Server side checks should be enforced to defend against parameter
manipulation attacks. Once these are in place, client side checking can also be included to
enhance the user experience for legitimate users and/or reduce the amount of invalid traffic
to the server. Web application should have a strong, centralised mechanism for validating all
input from HTTP requests to protect the malicious input. In addition to these measures web
application firewalls can also be used to provide some parameter validation services.
The Parameters should be validated for - data type (string, integer, real, etc.), allowed
character set, minimum and maximum length, whether null is allowed, whether the
parameter is required or not, whether duplicates are allowed, numeric range, specific legal
values (enumeration), and specific patterns (regular expressions).
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Creative Sparks of Innovation
Measures to be taken: The authorisation on every page of the application should be properly
checked. It should not inadvertently become a proxy for services behind a firewall and
only short amounts of time for token sessions should be allowed. Tokens on the server side
on user logout should be destroyed, all demo/debug code must be removed before going
live with an application, defaults in third party code or applications should be changed
verified, one must also ensure not to use higher privileges than are necessary and limit file
permissions on web files.
Measures to be taken: The best way to protect a web application from XSS attacks is to
ensure that the application should perform validation of all headers, cookies, query strings,
form fields, and hidden fields.
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Web-Based Application Development: A Security Perspective
Buffer Overflows
Buffer overflow occurs when a programme or process tries to store more data in a buffer
(temporary data storage area) than it was intended to hold. Attackers use buffer overflows
to corrupt the execution stack of a web application. By sending carefully crafted input to
a web application, attacker can cause the web application to execute arbitrary code –
effectively taking over the machine. The impact is that web servers, application servers,
and web application environments are susceptible to buffer overflow attacks.
Measures to be taken: It is essential to keep up with the latest bug reports for web and
application server products and other products. The latest patches to these products should
be applied. Scanning of the website periodically with one or more of the commonly
available scanners that look for buffer overflow flaws in your server products and your
custom web applications is also required.
Measures to be taken: Bind variables should be used wherever possible. If not possible, it
is important to escape all user variables which can be used in a SQL statement or on the
command line. Pattern matching can be used to verify user input. If input is not what is
expected, it should throw an error. These error messages should be generic. In order to
avoid giving an attacker potentially useful information one can turn off/control debug
messages. At database level one should limit access to the web account that is accessing
the database, write procedures to insert records and update data rather than give the
application direct access to the tables and limit application to READ-only access where
ever possible - at the user level as well as database level.
Measures to be taken: It is essential to return a simple error message to the user and log a
more detailed error message to the server. The user should be provided with diagnostic
information (e.g., data validation errors), but not developer level diagnostic/debug
information. It is also required to limit error messages regarding user ID and password
errors. The password complexity should not be described. Other important steps are to
review the access logs, to look for anomalies, if your site contains sensitive data, to log
access to the system and to review error logs periodically.
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Creative Sparks of Innovation
Insecure Storage
Most web applications have a need to store sensitive information, either in a database or
on a file system somewhere. The information might be passwords, credit card numbers,
account records, or proprietary information. The impact is that most web application
environments get affected.
Measures to be taken: The easiest way to protect against cryptographic flaws is to minimize
the use of encryption and only keep information that is absolutely necessary. For example,
rather than encrypting credit card numbers and storing them, simply require users to re-
enter the numbers.
Denial of Service
Web servers can handle several hundred concurrent users under normal use. Attacker can
generate enough traffic from a single host to flood many applications. Once an attacker
can consume all of required resource, they can prevent legitimate users from using the
system. The impact is that web applications are particularly susceptible to denial of service
attacks.
Measures to be taken: It is essential to configure all security mechanisms. Turning off all
unused services, setting up roles, permissions, and accounts, including disabling all default
accounts is also required.
Conclusion
Web based application security problems are as serious as the network security problems,
but have received considerably less attention. Attackers are focusing on web application
security problems and exploiting the vulnerabilities. The above specified vulnerabilities at
application level are a starting point for those flaws that represent the most serious risks
to web application security. Apart from it, it is also essential to continuously monitor the
sensitive resources at Network System and Application domains for deviations, if any and
protect the same as part of proactive measure. It is important to consider security as
process-based, and not product-based. A number of software tools are also available that
can be used in the discovery (and sometimes removal) of vulnerabilities in a computer
system. It is always advisable to have security audit on web-based applications before
deployment as it helps in taking care of various issues related to the computer based
systems and their vulnerabilities. All these processes and mechanisms help in ensuring that
the application is safe from instances of hacking or data breaches.
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Web-Based Application Development: A Security Perspective
References
• Mao, Chengying (2009). Experiences in security testing for Web-based Applications.
Proceedings of ICIS, ACM.
• Rao, A. Murali M (2010). Digital Library Security: A Layered Approach. In Proceedings
of International Conference on Digital Libraries, ICDL 2010, pp 1167-1171,Volume 2,
New Delhi, 23-26 February, 2010.
• Rao, A. Murali M (2012). Security Issues and Challenges in Adopting Software as a
Service. In Proceedings of Indo-Russian Round Table Conference held during 16-18,
October, 2012, New Delhi, India.
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Creative Sparks of Innovation
35
izsepUn dks D;ksa i<+sa\
ftrsUnz JhokLro
izLrkouk@Hkwfedk
Lok/khurk izkfIr izsepUn ds ys[ku ek= dk ugha] thou dk mn~ns’; FkkA ;g egt la;ksx ugha gS fd muds
lkfgR; dk vf/kdka’k Lok/khurk vkUnksyu ds ckg~; vkSj vkUrfjd i{kksa dk lw{e fo’ys"k.k djrk gSA vkt
dh vkykspukRed Hkk"kk esa dgsa rks Lok/khurk&foe’kZ izsepUn ds ys[ku dk chtrRo gSA ;gk¡ bl ckr ij
/;ku nsuk cgqr t:jh gS fd izsepUn iw.kZ Lojkt ds fgek;rh Fks vkSj Lojkt dh mudh /kkj.kk bl ns’k
ds ’kksf"krksa&ihfM+rksa ds Lojkt ls iq"V gksrh FkhA
Lok/khurk vkUnksyu vkSj izsepUn
izsepUn us tgk¡ ,d vksj Lok/khurk vkUnksyu ds i{k esa eqDr ân; ls vius ys[ku ds ek/;e ls fgLlk
fy;k ogha mUgsakus blesa Hkkx ys jgs mPPk e/;oxZ dks lansg dh n`f"V ls ns[kkA izsepUn dk Li"V ekuuk
Fkk& Þgesa vf/kdkj dh t:jr blfy, ugha gS fd FkksM+s ls f’kf{kr vknfe;ksa dks eksVh&eksVh vlkfe;k¡ feysa
vkSj og ’kku ls thou O;rhr djsa] cfYd blfy, vkSj dsoy blfy, fd ge jk"Vª dks lq[kh vkSj lUrq"V
dj ldsa] f’k{kk dk izpkj dj ldssa] Ñ"kdksa dh gkyr lq/kkj ldsa] csdkjh dh cyk nwj dj ldsaA ns’k esa
,slk okrkoj.k iSnk dj ldsa fd NksVs ls NksVs vkneh dks Hkh jgus dks >ksaiM+s vkSj jksVh dh deh u jgs]
cM+s ls cM+s vkneh NksVs ls NksVs vkneh ij Hkh vR;kpkj djds csnkx u cp ldsa] lwn ds uke ls xjhcksa
dks ywVk u tk lds] vnkyrksa esa U;k; vf/kd eg¡xk vkSj lafnX/k u gksA iw¡thifr etnwjksa dk jDr pwldj
eksVs u gks ldsa] tehankj vius vlkfe;ksa ij euekuh u dj ldsa] jkt deZpkjh fj’or dk cktkj u xeZ
dj ldsa] rjg rjg ds u, O;olk; [kksys tk,aA ge vf/kdkj pkgrs gSa &jk"Vª lsok ds fy,AÞ 1 Lok/khurk
vkUnksyu ds fo"k; esa ,d egRoiw.kZ ckr ;g Hkh gS fd mldh Bhd&Bhd ’kq:vkr jk"Vªh; psruk ds
vkfoHkkZo ds ckn gh gqbZ] vkSj bldh i`"BHkwfe cuk lu~ 1857 dk fonzkgs A bl fonzkgs ds lUnHkZ esas ,d fons’kh
bfrgkldkj dk ;g er nz"VO; gS& Þxaxk ikj ds bykds esa gh ugha] nksvkc ds ftyksa esa Hkh xzkeh.k turk
mB [kM+h gqbZ Fkh vkSj tYnh gh ,slk dksbZ vkneh] xk¡o vkSj ’kgj esa ugha cpk tks vaxzstksa ds fo:) u
mB [kM+k gqvk gksAÞ2
fopkj/kkjk fopkj dh /kkjk ugha gksrh gSA3 ;g dksbZ cuh cuk;h pht ugha gSA blesa fujUrj ifjorZu vkSj
fodkl gksrk gSA izsepUn ds lUnHkZ esa Hkh ;g ckr lgh cSBrh gSA izsepUn dh fopkj/kkjk vius le; dh
lekt&leh{kk djrh gSA dFkk&lkfgR; ds vfrfjDr izsepUn ds fopkjijd ys[ku esa Hkh mudk n`f"Vdks.k
Li"V gqvk gSA izsepUn ij xka/kh dk izHkko Li"V gS ysfdu ns[kus dh ckr ;g gS fd os Þu dHkh vfHkHkwr
xka/khoknh Fks vkSj u dHkh xka/khokn ds ,dne fojks/khAÞ4 gk¡] ml le; ds yxHkx lHkh ldkjkRed
vkUnksyuksa ds lkFk izsepUn ds lkfgR; dk xgjk laca/k gSA deZHkwfe esa Lok/khurk vkUnksyu gS rks izsekJe
esa fdlku vkUnksyu vkSj xcu esa Lons’kh vkUnksyu gSA blh izdkj dgkfu;ksa esa ÞtqywlÞ] Þlej;k=kÞ vkSj
ÞvkgqfrÞ bR;kfn esa Lok/khurk vkUnksyu dh xwW¡t gSA Lok/khurk ds gh lanHkZ ls tqM+h dgkuh ÞeSdwÞ
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eqfDr ds fy, py jgs vkUnksyuksa dk izHkko gSA
Lok/khurk vkUnksyu esa mifuos’kokn dk fojks/k ,d O;kid vkSj tfVy ekeyk FkkA izsepUn tSls ltx
jpukdkj bldks eglwl dj jgs FksA Þfons’kh vaxzstksaÞ dks gVkdj Þns’kh vaxzstksaÞ dks lRRkklhu djuk
284
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mudk mn~ns’; u FkkA mudk fojks/k flQZ xksjh peM+h ls u gksdj lRrk vkSj ’kks"k.k ds rU= ls FkkA muds
dFkk lkfgR; esa Þns’kh vaxt
sz ksÞa ij Hkh xgjh pksV dh xbZ gSA mUgksua s lu~ 1930 esa iafMr cukjlhnkl prqonZs h
dks fy[ks ,d i= esa ;g bPNk izdV dh fd mudh izcy vdka{kk g]S ge Hkkjrh; Lojkt&laxkz e esa fot;h gksAa 5
jk"Vªokn ls erHksn
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mudk erHksn FkkA mUgksaus vius Lojkt dk vk’k; viuh dgkuh ÞvkgqfrÞ dh ukf;dk :ief.k ds eq[k
ls dgyok;k gSA og dgrh gS &Þvxj Lojkt vkus ij Hkh laifRRk dk ;gh izHkqRo cuk jgs vkSj i<+k fy[kk
lekt ;ksa gh LokFkkZU/k cuk jgs rks eSa dgw¡xh fd ,sls Lojkt dk u vkuk gh vPNk gSA vaxzst egktuksa
dh /ku&yksyqirk vkSj f’kf{krksa dk Lofgr gh vkt gesa ihls Mky jgk gSA ftu cqjkb;ksa dks nwj djus ds
fy, vkt izk.kksa dks gFksyh ij fy, gq, gaS] mUgha cqjkb;ksa dks D;k iztk blfy, flj p<+k,xh fd os fons’kh
ugha Lons’kh gaS\ de ls de esjs fy, rks Lojkt dk ;g vFkZ ugha fd tku dh txg xksfoUn cSB tk,A
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Lora=rk ds ckn dh fLFkfr;ksa ij bZekunkj lsukfu;ksa dks lansg Fkk vkSj fdruk nq[kn gS fd og lansg
lksyg vkuk lgh lkfcr gqvk gSA fQj Hkh ;g egRoiw.kZ ckr gS fd lansg ds ckotwn yksx bl ns’k dh
c`gRRkj vkcknh dh eqfDr dh yM+kbZ esa viuk ru&eu&/ku viZ.k dj jgs FksA ;gk¡ ;kn djus dh t:jr
gS fd Lok/khurk vkUnksyu esa tks yksx fgLlk ys jgs Fks mlesas lektoknh lekt dk csgrj liuk ysdj
yM+us okyksa dh deh u Fkh vkSj bl /kkjk ds egku uk;d ljnkj Hkxr flag FksA ;g vkdfLed ugha gS
fd Lojkt ds eqn~ns ij Hkxr flag vkSj izsepUn ds fopkj feyrs&tqqyrs gSaA Hkxr flag us dkaxzl ds
jk"Vªoknh usrkvksa dh vkykspuk djrs gq, fy[kk Fkk &Þ;fn vki lksprs gSa fd fdlkuksa vkSj etnwjksa dks
lfdz; fgLlsnkjh ds fy, vki euk ysaxs rks eSa crkuk pkgrk gW¡w fd os csodwQ ugha cuk, tk ldrsA os
lkQ&lkQ iwNsaxs fd mUgsa vkidh ØkfUr ls D;k ykHk gS] og dzkfUr ftlds fy, vki muls cfynku ekax
jgs gSa\ Hkkjr ljdkj dk izeq[k ykMZ jhfMax dh txg ;fn lj iq:"kksRRke Bkdqj gksa rks blls D;k QdZ
iM+sxkA ,d fdlku dks blls D;k QdZ iM+sxk ;fn ykMZ bfoZu dh txg lj rst cgknqj liwz vk tk,aAÞ8
;gk¡ ;g ;kn j[kuk gksxk fd izsepUn nsohnhu vkSj :ief.k ls ;g fopkj O;Dr djkdj NksM+ ugha nsrs
cfYd Þczg~e dk LokaxÞ dgkuh ds uk;d Lojkth odhy vFkkZr Þifr egk’k;Þ dh bl lksp ls muds
la’k;ksa dks vk/kkj nsrs gaS &Þo`Unk lksprh gksxh fd Hkkstu esa Hksn djuk ukSdjksa ij vU;k; gSA dSlk cPPkksa
tSlk fopkj gS! ukle> ! ;g Hksn lnk jgk gS vkSj jgsxkA eSa jk"Vªh; ,sD; dk vuqjkxh g¡wA leLr f’kf{kr
leqnk; jk"Vªh;rk ij tku nsrk gS fdUrq dksbZ LoIu esa Hkh dYiuk ugha djrk fd ge etnwjksa ;k lsoko`RRk
/kkfj;ksa dks lerk dk LFkku nsxsaAÞ9 ysfdu ;gk¡ ;g Hkh /;ku nsus dh ckr gS fd vius bl la’k; ds ckotwn
izsepUn Lok/khurk dk gj laHko leFkZu dj jgs FksA os ;g Hkh ns[k jgs Fks fd Lojkt dh yM+kbZ esa rUe;
gksdj Hkkx ysus okys yksx ’kksf"kr oxZ ls gh vk jgs FksA
os Þlej;k=kÞ dgkuh dh ukf;dk ÞuksgjhÞ dk mnkRRk pfj= gekjs lekus j[krs gSa vkSj mlls dgyokrs
gSa& Þvkt rqeus ns[k fy;k u fd gekjs Åij dkuwu ugha] ykBh ls jkt gks jgk gSA ge brus cs’kje gSa
fd bruh nqnZ’kk gksus ij Hkh dqN ugha cksyrsA ge brus LokFkhZ] brus dk;j ugha gksrs rks mudh etky
Fkh fd ges dksM+ksa ls ihVrsA tc rd rqe xyke cus jgksxs] mudh lsok Vgy djrs jgksxs] rqEgsa Hkwlk pksdj
feyrk jgsxk( ysfdu ftl fnu rqeus dU/kk Vsd fd;k] mlh fnu ekj iM+us yxsxhA dc rd bl rjg
ekj [kkrs jgksxs\ dc rd eqnksZa dh rgj iM+s fx)ksa ls vius dks uqpokrs jgksx\s vc fn[kk nks fd rqe Hkh
285
Creative Sparks of Innovation
thrs tkxrs gks vkSj rqEgsa Hkh viuh bTTkr vkc: dk [;ky gSÞA10 ;gk¡ ,d ckj fQj ;g ns[kus dh t:jr
gS fd izes pUn dk fojks/k ftruk mifuos’kokn ls Fkk mruk gh lkeUrokn ls HkhA mUgksua s bls tM+ ls m[kkM+us
dh ckr dh gSA os fgUnh ds igys ,sls ys[kd ga]S ftUgksua s Þizes kJeÞ esa tehankjh mUewyu dh ckr dgh gSA
vius oSpkfjd jk"Vªokn ds fo"k; esa mudk dguk Fkk& ÞvkSj ge ftl jk"Vªh;rk dk LoIu ns[k jgs gS]a mlesa
rks tUexr o.kksZa dh xU/k rd u gksxhA og gekjs Jfedksa vkSj fdlkuksa dk lkezkT; gksxk] ftlesa u dksbZ
czkg~e.k gksxk] u gfjtu( u dk;LFk] u {kf=;( mlesa lHkh Hkkjrhoklh gksaxs] lHkh czkg~e.k gksaxs ;k LkHkh
gfjtu gksaxsAÞ15 izsepUn lkEiznkf;drk dks cgqr lrdZ vkSj oLrqfu"B <ax ls ns[krs FksA mUgksaus Qjojh
1929 dks eqa’kh n;kukjk;.k fuxe dks ÞdcZykÞ ukVd ds fo"k; eas ,d i= esa fy[kk Fkk&Þbldk ;dhu
jf[k, eSaus ,grjke dgha utj&vUnkt ugha gksus fn;k gSA ,d&,d y¶t ij bl ckr dk [;ky j[kk
gS fd eqlyekuksa ds etgch ,glklkr dks lnek u igqaps A edln iksfyfVdy gS] ckneh ,rgkn dks
c<+kuk gS vkSj dqN ughaA16 izsepUn us viuh dgkfu;ksa ÞftgknÞ] Þfgalk ijeks /keZ%( ÞeqfDr/kuÞ vkSj Þiap
ijes’ojÞ esa lkEiznkf;drk ds fp=.k ds lkFk gh fganw&eqfLye ,drk dks Hkh fpf=r fd;k gSA bl ,drk
ds fy, mUgksaus iz;kl Hkh cgqr fd;kA 26 vDVwcj 1932 dks lkEiznkf;drk vkSj jk"Vª ds fo"k; esa mUgksaus
fy[kk&ÞbZ’oj ls gekjh ;gh izkFkZuk gS fd fgUnw&eqfLye le>kSrk lQy gks vkSj Hkkjr ,d jk"Vª vkSj
,dkRek gksdj vius vH;qn; ds iFk ij vxzlj gksAÞ17
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izsepan fgUnh ds ,sls igys ys[kd Fks ftUgksaus o.kZ O;oLFkk vkSj tehankjh O;oLFkk dks lewy u"V djus dk
izLrko fd;kA os igys gh ys[kd Fks ftUgksaus ifr dh lEifRRk esa iRuh ds vf/kdkj dk i{k fy;kA os
L=h&iq#"k laca/kksa esa cjkcjh ds i{k/kj FksA tkfgj gS] ;s reke dkj.k gSa ftudh otg ls izsepan dks
ckj&ckj Ik<+k tkuk pkfg,A
lanHkZ&
1- izsepan] fofo/k izlax&2] i`- 393&94
2- flUgk] bUnzeksgu dqekj- izsepUn ;qxhu Hkkjrh; lekt]] i`-2
3- izks- eSustj ik.Ms; ¼1999½- jk"Vªh; laxks"Bh] lkfgR; vdkneh% ubZ fnYyh
4- izks- eSustj ik.Ms; ¼1999½- gal] i`-33
5- ogh&i`- 32
6- ogh&i`- 34
7- Xkcu] i`- 203
8- gal] ebZ 1999] i`-34
9- ekuljkscj] [k.M vkB] i`- 130
10- ogh & [k.M lkr] i`- 76
11- gal] uoEcj 1999] i`- 36
12- izsepan% fofo/k izlax] Hkkx&2] i`- 420
13- ogh &i`- 422
14- ogh &i`- 333
15- ogh &i`- 473
16- izsepUn ;qxhu Hkkjrh; lekt] i`-2
17- ogh &i`- 389
287