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Koon-Hung Lee - Choy Lay Fut Kung Fu PDF

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100% found this document useful (4 votes)
2K views192 pages

Koon-Hung Lee - Choy Lay Fut Kung Fu PDF

Uploaded by

juiz1979
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
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CONTENTS

INTRODUCTION ............................ 6
ORIGIN OF CHOY LAY FUT KUNG FU .......... 8
THE CHARACTERISTICS OF THE APPLICATION .. 11
A BRIEF INTRODUCTION OF THE CONTENTS .... 13
CHAPTER 1: PREPARATORY EXERCISES ....... 15
CHAPTER 2: STANCES AND FOOTWORK ....... 25
CHAPTER 3: HAND TECHNIQUES .. ...... ..... 45
CHAPTER 4: PALM-STRIKE .................. 87
CHAPTER 5: KICKING TECHNIQUES .......... 105
CHAPTER 6: PARRYING .................... 115
CHAPTER 7: SPECIAL EXERCISES . . . . . . . . . . . . 135
CHATPER 8: APPLICATIONS . . . . . . . . . . . . . . . 153
ABOUT THE AUTHOR ..................... 188

© 1983 Lee Koon Hung Publishing Company. All tight> reserved . Reproduction in any manner in
whole or part in Chinese or other languages prohibited. Protection secured under the International
and Pan-American copyright con'lentions

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ACKNOWLEDGEMENT
Apart from the Editorial Board and art designers, I would
like to extend my gratitude to the following persons who
contribute much of their help and precious ideas in the
finishing of the book: Mr. Shek Kin, Mr. Eric Hui. all learners
of the martial art training course of the Chinese University of
Hong Kong. Miss Margaret Lee and Mr. Philip Shun.

LEE KOON-HUNG

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RECO ENDATION:
Choy Lay Fut Kung Fu is a sophisticated, complete
and refined martial art. To grasp the essence of this Kung
Fu, one must have deeper research, hard training and
comprehension of this art. Moreover, he must have a
qualified instructor to give him instruction and guidance.
Because of the lack of qualified instructors, a lot of en-
thusiastic learners just waste their time and energy in
learning this Kung Fu. Meanwhile, most of the instructors
and learners of Choy Lay Fut Kung Fu have only vague
or confused ideas of this martial art and therefore, not
only its glamour cannot be manifested, but it is always
misunderstood.
In my opinion, a Choy Lay Fut Kung Fu learner must
be persistent, hard-working, and eager to learn. He
definately needs a qualified instructor to give him guidance.
This qualified instructor must be well-experienced, learn -
ed and have readiness to improve himself. As I am cer-
tain that the author is qualified and well-experienced in
teaching, I firmly believe that this book is a media to ex-
press and explain the essence and technique of real Choy
Lay Fut Kung Fu.

SHEK·KIN

J-2-
Mr. Shek-Kin and
Master Lee Koon-Hung

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INTRODUCTION
Choy Lay Fut Kung Fu ( f.i :t- m. rJJ .k ) is a martial art
which has a history of more than a hundred years. Its
theory, methods of practice, combative potential and other
aspects are complete, neat and practical. However, there
is not much improvement in the method of instruction
during these hundred years. As for the few books which
are left, if not their contents are not up to standard, they
are not organized systematically. Therefore, it is essentail
for a person to learn Choy Lay Fut Kung Fu through the
personal instruction of a qualified instructor. If not, he can
hardly attain the knowledge of this complete and
sophisticated Chinese Kung Fu through other media.
In Hong Kong , Choy Lay Fut Kung Fu is a popular
style which attracts most learners. However, the quality
of instructors fluctuates and this problem is even worse in
overseas. This causes a lot of misunderstanding and some
people even think that Choy Lay Fut Kung Fu is Karate,
Hung-Kar or some other kind of martial art.
Basing on the above reasons, the author, Master Lee
Koon -Hung wrote a series of books specializing in Choy
Lay Fut Kung Fu. They are the summary of his 20 yearsJ
experience in researches and teaching of Choy Lay Fut
Kung Fu written in direct and simple language with rele-
vant diagrams . This book is the first one among the series.
It gives an introduction to Choy Lay Fut Kung Fu and
explains its practice and application. Through the explana-
tion and demonstration of this book, readers can get a
deeper understanding of the techniques and main-points
of 'real' Choy Lay Fut Kung Fu. Morever, they can learn
by themselves through the direction of this book so that
they can practise and apply this Kung Fu effectively.

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If readers are interested in a deeper study of Choy Lay


Fut Kung Fu after reading this book, they may refer to some
other books of Mr. Lee Koon -Hung which will be on sale
very soon. By that time, I believe that readers will grasp
the essence of this martial art and has learnt its rudiments
which prepare the learners for further researches.

EDITOR

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ORIGIN OF CHOY LAY FUT


KUNG FU-
More than a century ago, a young man called Chan-
Heng ( ~ ~:) who loved martial art had already had a
sound foundation of martial art under the patient guidance
of a Shaolin monk, Choy-Fok (~ it1/ii). Then Choy-Fok
introduced him to a famous martial artist called Lay Yau -
*
Shan ( 1il1ll) . Chan-Heng then followed him to learn
Lay-Kar Kung Fu ( *~J~ ) which is renowned for its
ferocious fighting and fast movement. For eight years,
Chan-Heng learnt the foundament of martial art. Then as
Choy-Fok and Lay Yau-Shan were satisfied with his
progress and achievement, they had an open mind as to
encourage him to go a long way to Bak-Pai Mountain
( ;\ tJ~ 0J ) which was in central China so that he might
follow a monk called 'Green Grass Monk' ( ~ 1;1. tr1 f~ ) to
learn the sophiscated 'Buddhist Palm Style' ( #ll ~ 'if.: ) and
its wily and powerful palm striking.
After pleading hard for some time, Chan-Heng was
accepted by the 'Green Grass Monk' and under the instruc-
tion of the monk, Chan had acquired more attainments
in martial art.
By the time when Chan-Heng returned home from
Bak-Pai Hill, his attainment in Kung Fu was quite superb
and his skill became to gain admiration.
Since Chan-Heng's art gathered his three instructors'
mertis and also his own findings and his experience, he
had already established a new style of martial art which
was unique and complete. In order to popularize this brand
new art and make it easier to call, Chan-Heng named it
*
'Choy Lay Fut' ( "% 1!Jll).
Why did he choose this name?

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The main reason was that Chan-Heng wanted to


express his respect and gratitude towards his instructors,
and that was exactly the spirit of "respect one's teacher",
which was a spirit always emphasized in Chinese Kung Fu.
Chan picked out the surnames of his first and second
teachers, "Choy" and "Lay" respectively as the first two
words; since his third teacher , "Green Grass Monk'' had
abandoned his original name due to his devotion to
monastary, Chan used the word "Buddha" which was the
religion which the Monk worshipped and placed it as the
third word of his art's name. The three words, "Choy" ,
"Lay" and "Fut", being linked together, became a Chinese
Kung Fu which was passed to the present and has become
the most popular Chinese Kung Fu style among the
learners.
ln fact , Choy Lay Fut really exists the essence of Choi-
Fok. Lay Yau-Shan and "Green Grass Monk". In adding
up the good points of these three masters, Chan-Heng
added in his own experience and made this Kung Fu more
complete, flexible and active, aiming at a powerful, fast
and accurate attacking and defencing technique by hands
and legs.

The Modern Choy Lay Fut


Kung Fu-
During the many years' development, Choy Lay Fut
Kung Fu has undergone modifications. Nowadays, the high
standard instructors have already "filtered" carefully and
seriously the traditional Choy Lay Fut Kung Fu and make
it into a Modern Kung Fu which stresses the scientific
dynamics in its trainings, while at the same time, the
essence of the traditional art is preserved.

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Having both the traditional and scientific spirits, Choy


Lay Fut Kung Fu indeed has stronger and greater poten-
tial. And, it can account for the reason why tHis art can
continuously own the greatest number of learners among
the so many styles in Hong Kong.
Hong Kong is regarded as the modern "Kung Fu
Kingdom " which has more than a hundred martial art
styles. Among the vigorous competitions, It is really not
easy to stand firmly , let alone the power to attract the
greatest number of learners! Thus, it cannot be denied that
Choy Lay Fut Kung Fu is an art which suits both past and
present.
According to a statistic, more than 40% of the Hong
Kong martial art learners are practising Choy Lay Fut Kung
Fu. There are mainly five reasons why this Kung Fu can
gain such a high standing:
i. It owns an actual and excellent multisided force
which is practical during real combats.
ii. During either real combats or full-contact tour-
naments, it has the same force and power.
iii. The hygenic amount of practice enables the
learners to maintain at a level of shift movement,
quick response and healthy physique.
iv. The diversified contents suit people of different
classes and age groups.

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THE CHARACTERISTICS OF
THE APPLICATION:-
In the application of technique and movement, Choy
Lay Fut Kung Fu stresses shift and unpredictable motions,
but not rigid fighting.
This Kung Fu places the same amount of emphasis on
the attack and defence of arms. And the four limbs assist
one another. However, the hand- technique is particular-
ly well-developed.
Though the attack and defence area of Choy Lay Fut
Kung Fu is in an arc shape, the arc does not cover a large
area. Also, the motions are done according to the move-
ment of the stance, and there are other appropriate
action to assist the motions; therefore, such small-arc
motions are not only forceful, but can prevent the motions
to be understood thoroughly by the opponents.
Besides, Choy Lay Fut Kung Fu also has straight-line
attack, such as 'Panther Fist' and 'grasp skill', which are
very outstanding straight-line attack and defence
techniques.
In the aspect of defence, since it is usually co-operated
with the attacking techniques, many defending skills are
of great strength. The kicking techniques could be used
as a direct attack as well as a motion which can prepare
for attacking. Before the kicking takes place, the hands will
first divert the attention of the opponent. After the legs are
kicked out, no matter whether the kick is useful or not,
the learners of this Kung Fu will give a prompt and
continuous attack.
The attacking technique and strength·are based on an
instant 'dynamic' force, but not just contracting the muscles
and thrust towards a certain target in a rigid way. Besides,

1l

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when defending , the prompt force is assisted with the ac-


tion of waist twisting, and the smooth moving of stance
and the shoulders so as to add much strength to the at-
tack. Making use of the tendency as well as the weakness
of the opponent to give out an immediate defence or at-
tack is also a major characteristic of this Kung Fu.
The weapons for attacking are mainly the hard bones
and knuckles. All attacking motions are concentrated on the
weak vital spots of the opponent's body, and most of the
attacks are centred in intruding the opponent's point of
force giving, so as to diminish the opponent's force and
to prevent him from giving out further attacks.

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A Brief Introduction of the


Contents
In order to equip readers with a deeper understanding
of the basic techniques of Choy Lay Fut Kung Fu, the
author particularly sets up an extraordinary learning short-
cut. The instructions and diagrams of this publication will
contribute the practice of this art to a great extent. After
reading this book, if you find yourself interested in this
leading Chinese Kung Fu, a coming book by the same
author will surely be of great value. Bearing the skills and
theories mentioned in this edition as basic knowledge, a
firm foundation can then be attained.
Followings are the arrangement of the contents in-
troducing the various basic techniques and theories of Choy
Lay Fut Kung Fu.
To avoid the demonsirating actions shown by the
pictures from being disturbed by any numbering, the
numbers indicating the photos in this book are arranged
separtely. The arrangement of photos are indieated by
circled numbers placed at the sides or near the pictures. For
example: %
®-@
means that the first one on the left is figure 1, the middle
figure 2 and the last one figure 3; while figure 4 is on the
right of the page.

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Choy Lay Fut Kung Fu

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~
PREPARATORY EXERCISES

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PREPARATORY
EXERCISES
Choy Lay Fut Kung Fu has
much emphasis on Preparatory
Exercises. Preparatory Exercise not
only helps learners maintain at best
condition and equips them with
physical and mental qu<.~lifications , it
also could avoid the happening of
accidents.
To facilitate the practice and
application of Choy Lay Fut Kung
Fu , general Preparatory Exercise
and physical trainings should be
supplemented by various "specific''
practices. The demonstration
shown by figures below are parts of
the Preparatory Exercise in Choy
Lay Fut Kung Fu. Readers could
master their skill better; also, they
could Jearn that this Kung Fu
demands great flexibility and co-
operation among the waist,
shoulders, legs and arms.

SWING- ARM EXERCISE


Swing the arm in an anti-
clockwise and then clockwise
direction. This helps improve
elasticity of muscles and facilit-
ate the motions of Choy Lay
Fut Kung Fu.

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CD
®

' 'i'
®
~

\
....
#

-
e
1 )

t)l
-
/OJ/>

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RO UN DHO USE EXERCISE


FOR BACK MUSCLES
A limbering exercise for
back musdes. It adds flex-
ibility and power for the
waist .

. .....

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LEG-UPS
Squat down to the left and
right side. This exercise is good
for the hip joints, leg stretch-
ing and balancing.

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LEG SPREADING
EXERCISE
Significant to the attain-
ment of strong kicks. Be
careful· not to strain in the
first attempts.

CD
®
l

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FORWARD AND BACK-


WARD BEND EXERCISE
This exercise stretches back
and abdominal muscles. Since
it imitates the waist-stretching
motion of tigers, it is also
called "tiger-style" stretching
exercise.

<!)(!)
@ (2•
® ~
~

~I

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A
<D
®
~

In order to add force and


to prevent of the wrist part
during the performance of
~ \ 'Flat Fist Strike', a special
'\ set of exercise is recom-
mended. This exercise is
~....- divided into three stages, so
that the power of the wrist
and the joints can be increased
bit by bit.
First Stage: A. Push-up with
fingers.
~~ ).~ Second Stage: B. Push-up
;;IJU/If""t..t.. with flat fist (First and Second
J finger joints)
I!! Third Stage: C. Push-up with
flat fist (Third and Fourth
finger joints)
B
CD
®
~

ft

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\
WAIST- TURNING h:rt sides as far as possible.
EXERCISE It adds flexibility to the body.
Being assisted by the turn- inc reases the force of the waist
ing of steps, one should turn and can help one have a
one's waist to the right and 'smooth' breathing.
The Preparating Exercises for
the reinforcing of Flat Fist -

c
CD
®
~

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Choy Lay Fut Kung Fu

\,

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~ CHAPTE 2
STANCES and FOOTWORK

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Stances:
Stances are the original force of motions, and the
strength of skills. Besides, body balance depends on one's
attainment in stances.
Choy Lay Fut stances includes many forms, such as
front, side, wide, narrow and single-legged forms.
When one has learned the techniques and forms of
the different stances well, one can manage to give out any
suitable stance according to different situations.
Choy Lay Fut stances demand for a proper level of
steadiness and firmness, but not those kinds of rigid and
inflexible style.

• In order to indicate the correct Forward

standing position of stances.


different directions. front, back. left.
right and centre are represented by
points A to M. Point M, the centre
point. is the centre of gravity of a
human body; Point A is the direc-
tion facing the front. Point G the
back. Point D the right, and Point J
the left.

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STRADDLE STANCE
Action: Body at a crouch-sit posi·
tion; keeps the distance
between the feet wide;
toes all point to the front
part.

Function: Sets the centre of gravi·


ty at the lowest so as to
give out greater power.
When adopting this
stance, if one turns
round to attack, the
force will increase.

Usage: This stance is seldom used


during real fighting. It is
mainly for the training of
mu scles and lets the
learner know how much
force should be given out.

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Many Chinese Kung Fu


require very firm stances from
the practisers. The instructors
think that the stances should
be as steady as huge trees
which are grown deep in the
earth; therefore, they always
demand their students to
remain at a fixed stance for
half an hour. In fact, it is very
unhealthy. During the hundred
years, Choy Lay Fut Kung Fu
is against this kind of stance
practice. The reason is that
Choy Lay Fut prefers accurate,
well- balanced and flexible
stances rather than those over-
done steady ones. We hope
that the readers can pay
attention to this point.

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E·CHI STANCE
Action: Turns the body to face the
side; the knees bend
slightly; front leg steps at
point A, hind leg at point
F.
Function: The positions of the legs
are advantageous for
shift movement. Both
legs can lead to forward
or backward movement
and can change to
other stances or kicking
skills easily.

Usage: Mainly prepares for


fighting; can make use of
every opportunity
attack.

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CHI-NG STANCE
Action: At a slightly crouch~d
position; the toes of the
front leg and hind leg are
placed at points L and D
respectively. The knees
are slightly bended. The
body faces forward and is
ready to fight.

Function: Each leg supports the


equal body weight; the

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CH!lY 1111 fU I
centre of gravity, being
at the centre, can shift
according to different
sit uations when the
front or back arm gives
out strike.

Usage: This stance is p articularly


suitable for front and back
arm connected attack. It is
an accompanying stance
of many main attacking
techniques. I

The differences between E-chi


Stance and Chi-ng Stance

Up: E-chi Stance


Down: Chi-ng Stance

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BACK LEANING
STANCE
Action: Turns the body to face the
side: keeps the normal
distance between the feet:
the front leg stands on tip
toe. with the heel hanging
up ; the hind leg steps on
the ground firmly.

Function: 70% of the weight, and


the centre of gravity are
at the hind leg; the front
leg prepares for kicking
or thrushing forward.

Usage: This stance makes the at-


tack more shifty during
front kicking; it also gets
ready for forward thrusting
or retreating for counter-
attack.

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FORWARD LEANING
STANCE
Action: Body crouches; toes of
front leg are pla{;ed at
point A, with the knee
bended; slides the hind leg
to the back, keeping the
knee at 15 em from the
ground. Keeps the inner
edge of the sole of the
hind foot at point F, while
the outer edge hanging
away from the ground.

Function: Can add power to the


attack, seek opportuni-
ty for sudden attack,
and give out prompt
counter-attack.
Usage : All accompanying actions
of this stance give out great
power. And the attack can
reach out to a long
distance. A

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CRANE STANCE
Action: Body facing the side, lifts
the front guarding foot to
the thigh level and bends
the sole inward. Keeps the
hind leg firmly on the
ground.

Function : A special stance for


denfence and attack.

Usage: Especially used for defen-


ding or blocking the oppe-
nent's kicks , and can
prepare for forward thrust
or kicking. At times when
body cannot be balanced,
this stance can fix the body
shape temporarily and
threatens the opponent
that he might be counter-
attacked by kicking.

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GiHJ1 !JJ1 riJf · ·

HOOKED STANCE
Action: The body side faces the
opponent; the toes of the
front guarding foot twist
anti-closewlsely to a posi-
tion where the inn er edge
of the sole faces the front.
When twisting, the body
maintains at a crouched
position. The knee of the
hind leg fixes at the arc of
the bending front leg.

Function: Shift the centre of gravi-


ty to the front leg quick-
ly. Also, the twisting
motion adds power to
the hind arm when it
strikes forward.

Usage: A very special kind of


stance. Its anti-clockwise
twisting is a direct and
quick way to alter the at-
tacking direction without
any change of footsteps. It
is suitable for the time
when the front guarding
hand is pushed by the op-
ponent. And, when the
opponent thrusts forward,
the sudden twisting can
minimize the force.

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Section Two: Footwork

Stance is the original force of motions, while footwork


is a key which decides whether the motions are efficient
or not.
Without the assistance of footwork, the original force
produced by stance, and the force of the skill itself will be
severely restricted by distance. Once an opponent goes
beyond the distance which the technique can exert con-
trol , all motions will become futile .
Since Choy Lay Fut demands merely an appropriate
degree of stability of the stance, shifty and flexibility are
two important characteristics.
The highest level of the footwork technique is the level
of 'snake sliding' and 'mouse running'. 'Snake sliding'
means that the footwork should be as shifty as a snake,
and should slide on the ground harmonously in unpredic-
table motions; 'running mouse' means that one should be
as flexible, and changeable as a mouse.
So, the footwork of Choy Lay Fut is a kind of vivid
and flexible motions. The feet slide on the ground but not
In steps. When moving either the front or hind leg, the
other leg will, at the same time, follow the movement, also
if environment allows or in time of needs, the leg will return
to the original stance or change into another one.
The major footworks of Choy Lay Fut Kung Fu
include:-
i. Forward Step Movement
ii. Backward Step Movement
iii. Side Sliding Movement
iv. Half-step Style Front and BackSliding Movements
'Forward Step Movement' and 'Backward Step Move-
ment' are usually brought forth by 'E-Chi Stance'.

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'Side Sliding Movement' is usually carried out by


'Chi-Ng Stance,' or by other stance which then moves to
become 'Chi-Ng Stance'.
'Half-step Style Front and Back sliding Movements'
are the distinctive footworks of Choy Lay Fut Kung Fu.
These two movements are very similar to 'Hooked Stance'
in their actions and final forms, but the functions and usages
among the three are totally different.

'Half·atep Style Front Sliding Movement• -


Motion: The hind leg moves forward shiftly and steps
aside.
The front leg, with a blended knee, fits tightly in-
to the back of the blending part of the front leg;
keep the body in slightly crouched position while
at the same instance, the front arm should blow
at the target.
Function: To make use of the action of the stepping aside
of the hind leg to reinforce the strength and also
the distance of attack of the front arm. The
action is simple. And yet the front leg, being
assisted by the force of this footwork, is much
stronger than ordinary front arm attack.
Usage: Attack the opponent in a quick and immediate
motion, also prepares for any change of stance
to give out other continuous attack.

'Half•step Style Back Sliding Movement'-


Action: Front leg steps backward; at the same time , the
hind leg steps aside, making the knee part of the
front leg fit into the back of the bending part of
the hind leg; Body in a slightly crouched position

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and gives an attack from the front arm.


Function: The stepping backward of the front leg
lengthens the distance between two people, it,
thus, can minimize the chance of being hit by
the opponent.
Usage: Could draw the distance between the two people
farther "economically'' which helps minimize the
chance of being hit by the opponent. If the oppo-
nent insists on attacking, the front arm led by the
stepping back will create a great threat or hin-
drance to the opponent. Therefore, this sliding
movement not only can diminish the opponent's
attack but enables one to attack at the first instance.
Besides, "Half-step Style Front and Back Sliding
Movements" facilitate the change to other stances and
could also motivate heavy kicks or attacks led by the turn-
ing of the body.
* Following the examples shown in the figures of this book
to practise continuously enables one to grasp the basic
footwork and fighting technique of Choy Lay Fut Kung
Fu. After practising, the readers can refer to the special
training method, "Cross-walk and Straight-out'', as
recorded in Chapter 7 of this book.

A. Half-step Style Front Slid-


ing Movement
B. Half-step Style Back Slid-
ing Movement

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A B
Q) <D
® ®
® ®
l ~

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STEPPING PROCESS OF
HOOK STANCE
The readers can see the
difference between Hook
Stance and Half-step Style,
and Front Sliding and Half-
step Style Back Sliding
Movement.

4()

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rll
!JIJ!J ,, '1
I 'I ,.
J ... I .I f
u·r ~ IJJ
r'l
'j

BACKWARD STEP MOVE-


MENT
Just like 'Forward Step
Movement', one should use a
sliding method and should
make preparation for defense
and attack.

FORWARD STEP MOVE-


MENT
When advancing, do not
give eut an obvious forward
stepping motion. It is better
to use a sliding method so
as to minimize the opponent's
chance to make preparation or
to give out counter-attack.

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<D
®
®
~

It is a set of simple drills.


Through this 'Stances and
Movement Drills', one can
learn the methods of stance
movement and step move-
ment. During the early prac-
tice, one can simply concen-
trate on stances and steps
and can ignore hand striking
motions. But after one has
got hold of different hand
striking techniques, hand
striking and stances should
be combined during practice.

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®®
®~
~

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~ CHAPTER3
HAND TECH.NIQUES

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Hand Techniques
"Flat Fist Strike" ("Panther Fist"), "Back Fist Strike",
"Incurve Swing Strike", "Upward Strike", "Vertical Smash
Strike", and "Thrust Palming" are all major striking techni-
ques of Choy Lay Fut Kung Fu.
Basing on each of the above techniques, there are more
than two striking methods derived from them; and, the
sub-techniques derived are uncountable.
In order to help the readers comprehend and unders
tand more clearly, this book concentrates on the main strik-
ing methods; and those sub-techniques will be discussed
detailly in later publications.

The role of 'Imitation' in Chinese


Kung Fu-
'Imitation' technique is a
martial art technique derived from
the observing and imitating of the
attacking forms or ways of giving
out froce of certain animals or
things. It is a very outstanding skill
of Chinese Kung Fu.
Quite a lot of 'Imitation' tech-
niques exist in the basic skill of Choy
Lay Fut Kung Fu. For instance, 'Flat
Fist' derived from the idea of an
attacking panther; also, 'lncurve
Swing Strike' and 'Vertical Smash
Strike' come from the imitation of
the striking action of an elephant's
trunk; furthermore. the quick and
shifty movements of rats and snakes
are also imitated and become an
important fundamental skill of Choy
Lay Fut Kung Fu.

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Certainly, there are differences


between human bodies and animals
or things, so , if the imitation is
inaccurate, a bad effect could only
be the reward. Choy Lay Fut,
however, excels in this technique
for it merely picks up the ideas and
essence of those actions, without 1
forcing one to imitate the actions
that human beings cannot achieve.

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FLAT FIST STRIKE


It is one of the special striking
techniques of Choy Lay Fut. Since
it imitates the form when a panther
uses Its sharp claws to attack at a
target, It iS also known as "Panther
Fist".
The weapon of this technique A. Flat Strike
is the folding of the second finger Bends and Joms the finger
knuckle bone. When bending, the knuckles, and attacks in a straight-
sharpness of the ftnger bone is line.
more forceful than the fist bone;
also, the distance covered is
greater. And the several cen-
timetres' distance can always serve
as a decisive function in a combat.
Besides, the sharp attack of Flat Fist
Strike can "penetrate" the force in-
to human body directly and brings
serious "destruction" to the internal
organs and weak parts of the body.
"Flat Fist Strike", according to
the different striking methods, can
be divided into the following
categories:

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~IJD YlilY f U"f

<D Anticipation
® Releasing
® Full ex~ension
~

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The main targets of attack -


A. temple
B. between eyes
C. eyes
D. between upper lip and nose
E. jaw
F. below ear
G. throat
H. either side of neck
I. sternum
<D
J. solar plexus
K. ribs
L. groin
®
®
~
..

.. -

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Weakens the opponent's


fist strike, and at the first
stance, attack the opponent's
temple with Flat Strike .

.. -
<D
®
®
~


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B. Forward Strike
Back palm, facing outward,
aims at the target and strikes in a
straight-line direction .

The main targets of attack -


A. temple
B. between eyes
C. eyes
D. between upper lip and nose
E. jaw
F. below ear
G. throat
H. either side of neck
I. sternum
J. solar plexus
K. ribs
L. groin

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Weakens the opponent's


fist strike, and, at the first
instance, attack the opponent's
ribs with Forward Strike.

-
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Use Forward Leaning


Stance to prevent being hit
by the opponent's upper part
hand strike, while at the same
time attack the opponent's
groin with Forward Strike.

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C. Whirling Strike
Strikes in a straight-line, but, as
the striking takes place, the back
palm whirls in an anti-closewise
direction , forming a straight-and-
arc shape bended knuckles attack .

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Notes for practice:


The bended knuckles attack
surely has destructive power.
However, the firmness and hard-
ness of the knuckles can only be
attained after learning the special
exercises of Choy Lay Fut Kung
Fu. (Refer to p . 22, 23} If the
knuckles are not firm and hard
enough , fist bone can be used as
replacement; nevertheless, fist
bone can only be applied in 'Flat
Strike' and 'Forward Strike'. Owing
to the change of attacking weapon,
it is not so efficient when fist bone
is applied in 'Whirling Strike' .

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Use Whirling Strike to


weaken the opponent's attack,
and then slide down to attack
the opponent's solar plexus or
ribs.

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LsJOY lHY FU"J u

Weakens the opponent's


hand strike first, then at the
same time use Whirling Strike
to attack at the point between
the centre of throat and the
collar-bone.
CD
®
®
~

..

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Stances and attack when


used together can reinforce
the power of attack. The
demonstrating pictures show
how the power of Whirling
Strike can be performed to
the greatest extent when Back
Leaning Stance is changed into
Straddle Stance.

<D
®
®
~

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tHOY L1l1 fUJ J

Anticipation
Releasing
Full extension

,. ,

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BACK FIST STRIKE


It is another type of strike im-
itating the attacking motion of an
elephant with its trunk. It involves
the force of the back fist and fist
bone. Though it is less forceful than
the "Jncurve Swing Strike", the
area it covers is very broad. Also,
the motions are direct and
unpredictable.
This technique makes good
use of the twisting of shoulders and
waist, however, since most of the
force are consumed, other techni-
ques should be used as remedies
to compensate for the exposing of
the "empty spaces"
"Back Fist Strike" is mainly
divided into:

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CH01 lilY fiJI~


A. Straight Fist
Strikes vertically. Raises one
arm to a proper level and strikes
downward; or strikes at a target
from an upper level directly . The
perpendicular strike covers a small
area. But since the motion is shift,
it is suitable for medium distance
close-fighting or sudden attack.

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Between the gap of the


opponent's defense and attack,
a sudden Back Fist Strike will
be very useful .

.l ·~

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.GHDY lilY fUJ swn


The main targets of attack
A. temple
B. between eyes
C. nose
D. below ear
E. the point between the
centre of the throat and
the collar- bone.
F. either side of the neck


-

--
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B. Cross Fist
Strikes at the target closely in
an arc motion. The attacking area
is large, however, "empty spaces"
are exposed and other techniques
are required to serve as remedies,

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Cross Fist is a very fierce


form of attack. It can yield
a 'knock-out' effect when
used to attack the opponent's
point between the centre of
the throat and the collar-bone,
either side of the neck, solar
plexus and the back.

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INCURVE SWING
STRIKE
It is another special striking
technique of Choy Lay Fut. Sin-
ce it imitates the form when an
elephant uses its trunk to attack at
a target, it is also know as 'Trunk
Fist'.
'lncurve Swing Strike' involves
large arc shaped motion, thus, its
force is extraordinarily strong and
vigorous. It enables one to strike
down the opponent.
'Incurve Swing Strike' can be
divided into:
A. Straight Swing
Lift the arm up to face for-
ward , then swings down smoothly.

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th•. Eith"'r
S
·de of th
. "' 51target
best 0 / neck is
wmg Strike. Incurve

...

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Use the Elbow Strike to


encounter the opponent's knee
attack. When the balance of
the opponent's stance is dis-
turbed, a forceful lncurve
Swing Strike should be given
out to attack the back of the
opponent's neck.

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Cross Swing is a very


forceful attack. Just like
incurve Swing Strike, it is
never used by its own. When
using, this swing should be
accompanied with a proper
change of stance.

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LHD1 lJl
from making use of such "empty
B. Cross Swing spaces" to attack, the "Incurve
Swings from the side to the Swing Strike" is never used alone.
front in an arc shape . It always makes use of the oppo-
nent's force , and after giving out
Notes for practice: the strike, another attack will follow
When attacking, the body, to block any further attack by the
stance and footwork will twist ac- opponent. Since this technique re-
cordingly to gain reinforcement; quires great force from the
also, the arc-shaped motion brings shoulders, arms, waist and the
quite a lot of "empty spaces". In back, special exercises to make
order to prevent the opponents these parts strong are needed.

<D®
®

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UPWARD STRIKE
The upward force itself is very
strong, and when it is assisted with
other footwork or waist twisting
motions, the destructive force
becomes greater. However, since
the area of the strike is big, it is easi-
ly observed by the opponent, and
so other technique must be applied
at the same time. The distance is
mainly of medium and short
length; the target of attack concen-
trates on every vital spot under the
abdomen. It is a sudden attack
technique.

'Upward Strike' is grouped into:


A. Front UpwaTd Strike
Uses the back palm bone to
strike at the opponent's lower jaw.
Its main task is to make preparation
for Back Upwa•d Strike.

B. Back Upward Strike


A bi J arc-shaped movement.
The b?· 1< part of the body rushes
forwc.··.:i to an upper front target.
The .>trike is forceful, however, it
needs other techniques to assist

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VERTICAL SMASH
STRIKE
An up-to-down strike. The
weapon of this technique is the
knuckle or the side of a tight fist.
This striking method is shift and
forceful. Besides, the opponent can
hardly observe when the fist will
reach him, and so could not res-
pond promptly.
Though this strike is of a ver-
tical motion, it can be smooth,
quick and unpredictable if suitable
assisting ways are used to diversify
the attention of the opponent.
'Vertical Smash Strike' can be
grouped into two:
A. Smash Strike
Using the knuckles of a tight
fist to strike vertically.

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Anticipation
Releasing
full extension

<D
®
®
~

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Smash Strike should not


be used as an active attack.
It is most forceful when
accompanied with other tech-
niques.

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The holding right of the


fist when it reaches the target
of attack can not only make
the attack more speedy, but
can also add power to the
attack. Since the attack
involves no sharp attack of the
finger joints, one has to add
power and should aim at
the opponent's vital points.

. I

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Hammer Strike is a direct,


shift and flexible attack. The
main targets are the head, face
and either side of the head.

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B . Split Strike (Hammer Strike)


Strikes the target vertically with
the edge of a tight fist.
To diversify the attention of
the opponent is very important
before giving out this strike .
Besides, one must re -attack im-
mediately in order to fill up the
"empty-space" and to maintain in
an advantageous position. So,
'Vertical Smash Strike' is not
suitable for a single strike.

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The main targets of attack -


A. temple
B. between eyes
C. nose
D. below ear
E. either side of the neck

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Choy Lay Fut Kung Fu

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~ CHA··T R4
PALM -STRIKE

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PALM·STRIKE

Choy Lay Fut Kung r=u em-


bodies the martial art essence of
'Green Grass Monk', thus, the
'Buddhist Pahmng', which the
Monk specialized, certainly plays
an important role in Choy Lay Fut.
The 'Buddhist Palming', after
being improved by the founder of
Choy Lay Fut Kung Fu, Chan
Heun, and other instructors. not
only preserves its original strength.
steadiness and solemnness, but
becomes much shifty and
wonderful.
The Palming of Choy Lay Fut
Kung Fu mainly uses the palm-end
and palm-edge to attack the oppo-
nent's weak parts. But those techni-
ques transformed from the main
palming skills are not confined to
the palm-end and palm-edge.
Palming may not be so sharp
as striking, however, it is direct,
smooth. shift, changeable and cor-
rect. Besides, since it is flexible and
natural, it does not need so much
stress on timing; and so it is very
suitable for quick fighting.

SHAOLIN TEMPLE AND


BUDDHISM -
Buddhist monks and Chinese
Kung Fu are closely related. It is
said that the one who rearranged
and reorganised Chinese Kung Fu

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was an Indian monk. Tat-mo And


Shaolin Temple has long be
regarded as the holy place and
founding land of Chinese Kung Fu.
Therefore. apart from Choy Lay
Fut Kung Fu. there are various
other art which are directly or
indirectly connected with Shaolin
Temple and monks. Also. Chinese
Kung Fu is greatly influenced by
Buddhism. The Thrust Palming
introduced in this book is selected
from Buddhist Palming. Buddhist
Palming. in fact, consists of many
kinds of techmque, and such
techniques were founded by a
Shaolin Chief Monk who modified
the gestures of the praying monks
into martial art Therefore. the
techniques and knowledge of Choy
Lay Fut Kung Fu introduced in this
book are only a sector of the whole
art. The other aspects such as
philosophy could only be discussed
in further edition.

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VERTICAL PALM
Raises the hand and hits down
vertically . The force of the hiting
can weaken the power of the op-
ponent temporarily
Vertical Palm is usually com
bined with "tiger claws", that is.
during attack. as the palm gets
down. the fingers immediately join
together to form "tiger claws" to
scratch the opponent's face.

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Q)
(2)
®

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The main targets of attack


/\. temple
B. bet\.vec n eyes
C. nose
D. below ear
L. eitl1er side of the neck

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When one strikes at the


opponent's face, one can, at
the same instance, uses the

• fingers to scratch the oppon-


ent's face and eyes. It is a
very fierce attack, however,
one should bear in nund that
"if you are kind to your
opponent. you are unkind to
yourself" .



\l )
12j
(~) -@)

9J

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STRAIGHT PALM
A straight-line attack. The
hiting distance is short but the
strength JS great. The force of this
palming comes from the twisting of
shoulders and waist.
Straight Palm is excellent for
sudden attack . infighting and
counter-attack .

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The main targets of attack -


A. eyes
B. nose
C. between upper lip and nose
D. jaw
E. ear
F. either side of the neck
G. throat
H. the force-giving joints of
the opponent's two arms
CD
®
~

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Anticipation
Releasing
Full extension

<D
®
®
~

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Anticipation
ReI ea.. in !I
r ull t>xh•n ..ion

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To attack the force-giving


joints of the opponent's two
arms can not only weaken his
attack, but also disturb his
balance. Thus, the opponent
is unable to give any counter-
attack. When one achieves
this aim, one has to give out
other immediate attack so as
to block the chance of counter-
attack, such as back-kick or
Spinning Back Fist of the
opponent.

(!)
®
®
l

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GrJO t 1111 fUI · 1


Straight Palm is usually


performed before other tech-
niques. After the giving out
of Straight Palm, it is necessary
to give out another sudden
attack.

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After the shifting to


another form of stance, it is
important to set the hands
in a defending position.

<D
®
®
t

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~HOY lilY fU f riiJrJ

DOUBLE PALM STRIKE


When the both palms strike at
the same instance, an attack-
defence function can be achieved.
The main action is when the back
palm blocks the opponent's attack
the front palm gives a counter-
attack promptly. It is a technique for
sudden attack, and could also force
the opponent to retreat.

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UPWARD PALM
Attacks with front guarding
hand. Since the motion involves
greater area, other techniques are
needed to assist. For example,
when attacks, one observes a
loophole at the throat part of the
opponent, a well-trained learner
will immediately change the attack
of the palm-edge into a claw to
seize the opponent's throat.
I

'

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CD
®
~

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""
Upward Palm, unlike ..
'hand-knife' which is an up- ..6:T~
and -down attack, requires one p .
to attack in an inclined line
from down to up. Upward
Palm involves very short dis-
tance, and yet it is very
forceful. It is suitable for
counter-attack.

CD
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®
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1
GH01 !fl1 fU I Jll

The main targets of Up-


ward Palm are the either
side of the neck and the
throat part of the opponent.
It can make the opponent
faint or even suffocate.

CD
®
®
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Choy Lay Fut Kung Fu

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KICKING TECHNIQUES

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The main kicking techniques


of Choy Lay Fut Kung Fut are: -
A. Side Kick
Kicks directly from down to up .

B. Front Kick
Uses the kneel to kick each
protruding part of the opponent.

C . Instep Kick
Using the instep of the foot to
kick the opponent's groin .

.._
....

CD
®
~

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KICKING
TECHNIQUES
Though kicking techniques in
Choy Lay Fut Kung Fu is simpler
than striking techniques, its Impor-
tance is not ignored.
Choy Lay Fut kicking techni-
ques bear the double function of
direct attack and the ability to bring
out attack. The kicking is seriously
used. Before one kicks, one has to
diversify the opponent's attention
first; and after the kick, the learner
should immediately give out further
attack.

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D. Jamming Heel Kick


Standing on tip toe, uses the
heel or cross-leg to step towards the
opponent's kneel, shank or foot.

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- --

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E. Round House Kick


Using the arc area between the
sole of the foot and the heel to
sweep outward towards the target.

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F. Back Kick
Us.e s the heel to kick. It traps
the opponent before giving any
sudden attack.

. :L
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G. Dragon Sweep
At a crouched position, mak-
ing use of the arc area of the back
foot to sweep.

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Choy Lay Fut Stresses


an immediate attack after
any kicking. It is because
kickjng can bring advantage
in attacks. The demonstrating
pictures show the immediate
attack after a side-kick.

®.
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!

---
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DHD1 LHY fU"f I J

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-

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Choy Lay Fut Kung Fu

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~ c
PARRYING

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PARRYING
There is no clear cut of
defending actions of Choy Lay Fut
Kung Fu. All those defending tech-
niques are directly or indirectly
connected with attacks or threa-
tening power. Besides, both
defence and attack play the same
role in each of the techniques,
therefore, it is really ddficult to
distinguish which type of skill should
be placed in the sector of defending
techniques.
However, in order to give .the
readers a clearer picture about the
defending techniques of Choy Lay
Fut Kung Fu, a special set of
'Aggressive Hand-defense Drill' is
figured out. The characteristic of
this drill is to make use of straight-
line or small-arc parrying or
blocking methods to diminish the
opponent's attack; while at the
same time, a counter-attack is given
out by the same hand or the other
hand. After practising the drilling
methods, one could have better
achievement in further grabbing
techniques.
The grabbing techniques of
Choy Lay Fut concentrate on
blocking and controlling the
opponent's attack. Such techniques
aim at the opponent's joint where
force is given out. It is usually for
the disturbing of the opponent's
balance.

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CHOY !Jl1 FUJ ~i


NOTES ON USING
Parrying and blocking
which aim at the opponent's
centre of gravity and force-
giving joints are usually very
useful. Of course, in order to
make total use of the defending •
technique, a long tenn prac-
tice, sound judgement and
good experience in fighting
arc very much needed.

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Q)
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L18

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AGGRESSIVE HAND-
DEFENSE DRILL
Picture 1 to 16 show the
'Aggressive Hand-defense Dr-
ill'. The characteristic is to
make use of straight-line or
small-arc parrying or blocking
method to diminish the
opponent's attack; at the same
time, a counter-attack is given
out by the same hand or the
other hand. It is a valuable
drill for achieving higher hand
defense skills.

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®
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~

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®
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This is the practical appli-


cation of 'Aggressive Hand-
defense Drill'. Through this
demonstration, the readers can
see the value and applicability
of this drill.

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,-
\ '

CD
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....
....__

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To have a temporary con-


trol over the opponent so as
to give out an immediate and
direct attack is the main
purpose and main use of the
Grabbing Techniques of Choy
Lay Fut Kung Fu.

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®
®
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Pictures l to 3 are the


side view of the left demon-
stration pictures. The applica-
tion of Grabbing Techniques
can be seen more clearly.

CD
®
®
l

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In performing Grabbing
Techniques, the opponent's
joints and clothes can be ...
made used of. An accurate
and forceful grap can con-
trol the opponent's motion
and disturb his balance. One
then tnay give out a direct
attack.

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~

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tiJ!JY lilY f!JfsPl


Pictures 1 to 3 are the
side view of the left demon-
stration pictures. The applica-
of Grabbing Techniques
can be seen more clearly.

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®
~

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Grabbing technique, being


assisted by stances and steps,
are forceful enough to make
the opponent lose his balancing
power and fall down.

<D
®
®
~

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<D®-
Accurate force-giving me-
thod and posture are the
basic requirement for Grabbing
Techniques. Either of them
is of the same importance.

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When one is resisted by


the opponent during perform-
ing Grabbing Techniques, one
should immediately give up
. .
using Grabbing, but shift to ~l\
use some other direct and ~
forceful attacks. Please bear · ·
1 -
in mind that Grabbing Tech-
niques are only for the pre-
paration of direct attack, an~
no one should attempt to J
use Grabbing Techniques to
defeat the opponent.

<D
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i

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rqvl
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Elbow and Knee Strike


is one of the main attacking
techniques of Choy Lay Fut
Kung Fu. It is especially
excellent for 'infighting'. More
detail descriptions about El-
bow and Knee Strike and
other kicking techniques on
attacking and defending will
be discussed more explicitely
in the next publication by
the same author.
CD@-

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Choy Lay Fut Kung Fu

..

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~ CHAPTER 7
SPECIAL EXERCISES

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COMBINED HAND
TECHNIQUES DRILL
This drill is a kind of hand
striking response exercise. This drill
involves at least two learners, A and
B. During practice, A gives out five
simple strikes. B defends and gives
back corresponding response. After
A has striken five times, B, using
A's method strikes A, and A

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will then be the one who defends.


Such practice goes on like a cycle
and it gives an equal chance to both
A and B to practise the attacking
and defending skills.
This drill requires skill, quick
response, timing and the moving of
stances; so, learners are able to
grasp an accurate and practical
technique, also. learners are trained
to give out response at the first
instance. Therefore. this drill is
really a scientific way for the training
of response.

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Attack actions
CD®®-
t ~

Defense actions
<D®®-+
t <V®®-
@)®® - ·

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')
'
<D @
®
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- ~
®
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'
,:~

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® @
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-- @
@
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_,

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@
@
@
~

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(!) 0
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!!H01 LJl1 fU I

® ®
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~ ~

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-
@ @
@ @
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...

--
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STANCES AND FOOT-


WORKDRILL
This drill includes all main
stances and footw0rk of Choy Lay
Fut Kung Fu. Through this practice
which includes forwarding, retreat-
ing, swift turning, and swift side-
running actions, the learners can
have better knowledge in stances
and footwork. Hand teGhniques
are, at the same t~me, applied
during the practice. The tradition
name of this drill is 'snake sliding
and mouse running'.

®®®-

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@@@_.

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Route of drill -


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CH01 lflY fU'f

APPLICATIONS .
Demonstration is a demonstration for one situation only,
whereas the techniques exhibited by the demonstrations of
this book can be used in innumerable and various situations.

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DEFENSE AGAINST A JAB


#1
To deliver a simple side
kick t o the opponent's knee
can weaken the opponent's
attack. Also, it is a simple
direct, efficient and unpre-
ventable attack.

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r~H01 LHY FU f

DEFENSE AGAINST A JAB


#2 ,

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DEFENSE AGAINST A
ROUNDHOUSE KICK # 1

...

<D
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~

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Observing the "loophole"


of the opponent during his
attack to give out a counter-
attack is more efficient than
to attack "actively". However,
when one has not attained a
proper level in martial art, one
should not depend on such
way of fighting.

I @
®
®
l

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DEFENSE AGAINST A
ROUNDHOUSE KICK # 2

Choy Lay Fut Kung Fu


encourages one to attack con-
tinuously. In this ways, not a
single chance is missed, and
could also make use of every
opportunity to defeat the
opponent.
r
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!

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L
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DEFENSE AGAINST A
KNIFE ·HAND STRIKE

Choy Lay Fut Kung Fu


encourages one to attack con-
tinuously. In this ways, not a
single chance is missed, and
could also make use of every
opportunity to defeat the
opponent.

CD
®
l
-

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CHOY I .flY f!J f

.....

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0
DEFENSE AGAINST 1
A FRONT KICK

CD
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CHJJY lilY fUT~W1 ~j

To disturb the balance of


the opponent is the best way
to diminish the opponent's
fighting power. In the demon-
stration picture, the man gives
an immediate counter-attack
just after his opponent has
missed a kick, and he has
made good used of the opport-
unity to disturb his opponent's
balance.

®
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®
!

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DEFENSE AGAINST A
SPINNING BACK KICK

Use a counter-attack to
deal with a counter-attack can
divert the opponent's attention

before he can give out any
response.

(i)
'2)
(~
I

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,I 8,
~..,...

;~

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-

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DEFENSE AGAINST A
JUMP SIDE KICK

The fierce 'Panther Fist' is


very forceful even in very
short distant infighting. The
picture shows how one makes
use of short-distant Flat Fist
Strike to attack the opponent's
throat just after a Jump Side
Kick and Jab. (i)
(2)
~

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® ®
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i ~

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DEFENSE AGAINST A
BACK KICK

Since this attacking me-


thod involves a great area, it
is not suitable to be performed
by itself or performed casually.
However, when the opponent
has lost his fighting power,
it will become a very efficient
attack.

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@ (
® (
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~

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• '
JAMMING JOINT KICK

To attack the joints will


bring big harm to the attacked
person. Also, the knee part is
an easy target and a vital spot
for attacking.

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flljJJ lJJ ...I 1'] ,,J r,.U.f ~t[JI;


!JJ ru

FRONT GROIN KICK

Groin kicking is a very


cruel attacking technique. It
should only be used in times
of emergency.

• •
(i)
®


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~

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WHIRLING FLAT FIST


STRIKE

Whirling Flat Fist Strike


which aims at the opponent's
ribs is a very forceful attack.
During practic.e, one should
make sure that one's motion
is accurate, otherwise the
wrist part will be hurt.

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STRAIGHT BACK FIST


STRIKE

Back Fist Strike can give


out great force even if it is
performed in a very short
distance. A Back Fist Strike
used for defense and counter-
attack is even more efficient.

CD
®
®
~

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STRAIGHT I NCURVE SWING


STRIKE

Incurve Swing Strike,


which aims at the opponent's
vital spot, attacks in a small-
arc to reach the "sharp" part
of the opponent's bones.

CD
®
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t

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CJJ!J 1 111 YfJJJ

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SPINNING BACK FIST


STRIKE

Spinning Back Fist Strike


is 'evolved' from Back Fist
Strike. The basic techniques
of Choy Lay Fut Kung Fu
have different ways of chang-
ing. And those 'changes' will
be discussed in the new book
of th,e same author.

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H!ls L'

®
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(!)
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[;,

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SIMPLE COUNTER-ATTACK

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FORWARD FLAT FIST


STRIKE

The power of Forward


Flat Fist Strike will be rein-
forced when it is given out
by a body-turning motion.

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..

®
®
®
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DEFENSE AGAINST AN
AMBUSH FROM
ASSAILANTS

To fight shifty so as to
win shifty is a very important
point during fighting. It is
particularly applicable when
one has to face more than
one opponents.
<D
®
®
l

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IHl

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I

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Choy Lay Fut Kung Fu does


not encourage the learners to abuse
or harm others with no reason.
Nevertheless, in times when the
Kung Fu must be performed, Choy
Lay Fut requires the learners to
change from a gentleman into a
- fierce and cold fighter .
At times of fighting, this Kung
Fu does not leave a single advan-
tage to the opponent.

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All in all, whether a learner can


make every good use of the
characteristics and strength of this
Kung Fu depends wholly on his
own martial art attainment and
fighting experience. and many
other objective factors.

- \
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Kung Fu Tournaments and Exhibitions all over the world:


Hong Kong, Singapore, Malaysia, Thailand, Taiwan,
France, U.S.A, Canada and South Africa.

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ABOUT
THE AUTHOR
Master Lee Koon-Hung who gains much prestige in Hong
Kong and worldwide is regarded as the best instructor of
Choy Lay Put Kung Fu. During his twenty years' teaching
in Chinese Kung Fu, he has-taught lots of learners who later
become good martial artists. Also, among his learners, there
arc more than ten who come first in international Kung Fu
tournaments.
Hard-working and perseverance in researching and
improving are the principles which Master Lee holds firmly,
and these principles make him a high standing figure in the
martial art field and among all his learners.
At present, Master Lee has seven martial art institutes,
and he is the only martial art instructor of the Chinese
University of Hong Kong.
In extending the development of martial art, Master Lee
not only teaches beginners by his own, but also trains those
who have potential to be instructors. Besides, he often bears
the post of Chief Judge in every important full-contact
tournament of Hong Kong, and he is the instructor of the
training classes of judges.
Furthermore, Master Lee makes his efforts to spare time
to go overseas to perform when he is invited. His aim is to
promote the art of Chinese Kung Fu, and to supervise his
good learners who teach in the overseas branches.
If future, Master Lee, on one hand, would continue to
try his best to spread martial art, while at the same time, he
would write and publish more books concerning Choy Lay
Fut Kung Fu and other styles. He hopes that through such
media of communication, Chinese Kung Fu can be intro-
duced to other parts of the world in an accurate, deep and
systematic way.
This publication is mainly for the introduction of the
basic techniques of Choy Lay Fut Kung Fu. It can assist

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interested readers to learn this martial art by themselves


at a shortest time. Therefore, the arrangement of the contents
of this book is quite different from those regular ways of
instruction.
Master Lee Koon-Hung, with his twenty years' precious
experience in instructing martial art, has already found out a
set of perfect, systematic and disciplinary teaching method.
After a perfect arrangement and an examination system,
learners will receive an all-sided martial art training which
includes basic techniques, practical techniques, traditional
techniques, the using of weapons and also some knowledge
on Oriental philosophy.
In order to give the learners an easier access to Choy
Lay Fut Kung Fu, the author of this book deliberately
makes efforts in finding a revised and systematic way of
instructing.
Following the instructions of Master Lee Koon-Hung,
the learners can learn the appropriate techniques at different

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stages. After finishing every stage of the courses, Master Lee


will give his learners a test so as to measure their progress
and their martial art attainment. If the learners can meet
the requirement, they will be proceeded to a higher level
of martial art training. Master Lee always gives guidance
and advice to his learners. He pays attention to both practical
and traditional ways of teaching. He aims at promoting the
learners' martial art level as well as their interest of learning.
Usually, after four years' training and after having passed
the examinations, the learners can enrol in the training
courses for instructors, and it means that if one intends
to be trained as a qualified instructor, he has to devote
six years' time in learning this Kung Fu.

Master Lee Koon-Hung is the only martial art instructor of The


Chinese University of Hong Kong.

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l st Edition 1983.
2nd Edition 1988.
3rd Edition 1994.

Instruction: Slfu Lee Koon Hung


Institute: Lee Koon Hung Choy Lay Fut Kung Fu
Chinese Martial Arts association
5365 North State Road 7(441)
Tamarac, Florida 33319 USA.
Tel: (305) 730-3688
Author: Sifu Lee Koon Hung
Publisher: Lee Koon Hung Publishing Company
Sole Distributor: Leung's publications
440/442 Nathan Road, 8A/fl, Kin, HONG KONG.
Fax: (852) 7808181 Tel: (852) 7800468

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