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LATHE-WORK
A PRACTICAL TREATISE
on
‘THE TOOLS, APPLIANCES, AND PROCESSES EMPLOYED IN
THE ART OF TURNING
INCLUDING
HAND-TURNING, BORING AND DRILLING, THE USE OF SLIDE-
RESTS AND OVERHEAD GEAR, SCREW-CUTTING BY HAND
AND SELF-ACTING MOTION, WHEEL-CUTTING,
ETC. ETC.
BY
PAUL N. HASLUCK
WITH NUMEROUS ILLUSTRATIONS DRAWN BY THB AUTHOR
Second Edition, Redised and Enlarged,
GY Ine
LONDON
CROSBY LOCKWOOD AND CO.
7, STATIONERS’ HALL COURT, LUDGATE HILL
1883
[40 rights reserved)
166. &. ng.
vA NEW SERIES OF
HANDBOOKS ON HANDICRAFTS.
THE METAL TURNER'S ‘HANDBOOK: 7A on
‘Manual for Workers at the Foot Lathe. By Paut N.
‘With over One Hundred Illustrations, Crown 8vo, Paice 3 1, lon
The following are in preparation, uniform with the above,
price x/6 each.
THE WOOD TURNER'S HANDBOOK: A practical
‘Manual, embracing information on Tools, Materials, Appliances,
and Processes employed in Wood Turning. By Pau N. HASLUCK-
‘With about One Hundred Illustrations.
THE WATCH $OBBER'S HANDBOOK: A practical
‘Manual, embracing information on Tools, s, Materials, ls, Appliances,
and Processes employed in Cleaning, Adjusting, an
‘Watches. By Paut N. Hastuck. ‘Wid shekk “One
Illustrations,
THE MODEL ENGINEER'S HANDBOOK: A prac-
tical Manual embracing information on Tools, Materials, Appli-
employed in Constructing Model Engines.
By Biot N. Hrastoce. With about Owe Hundeod Iilestrafons,
THE CLOCK JOBBER'S § HANDBOOK: | A practical
‘Manual, embracin, ‘aterials, Api ances,
and Processes empl tin Ce retin ohijaatiog, and Repairing
Clocks, By Pact th about One Hundred Ilus-
THE MECHANIC'S WORKSHOP HANDBOOK: A
Practical Manual, embracing Reliable Receipts, Useful Notes,
and Miscellaneous Memoranda on Mechanical Manipulation.
By Faue Ne Hastoce. “ Comprising aboot Two Handred
subjects.
THE CABINET WORKER'S HANDBOOK: A
tical Manual, embracing information on Tools, Materials, Appli-
ances, and Processes em loyed in Cabinet Work. By Baun Ne
‘Hastucx. With about One Hundred Ilustrations.
THE FRET WORKER'S HANDBOOK: A practical
‘Manual, embracing information on Tools, Materials, Appliances,
and Processes employed in Fret Work. By Paut N. CK.
‘With about One dred Illustrations.
Lonpon: CROSBY LOCKWOOD & CO.PREFACE,
Wuen first I occupied myself in mechanical
manipulations and lathe-work engrossed my
attention, the want of a handy guide-book, treat-
ing the subject in a practical manner, was greatly
felt. Though much has been done since then
towards placing technical education within the
reach of all, yet I recently found, in my official
capacity as editor of a journal largely devoted to
mechanics, that beginners at the lathe still con-
tinue to seek such a book, and I have therefore
prepared the following pages.
In the form of desultory articles, written by me,
much of the information has already appeared in
various technical papers. The whole has been
re-written for publication in book form, and it has
been my endeavour to bring within the available
space the information most useful to the beginner
at lathe-work.
Though I make no claim to special literary
merit, yet I believe that the instructions are made
clear without verbiage; and as I write from per-
sonal experience, the book may be accepted asvi PREFACE,
trustworthy and practical by those who study its
contents.
The illustrations have been engraved from my
own drawings, and show, at a glance, construc-
tive details that could not be explained in letter-
press. The drawings are from the objects they
represent, and will convey much useful informa-
tion, and working drawings of the full size can be
made from the woodcuts; the measurements can
be filled in from the text.
P. N. HasLuck.
Lonpon, February, 1881, -
NOTE.
A SECOND EDITION having been called for, I have
taken the opportunity to correct a few small
mistakes .such as are apparently unavoidable in
the first edition of any book. I have also added a
Chapter on the Screw-cutting Lathe—a subject of
interest to all who practise lathe-work.
P. N. HasLuck.
Lonpon, May, 1883.CONTENTS.
CHAPTER I.
THE ART OF TURNING.
Its importance and. antiquity—Primitive methods of tuming—""”
The potter's wheel—Early forms of the lathe—Its develop-
ment—Lathes on standards—Fly-wheels—Literature of the
art—Modem lathes =. 2 « 6 2© «© «© « Ff
CHAPTER II.
THE FOOT LATHE DESCRIBED,
Its various forms and sizes—Watchmakers’ lathes—Bench lathes
—Iron beds of various forms—Back-gearing—Slow motion—
Screw-cutting motion—The lathe best suited for general pure
poses—The framework, bed, and fly-wheel—Mandrel headstock
—Back-centre headstock—The hand-rest and collar-plate—
Resting a Dafloa itis ietrt tector ge eae eae eet eee
CHAPTER III.
HAND TURNING.
First principles of the art, commencing to practise—Wood tumn-
ing, the gouge and the chisel—The mode of their application
to the cylinder and surface—Easily made objects for beginners
—Making a plain wooden box—Metal turning, the graver
and triangular tool, and their use—Finishing tools, round-nose
tool, &Vili CONTENTS.
CHAPTER Iv.
SCREW-CUTTING BY HAND.
Originating a thread—The method of cutting the thread in
lathe-chuck minutely described 2 5 6 2 6
CHAPTER V.
BORING AND DRILLING.
Drills, their correct form and uses—How to grind them—Half-
round bits—Pin-drills—Bars with movable cutters—Rose
cutters and rose bits—Lubrication necessary in boring »
CHAPTER VI.
MOUNTING WORK FOR TURNING.
‘Work between centres—Method of centring—Necessity of pro-
perly preparing the centres—Chucking objects of various
forms—False centres—The collar-plate—Chucking on the
face-chuck . . » 2 6 © © © eo «+
CHAPTER VII.
FITTING CHUCKS TO THE LATHE-NOSE.
‘Minute details of the process—Various threads used for lathe-
noses—Making taps, &c., for fitting chucks—How the thread
should be formed—A truly cut thread necessary on the nose
CHAPTER VIII.
VARIOUS USEFUL CHUCKS DESCRIBED.
The point-chuck—The prong-chuck—Different forms of drill-
chucks—Taperscrew-chucks—Face-chucks—Cup-chucks with
three and four screws—Die-chucks with single pairs and
movable dies—The four-jaw face-chuck . . . .
PAGE
Striking the thread with outside and inside comb-screw tools—
45
SI
70
88CONTENTS.
CHAPTER IX.
SLIDE-RESTS.
Their advantages, various forms—Fitting up slide-rests, ornamental
and plain—Tool-holders—Self-acting slide-rests—The lead-
ing screws and material for nuts—The bearings of the screws
—Height of a rest—Adjusting slide-rests—Spherical rests.
CHAPTER X.
SLIDE-REST TOOLS,
Angles suited for various materials—Usefal tools for general pur-
ranked tools, knife tools, parting tools, spring tools
—Tools for inside turning, correct height and adjustment
Ineeamany a eee a eee e Pee atesHHeSeC ieee tt HEE
CHAPTER XI.
SLIDE-REST CUTTER-BARS.
Advantages over solid tools—Some of those of most general appli-
cation described—The graver used in the slide-rest—Straight-
forward tool, parting tool, internal tool—Saving effected by
the use ofcutter-bars . 9. 1 ee ee
CHAPTER XII.
OVERHEAD GEARING,
Fixed and portable—Single bands and compound geari.g—Fixed
bars—Swinging bars—Revolving shafting—Screw-cutting by
band-gearing—Shape of grooves forthe bands...
CHAPTER XIII.
DIVIDING APPARATUS.
Its object and use—Dividing the lathe pulley—Numbers most use~
fal for dividing purposes—Originating and making a division
plate—Drilling the holes—Index pegs of various kinds
PAGE
117
128
137
147x CONTENTS.
CHAPTER XIV.
THE DRILLING SPINDLE,
Its use and how to make—Making the mandrel—Making the collars,
grinding the bearings—Lead grinders—Fitting the collars, -
grinding the cones—Hardening and tempering—Putting to-
gether. 2 6 6 eel le lle 16
CHAPTER XV.
VERTICAL CUTTER-FRAME,
Its use and construction—Circular cutters for wheel teeth—Cutters
for general purposes—Fly-cutters—Making the frame and
[+ ? BesteueasSesueee Getees saiaiy suse Waisteaieie sueiter HieeeiCaaieiciel¢ | 3
CHAPTER XVI.
SCREW-CUTTING BY SELF-ACTING MOTION.
‘Theoretical principles—Wheels usually supplied—Preparing a
table of rates that can be cut—Screw-threads, how described
—Rules for calculating change-wheels—Examples proving
the calculation—Multiple threads =... w. I8T
CHAPTER XVII.
THE SCREW-CUTTING LATHE,
Self-acting sliding motion—Leading screws—How driven—Clasp-
nuts—Forms of threads for leading screws—Right and left
handed leading screws—Whitworth’s arrangement of clasp-
nut—Self-acting surfacing motion—Suggestions for convert-
ing ordinary lathes for screw-cutting—A clasp-nut arrange-
ment easily fitted—How to start the slide-rest correctly for
uneven pitches . 2. «© 2 6 «© «© «© « IQFLIST OF ILLUSTRATIONS.
20.
—_——
+ Section of Back-gear Headstock
Drill for Boring Metal : :
» Pin-Drill . . . . .
. Counter-sunk Centre. . .
Centring Metal Rods seta!
}. Poppit Centre Point . . .
. Making a D-bit Peseta
. Tap for Screwing Chucks . .
. Point-Chuck . . . .
. Section of Point-Chuck . .
. Prong-Chuck . . . .
. Drill-Chuck with Clamp-Screw .
Drill-Chuck with Taper Nozzle .
Taper Screw-Chuck . . .
. Four-Screw Cup-Chuck . .
. Section of Cup-Chuck . .
. Section of Die-Chuck . .
. Front View of Die-Chuck . .
. Various Dies for Die-Chuck .
Four-Jaw Face-Chuck
. Section of Jaw .
. Diagram showing Angles of Tools
. Cranked Slide-Rest Tool .
PAGE
14
53
57
63
65
66
73
17
89
go
gr
g2
g2
93
96
96
97
97
100
101
11g
iarxii LIST OF ILLUSTRATIONS.
no. rage
24. Round-Nosed Slide-Rest Tool . . . . 20
25. Side Cranked Slide-Rest Tool . HHH eet a ER og:
26. Knife-Edge Slide-Rest Tool . aittite Het Reg:
27. Parting Tool for Slide-Rest . . : = 123
28. Spring Tool for Slide-Rest. . . . « 125
29. Inside Turning Slide-Rest Tool. . . «. 125
30. Cutter-Bar for holding Gravers . . . « 130
31. Straightforward Cutter-Bar Fi cate . 131
32. Cutter-Bar for Parting Tools . . . + 132
33. Cutter-Bar for Inside Turning . . . + 134
34. Swing-Bar Overhead Gear . . 7 : « 140
35- Revolving Shafting Overhead Gear . . «143,
36. Template for dividing Band . . «+ 154
37. Temporary Division Peg . HoH tie - 156
38. Enlarged View of Division Peg . . . + 158
39. Knob for Division Peg. . . - 158
40. Section of Adjustable Division Peg . . - 159
41. Drilling-Spindle : . . . . . r6r
42. Top of Vertical Cutter-Frame . . . . 175
43. Front of Vertical Cutter-Frame . . . «© 176
44. Locking-Nut for Cutter-Spindle . oe ew 378
45- Hooked Tommy . . oe . 178
46. Screw-Collar for Cutter-Spindle . i: : - 179
47. Whitworth’s Clasp-Nut Arrangement . . + 197
48. Side View of Clasp-Nut . .« . . - 202
49. Front View of Clasp-Nut Plate . atti. - 202
50. Top of Clasp-Nut . . . . . * 203
51. Cam-Plate for Clasp-Nut . oo. © 203
eae eee eeLATHE-WORK.
—
CHAPTER I.
THE ART OF TURNING.
Its importance and antiquity— Primitive methods of turning—The
potter's wheel—Early forms of the lathe—Its development—
Lathes on standards—Fly-wheels—Literature of the art—
Modern lathes.
OF all the mechanical arts none can claim a more
important place than that of turning, and the
practice of this branch of mechanical manipulation
is capable of developing the highest skill and
intelligence of the artificer. The lathe, which has
been dubbed the father of mechanism, has claimed
the close attention of statesmen and philosophers ;
even monarchs have sought recreation in the
practice of turning. Skilled artisans, who depend
largely on the lathe for the production of their
work, enjoy to an extent a superipr position in
their sphere of life, whether they be engaged in
fashioning the rough wares made on the Ppotter’s
wheel, or the highest and most refined specimens
gf turnery, which are probably to be found in the
B2 LATHE-WORK.
finest grades of chronometric art. We disregard
those extraordinary productions of skill and taste
which come from the hands of the amateur turner,
who uses for the production of a fragile gewgaw
tools and appliances that only affluence can afford.
The date of the origin of turning is lost in anti-
quity. Probably long before historians began to write,
thelathe—in a primitive form—was known and used,
the potter’s wheel being, perhaps, the primogenitor.
The savage'’s process of kindling fire by twirling a
stick against another piece of wood gives the
motion now used for the alternating drill, and for
small lathes driven with a drill bow; how this
motion developed into the continuous one of the
potter's wheel we can but surmise. The sym-
metrical cylinder is to be found throughout nature,
and art in its desire to reproduce the admirable
form has developed the turning lathe.
The Bible affords a distinct reference to the
potter’s wheel; we read that about five hundred
years before the Christian era Jeremiah went down
to the potter’s house, “and behold he was doing a
work on the wheel, making a vessel of clay with
his hands.” ‘The use of the lathe, however, dates
long prior to this, and the manufacture of pottery
ware is frequently spoken of in sacred history.
Amongst the relics of antiquity unearthed from the
buried Egyptian cities are numerous specimens
bearing unmistakable evidence of having been
wrought in the lathe.
The lathe used by the Orientals for generationsPRIMITIVE LATHES. 3
consisted of two short posts driven into the ground ;
a nail driven through each formed the centres on
which the work revolved, actuated by a drill-bow.
The work was thus only a few inches from the
ground, and the operator in his accustomary posi-
tion—squatting on the ground—was able to use
his toes in assisting the application of the tools.
The Orientals use the toes as deftly as they do the
fingers in many of their handicrafts. At the
Paris Exhibition of 1867 a group of aborigines were
working in this manner with the lathe just de-
scribed, displaying considerable skill in using
these primitive appliances, and producing work of
intricate and elaborate patterns, chiefly ornamental.
Lathes of this primitive form it would appear are
employed at the present time by the native turners
of India. The skill of the Hindoos in the mechani-
cal arts and in the delicate fashioning of ivory and
metal is universally appreciated, and that they
should succeed so well with such rude tools is a
proof of their natural aptitude. The turner of India
carries on his vocation in the style of our itinerant
tinker; he carries all his tools, lathe included,
about with him, and when he gets a job establishes
himself near the door of his employer's house.
Assisted by his boy, the turner fixes up his lathe,
consisting of two posts driven into the ground, as
described previously. The work is mounted
between the centres, a rope is passed twice round
it, and the boy, by pulling each end of the rope
alternately, gives motion to the work, the workman4 LATHE-WORK.
guiding the edge of his tool with his toes only, the
handle being held by the hands at some distance
from the work, both man and boy invariably
squatting on the ground, as is the national custom.
Many nations in all parts of the globe employ a
lathe somewhat resembling, but still an improve-
ment on, the one just mentioned. This lathe has a
frame so that it is complete in itself, yet it has to
be fixed to the ground for use; it consists of two
cross pieces held together by a tie-bar on which
they slide, and may be wedged as required. The
cross pieces have iron spikes fitted to them to form
centres, the work is put between these, and they are
fixed by wedging on the tie-bar. The lathe is laid
on the ground and secured by means of a few
spikes, a straight bar of wood is laid across the
cross pieces as near as convenient to the work, and
forms a rest for the turning tools. This form of
lathe is still largely used in Spain, Egypt, and
other places; the pattern can be traced back
to the Moors, who introduced the lathe to Spain.
The Spaniards in migrating took with them the
lathe and the art of turning, and thus in those
parts of the American continent that Spain has
populated the lathe is found made as last de-
scribed.
The continuous motion of the fly-wheel, which
had been employed by the potter from the earliest
times, was not used in the lathes of the ancients,
who only had the alternating revolutionary motion
derived from the bow. When introduced into theEARLY LITERATURE. 5
workshops of the Western nations, the lathe was
modified to suit their customs, and whilst the
Orientals kept their turning appliances low, to suit
their habitual squatting position, Europeans
mounted the same contrivance on a framework to
bring it to a convenient height to work at when
standing. This altered arrangement allowed the
bow worked by hand to be replaced by a flexible
pole fixed overhead, from which a cord descended,
and after passing round the work it joined
a treadle, which was worked by the foot; then both
hands were at liberty to manipulate the tools.
A picture published in a German book in the
year 1568 shows a turner working a sphere in a
lathe; a quantity of turned objects are lying on the
bench and about the workshop. This illustration
seems to be the first record of the lathe mounted on
standards, and we see by it that the pole lathe was
in use at that date. In books of about the same
period different kinds of lathes are mentioned, but
the cord up to this time appears to have been used
round the work itself, which always had to run
between centres. It is difficult to decide precisely
when the independent mandrel came into use.
The first book devoted to the art of the turner
was published at Lyons in 1701 ; it was written by
Plumier, and probably did much for the art by
placing before its votaries a record of the condition
that it was thenin. That there was a demand for
this ponderous book appears evident from the fact
of a second edition having been published in Paris6 LATHE-WORK.
forty-eight years afterwards ; in the interim nothing
was done to enrich the literature of the turner.
Bergeron’s valuable book, consisting of three
volumes lavishly illustrated, and containing a vast
deal of information, valuable even at the present
day, was next published in 1792, nearly a century
after Plumier’s first edition. Bergeron himself was
a manufacturer of lathes and other tools used by
turners, and probably in writing his book he was
partially influenced by commercial considerations
outside of the book itself. However, some of the
information there given is equally applicable to
tools now used in some cases in improved forms.
The improvements made in many appliances con-
nected with turnery since Bergeron’s time, however,
place his book at a disadvantage, some of the
arrangements admirably sketched by him being
now obsolete. Soon after this other Frenchmen
wrote books on turning, the most notable being
those of MM. Pauline Desormeaux and Dessables.
Holtzapffel’s treatise on mechanical manipula-
tion, which was intended to be comprised in six
volumes, the first of which appeared in 1847, is the
most important work on the lathe in the English
language, and its valueis universally acknowledged.
Three volumes only were published during the life-
timeof the author, and it was thought that the remain-
ing three would never be issued. The fourth volume
has, however, recently appeared as a posthumous
work, and the other two may yet see light. The
price of this work places it beyond the reach of theMODERN LATHES. 7
majority of mechanics, a circumstance much to be
regretted.
The modern lathe in its various forms, from the
tiny tool used by the watchmaker, worked with a
slip of whalebone for a bow and a horsehair for a
“cord, on which he fashions with a graver pivots of
correct proportion and precise form on axes that are
themselves sometimes less than one-hundredth of
an inch in diameter and weigh but a grain, to the
leviathan machine, itself weighing sometimes up-
wards of 60 tons, and large enough to take in work
of 20 to 30 feet in diameter, and double that
length, is, therefore, the result of continuous im-
provements, from at least the time of Jeremiah,
nearly 2,500 years ago.
The employment of cast. iron as a constructive
material for lathes at once gave a great impetus to
machinery of all kinds. The planing machine used
for iron, itself an outgrowth of the lathe, did for
flat surfaces what had already been done on
cylindrical work, and it is to the judicious use of
the lathe and the application of its modified func-
tions that the present degree of accuracy has been
attained in the manufacture of every grade of
machineryCHAPTER II.
THE FOOT LATHE DESCRIBED.
Its various forms and sizes—Watchmaker’s lathes—Bench fathes—
Tron beds of various forms—Back-gearing—Slow motion—Screw-
cutting motion—The lathe best suited for general purposes—The
framework, bed, and fiy-wheel—Mandrel headstock—Back-centre
headstock—The hana-rest and collar-plate—Testing a lathe.
THE foot lathe is the tool to which we confine our-
selves throughout this treatise, as it is by far the
most generally adopted, though in factories where
heavy work is done and steam power available the
foot lathe generally is superseded by a similar
tool driven by steam. The ordinary form of foot
lathe is too well known to need minute description.
Speaking roughly, it may be said to consist of a
bed, supported at a convenient distance from the
ground, carrying the headstocks. Beneath the bed
a fly-wheel is fixed to revolve freely, and to the
cranked axis of this wheel a treadle is attached.
The motive power consists of the muscular force of
the leg applied to the treadle each time that this
falls on the revolution ot the fly-wheel, the weight
of this wheel being sufficient to cause it to revolve
by its own momentum during the time when
power cannot be applied through the treadle. ASIZES OF LATHES. 9
band from the fiy-wheel to the mandrel conveys
the motion, and in this simple contrivance are the
elements of a foot lathe.
The size of a lathe is described by the height of
its centres—that is, the distance from the centre of
the mandrel to the top of the bed. In other words,
the height of centre is just half the diameter of the
largest circle that will revolve in the lathe, thus
the face-plate is usually a safe guide to the size of
alathe. The length of bed has much to do with
the bulk, and to a certain extent with the capa-
bilities of a lathe; for, though increasing the length
of bed does not increase the capacity of a given
lathe so far as diameter is concerned, yet the
length of work which may be wrought on it is
increased usually by about the amount of the
added length. The length of bed decides the
length of material that.can be turned, whilst the
height of centre governs the diameter; thus, a
lathe on which discs of 40 inches diameter can be
turned with ease is often incapable of receiving a
cylinder of even 6 inches in length, and the lathes
used for turning shafting, perhaps 40 feet long, are
commonly not more than 6 inch centre.
Lathes over 6 inch centre are seldom driven by
foot power, the exertion being too great for one
man who has also to manipulate the tools. From
a commercial point of view it is found to be
more economical to employ steam power rather
than an assistant to help tread the lathe. This
latter expedient is a common practice in small10 LATHE-WORK.
workshops where mechanical power is not avail-
able. The heavier lathes of 6 inch centre are also
generally driven by steam, but some very light
ones used by wood turners are driven by the foot,
even though they are 7 or 8 inch centre. The
hand-driven fly-wheel is generally used as the
source of motion by those wood turners who do
not employ steam power.
The smallest lathé is that used by watchmakers ;
motion is given to the work by means of a bow, the
lathe is held in the jaws of the bench vice when in
use. The clockmakers’ throw ts rather larger; it is
driven by a hand-wheel, and has always dead
centres; a small pulley on the left headstock, having
a projecting pin to catch the tail of a carrier, being
used to drive the work. The smallest of foot
lathes has generally a bar-bed, of triangular sec-
tion, and may be from 2 to 3 inch centre, and is in
general arrangement similar to the throw, except
that it has a revolving mandrel driven by a foot-
wheel, and consequently some modifications are
essential.
Bench lathe, or table lathe, is the name given to
all those which, complete in themselves, fix on any
bench that may be convenient. Lathes upto 4 inch
centre having beds up to 3 feet in length are
usually mounted on small standards about 3 or
4 inches high, and by these they may be screwed
down to any bench. The fly-wheel for driving these
lathes will have to be fixed beneath quite inde-
pendently of the lathe bed and headstocks. BedsLATHE BEDS. Ir
of any sectional shape may be used for bench
lathes, but the triangular bar is most in favour
for small ones and is a most suitable form of
bed. The triangle is placed with one angle upper-
most, the two upper sides are wrought quite
true and straight, the whole of the headstocks and
fittings are adjusted to these sides, the lower face
being that on which all the clamping screws take
their bearings. Small screw-cutting lathes have
sometimes a triangular bed cast with a groove
“ along the lower surface, in which the leading screw
lies protected from any falling dust and shavings
made in turning. A peculiarity about triangular
bar lathes is that the mandrel headstock is invari-
ably made of two distinct pieces, one taking the
tail-pin and the other the collar, each fixed inde-
pendently on the bed. Though able to withstand
considerable downward pressure, the triangular
bar cannot resist torsion so well as the usual form
of bed. :
Lathes of 4 inch centre and upwards have gene-
rally a cast-iron bed, the top surface of which is
planed to take the headstocks, &c. The most
usual forms of fitting are the Y and flat and the
double flat. _ In the former the \-shaped bearer is
the surface which guides the movable fittings when
shifted along the bed, and in the latter the con-
tinuity of the line of centres is insured by having
parallel tenons on the bottom of each piece, fitting
without shake along the inner edges of the bed.
Occasionally the outer edges are planed true; the12 LATHE-WORK.
side shake of the headstocks, &c., is prevented by
strips screwed to their base and fitting the outer
edges of the bed. This latter plan may offer some
advantage in being easier to fit, but is not nearly
so accurate as that of fitting the tenon to the
inner sides. Some beds have a break or gap near
the fast headstock, allowing large discs to be turned,
but this is not desirable for ordinary use. The
beds of lathes of this size are usually bolted to iron
standards which carry the centre points on which
the crank revolves, and also those on which the
treadle oscillates. To prevent spreading at the
base a stretcher-bar connects the standards at the
back, and in some cases the front feet are similarly
braced by means of a flat bar of iron lying close to
the ground so as to be out of the way of the feet
and the foot-board of the treadle.
Back gear is an arrangement of wheel-work by
which a very slow motion is imparted to the man-
drel; it usually consists of a wheel and pinion on
the mandrel and a wheel and pinion on a shaft
revolving parallel with the mandrel. Instead of
fixing the pulley on the mandrel it is allowed
to run loose with its front edge close to a toothed
wheel which is keyed to the mandrel; a nut pre-
vents the pulley getting away from this wheel.
A pinion is fixed to the small end of the pulley on
the mandrel, gearing into a wheel fixed to an axis,
which also carries a pinion gearing into the wheel
fixed to the mandrel. Thus on turning the pulley
motion is conveyed to the mandrel through theBACK-GEARED HEADSTOCKS. 13
wheel-work, and by this means the speed is usually
reduced to one-ninth; nine revolutions of the
pulley produce but one turn of the mandrel. For
ordinary purposes the back shaft is thrown out of
gear; the pulley is then attached to the wheel,
keyed to the mandrel, by means of a sliding bolt.
The illustration, Fig. 1, shows a horizontal sec-
tion of 2 back-geared headstock. The mandrel
runs in double bearings, and its tail-end is pro-
longed to form a stud, on which change-wheels for
screw-cutting purposes are placed. Referring to
the mandrel, and commencing at the right-hand
end, first comes the nose, on which chucks are
screwed, immediately behind it the shoulder, and
then a conical part, forming the front bearing.
Against a shoulder the wheel keyed to the man-
drel is shown; the pulley and pinion solid with it
revolving loose, except when attached to the wheel
by the bolt arrangement. Behind the pulley is a
nut, shown in section, and a washer, made of hard
steel, fitted tightly to the mandrel. This washer,
bearing against the collar in the casting, takes the
back thrust in boring and such operations. That
part of the mandrel passing through the collar is
coned to form the back bearing; a washer comes
next this, being secured by a nut, as shown. The
end-shake of the mandrel is regulated by the
adjustment of the nuts on each side of the back
collar. The stud forming the tail-end has a key
fixed to it, shown white in the illustration.
The back spindle is a plain steel arbor carrying14 LATHE-WORK.
a wheel and pinion securely fixed together, and
tight on the spindle. In the position shown in
Fig. 1 the wheel and pinion are out of gear with
those on the mandrel. A peg put into the hole in
the casting (see left-hand end) prevents the back
Fig. 1.—Plan Section of Back-gear, Double Bearing, Screw-cutting Mandrel
Headstock.
spindle shifting and getting into gear. When it
is desired to put the wheels in gear the peg is
withdrawn, the spindle moved towards the left
till the right side groove is under the hole. The
peg is then replaced to keep the spindle in its new
position. The mandrel-wheel and pulley are atOBJECTS OF BACK-GEAR. 15
the same time disconnected to allow the gearing
to act.
Though back-gearing is undoubtedly a very
valuable auxiliary to a lathe on which much heavy
metal turning is done, yet for most purposes an
arrangement of slow-motion bands will suffice.
By this means the constant noise and jarring
accompanying the use of wheel-gearing is done
away with. Much smoother work is produced
by having a strong gut band from a small
pulley on the crank shaft to a large one on the
mandrel. When these two pulleys are of equal
size it is possible to turn up a cast-iron face-plate
of the full diameter that the lathe will take, and by
putting a pulley of half the diameter on the crank-
shaft such a job could be accomplished with toler-
able ease. Such heavy work is, however, usually
done by steam-power, and all the power that can
be judiciously got out of a foot lathe is usually
obtainable with simple slow-motion bands.
The slide-rest is an attachment of so much im-
portance that an entire chapter is devoted to the
description of its varieties and merits. The chief
object of this—all that need here be mentioned—
is to form a perfectly rigid tool-holder, which, hold-
ing the tool mechanically, does not allow the ine-
qualities of the work to exert so much influence as
is unavoidable in hand turning; moreover, guid-
ing the tool mechanically, it does so with a precision
unattainable in hand-work.
Screw-cutting lathes are those which, by an16 LATHE-WORK.
arrangement of wheels receiving motion from the
mandrel and conveying it to the leading screw,
move the slide-rest along the lathe bed at a
uniform rate, so that a tool fixed in the rest will
cut a regular spiral on the surface of a cylinder
revolving between the centres. By arranging the
wheels which transmit the motion from the man-
drel to the screw in relative proportions, the rate
or pitch of the thread cut on the work may be
coarse or fine to any degree within the com-
pass of the wheels available; these are called
change-wheels, twenty-two usually constituting the
set.
The leading screw itself revolves, in bearings
attached to the bed, sometimes inside but gene-
rally on the near side of the bed; the end to-
wards the mandrel projects and is made to take
the change-wheels. A slotted arm called the wheel-
plate, swinging round the screw, carries one or
more studs on which the change-wheels also fit,
the piece of mandrel projecting at the tail-end being
similarly shaped; and thus a wheel on the leading
screw, another on the stud, and another on the
mandrel make a combination producing an effect
proportionate to their relative diameters. The
slide-rest is fitted with a clutch gearing into the
leading screw and forming a nut, which may be
detached instantly. A screw-cutting lathe not only
enables one to cut threads of any rate and diameter
perfectly true, but it is also available for working
as a self-acting machine when turning cylinders,FIVE-INCH CENTRE LATHE. 17
the rate of screw then being cut amounting to
nothing more than a regular feed.
It is unnecessary, in this treatise, to speak of the
more uncommon modifications of lathes, which fit
them for special purposes and are not of general
interest. The next consideration will be, What is a
suitable lathe for general use?
Probably the requirements of each individual
reader will have certain peculiarities which it is
quite impossible to take into consideration when
treating of the subject in a general manner. For
small work in metal a heavy 4-inch centre lathe
will be useful, whilst for working in wood a light
6-inch would be more appropriate. Brass work
requires quick speeds, which are best maintained
with a light lathe; but heavy iron and steel work
is wrought at a slow speed on a heavy substantial
tool. The exertion required to drive a 6-inch
lathe will be much more than that necessary for a
smaller lathe of similar calibre, and thus it is but
a waste of energy to employ a lathe unnecessarily
large.
For general purposes a 5-inch centre lathe will
be found most handy, the height of centre allowing
a wide range in diameter. Then, if the mandrel is
moderately light, without back-gear it will be strong
enough to take the heaviest work that can be done
on a 4-inch lathe, with the advantage of offering
facilities for turning wood and light material of
much larger size. The bed may be 3 feet 6 inches
to 4 feet long, allowing lengths of 2 feet to 2 feet
c18 LATHE-WORK.
6 inches between the centre points. The con-
venience of the longer bed consists principally in
having the poppit headstock or slide-rest out of the
way when either of these is pushed to the end.
With short beds it is sometimes necessary to remove
the slide-rest or poppit in order to get at the work
conveniently, and this is some trouble.
A heavy bed, bolted to substantial standards, is
most desirable ; the bed fora 5-inch should measure
about 4 inches in width and depth; if a double flat
the central space may be about 1} inch wide, leaving
each flat a trifle wider. A 4-feet bed should weigh
at least one cwt. The fly-wheel of such a lathe
should have series of grooves in steps correspond-
ing with those of the mandrel pulley, so that the
band may be shifted to any grooves on a series, and
fit taut without any readjustment of length; there -
should be two series of grooves, for each a special
length of band being necessary. The extreme
diameter of the wheel may be 24 to 26 inches, with
a series of three or four grooves graduated from the
largest possible size. The second series would be
about half that diameter, and have but two grooves ;
in cases where the suggestion before made of
having a small pulley for slow motion is adopted
this may be from 4 to 6 inches in diameter. Fly-
wheels are generally too light; } of a cwt. is not
any too heavy for one 24 inches in diameter. The
crank shaft should be 1} inch diameter, and if
4 feet long, two cranks are advisable, as they sup-
port a long treadle better than a single crank,MANDREL HEADSTOCKS. 19
which is, however, quite enough forone 3 feet 6 inches
long. The ends should always be plugged with
hardened steel, and drilled up properly before being
countersunk ; the end should then be turned down
conically to meet the edge of the countersink, so
that when in position and running the oil applied
to lubricate will not be thrown away from the
centres by centrifugal force. This is an important
point, though constantly neglected by lathe-makers.
By observing a crank-shaft with flat ends it will be
seen that the oil, applied to the centre, quickly
spreads over the face and runs away from the bear-
ing—when the crank is still, by gravity, and when
revolving, by centrifugal force. The wheel is usually
fixed to the shaft by keying, though sometimes it
is secured against a shoulder on the shaft by means
of a nut. The points on which the axis revolves
should be so adjusted that though the bearing is
quite free there is no shake whatever, and the
position of these points must be such that the crank
shaft runs parallel with the lathe bed. The wheel
itself must be fixed perfectly true, and in a vertical
line under the mandrel pulley.
The headstock of a plain lathe, in which the man-
drel runs—called the mandrel headstock, or fast
headstock, to distinguish it from the movable or
poppit headstock, which takes the back centre—
should have a deep tenon cast on the bottom, to
make the casting rigid; the upper side should
be hollowed out to allow freedom fora large pulley,
which for a 5-inch lathe may be 8} inches in dia-20 LATHE-WORK.
meter. The length of the mandrel adds much to
the steadiness in turning, provided always that
only the smallest possible amount projects from
the collar at the nose end. A mandrel, 8 inches
long, is a good proportion, and would be spaced
thus: the thread of the nose, $ inch long, cut with
a £ inch Whitworth thread ; cone for front bearing,
1 inch long, the diameter being about 14 inch,
tapering about 1°; plain part, 1} inch long, 13 dia-
meter ; pulley, 2} inch ; washer, nut, and plain part
behind pulley 2 inches, with a small part 2 inch long,
terminating in acone point. The headstock for such *
amandrel would be 10 inches long at the base, with
a portion of the boss which holds the tail-pin
projecting about } inch to the rear, the total length
of the hole in which the tail-pin fits being fully
2 inches; the tail-pin should be cylindrical, per-
fectly true, and fit the hole tightly, being held by a
nut on each end. Tail-pins, which are themselves
screwed through the casting and fixed with a lock
nut should be invariably avoided, as with such the
countersunk hole, bored in the centre, is sure to be
eccentric when turned in the thread, and thus the
axial line of the mandrel would be continually
altered. That the headstock casting fits the bed
properly is most essential; in many cases it will be
found that the casting gets bent on the holding-
down bolt being screwed tight, thus throwing the
boring of the collar-hole and the tail-pin hole out
of continuity. A direct pull by one bolt, near the
centre, so often bends the casting that it isFOPPIT HEADSTOCKS. 21
advisable to hold it down by two bolts, one near
each end.
The back centre headstock should alwaysbe bored
out quite parallel and in a direct line with the axis
of the mandrel, the barrel being cylindrical, with a
groove along it in which a T-headed cylindrical pin
dropped into a hole in the casting, fits and prevents
the barrel rotating. The screw which actuates the
barrel is usually made with a left-handed thread,
for convenience in turning, but whether left or right
handed is perfectly immaterial, except for the con-
venience. For turning the screw a hand wheel or
a winch handle is used; the former is more con-
venient for boring with, and the latter offers the
advantage of not being so much in the way. An
arrangement for clamping the barrel at any desired
place always forms part of the poppit head, and ifa
screw acting direct on to the cylinder is used, a disc
of brass or other soft metal should be interposed to
save the barrel from being dented. The point of
the poppit cylinder is always removable; sometimes
it is fitted by screwing into the barrel; but another
and far better plan is to fit it in conically. The cone
fitting is as tight as any—in fact some lathes have
conical noses, on which the chucks fit by simply
pressing on, and they then jamb. A cone fitting to
the back centre offers great facility for shifting the
point, an operation which sometimes has to be done
constantly. The screw inside the poppit barrel
should be sufficiently long to allow the tail end of the
point to be made long enough to touch when the22 LATHE-WORK.
barrel is drawn back, and thus the point is forced
out by simply winding back the cylinder. Several
points should be fitted to the back centre, and some
pieces with flat ends for boring against ; these are,
however, spoken of in another chapter. The dia-
meter of the barrel may be an inch, the cylindrical
part of the casting into which it fits being about
13 inch in diameter. The barrel is bored out from
the front end large enough to clear the thread of
the screw by which it is moved, to within half an inch
or so of the back end; this part is tapped to fit the
screw. The lateral motion of the screw is confined
by having a collar on it, which on one side bears
against a loose washer resting against the end of
the casting, and on the other against the cap
screwed on to the casting. The handle on the end
of the screw should not confine its lateral motion,
and it is often merely pushed on a square or hexa-
gonal fitting, though sometimes secured by a key
or a nut.
The hand or T-rest needs but little comment;
the socket should be bored at right angles to the
sole, which should be planed with a dovetailed slot.
If the lathe bed is double flat the sole of the hand-
rest stands direct on it; if a Y-bed it should have
a cast-iron foundation plate, shaped to fit the bed
on the under side and flat on the top. The screw
which clamps the T should have a handle like
that of a bench vice fitted to it, as it so often requires
to be shifted to suit the work in hand. A “per-
manent tommy” is also desirable in the screwHAND-RESTS. 23
which clamps the back centre barrel, as it is so
much more handy to be able to fix these parts
without the trouble of finding the “tommy” on
each occasion.
The T itself for general use may be about 2 inches
long on the top and should be flat and level ; in use
“it will be continually pitted, and must be filed up
smooth again. For turning long cylinders by hand
a much longer T is used, measuring as much as §
or 6inches. For still longer rods it is customary
to use a straight bar as a rest, which is supported
near its ends in two T socket-holders; by this plan
a rest, reaching the entire length of the bed between
the centres, can easily be fitted up. In turning
work of short length the T-rest is sometimes found
to be in the way, and a “]-rest is used instead; this
is made of an angle piece, one leg fitted to the rest
socket, and the other filed flat on that surface form-
ing the top. The “]-rest is often used with the point
towards the work, thus giving a rest of about 2 of
an inch in length, very convenient for short work.
T and ‘J rests are usually made of cast iron, but
wrought iron is sometimes used, and this is the
better material, especially for the latter shape.
A collar-plate is an arrangement in general use
for supporting the ends of rods whilst these are
being bored up; it consists of a disc of cast iron
having several holes bored near its edge. These
holes are very much coned and are graduated in
size; in use the largest side is put towards the
mandrel, and the bar being turned revolves in the24 LATHE-WORK.
conical hole as ina collar. The plate is fixed by
its centre by means of a bolt clamping it against a
dwarf casting. The work before being put in the
collar-plate has its end turned true, and the extreme
edge rounded off to prevent its cutting the plate, a
drop of oil being applied to lubricate the bearing.
The axial continuity of the work is preserved by
placing the back centre against it before finally
adjusting and fixing the collar-plate, which is
screwed tight at such a position that the work turns
freely without shake. On removing the poppit head
the centre of the end of the bar may be operated
upon as required; it may be bored up with a
drill and the hole then enlarged and made true
with a tool in the slide-rest, or otherwise treated.
The chief essential requisites of a good lathe are
that the bed should be sufficiently strong to be
quite rigid, and that the headstocks fit it properly
at all parts of its length; this latter may be tested
by trying them. A bed “in winding” is an abomi-
nation, though sometimes to be met with, being
the result of careless chucking in the planing
machine; through bad bolting to the standards a
bed is sometimes thrown “in winding.” For this
defect test with winding strips, which are perfectly
parallel straight edges, by. placing them trans-
versely across the bed at various places, and notic-
ing that the top edges of both are level. Theentire
framework of the under part of the lathe should be
strong and firmly braced together standing on four
- feet, each touching the floor, so that solidity isAXIAL CONTINUITY. 25
imparted to the whole structure. The treadle
should be as low as possible, just to be clear of
the floor when at its lowest point, rising to about
9 or 10 inches. A narrow strip of wood nailed
to the floor just in front of the foot-board of the
treadle will serve as a guard to prevent the toes
from getting underneath.
That the entire line of centres should be perfectly
parallel with the bed is always desirable, and in
many cases absolutely essential for producing true
work. The two ends of the mandrel should be
exactly equidistant from the bed, as should be both
ends of the poppit cylinder. The effect of having
the axis of rotation of the mandrel at an angle
with the bed is not shown when turning between
centres, though the carrier and the pin of the
driver-chuck will be continually rubbing against
each other to an extent proportionate to the error
in the line of centres. The mandrel may be
differently distanced from the bed at one end than
at the other, without affecting the work between
centres, though when chucked without any back
support the free end of the work will be more or
less above, below, or on one side of the back centre
point, as work unsupported will naturally take the
position of an axial continuity of the mandrel
itself.
In order to test the truth of the axis of rotation
with the lathe bed itself, the positions of the
mandrel bearings must be gauged. The paral-
lelism of these bearings with the top and inside of26 LATHE-WORK.
the bed will be shown by fixing, in a chuck, a bar
of metal as long as possible, to allow the back
centre to stand on the bed with the point clear.
This bar of metal must be centred whilst running
in the lathe, and its centre will, if the mandrel is
parallel with the bed, coincide with the point ot
the poppit; the bar must be strong enough to bear
its own weight without drooping at the unsupported
end, or the test will show false. Another method
of testing the whole of the holes in the headstocks
is by putting the mandrel head to the right of the
poppit, and reversing the barrel so that it protrudes
at its right-hand end ; then if the point of the poppit
comes exactly opposite the tail-pin of the mandrel,
or its centre if in double bearings, the continuity of
the axial line of centres is proved to be in a straight
line with the bed.
Another good plan, perhaps the better, is to fit a
hard wood mandrel in the bearings, leaving at
each end, projecting a few inches from the casting,
a cylindrical portion of exactly the same diameter.
Make a template or gauge of sheet metal to show
the distance of these portions from the bed, and
gauge carefully at both ends; any error will be at
once felt, as the sense of touch is marvellously keen.
This is proved by the ease with which minute
differences, that cannot be detected by the eye,
are discovered by the feel in callipering. Unless a
good light is on the object it is difficult to see
minute errors.
A perfect fit of the mandrel bearings may beLATHE-NOSE. 27
proved by screwing the tail-pin as tight as possible,
so that the mandrel may be turned by hand, and if
there are no places where the fit is easier than at
others you may consider it accurate, providing that
there is no side shake whatever. The mandrel
must always be kept up to its bearing by the tail-
pin, and never allowed torun loose, or the bearings
will be worn unequally.
The flange of the nose, against which the chucks
screw, ought to be quite flat and perfectly true, so
should the thread of the nose, though it is rather
the exception to find that it is so. Some makers
turn a groove in the mandrel at the back of the
thread, reducing the diameter to that at the bottom
of the thread, though with what reason is not easily
conceivable. The effect is to very materially
weaken the mandrel at that part which is, under the
most favourable circumstances, its weakest place.
The bearing of the mandrel should be of steel and
very hard, and the face against which the chucks
jamb should also be of steel—in fact, a continuation
of the bearing, the usual plan being to shrink a
steel collar on a mandrel of fagoted iron.
If the boring of the poppit headstock is anything
but absolutely true with the line of centres, the
position of the back centre point, relative to the
axial continuity of the mandrel, will be constantly
varying as the poppit barrel is wound out. The
truth of this boring can be tested to a certain
extent by winding out the point as far as possible
without allowing the barrel to become loose in the28 LATHE-WORK.
hole, and then testing it with a point-chuck. The
oppositeness of the points cannot be tested by
contact with any degree of accuracy. The best plan
is to use a narrow parallel straight edge and adjust
the cones to that distance apart which just allows
the straight edge to go between them, with its
opposite edges resting against the opposite sides
of the cones. The straight edge is applied on both
sides, above and below, and readily shows the
oppositeness of the points. The poppit may be
gauged in the same way as described for testing
the mandrel bearing with a wooden temporary
mandrel; using the barrel, which must fit nicely,
projecting at both ends of the casting.CHAPTER III.
HAND TURNING.
First principles of the art, commencing to practise—Wood tuming,
the gouge and the chisel—The mode of their application to
the cylinder and surface—Easily made objects for beginners—
Making a plain wooden box—Metal turning, the graver and tri-
angular tool, and their use—Finishing tools, round nose tools, &c.
WHEN commencing to practise the art of turning
it is advisable to begin by using simple tools and
appliances, and with them to execute work of the
most rudimentary kind, so that the learner may
become properly acquainted with the elements of
lathe-work, and he will then be able to understand
the execution of the more complicated work. It
sometimes happens that a fine collection of tools
comes into the hands of one who has never had
any previous practice in their use, but who will
nevertheless boldly essay to use the most compli-
cated machinery before troubling to learn the prin-
ciples that govern its application, and which are
only to be studied in using the simpler tools. A
person unacquainted with the conditions under
which a hand-tool acts most favourably, only to be
learned by practice, cannot correctly judge the best
position in which to fix a tool in the slide-rest; and30 LATHE-WORK.
the art of turning, like all others, to be learned
properly must be begun at the beginning. The
first lesson in turning should, therefore, be at a
plain foot lathe with back-centre and T-rest only, all
the apparatus and attachments which have been
described as adapted for special purposes being
removed entirely, for though the slide-rest may be
very useful to assist a beginner in roughing-down
the work, yet it would be most injudicious to
make use of such an apparatus before acquiring a
thorough mastership over hand-tools.
A plain parallel cylinder is, perhaps, the very
best object for a beginner to try his hand at pro-
ducing, for its simple form dispenses with all com-
plex manipulation of the tools; yet the produc-
tion of a true cylinder can only be achieved after
much practice, and such work demands more skill
than would be at first sight imagined. Any slight
slip of the tool causing its point to dig into the
work would, of course, spoil a cylinder nearly
finished to a definite size; but for practice such a
mishap would be of no consequence, only necessi-
tating the reduction of the entire cylinder to the
size of its smallest diameter. For wood turning
the gouge and chisel are the tools most generally
used, and they will be sufficient for our work; a
similar cylinder of metal would be turned with a
graver. Soft wood will do for material, though
hard wood is more pleasant to work, and will not
require driving at a high speed, which is tiring
to the tyro. A chuck will be wanted to carry theTURNING SOFT WOOD. 31
work, and the prong-chuck, described in another
chapter, is best suited to the purpose; and we will
suppose the rough wood mounted between such a
chuck and the back-centre, which is screwed up to
take firm bearing and the extreme point oiled.
For soft wood turning, place the band on the pair
of grooves giving the quickest motion—that is,
from the largest on the fly-wheel to the smallest
on the mandrel—and in revolving the work it will
be scarcely possible to drive it too quick. The
hand-rest is then adjusted so that the top edge of
the T is on a level with the lathe-centres, and the
work revolves just clear of it. The position for
standing at the lathe whilst turning a cylinder is
with the shoulders fairly parallel with the lathe-
bed, the body upright, resting on one foot, the other
being on the foot-board of the treadle, the operator
using either leg to support him, and occasionally
changing from one foot to the other as he becomes
tired; the foot on the ground is placed as far
towards the lathe as the treadle-board will allow.
With a balanced fly-wheel, that is, one weighted so
that the crank always stands, when at rest, slightly
‘inclined forward from its highest point, the
treadle will be in the position to receive the pres-
sure of the foot. Under ordinary circumstances
the lathe-band is pulled down from the mandrel
or the fly-wheel is revolved by the left hand, so as
to bring the crank into the position described, and’
then pressure is exerted on the treadle, and the
work revolves. Two or three strokes are given to32 LATHE-WORK.
get up the momentum before the tool is applied to
the work.
The turner’s gouge is used for roughing out
wood-work, and a turner should provide himself
with several sizes, according to the work he has to
execute. For general use a gouge half-an-inch or so
wide will be found most serviceable; the tool is sharp-
ened differently to the carpenter’s gouge, so as to
leave the cutting edge rounded off instead of square
with the shaft of the tool, as in the carpenter's
gouge. The grinding is all done from the outside
of the semicircle, and forms one continuous bevel,
leaving an acute angle for the cutting edge.
Gouges should be fitted into long handles to enable
the operator to have complete control over the tool
when in use. A half-inch gouge may be a foot or so
long from end to end of tool and handle com-
bined; larger sizes are much longer, frequently
measuring as much as 2 feet, and sometimes even
more. The gouge is grasped firmly near the
cutting end by the left hand, the knuckles being
uppermost, and is laid on the rest with its curved
side downwards; the right hand holds the end of
the handle, and usually rests against the side of the
body, to afford greater steadiness. Thus held, the
edge of the gouge is gradually brought sufficiently
near the revolving cylinder to touch it in the posi-
tion known as at a tangent to the circle, that is, so
that a line drawnin continuation of the ground bevel
willtouch but not cut into the cylinder. In this posi-
tion the tool will not cut, but on raising the end ofUSING THE GOUGE. 33
the handle with the right hand the edge of the tool
is depressed, and becomes in the position of a
tangent to a smaller circle, then all the material
outside of that diameter will be shaved off by the
tool. The pressure on the edge during the process
tends to force the tool deeper into the work, and,
therefore, the end held in the right hand must be
kept down till the work has been reduced all round
to the new diameter, when the gouge will again
cease to cut. A slight elevation of the handle
will again throw the edge into the cylinder,
and so on till enough has been removed from the
work.
Though the elevation of the handle has been
described as an intermittant process, yet in practice
it is, of course, a continuous one, for it is by rais-
ing the handle that the tool is fed into the work,
the thickness of the shaving being regulated by the
feed thus given. If the theory which governs the
cutting of the gouge is properly understood it will
be easy to carry out the principle in practice, and
thus rapidly acquire proficiency in the use of the
tool. By means of the gouge the rough wood is
turned to a circular form, all the angles are re-
moved, and the work made as straight as possible.
A pair of callipers is used to measure or gauge
the size from end to end, and those parts found
to exceed the general diameter are reduced, so that
the surface will be fairly straight. There will, how-
ever, yet remain a series of ridges resulting from
the use of the circular-pointed gouge, and these are
D34 ‘LATHR-WORK.
shaved off by the use of a chisel applied in a
similar way.
The turner’s chisel is a flat tool similar to the
carpenter’s paring chisel, but ground very differ-
ently. It is bevelled equally from each side, leav-
ing the cutting edge in the centre of the thickness,
at an oblique angle with the sides of the shaft, instead
of square across, as in the carpenter's chisel, the
angles being usually about 70° and 110°. The
chisel is held in the same manner as the gouge, with
the lower corner of the obtuse angle edge placed
on the rest. The chisel is tilted up sufficiently to
bring the central part of the cutting edge against
the work, leaving both corners free, for should the
entire width of the cutting edge be brought to bear
on the work the tool will dig in. With the edge
lying obliquely against the cylinder the chisel
may be slid along the rest with the bottom edge
leading, and the cut taken from either end, accord-
ing to which of the two corners of the tool is laid
on the rest. The principles which govern the
gouge apply equally to the chisel, and by a proper
amount of tilt a shaving of any desired thickness
may be removed; the shavings may be so thin
as to produce a barely perceptible difference in the
diameter of the work. When the ridges left by the
gouge have been entirely obliterated the diameter
of the cylinder is tested by callipering, and any
irregularity can be smoothed off with the chisel.
Capital practice for a beginner will be to take a
shaving from end to end of a parallel cylinder, stillWORK FOR BEGINNERS. 35
leaving it perfectly parallel after the shaving is
removed. This is not difficult when the manipu-
lation.of the tool is quite under control; the thick-
ness of the shaving will be the best guide, and this
may be regulated to the greatest nicety by adjust-
ing the height of the tool handle held in the right
hand. :
The directions here given for using the gouge
and chisel on a plain cylinder are equally appli-
cable for turning cones, which are similarly formed
with these tools.
For turning the surface of wood chucked plank-
ways the same tools are used, the T-rest being
placed round to lie parallel with the face of the
work, and the gouge held in a more horizontal
position than when applied to the cylinder. The
chisel is used with its broad surface resting flat on
the top of the T, the whole breadth of the cut-
ting edge against the work, but held so that the
corner on the side towards which the tool is ad-
vanced barely touches ; the action of the chisel
being scraping rather than cutting, though shav-
ings are produced.
It is curious that beginners at turning are often
at a loss to find an object on which to practise,
so that descriptions of a few that can be easily
made will be suggestive of others. Ordinary
round rulers, varying from 6 inches to 2 feet in
length, and from 4 inch to 1} inch in diameter,
are of very simple form. By following the
directions just given on the use of the gouge36 LATHE-WORK.
and chisel it will be easy to turn rulers, and so
gain experience. A roller on which to hang a
jack-towel and a rolling-pin are usually to be
found in every household, and capital practice
will be afforded in turning exact copies of such
things. Cricketers’ stumps and bales, tool handles,
trenchers, and numerous other common articles
are made on the lathe. The production of these will
afford variety to the practice and enlarge the range
of work without very severely taxing the skill, yet
always adding to the capacity of the workman.
It is well to remember that an adept at turning
such simple objects will find it easy to proceed to
the execution of the most complicated work. A
plain wooden box affords considerable practice
in the use of hand-turning tools, and the method of
making one is this :—Having decided on the size of
the proposed box, select a piece of wood, almost
any kind will do, but preferably use that which has
a close even grain. See that the ends are cut
tolerably square, and mark a circle on each to
serve as a guide for’roughing out the circumference
as nearly round as possible, first with a hatchet, and
afterwards with a rasp. The length of the wood
must be :—the height of the box, the height of the rim
on which the cover shuts, the height of the cover
itself, enough space to allow the parting-tool to be
used twice—that is, where the lid is separated from
the body of the box, and where the box is cut from
the superfluous piece in the chuck—and enough to
chuck the wood by. All these measurements addedMAKING A WOODEN BOX. 37
together show the length of wood required to make
the box. It is important to measure the rough
block to see that there is sufficient material, as it
will be a great saving of labour if the complete
box, lid, and body are turned from one instead of
from several pieces of material.
The roughly-shaped cylindrical block has now to
be chucked firmly on the lathe, it may be fixed in
acup-chuck if one of convenient size is to be found ;
or a boxwood chuck may be hollowed out, to a
depth of about a quarter of an inch, sufficiently
large in diameter to allow the wood to be driven in
firmly by a few smart blows of a mallet. That end
which is cut most nearly square with the cylin-
drical sides should be chosen for driving into
the chuck. It should not be made to bottom,
that is, the block should be driven into the chuck
to touch all the way round. When properly
chucked the end of the wood is first operated upon
with the gouge and turned true; the tool is held as
described in the early part of this chapter, working
from the circumference towards the centre. When
turned true, the chisel is used to smooth the sur-
face and make it flat; the cylindrical surface of
the cylinder is turned true in the manner pre-
viously described for such work, and the rough
block is thus got to a truly cylindrical form,
parallel and square at the end. So far the work
has been only preparatory.
The first operation in making the box itself is to
shape the lid. On the circumference of the cylinder38 LATHE-WORK.
mark a ring showing the depth of the intended lid—
this may be done with the angle of the chisel—
then hollow out the front to the required depth, to
leave sufficient thickness of material at the top of
the lid; a side tool will do this part of the work
most easily. The rim of the lid for the box should
be slightly undercut in both directions; a very little
will suffice, so that it will fit closer on to the box.
With a wood-parting tool the lid is cut off from
the rest of the wood; the tool should cut only a
narrow groove, and the direction of this must be
carefully maintained so that the thickness of the
lid will be equal and sufficient for due strength.
Tolerable truth will suffice, as the top of the lid will
be finally finished later on when it is snapped on
the body part, and the top will then face the back
centre. In parting off the wood the groove must
be kept wide enough to allow the tool to be free of
the sides. When getting near the centre extra
care is necessary to guard against the tool catch-
ing in and tearing off the lid, in which case the
probable result would be that the breakage would
spoil the lid.
The wood now left in the chuck is to form the
body of the box; it is first hollowed out to form
the interior, the same tool and the same general
principles as were employed in turning out the
inside of the lid being applicable, the precise
height having first been marked on the outside.
Before removing the entire inside of the box, the
neck part on which the lid fixes must be turned to fitMAKING A WOODEN BOX. 39
and the lid snapped on tightly. In turning down the
neck, when it nearly approaches the required size, it
is advisable to frequently try the lid on it, other-
wise too much material may be removed and the
job spoilt. With experience, however, it becomes
easy to fit without trying the sizes more than once.
There should not be the slightest play or shake in
the fitting, the rim should be quite true cylin-
drically and the shoulder equally true flatways, so
that when the lid is put on and gently forced to its
place the join should be absolutely imperceptible
but for the appearance of the grain of the wood.
With the lid fitting tightly it can be turned up
true with the chisel, comparatively light cuts will
only be necessary as the work has already been
made true. The cover may be slightly dome-shaped,
and the side of the box should be turned with the
chisel to make it and the lid perfectly coincident.
With the parting tool the box may be now par-
tially cut off from the remaining piece of waste
wood, but before being entirely detached the ex-
terior ought to be finished. The turning chisel, if
properly handled, will leave a surface that will be
difficult to improve upon, but if any roughness exists
it may be smoothed with fine glass-paper. The
inside of the box is also finished before the parting
tool finally cuts it off; the sides are made straight
and the bottom flat and then the box body is cut off,
the parting tool being held at a slight angle to the
axis of rotation so as to slightly undercut the
bottom which will then stand firmly on its edges,40 LATHE-WORK.
and requires no further treatment. If it is desired
to turn the bottom face, the piece of waste wood
can be hollowed out so as to fit the rim on which
the lid fits, and chucked by this the bottom may be
operated upon as required, leaving it slightly con-
cave. Every time that the box or lid is re-chucked
it must run as true as it did in its former position,
and to re-chuck work perfectly true is one of the
first lessons that a turner should study. There
are also the fittings of the lid to the box and the
box to the chuck, which will be excellent practice.
It may be assumed that when a plain box, in
common wood, cam be turned out+of hand in every
respect well made, the maker has attained sufficient
skill in the use of his tools to warrant his under-
taking without fear of failure work of far more
complicated design and apparently more difficult
toexecute. The plain box just described is scarcely
a piece of work likely to attract the attention of
those who have an extensive assortment of tools
and appliances; still the care and attention which
must necessarily be bestowed on the various opera-
tions incidental to its production afford an amount
of practice in the use of hand tools on wood which
is considerable and varied, and should be prized
accordingly.
Turning metal by means of hand tools is a
process in every way similar to that just described,
modified to suit the nature of the material. It is
generally found that an inexperienced hand suc-
ceeds better in turning metal than wood; there is,THE GRAVER. 4t
however, no more difficulty in working this latter
material, and the circumstance named is due to
the more obvious effect produced with wood, making
it much easier to see the effect of the tools used,
but more difficult to guide them. Wood is turned
at a far greater speed than is metal, and the
material is much softer, so that whilst the tool
more easily penetrates the work and “catches in,”
this is more liable to be torn than the more
tenacious metal revolving at a less-velocity.
The same angle is to be preserved in applying the
tool to metal, that is, it should form a tangent to the
circle being cut, but consequent on the hardness of
the material the angles of the cutting edges must be
altered to make them stronger; however, the work-
man who, by practice on wood, makes himself
familiar with the most favourable conditions under
which the tool acts, will be best able to apply tools
to metal to the greatest advantage.
The graver is the most general tool for metal
turning. It is a bar of square steel, usually about
one-quarter to five-sixteenths of an inch in size,
though smaller and larger are used. All the flats
are sometimes, but two are always, ground flat
and smooth. The end is ground off diagonally,
those edges formed by the sides meeting at the point
* being used for turning. The angle made by the
diagonal diamond-shaped end with the shank
varies to suit the material that it is intended to act
upon, from 60° to 70° being about the usual limit.
The triangular tool is also much used. It is42 LATHE-WORK.
generally made from a worn-out triangular file, of
the dimensions named as usual for gravers, and
is merely ground on the faces to take out all the
marks of the file teeth, leaving sharp edges at the
angles, all of which are 60°. The end is ground
off obliquely, leaving a point at one angle, but the
tool is generally used to cut with its side edges;
and in this respect it principally differs from the
graver, which is used only at the end.
With the two tools named most of the rough
turning by hand on metal is done. Tools for metal
have short handles. In use the left hand generally
grasps the T-rest and the tool, the fingers encir-
cling the stem of the rest socket and the thumb
clasping the tool to the T. The right hand holds
the handle as described in holding wood-turning
tools; indeed, sometimes both hands are used as
there described, only closer together, a natural
consequence on the reduced length of the handle
and tool itself. A lubricant is used with these
tools on wrought iron and steel; this is necessary
to keep the edge cool and lubricate the cutting.
Water answers the purpose, but soapy water is
better, and perhaps quite as good as oil, though
much cheaper. Cast iron, brass, and gun-metal are
turned dry.
The way in which the graver is applied to the
work is this :—the tool is laid with one angle on the
‘T-rest, the point being towards the back centre,
and the handle at an angle with the line of centres.
The lathe being set in motion and the graverTURNING METAL. 43
brought as near as possible to the work, it is
firmly indented on the rest, and by bringing the
handle towards the right the point is made to cut
the work; the operation is assisted by turning the
graver slightly over towards the left. This action
makes a narrow groove on the work, and when the
handle is so far to the right that the tool is dis-
engaged, the graver is shifted along the rest to
recommence the same process. The work turned
by this means will consist of a series of grooves,
more or less irregular, but the concentric truth will
be correct. In the same way the triangular tool
may be used to produce a like result.
To further finish the cylinder, after it has been
made as straight as can be with the graver, a
flat tool is used. This somewhat resembles a
carpenter’s chisel ground off square at the end so
that no bevel exists. This tool is applied, end
on, to the cylinder, and cuts away all the ridges
reducing the surface to one level., This flat tool
may be from about half-an-inch wide and one-
eighth thick up to double these dimensions ; it can
be used indifferently with either edge to cut.
Cylinders with straight surfaces, whether parallel
or coned, are generally finally finished by filing
whilst in rapid revolution in the lathe, a fine file
being used. To produce an extra smooth surface
emery paper wrapped round the file is afterwards
applied, and by this means a very high finish can
be given to the work.
Round-nosed tools, which are made of strips of44 . LATHE-WURK,
steel of various widths and thicknesses, having the
ends ground off to a semicircular shape, are used
for hollowing out the exterior of metal work and
turning curvilinear grooves. Tools of a similar
construction with the ends shaped to various pat-
terns are largely used for turning beadings and
mouldings of various kinds. Numerous tools
ground to particular forms are employed for special
purposes, but of these little need be said hereCHAPTER Iv.
SCREW-CUTTING BY HAND.
Striking the thread with outside and inside comb-screw tools—Originat-
ing a thread—The method of cutting the thread in a lathe chuck
minutely described.
CUTTING screws by means of comb-screw tools
guided by hand is a process only to be learnt after
considerable practical experience has been attained
in the use of hand tools on the ordinary cylindrical
work. The tools themselves are made in pairs, one
for use on the external the other on the internal
thread; they may be bought at all tool shops
where turning tools are sold. One pair is of
course only applicable to one particular rate of
thread, though it may be cut on any diameter.
The same screw tool that cuts a thread of, say, fifty
turns to the inch on a screw one-eighth of an inch
in diameter is also used if the same rate of thread
is required, say 2 inches in diameter as in optical
instruments. For holes of very small diameter it is
very seldom that comb-screw tools are used, and if
under certain sizes it is impossible. Taps are gene-
rally used for all inside threads that have a
-thoroughfare hole excepting in optical work; the46 LATHE-WORK.
workmen in that trade always using comb tools to
cut the fine threads. Holes which cannot be tapped,
through having a bottom, may be cut with a comb
tool, and the process is explained in detail, with
special reference to chasing the screw inside a
chuck, in the latter part of this chapter.
The outside screw tool is very much used for
cutting the threads in bolts and all kinds of work
that can be mounted in the lathe. Frequently the
thread is originated by making a spiral line with
the die stock, the work is then transferred to the
lathe where the screw is cut out with the comb
tool, this cutting faster and better than dies, and
being comparatively easy to keep in the spiral
originated by the dies. If this is not quite true it
is not likely to be improved in the chasing by any
but a skilled screw-cutter. After the bulk has
been removed by the comb tool the dies are used
to finish with To acquire the habit of traversing
the tool at a uniform rate a beginner should practise
on a cylinder which has a thread already cut on it,
such as one partially cut by dies.
The way in which the screw thread is originated
by hand with the chaser will be easily understood.
It is simply necessary to move the chaser along
the top of the T-rest exactly the same distance that
the teeth are apart whilst the work is turned round
once. If the tool and work have been moved at a
regular speed the thread will be true; if, however,
either motion has been jerky the thread will not
be regular but bent or wavy. It will be seen thatHAND SCREW-CUTTING. 47
the rate of the screw and the diameter each govern
the result, and though the difficulty of striking the
true thread may appear very great, yet after care-
ful practice and observation of the result it will be
a job that can be done with ease and certainty,
The thread, whether outside or in, is always first
struck on the corner of the work, and this is rounded.
off for the purpose before applying the screw tool.
The T-rest, which must have a smooth top, is then
placed near to this corner, and having set the
lathe going with a regular swinging motion, the
comb is brought on to the rest. By a circular
motion of the handle, the blade of the tool having
acentre of motion on the top of the T, one tooth
near the centre is made to cut a spiral line, the
depth of which is greatest at its middle and dimi-
nishes to nothing at the ends. When once the
true helix is struck it is comparatively easy to
follow it up, making it deeper and extending it
further at each application of the tool.
The thread is thus struck at the end first, and
gradually deepened and lengthened till it has
reached the distance required ; so that during the
process of chasing it the thread is always cut
deeper at the end, and it is made parallel by giving
the final cuts nearer to the back end. The first spiral
traced forms a guide, and on repeating the cut the
point of a tooth must come in the previously-made
groove, or the thread will be damaged and pro-
bably spoiled. Those who have cut threads with
badly fitting dies have probably had occasion to48 LATHE-WORK.
notice the effect of another thread being originated
between the true one; this is what happens if the
comb tool is not always replaced in the groove first
made.
The use of the comb-screw tool for inside work
is best explained by its application to cutting the
thread in lathe chucks, after starting with the
tap as described in Chapter VII.
‘When the thread has been started in the hole
and the tap taken out, clean the dust out of the
hole and put the hand-rest, which must be
quite smooth, at least at that part where the
screw tool will take its bearing, close against the
hole, at such a height as may be convenient for
allowing the chaser to cut. This will be with its
edge slightly above the centre, as the rake of the
teeth is, in bought screw tools, the wrong way, and
in consequence of the thickness of the tool it
would, if placed at the correct height—z.e. on the
line of centres—have the lower points of the teeth
in contact with the interior of the hole. If these
points were to find their bearing in the spiral
groove, the upper cutting edge would not cut at
the same spiral line, but a trifle behind it. Thus
will be understood the importance of getting the
tool to the correct height to let the lower edge
escape contact. When all the parts are properly
adjusted commence cutting the screw. First get a
regular swinging motion to the lathe-treadle; the
habit must be acquired of keeping the same regular
motion with the foot, independent of the occupationHAND SCREW-CUTTING. 49
of the hand. Hold the comb-screw tool with the
right hand firmly gripping the handle, and the
left steadying the tool by having the fingers round
the socket of the T-rest, the thumb grasping the
chaser near the rest and pressing it firmly into the
thread. At first it is advisable to let the tool run
in along the thread a few times without cutting,
thereby to get the rate of motion impressed on the
senses, so that the rate of progression of the tool
can be maintained by muscular action as well as
being guided by the spiral made by the tap.
Having got the rate of motion, take very light cuts
at first, but always be sure to have the teeth in the
original grooves, otherwise, there is every proba-
bility of getting a multifold thread. When the
comb is placed near the mouth of the hole with
about three teeth projecting inside, the left thumb
is used to draw it towards the side of the hole.
As soon as it is felt to be in the screw groove a
heavy pressure is maintained to keep the chaser
up to a full cut, till it has run in right to the
bottom of the hole. The tool should be held in
such a position as to insure parallelism of the
teeth, so that the thread will be cut of equal depth
throughout its length. The inexperienced hand
runs great risk of coming to grief over screw-
cutting, but practice will make perfect, and it is
only after repeated trials that an amateur can
expect to be able to run in a true thread with the
chaser. Care must be exercised not to let the tool
go in far enough for its point or end to come in
E50 LATHE-WORK.
contact with the bottom of the hole whilst the
teeth are cutting the thread, or damage more or
Jess serious according to the rigidity with which
the tool is held must inevitably follow. The eye
and hand will soon become educated to act in
unison, so that when the screw tool has gone in to
acertain depth, as indicated to the eye, the muscular
power of the thumb is relaxed; the teeth of the
chaser are gently drawn out of the thread, and
when quite clear the tool is drawn outwards, say
half an inch or so, and the operation repeated.
This is continued till the thread is nearly to size,
and it is finally finished with the full tap. There
are several points to be considered in cutting the
thread. As to its size, if the chaser is too high up
it will cut the thread shallower than it should be.
If the tool is not run in parallel, the mouth of the
hole will not gauge correctly, and consequently it
will be impossible to ascertain the exact size of
the thread. These points must be studied and
acted upon to the best of one’s judgment, any
definite rules being impossible.
‘When the thread has been cut out with the chaser
to, as near as can be judged, the proper size, the
full-sized tap is inserted and screwed home exactly
the same way as was the entry tap, using the back
centre to keep it square, and working it right in
till it “ bottoms” in the hole.