Further Openings and Middlegames
31. Some Salient Points about Pawns
Before going back to the discussion of openings and
middlegame positions, it might be well to bear in mind
a few facts concerning pawn positions which will no
doubt help to understand certain moves, and
sometimes even the object of certain variations in the
openings, and of some manoeuvres in the middle
games.
In the position of the diagram we have an exceedingly
bad pawn formation on Black's side. Black's c-pawn is
altogether backward, and White could by means of the
open file concentrate his forces against that weak
point. There is also the square c5, which is controlled
by White, and from where a White piece once
established could not be dislodged. In order to get rid
of it, Black would have to exchange it, which is not
always an easy matter, and often when possible not at
all convenient. The same holds true with regard to
Black's e-pawn, f-pawn and g-pawn, which create
what is called a "hole" at f6. Such pawn formations
invariably lead to disaster, and consequently must be
avoided.
In this position we might say that the White centre
pawns have the attacking position, while the Black
centre pawns have the defensive position. Such a
formation of pawns occurs in the French Defence. In
such positions White most often attempts, by means of
f2-f4 and f4-f5, to obtain a crushing attack against
Black's King, which is generally castled on the
Kingside. To prevent that, and also to assume the
initiative or obtain material advantage, Black makes a
counter-demonstration by ...c7-c5, followed by ...cxd4
(when White defends the pawn by c2-c3), and the
concentrating of Black's pieces against the White pawn
at d4. This in substance might be said to be a
determined attack against White's centre in order to
paralyze the direct attack of White against Black's
King. It must be remembered that at the beginning of
the book it was stated that control of the centre was an
essential condition to a successful attack against the
King.
In an abstract way we may say that two or more pawns
are strongest when they are in the same rank next to
one another. Thus the centre pawns are strongest in
themselves, so to speak, when placed at e4 and d4 (or
e5 and d5), hence the question of advancing either the
one or the other to the fifth rank is one that must be
most carefully considered. The advance of either pawn
often determines the course the game will follow.
Another thing to be considered is the matter of one or
more passed pawns when they are isolated either
singly or in pairs. We might say that a passed pawn is
either very weak or very strong, and that its weakness
or strength, whichever happens to be in the case to be
considered, increases as it advances, and is at the same
time in direct relation to the number of pieces on the
board. In this last respect it might be generally said
that a passed pawn increases in strength as the number
of pieces on the board diminishes.
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Having all this clear in mind we will now revert to the
openings and middlegame. We will analyze games
carefully from beginning to end according to general
principles. I shall, whenever possible, use my own
games, not because they will better illustrate the point,
but because, knowing them thoroughly, I shall be able
to explain them more authoritatively than the games of
others.
32. Some Possible Developments from a Ruy Lopez
That some of the variations in the openings and the
manoeuvres in the middlegame are often based on
some of the elementary principles just expounded can
be easily seen in the following case.
Let us suppose the game went on, and that in some
way White, by playing one of the Knights to d4 at the
proper time, forced the exchange of both Knights, and
then afterwards both the Bishops were exchanged, and
we arrived at some such position as shown in the
following diagram. (I obtained such a position in a
very similar way once at Lodz in Poland. I was playing
the White pieces against a consulting team headed by
Salwe.)
Now we would have here the case of the backward cpawn, which will in no way be able to advance to
c5.
Such a position may be said to be theoretically lost,
and in practice a first-class master will invariably win
it from Black. (If I may be excused the reference, I
will say that I won the game above referred to.)
After a few moves the position may be easily thus:
The Black pieces can be said to be fixed. If White
plays 1.Qc3, Black must answer 1...Qd7, otherwise he
will lose a pawn, and if White returns with the Queen
to a3 Black will again have to return with 2...Qb7 or
lose a pawn. Thus Black can only move according to
White's lead, and under such conditions White can
easily advance with his pawns to f4 and g4, until Black
will be forced to stop f4-f5 by playing ...f7-f5, and we
might finally have some such position as the
following:
42
Now suppose that in the position in the preceding
diagram it were Black's move, and he played 1...Rf8.
White would then simply defend his f-pawn by some
move like 2.Qf3, threatening 3.Rxc6, and then he
would bring his King up to g3, and when the time
came, break through, as in the previous case. White
might even be able to obtain the following position.
Black would now be forced to play 1...Rc8, and White
could then play 2.Qc2, and follow it up with 3.Kf3,
and thus force Black to play ...fxg4, which would give
White a greater advantage.
A careful examination of all these position will reveal
that, besides the advantage of freedom of manoeuvre
on White's part, the power of the pawn at e5 is
enormous, and that it is the commanding position of
this pawn, and the fact that it is free to advance, once
all the pieces are exchanged, that constitute the pivot
of all White's manoeuvres.
I have purposely given positions without the moves
which lead to them so that the student may become
accustomed to build up in his own mind possible
positions that may arise (out of any given situation).
Thus he will learn to make strategical plans and be on
his way to the master class. The student can derive
enormous benefit by further practice of this kind.
33. The Influence of a "Hole"
The influence of a so-called "hole" in a game has
already been illustrated in my game against Blanco
(Example 52), where has been shown the influence
exercised by the different pieces posted in the hole
created at e5.
In order to further illustrate this point, I now give a
game played in the Havana International Masters
Tournament of 1913.
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44
Chapter 7
Illustrative Games
From now on to the end of the book I shall give a
collection of my games both lost and won, chosen so
as to serve as illustrations of the general principles laid
down in the foregoing pages.
Game 1
Marshall, F – Capablanca, J 1-0
Game 2
Rubinstein, A - Capablanca, J 1-0
Game 3
Janowski, D - Capablanca, J 1-0
Game 4
Capablanca, J - Znosko Borovsky, E 0-1
Game 5
Lasker, E - Capablanca, J 1-0
Game 6
Chajes, O - Capablanca, J 1-0
Game 7
Capablanca, J - Burn, A 1-0
Game 8
Mieses, J - Capablanca , J 0-1
Game 9
Capablanca, J - Teichmann, R 1-0
Game 10
Capablanca, J – Marshall, F 1-0
Game 11
Capablanca, J - Janowski, D 1-0
Game 12
Capablanca, J – Chajes, O 1-0
Game 13
Morrison, J - Capablanca, J 0-1
Game 14
Marshall, F - Capablanca, J 0-1