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Advanced Three Act Structure

The document outlines a structured narrative framework for a story, divided into three acts, focusing on the protagonist's journey from their old world to a new one. It details character development, the introduction of a catalyst and antagonist, and the protagonist's resistance to change, culminating in a final confrontation. The framework emphasizes moral choices and personal transformation throughout the narrative arc.

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Mariana Ramos
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0% found this document useful (0 votes)
52 views10 pages

Advanced Three Act Structure

The document outlines a structured narrative framework for a story, divided into three acts, focusing on the protagonist's journey from their old world to a new one. It details character development, the introduction of a catalyst and antagonist, and the protagonist's resistance to change, culminating in a final confrontation. The framework emphasizes moral choices and personal transformation throughout the narrative arc.

Uploaded by

Mariana Ramos
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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1.

ACT I

Set Up Protagonist

Set up character's world #1


Characters: Protagonist

Establish the world that the character currently lives in,


which will be in contrast with the world he's going to.

Set up character's world #2


Characters: Protagonist

Symbol of character's old state of mind


Characters: Protagonist

What is a symbol of the character's previous state of mind,


his old ways. What is something he specifically does?

Introduce Catalyst
Characters: Catalyst

Foreshadow the possibility of the Catalyst, which is the


person or event that will change the character's world.

Set Up Antagonist

Set up antagonist
Characters: Anatagonist
2.

Set up Antagonist, if the Antagonist is different from the


Catalyst.

Moral Argument

Theme stated
Characters: Protagonist

What is the theme or central question of the story that the


emotional argument or B-story will try to resolve?

Inciting Incident
Characters: Protagonist

How does the Catalyst (person/event) change the character's


world in a way that makes it impossible for things to stay
the way they were?

Resistance to the new world #1


Characters: Protagonist

How does the character resist the change?

Resistance to the new world #2


Characters: Protagonist

Reason that compels character to go on journey and move


into Act II
Characters: Protagonist

What is the reason that the character eventually takes the


challenge?
3.

Some interaction with antagonist


Characters: Anatagonist

What are some interactions the character has with the


Antagonist?

END OF ACT I
4.

ACT II

The New World

Exploring the new world #1


Characters: Protagonist

Character explores his new reality, figuring out how things


work.

Antagonist is cooking something up #1


Characters: Anatagonist

Antagonist is doing something that we don't yet understand.

Exploring the new world #2


Characters: Protagonist

The character also enjoys his new world, finding new


possibilities.

Arguments

Argument Against #1
Characters: Protagonist

Argument Against #2
Characters: Protagonist

Argument For #1
5.

Characters: Protagonist

Argument For #2
Characters: Protagonist

New skill that the character learns #1


Characters: Protagonist

While exploring the new world, what new skill or quality does
the character learn or acquire that will ultimately be the
solution?

New skill that the character learns #2


Characters: Protagonist

Antagonist is cooking something up #2


Characters: Anatagonist

Midpoint/Highpoint: Character has the new world under


control
Characters: Protagonist

The High Point of Mid Point is where the character has


learned how to function in his new world. This can be
reversed so that the Mid Point is a Low Point. The Mid Point
should be an illusory equilibrium.

END OF ACT II
6.

MID POINT

Closing In

Bad guys close in #1


Characters: Anatagonist

In what way does the anatonist tear down the equilibrium of


the High Point and makes it impossible for the character to
rest there?

Deadlock

Argument Deadlock #1
Characters: Protagonist

Argument Deadlock #2
Characters: Protagonist

Bad guys close in #2


Characters: Anatagonist

Battling With Antagonist #1


Characters: Anatagonist

The character fights with the Antagonist, but is losing


because he's still unable to change his ways.

Battling with antagonist #2


7.

Characters: Anatagonist

Antagonist deals crippling blow


Characters: Anatagonist

After many interactions with the Antagonist, he deals a final


blow that knocks the wind out of the character.

Low Point
Characters: Protagonist

The main character wallows in his hopeless, seeing no way


forward.

Character still resisting changing his ways


Characters: Protagonist

In which way is the character still resisting changing his


ways? And in which way could personal change be a solution to
the Low Point?

A moral choice is made


Characters: Protagonist

Some new insight suddenly makes it completely clear how to


resolve the emotional argument.

New idea, fresh point of view.


Characters: Protagonist

A new idea provides a new practical way to break free.

Character moves into Act III


Characters: Protagonist
8.

What changes in the character enough that it now becomes


possible to beat the Antagonist? This is only a first hint,
the change isn't permanent yet.

END OF MID POINT


9.

ACT III

Culmination

Final battles
Characters: Protagonist

With his new-found possibilities and new moral conviction,


the character fights the final battles with the Antagonist.

Uses skill he has learned


Characters: Protagonist

Using the skill he learned earlier...

Symbol of new-found moral conviction


Characters: Protagonist

...and his new-found moral conviction...

Antagonist is dealt final blow


Characters: Anatagonist

...the character deals a final blow to the Antagonist.

Symbol of how the character has changed


Characters: Protagonist

We see the character do something differently than he did it


in the beginning of the story, which symbolizes his
transformation.
10.

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