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Shostakovich 5 Pieces for Piano and Violins

This document contains sheet music for Dmitri Shostakovich's "Five Pieces for Two Violins and Piano." It includes the sheet music for the first movement, titled "Prelude," which is in a moderate tempo and features the piano and two violins playing melodic lines.

Uploaded by

Jing Violin
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
229 views10 pages

Shostakovich 5 Pieces for Piano and Violins

This document contains sheet music for Dmitri Shostakovich's "Five Pieces for Two Violins and Piano." It includes the sheet music for the first movement, titled "Prelude," which is in a moderate tempo and features the piano and two violins playing melodic lines.

Uploaded by

Jing Violin
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Piano 5

Pieces for 2 Violins and Piano


Dmitri Shostakovich

I Prelude


          
               
Moderato

   

   
                    

         
legato

 


    
            
7

 


                     
 



    
  

   


11

        
      
  
 


      
    
      
15

  
          
 
    

              
               
Poco più mosso

     
19

         
      

  


            Tempo I
    
                
  
25


                

 rit. 

  




      
   
      
31

 

                     
 


    
    
    
35

     
      
 

  


      
    
      
39

  
     cresc.      
 
    

2

 
                    
43

      

                 
  
poco a poco dim.

    

 
II Gavotte


                           
       
Tranquillo, molto leggiero

                
 
                            

       
 



                   
   
      
  
   
9

        
                        
    
 
 


 
                                  
      
17

         


                        

 



cresc.

     
 
                               
    
25

            
                            

        


3

      
        
                    
     
33

  
  
     



    

  
  
    

  


    
   
    
 
     
             
 
  
      
        
39

 
   
         

       


        
   
    
                    


  
             
45 rit. a tempo

       
        
    

    


   
                          
poco rit.

  
51

     


   
                    
    

    

III Elegy


 
               
Andantino

          
                     
   

 
4


  
        
        
8

      
      
                 
 
  
   


      
            
Poco più mosso

    
17

    cresc.     
                   
      
 


                          
    
           
26

 
                  
       
    
 poco a poco cresc. 

      


    
                  
molto rit. Tempo I

        
37

                
          
cresc.

  


  
             
    
45

 
                   
  
  
5

  
        
    
   

54

     
 
  

              


cresc.

 


        
         
rit.

      
63

     
     
             
 

         

IV Waltz


        
                              
Tempo di Valse. Moderato

         


               

 


                     
  
                
8

                        
     
  


                    
               

18

                      

6

    
                  
      
                
28

                     
    

 
      


           
                            

38

   
                    

  


                 
                     

47
a tempo

 
                     


                     
              

56

                        
     
  


         rit.
    Meno mosso  a tempo
    
                     

66 rit.

 
         
                 

    

7

  
  
77

  

  
 

V Polka


       
                             
            
Vivace

      
 
  
   sempre stacc.
                                

            



               1.  
                     
9

                  cresc.
                
                       
  


       
 
    
    
              
             

        
18
2.

    
      
   
                            
  staccato

       
     


                  
                  
27

        
                                     

8


                                   

               
36

                                  

 
sempre legato


           
   
                   

      
45

          
                 
 

     



                                    
                 
55

                                     


                
              
           
64

 
         
                             
 

      


                
                          
72

                  

                                    
 sempre stacc.

        

9


      
   
     
           
         
rall. in tempo

      
82

       

             
 
          
     
 

    

     

10

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