Still Life Lighting
Still Life Lighting
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Photograph by Stacey Hill
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Studio setup with a cat sleeping where he shouldn’t be.
guide, Understanding Light Book
Two.
When you are outside working with landscapes, you The easiest (and cheapest) option for lighting is to
have little control over the lighting conditions. You go with natural light, especially if you are just getting
can’t turn the intensity of the sun down. started. Hopefully you have access to a room with a
window that you can work in front of.
So instead, you go out when the light is softer:
on overcast cloudy days or at the Golden Hour. Natural light is preferred because it is the color that
You make choices that impact the lighting on your we expect it to be, and it can be managed through
scenes. diffusion and using bounce techniques.
One of the benefits of shooting still life photography Artificial lighting can vary in color temperature,
indoors in a studio is that you have a lot more control especially the low-end affordable options. It can be
over the lighting. quite focused, directional, and intense. This means
it will take a lot more management on your part to
Here are some of the ways that you can shape and be made to look natural. It is also more expensive as
control the lighting in your scene: you have to buy it. However, if your only option is to
·· Choose the direction of the light – back, front, shoot in a garage, or a basement room, then artificial
or side lighting lighting may be your best option.
·· Choose the angle of the light
·· Filter the light to make it softer and more
diffused
·· Opt for natural, or artificial, light sources
·· Reflect or block the light
·· Change the color of the light
Recommended Reading: If
you’re interested in learning more
about light and how you can use it
to improve your photography, grab a
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guide, Understanding Light Book
Two.
Gerbera flower – backlit by a window covered in white fabric to diffuse the light.
The jug is lighter in comparison to the first image. My flag darkened the jug.
My flag created more shadows to the camera left side of the jug, but the raspberries in the jug are still quite evenly lit.
There is more light on the foreground and the jug to camera left. My flag was placed to camera right of the jug.
This was my setup, showing the tripod in position and at the angle that it was
being used for all the images of the raspberries in a jug on the previous pages.
Artificial Light Source – Accessible options for White fabric for covering a window light source
beginners might be the Lowel Ego Light Unit or a – This is very important. You don’t want an opaque
camera flash (I recommend off-camera lighting with fabric unless you’re trying to eliminate all of the
an electronic flash). You can also start out using light coming through the window. You want a white
simple household lamps. translucent fabric. Many fabric stores sell a material
called “white rip-stop nylon.” This works really well
Reflectors/bounce cards/flags – A 5-in-1 unit option for diffusing window light. It also comes in black, and
gives you a translucent base and also a White, Black/ if you’re handy you can make some neat flags with
Silver and Gold reflector covers to put around the black rip-stop nylon.
base. These are available in a range of sizes. Earlier,
I mentioned foam core. This product is very useful White/Black (or colored) large foam core sheets
as a reflector or a flag as well. It can generally be for backgrounds and backdrops.
found at art supply stores or some camera shops. It’s
inexpensive and can be easily cut to size.
Recommended Reading: If
you’re interested in learning more
about light and how you can use it
to improve your photography, grab a
copy of Photzy’s bestselling premium
guide, Understanding Light Book
Two.
For this dark raspberry shot, the background is a black painted card. The backdrop and the side
drop are black foam core. The shallow V-shaped light modifiers are heavy black cardboard.
Light is a critical factor in all photography, but not Not only does the lighting have technical
just any light. It has to be the right light for the considerations, but it is also a key element creating
situation. the mood, or feeling, that you wish to bring to the
image.
Still life photography that is shot within a studio
setting offers you a greater scope of control over the By using your light creatively, you can elevate your
lighting. still life images from Good to WOW.
Answers:
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