Brave Writer Faltering Ownership Sample
Brave Writer Faltering Ownership Sample
Ownership
Year-Long Language Arts Plan
and 12 Writing Projects
Stage 3
Faltering Ownership
Contents
Introduction 8
Faltering Ownership Principles 11
The Year-Long Program 18
PART ONE
LANGUAGE ARTS 22
BRAVE WRITER LIFESTYLE 30
Poetry Teatimes 30
Weekly Movies 32
Nature Study 33
Art Appreciation 34
Music Appreciation 35
Theatre 36
Shakespeare 37
Visual Journals 38
PART TWO
ORAL LANGUAGE 42
4
Contents
PART THREE
WRITING PROJECTS 44
SEMESTER ONE
Month 1 Wild Words 46
Month 2 Dust Jacket Book Review 62
Month 3 Big Juicy Conversations 69
Mini Report: Natural Disasters 72
Month 4 Diary: Historical Person 82
Month 5 End-of-the-year Family Letter 89
SEMESTER TWO
Month 6 Headlines (Viewpoint) 98
Party School Report 103
Month 7 Oral Report 107
Party School Report 114
Month 8 The Pitch (Advertisement) 118
Party School Report 127
Month 9 Deep Dive into Literary Elements 129
Party School Report 140
Month 10 Drafting and Completing the Report 141
Bonus Projects
Bonus Project 1 The Art of Fiction 143
Bonus Project 2 Poetry Play 149
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Faltering Ownership
Dreamstime
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Faltering Ownership
FALTERING OWNERSHIP
Program 8-year-olds
PART ONE
LANGUAGE ARTS Partnership
Writing
Language Arts, in Brave Writer, refers to the 9– to
mechanics of writing, as well as the enjoyment 10-year-olds
of literature. In the Faltering Ownership stage of
growth, students are ready to take responsibility
for ensuring the accuracy of their polished writing
products according to the skills they’ve mastered.
Their mechanics are not yet fluent, the way an Faltering
adult writer’s are. However, faltering ownership Ownership
11– to
writers are able to return to their own papers to
12-year-olds
examine them for the handful of punctuation,
spelling, and grammar skills they’ve acquired.
They can make their own corrections to their work
before a parent comes in behind to mop-up the
remaining errors. Transition to
Copywork and dictation can be specifically Ownership
13– to
targeted to the areas of difficulty so that students 14-year-olds
expand their skill set. This age group benefits
the most from dictation work. If dictation is done
weekly, students will show great progress in their
natural aptitude to incorporate their evolving
mechanics into their original writing, even when
freewriting. Brave Writer teaches four different
The Great
styles of copywork/dictation and that detail can be
Conversation
15– to
found in the Guidelines for The Arrow, and in The 18-year-olds
Writer’s Jungle (Chapter 1: The Big Language Arts
River).
Language Arts
l spelling l dictation Fluency
Competent Adults,
l handwriting l word origins College Students, Academics,
Professional Writers
l punctuation l vocabulary
l grammar development
l literary elements l paragraphing
copywork typing
Original writing, on the other hand, is the language The writing projects in this program facilitate
we use to characterize the original thought life of growth in original writing. Your children, in this
your child that the child wants to preserve in writing. stage of development, will be able to transcribe
their own thoughts with greater and greater ease
over the course of the year, as their mechanics
pick up speed and accuracy.
Original Writing
In the language arts component, you’ll find a
l narration ideas l revision routine of graduated practices to use with your
l insight techniques child over the course of a ten-month (school year)
l experience genre l research methods period. You may start any time (doesn’t have
l sentence to be September in the northern hemisphere or
l format February in the southern). Just know that these
complexity
l writing voice practices operate best when the difficulty gradually
l writing style increases over time. Don’t rush. Feel free to stay
l freewriting
l word play at a level that is comfortable for your child longer
than the plan indicates. This routine should be
seen as a model, not as a straightjacket.
The Arrow
The Arrow is a literature guide that is designed Brave Writer Lifestyle
for children who are already reading (3rd-6th
grades, approximately). The Arrow will provide Lastly, the Brave Writer Lifestyle fuels the
you with four passages for copywork and/or language arts portion of this program as well.
dictation from a selected book: one novel per The Faltering Ownership program will give you
issue. Each digital magazine contains grammar developmental-stage-appropriate suggestions
notes, ideas for teaching spelling and punctuation, for how to incorporate practices that lead to a
and explanations of literary devices found in the language-rich environment in the areas of film,
passages. The Arrow also includes a featured television, nature, art, poetry, theater, word play,
literary element each month. These are the and more.
techniques of craft that make quality writing good
to read. Each of the issues includes a writing
exercise that allows the child to play with the
literary element firsthand.
If you want to read books of your own choosing
and select your own copywork and dictation
passages, feel free to do so! Alternatively,
you might wish to blend Arrows with your own
selections. Finally, be sure to give your children
opportunities to select their own passages to copy
from the books they read on days when you aren’t
using the ones provided in The Arrow.
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Faltering Ownership
POETRY TEATIMES
Poetry teatimes in the younger years are all about
enjoying poetry and sipping tea (no analysis
required). That practice can continue as is! Probe poetry a bit this year; make it
However, this age group also benefits from a little
targeted poetry exploration to raise the stakes and
light, natural, and casual.
change up the dynamic a bit.
30
BRAVE WRITER LIFESTYLE
Tammy Wahl
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Faltering Ownership
NOTES
NOTES
NOTES
NOTES
NEXT MONTH PREP Check out art books Finish chapter book
PROJECT 1
Wild Words
DESCRIPTION
Begin this year’s writing adventure in the jungle of
words. They’re everywhere, waiting to be plucked Tools
from pages and screens, and explored. Spend
a month on an extravagant, curious, playful hunt A little notebook (spiral or moleskin) to fit
through language as it presents itself. Every age can in a pocket or purse
participate, including you, the homeschooling parent! A pen or pencil
A roll of raffle tickets (one side should be
OBJECTIVE blank) or a stack of note cards cut into
fourths
The essence of writing is words. Writer’s block Post-it Notes
comes from a lack of access—the words go into Scotch tape
hiding and no scrunching of brows coaxes them
Scissors
forth. This month’s playful approach to language
helps young writers to make friends with the world of Magazines
words. They will learn how to find words when they Art books or prints
need them, and what to do once they’ve got them.
PROCESS
Each week will build on the previous week’s
work, so be sure to follow the weekly activities in
order. During the first week, your kids will collect
words. All words, any words. They’ll sort the
words according to their whims, arranging them in
clusters. By week two, they will assign their words
to items in the home—creating new connections
and relationships between items and labels. In
the third and fourth weeks, all of these delightful
words will be used to create poems based on art
or photography.
PROJECT
The end result of these activities will be a working
lexicon of fresh, vital terms your children can
read, use, and adapt for any writing they do going
forward. The strategies used to find language can
be used again and again when they hit the wall
of writer’s block for any other writing they do this
year. The capstone activity is the creation of a
poem drawn from the scrounged language.
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Faltering Ownership
WEEK 1
Monday–Wednesday
Collecting Words
Collecting Words
Writers collect words. They rehearse them in the
shower, notice them when they read, and test Notice a color
them on friends. Unfamiliar words are foisted on fuschia
friends in an attempt to discover the meanings
through use. Sometimes a meaning will present Identify a brand
itself through the sound the word makes, the way Nike
it impacts a listener, and even prior associations
with words similar to it. Follow a letter around your house
window
Words are everywhere: television, songs,
billboards, your computer screen, bumper stickers, Windex
books, magazines, poems, supermarket flyers, wick of a candle
and business brochures. wicket
wicker
This Week’s Task white walls
Worcester sauce
Read the following to your children. worried brow
Notice words in all their abundance and
creative display. Pick words from foreign languages
Carry a mini notebook with you all week and mon petit chou
jot down words as you discover (hear, read, see) sayonara
them. Use a note-taking app on a smart phone or ciao
tablet, if you prefer.
tortilla
You might find words in a book you’re oy vey
reading: unscrupulous, punch, navigate.
You might find them on billboards: Got milk? Discover opposites
twisted—straight
You might notice them in songs: numb,
raise the roof, bleeding, fractals fiery—wet
sharp—smooth
Jot them all down. Keep going. arranged—chaotic
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Month 1 Wild Words
Create a word
figgergibit
pasturipple
closerest
Note
Take words from conversations, poems,
magazines, television shows, and clothing
catalogs.
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Faltering Ownership
50
Month 1 Wild Words
Of interest
“Word tickets” and the “word pool”
come from poet Susan Woodridge in
her enormously popular book,
Poem Crazy.
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Faltering Ownership
SECOND SEMESTER
The research you and your kids did in month 1. Create brief biographical sketches for your
one will be of special use to you now. Use party guests of famous Indians (like Gandhi).
your creativity (and your kids’) to help you pair Each guest will get to read about a famous
information from the topic with interesting party person in history from that part of the world.
activities, foods, and decorations. 2. Put “fun facts” or trivia about India on poster
board. Use one-liners or elaborate with a few
more items: population; religions; famous
Good parties have several foods; words or practices that are from India
components that most people don’t know about; movies
filmed in India. At the end of the party, take
l Friends
the posters down and hold a quiz. See who
l Invitations read and retained what was posted. Reward
l Food with a prize.
l Activities
l Decorations
Process
l Costumes (optional)
l Music Month 2 is about pairing the research with
creative party ideas. Try some of them out to
be sure they work. Let your creativity lead you!
Parties based on report research will
add a few components
l Posters of fun facts
l Brief biographical descriptions of relevant
important persons
l A map (if relevant)
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Party School Report Writing
Invitations To eat
Music
Play Indian music over speakers. Alternatively,
a DVD of an Indian concert could play in the
background.
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Faltering Ownership
PROJECT 9
130
Deep Dive into Literary Elements
WEEK 2 Monday-Tuesday
Process
Analogy
This week, explore the world of analogies and then
The ability to draw comparisons between personal write your own.
experience and remote experience creates
powerful writing. The hunt
Analogies are aimed at making the unfamiliar, Hunt for examples of analogies in the
familiar; or taking the too-familiar and making it reading you and your children do together, in
new again. advertisements, and in conversations. You might
notice an analogy in the read-aloud, or find one
online on a blog, or discover an analogy in a
Unfamiliar to Familiar television ad.
Analogy is the tool that helps readers connect
If writing about “snowballs” for someone who
and relate to the content of the writing.
has grown up in Hawaii (never having seen or
encountered snow), the writer might approximate Analogies are longer than a single metaphor
the look and feel of a snowball by comparing (direct comparison) or simile (comparison using
it to Hawaiian shaved ice (a snowcone!). This “like” or “as”), though they do make use of one or
comparison maximizes the Hawaiian’s familiar both frequently.
experience of shaved ice by relating it to the Use a whiteboard to keep a running list. It
unknown experience of snowballs. It then creates might look like this:
an “aha!” experience in the reader.
Life is like a box of chocolates. You never know
what you’re going to get until you take a bite.
Familiar to Fresh
PC computers are like robots. Apple computers are
Sports writers rely heavily on the power of analogy like friends.
to make their copy pop. They write about games
that most readers have seen, and about sports The river rafting low-end package is the “brown
paper bag” experience—requiring you to bring your
that most readers already know how to play. own equipment.
How can sports writers make the familiar more
interesting? They compare the too-familiar to a The high-end package is more like a catered dining
fresh point of reference which helps to reinvigorate experience—the staff supplies all you need and it is
the well known. of high quality.
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Faltering Ownership
Unfamiliar Familiar
l Using chopsticks l Eating at fast food chains
l Pressure-cooking a stew l Driving long distances in traffic
l Playing lacrosse l Any well-known holiday
l The Sanskrit alphabet l Playing your favorite (well-known) sport
l Aunt Susan’s weird laugh l Not making the team
l Camping in the snow l Summer heat
l Going through chemo therapy l Winter cold
l Surfing l Flying in an airplane
l Speaking more than one language fluently l Having a cold or the flu
l Robotics l Being a sibling
l Raising goats l Handwriting
l Writing gaming software l Brushing your teeth
l Riding the “Tube” (London subway) l Any novel or film that “everyone” has read
l Feeding a sourdough bread culture or watched
l Growing organic vegetables l Taking selfies with a cell phone
l Surviving a natural disaster (flood, tornado, l Playing video games
hurricane, earthquake) l Using social media
l Your family reunions l Going on a picnic
Wednesday
Topics
Today’s task is to identify two types of topics: The
unfamiliar (those experiences or items that you
know well but are less well known to others), and
the overly familiar (stuff that everybody knows so
well, they hardly think about it).
Together with your kids, brainstorm items to
go in each list. To get you started, I’ve provided
examples of unfamiliar and familiar experiences.
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New to Brave Writer?
What’s Next?
• Are you tired of the blank page blank stare syndrome (hand a child a blank page;
get back a blank stare)?
• Are you worried that you aren’t a good enough writer to teach writing?
• Is your child bright, curious, and verbal but seems to lose her words when she is
asked to write?
• Do you wonder how to expand the ideas in the sentences your child writes without
damaging your relationship?
• Has writing become a place where tears flow and fears surface?
• Is your child a prolific writer and you aren’t sure how to direct him to the next
level?
• Have you tried “just about everything” and feel ready to give up on writing?