Multiple Modernities
Multiple Modernities
S N Eisenstadt
Daedalus; Winter 2000; 129, 1; Research Library Core
pg. 1
s. N. Eisenstadt
Multiple Modernities
T
HE NOTION OF "multiple modernities" denotes a certain
view of the contemporary world-indeed of the history
and characteristics of the modern era-that goes against
the views long prevalent in scholarly and general discourse. It
goes against the view of the "classical" theories of moderniza-
tion and of the convergence of industrial societies prevalent in
the 1950s, and indeed against the classical sociological analy-
ses of Marx, Durkheim, and (to a large extent) even of Weber,
at least in one reading of his work. They all assumed, even if
only implicitly, that the cultural program of modernity as it
developed in modern Europe and the basic institutional constel-
lations that emerged there would ultimately take over in all
modernizing and modern societies; with the expansion of mo-
dernity, they would prevail throughout the world. 1
The reality that emerged after the so-called beginnings of
modernity, and especially after World War 11, failed to bear out
these assumptions. The actual developments in modernizing
societies have refuted the homogenizing and hegemonic as-
sumptions of this Western program of modernity. While a gen-
eral trend toward structural differentiation developed across a
wide range of institutions in most of these societies-in family
life, economic and political structures, urbanization, modern
education, mass communication, and individualistic orienta-
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2 S. N. Eisenstadt
tions-the ways in which these arenas were defined and orga-
nized varied greatly, in different periods of their development,
giving rise to multiple institutional and ideological patterns.
Significantly, these patterns did not constitute simple continua-
tions in the modern era of the traditions of their respective
societies. Such patterns were distinctively modern, though greatly
influenced by specific cultural premises, traditions, and histori-
cal experiences. All developed distinctly modern dynamics and
modes of interpretation, for which the original Western project
constituted the crucial (and usually ambivalent) reference point.
Many of the movements that developed in non-Western societ-
ies articulated strong anti-Western or even antimodern themes,
yet all were distinctively modern. This was true not only of the
various nationalist and traditionalist movements that emerged
in these societies from about the middle of the nineteenth cen-
tury until after World War 11, but also, as we shall note, of the
more contemporary fundamentalist ones.
The idea of multiple modernities presumes that the best way
to understand the contemporary world-indeed to explain the
history of modernity-is to see it as a story of continual consti-
tution and reconstitution of a multiplicity of cultural programs.
These ongoing reconstructions of multiple institutional and ideo-
logical patterns are carried forward by specific social actors in
close connection with social, political, and intellectual activists,
and also by social movements pursuing different programs of
modernity, holding very different views on what makes societ-
ies modern. Through the engagement of these actors with broader
sectors of their respective societies, unique expressions of mo-
dernity are realized. These activities have not been confined to
any single society or state, though certain societies and states
proved to be the major arenas where social activists were able
to implement their programs and pursue their goals. Though
distinct understandings of multiple modernity developed within
different nation-states, and within different ethnic and cultural
groupings, among communist, fascist, and fundamentalist move-
ments, each, however different from the others, was in many
respects international.
One of the most important implications of the term "multiple
modernities" is that modernity and Westernization are not
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Multiple Modernities 3
identical; Western patterns of modernity are not the only "au-
thentic" modernities, though they enjoy historical precedence
and continue to be a basic reference point for others.
In acknowledging a multiplicity of continually evolving mo-
dernities, one confronts the problem of just what constitutes the
common core of modernity. This problem is exacerbated and
indeed transformed with the contemporary deconstruction or
decomposition of many of the components of "classical" models
of the nation and of revolutionary states, particularly as a
consequence of globalization. Contemporary discourse has raised
the possibility that the modern project, at least in terms of the
classical formulation that held sway for the last two centuries,
is exhausted. One contemporary view claims that such exhaus-
tion is manifest in the "end of history."2 The other view best
represented is Huntington's notion of a "clash of civilizations,"
in which Western civilization-the seeming epitome of moder-
nity-is confronted by a world in which traditional, fundamen-
talist, antimodern, and anti-Western civilizations-some (most
notably, the Islamic and so-called Confucian groupings) view-
ing the West with animus or disdain-are predominant.]
II
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4 S. N. Eisenstadt
Weber finds the existential threshold of modernity in a certain
deconstruction: of what he speaks of as the "ethical postulate that
the world is a God-ordained, and hence somehow meaningfully
and ethically oriented cosmos .... "
... What Weber asserts-what in any event might be extrapolated
from his assertions-is that the threshold of modernity may be
marked precisely at the moment when the unquestioned legitimacy
of a divinely preordained social order began its decline. Modernity
emerges-or, more accurately, a range of possible modernities
emerge-only when what had been seen as an unchanging cosmos
ceases to be taken for granted. Countermoderns reject that re-
proach, believing that what is unchanging is not the social order,
but the tasks that the construction and functioning of any social
order must address ....
. . . One can extract two theses: Whatever else they may be, mo-
dernities in all their variety are responses to the same existential
problematic. The second: whatever else they may be, modernities
in all their variety are precisely those responses that leave the
problematic in question intact, that formulate visions of life and
practice neither beyond nor in denial of it but rather within it, even
in deference to it .... 4
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Multiple Modernities 5
Central to this cultural program was an emphasis on the
autonomy of man: his or her (in its initial formulation, certainly
"his") emancipation from the fetters of traditional political and
cultural authority. In the continuous expansion of the realm of
personal and institutional freedom and activity, such autonomy
implied, first, reflexivity and exploration; second, active con-
struction and mastery of nature, including human nature. This
project of modernity entailed a very strong emphasis on the
autonomous participation of members of society in the consti-
tution of the social and political order, on the autonomous
access of all members of the society to these orders and to their
centers.
From the conjunctions of these different conceptions arose Cl
belief in the possibility that society could be actively formed by
conscious human activity. Two complementary but potentially
contradictory tendencies developed within this program about
the best ways in which social construction could take place.
The first, crystallized above all in the Great Revolutions, gave
rise, perhaps for the first time in history, to the belief in the
possibility of bridging the gap between the transcendental and
mundane orders-of realizing through conscious human agency,
exercised in social life, major utopian and eschatological vi-
sions. The second emphasized a growing recognition of the
legitimacy of multiple individual and group goals and interests,
as a consequence allowed for multiple interpretations of the
common good. 7
1II
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6 S. N. Eisenstadt
movements of protest as a continual component of the political
process. 8
These ideas, closely aligned with what were emerging as the
defining characteristics of the modern political arena, empha-
sized the openness of this arena and of political processes,
generally, together with a strong acceptance of active partici-
pation by the periphery of "society" in questions of political
import. Strong tendencies toward the permeation of social pe-
ripheries by the centers, and the impingement of the peripheries
on the centers, led, inevitably, to a blurring of the distinctions
between center and periphery. This laid the foundation for a
new and powerful combination of the "charismatization" of the
center or centers with themes and symbols of protest; these, in
turn, became the elemental components of modern transcen-
dental visions. Themes and symbols of protest-equality and
freedom, justice and autonomy, solidarity and identity-be-
came central components of the modern project of the emanci-
pation of man. It was indeed the incorporation of the periphery's
themes of protest into the center that heralded the radical
transformation of various sectarian utopian visions into central
elements of the political and cultural program.
From the ideology and premises of the political program of
modernity and the core characteristics of modern political insti-
tutions, there emerged three central aspects of the modern
political process: the restructuring of center-periphery relations
as the principal focus of political dynamics in modern societies;
a strong tendency toward politicizing the demands of various
sectors of society, and the conflicts between them; and a con-
tinuing struggle over the definition of the realm of the political.
Indeed, it is only with the coming of modernity that drawing the
boundaries of the political becomes one of the major foci of
open political contestation and struggle.
IV
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Multiple Modernities 7
or "sacred." Strong tendencies developed toward framing these
definitions in absolutist terms, emphasizing their civil compo-
nents. At the same time, connections were drawn between the
construction of political boundaries and those of cultural collec-
tivities. This made inevitable an intensified emphasis on the
territorial boundaries of such collectivities, creating continua I
tension between their territorial and/or particular components
and those that were broader, more universalistic. In at least
partial contrast to the axial civilizations, collective identities
were no longer taken as given, preordained by some transcen-
dental vision and authority, or sanctioned by perennial cUStOIll.
They constituted foci of contestation and struggle, often couched
in highly ideological terllls.
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8 S. N. Eisenstadt
conceptions of Montaigne or Erasmus as against the totalizing
vision promulgated by Descartes. 1o The most significant move-
ment to universalize different rationalities-often identified as
the major message of the Enlightenment-was that of the sov-
ereignty of reason, which subsumed value-rationality
(Wertratiollalitat), or substantive rationality, under instrumen-
tal rationality (Zweckrationalitat), transforming it into a total-
izing moralistic utopian vision.
Cutting across these tensions, there developed within the
program of modernity continual contradictions between the
basic premises of its cultural and political dimensions and major
institutional developments. Of particular importance-so strongly
emphasized by Weber-was the creative dimension inherent in
visions leading to the crystallization of modernity, and the
flattening of these visions, the "disenchantment" of the world,
inherent in growing routinization and bureaucratization. This
was a conflict between an overreaching vision by which the
modern world became meaningful and the fragmentation of
such meaning by dint of an unyielding momentum toward au-
tonomous development in all institutional arenas-economic,
political, and cultural. This reflects the inherently modern ten-
sion between an emphasis on human autonomy and the restric-
tive controls inherent in the institutional realization of modern
life: in Peter Wagner's formulation, between freedom and con-
trol. 11
VI
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Multiple Modernities <)
VII
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10 S. N. Eisenstadt
ply ideological. They all took place within the specific confines
of the modern political arena; they were affected as well by the
modern political process, especially the continuing struggle
over the boundaries of the realm of the political.
Patterns of contention between these social actors developed
in all modern societies around poles rooted in the antinomies
inherent in the specific cultural and political programs of mo-
dernity. The first was the extent of the homogenization of
major modern collectivities, significantly influenced by the ex-
tent to which the primordial, civil, and universalistic dimen-
sions or components of collective identity became interwoven
in these different societies. The second pole reflected a confron-
tation between pluralistic and universalizing orientations.
These clashes emerged in all modern collectivities and states,
first in Europe, later in the Americas, and, in time, throughout
the world. They were crucially important in shaping the vary-
ing patterns of modern societies, first within territorial and
nation-states, generating within them differing definitions of
the premises of political order. They defined the accountability
of authority relations between state and civil society; they
established patterns of collective identity, shaping the self-
perceptions of individual societies, especially their self-percep-
tion as modern.
As these contestations emerged in Europe, the dominant pat-
tern of the conflicts was rooted in specific European traditions,
focused along the rifts between utopian and civil orientations.
Principles of hierarchy and equality competed in the construc-
tion of political order and political centers. The state and civil
society were seen as separate entities by some. Collective iden-
tity, very often couched in utopian terms, was differently de-
fined. The variety of resulting societal outcomes can be illus-
trated by the different conceptions of state that developed on
the continent and in England. There was the strong homogeniz-
ing "laicization of" France, or, in a different vein, of the Lutheran
Scandinavian countries, as against the much more consocia-
tional and pluralistic arrangements common to Holland and
Switzerland, and to a much smaller extent in Great Britain. The
strong aristocratic semifeudal conception of authority in Brit-
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Multiple Modernities II
ain contrasted with the more democratic, even populist, vie\vs
in other European countries. 14
In the twenties and thirties, indelibly marked by the tensions
and antinomies of modernity as they developed in Europe, there
emerged the first distinct, ideological, "alternative" moderni-
ties-the communist Soviet types, discussed in this issue by
Johann Arnason, and the fascist/national-socialist type. 15 The
socialist and communist movements were fully set within the
framework of the cultural program of modernity, and above all
within the framework of the Enlightenment and of the major
revolutions. Their criticism of the program of modern capitalist
society revolved around their concept of the incompleteness of
these modern programs. By contrast, the national or national-
istic movements, especially of the extreme fascist or national-
socialist variety, aimed above all at reconfiguring the bound-
aries of modern collectivities. They sought to bring about a
confrontation between the universalistic and the more particu-
laristic, primordial components of the collective identities of
modern regimes. Their criticism of the existing modern order
denied the universalistic components of the cultural program of
modernity, especially in its Enlightenment version. They showed
less missionary zeal in transcending purely national bound-
aries. Yet, significantly, though they repudiated the universal-
istic components of the cultural and political program of mo-
dernity, they sought in some ways to transpose them into their
own particularistic visions, attempting to present these visions
in some semi-universalistic terms-of which, paradoxically,
race might be one.
By the middle of the century, the continual development of
multiple modernities in Europe testified to an ongoing evolu-
tion. As Niliifer Gale observed, one of the most important
characteristics of modernity is simply its potential capacity for
continual self-correction. That quality, already manifest in the
nineteenth century, in the encounter of modern societies with
the many problems created by the industrial and democratic
revolutions, could not, however, be taken for granted. The
development of modernity bore within it destructive possibili-
ties that were voiced, somewhat ironically, often by some of its
most radical critics, who thought modernity to be a morally
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12 S. N. Eisenstadt
destructive force, emphasizing the negative effects of certain of
its core characteristics. The crystallization of European moder-
nity and its later expansion was by no means peaceful. Con-
trary to the optimistic visions of modernity as inevitable progress,
the crystallizations of modernities were continually interwoven
with internal conflict and confrontation, rooted in the contra-
dictions and tensions attendant on the development of the capi-
talist systems, and, in the political arena, on the growing de-
mands for democratization. All these factors were compounded
by international conflicts, exacerbated by the modern state and
imperialist systems. War and genocide were scarcely new phe-
nomena in history. But they became radically transformed,
intensified, generating specifically modern modes of barbarism.
The ideologization of violence, terror, and war-first and most
vividly witnessed in the French Revolution-became the most
important, indeed the exclusive, citizenship components of the
continuation of modern states. The tendency to such ideologies
of violence became closely related to the fact that the nation-
state became the focus of symbols of collective identity.16 The
Holocaust, which took place in the very center of modernity,
was the extreme manifestation and became a symbol of its
negative, destructive potential, of the barbarism lurking within
its very core.
VIII
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Multiple Modernities 13
oscillation between cosmopolitanism and localism. These themes
developed first within Europe itself; they continued, though in
a different vein, with the expansion of modernity to the Ameri-
cas and (especially) to Asian and African countries.
IX
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14 S. N. Eisenstadt
these reference points, above all in Europe-Spain, France, and
England-and later the United States, were critical to the self-
conception of Latin American societies. Such considerations
became gradually less important in the United States, which
saw itself increasingly as the center of modernity.
x
The variability of modernities was accomplished above all through
military and economic imperialism and colonialism, effected
through superior economic, military, and communication tech-
nologies. Modernity first moved beyond the West into different
Asian societies-Japan, India, Burma, Sri Lanka, China, Viet-
nam, Laos, Cambodia, Malaysia, Indonesia-to the Middle
Eastern countries, coming finally to Africa. By the end of the
twentieth century, it encompassed nearly the entire world, the
first true wave of globalization.
In all these societies the basic model of the territorial state
and later of the nation-state was adopted, as were the basic
premises and symbols of Western modernity. So, too, were the
West's modern institutions-representative, legal, and adminis-
trative. But at the same time the encounter of modernity with
non-Western societies brought about far-reaching transforma-
tions in the premises, symbols, and institutions of modernity-
with new problems arising as a consequence.
The attraction of many of modernity'S themes and institu-
tional forms for many groups in these societies was caused first
by the fact that it was the European (later the Western) pattern,
developed and spread throughout the world by Western eco-
nomic, technological, and military expansion, that undermined
the cultural premises and institutional cores of these ancient
societies. The appropriation of these themes and institutions
permitted many in non-European societies-especially elites
and intellectuals-to participate actively in the new modern
universal (albeit initially Western) tradition, while selectively
rejecting many of its aspects-most notably that which took for
granted the hegemony of the Western formulations of the cul-
tural program of modernity. The appropriation of themes of
modernity made it possible for these groups to incorporate
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Multiple Modernities 15
some of the Western universalistic elements of modernity in the
construction of their own new collective identities, without
necessarily giving up specific components of their traditional
identities (often couched, like the themes of Western modernity,
in universalistic, especially religious terms). Nor did it abolish
their negative or at least ambivalent attitudes toward the West.
Modernity's characteristic themes of protest, institution-build-
ing, and the redefinition of center and periphery served to
encourage and accelerate the transposition of the modern project
to non-European, non-Western settings. Although initially couched
in Western terms, many of these themes found resonance in the
political traditions of many of these societies. I:
Xl
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16 S. N. Eisenstadt
orientations, the absence of principled confrontations with the
state among the major movements of protest, and the relative
significance of universal and particular components all contrib-
uted to the creation of a modern collective identity different
from that of all other societies. IS
XII
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Multiple Modernities 17
challenged the premises of the classical modern nation and its
program of modernity, which had hitherto occupied the unchal-
lenged center of political and cultural thinking.
The first such movements that developed in most Western
countries-the women's movement and the ecological moye-
ment-were both closely related to or rooted in the student and
anti-Vietnam War movements of the late 1960s and early 1970s.
They were indicative of a more general shift in many countries,
whether "capitalist" or communist: a shift away from move-
ments oriented toward the state to movements with a more
local scope and agenda. Instead of focusing on the reconstitu-
tion of nation-states, or resolving macroeconomic conflicts,
these new forces-often presenting themselves as "postmodern"
and "multicultural"-promulgated a cultural politics or a poli-
tics of identity often couched as multiculturalism and were
oriented to the construction of new autonomous social, politi-
cal, and cultural spaces. 20
Fundamentalist movements emerged somewhat later within
Muslim, Jewish, and Protestant Christian communities and have
managed to occupy center stage in many national societies and,
from time to time, on the international scene. Communal reli-
gious movements have similarly developed within Hindu and
Buddhist cultures, generally sharing strong antimodern and/or
anti-Western themes.21
A third major type of new movement that has gathered
momentum, especially in the last two decades of the twentieth
century, has been the particularistic "ethnic" movement. Wit-
nessed initially in the former republics of the Soviet Union, it
has emerged also in horrific ways in Africa and in parts of the
Balkans, especially in former Yugoslavia.
All these movements have developed in tandem with, and
indeed accelerated, social transformations of the most impor-
tant kind, serving to consolidate new social settings and frame-
works. To mention just two of the most important, the world
now sees new diasporas, especially of Muslims, Chinese, and
Indians, some analyzed in this issue by Stanley J. Tambiah.
Following the collapse of the Soviet empire, Russian minorities
have emerged as vocal forces in many of the successor states of
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18 S. N. Eisenstadt
the Soviet Union and in the former communist East European
countries.
In these and many other settings, new types of collective
identity emerged, going beyond the models of the nation- and
revolutionary state and no longer focused on them. Many of
these hitherto "subdued" identities-ethnic, local, regional, and
transnational-moved, though in a highly reconstructed way,
into the centers of their respective societies, and often into the
international arena as well. They contested the hegemony of
the older homogenizing programs, claiming their own autono-
mous place in central institutional arenas-educational pro-
grams, public communications, media outlets. They have been
increasingly successful in positing far-reaching claims to the
redefinition of citizenship and the rights and entitlements con-
nected with it.
In these settings, local concerns and interests are often brought
together in new ways, going beyond the model of the classical
nation-state, choosing alliances with transnational organiza-
tions such as the European Union or with broad religious frame-
works rooted in the great religions of Islam, Hinduism, Bud-
dhism, or the Protestant branches of Christianity. Sim ulta-
neously, we see a continuing decomposition in the relatively
compact image offered by belief systems concerning styles of
life, defining the "civilized man"-all connected with the emer-
gence and spread of the original program of modernityY No
one can doubt that significant and enduring shifts are taking
place in the relative position and influence of different centers
of modernity-moving back and forth between West and East.
This can only produce increased contention between such cen-
ters over their degree of influence in a globalizing world.23
X III
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Multiple Modernities 19
the fundamentalist and the communal religious movements,
often portrayed by themselves as diametrically opposed to the
modern program?
A closer examination of these movements presents a much
more complex picture. First, several of the extreme fundamen-
talist movements evince distinct characteristics of modern
Jacobinism, even when combined with very strong anti- West-
ern and anti-Enlightenment ideologies. Indeed, the distinct vi-
sions of fundamentalist movements have been formulated in
terms common to the discourse of modernity; they have at-
tempted to appropriate modernity on their own terms. While
extreme fundamentalists promulgate elaborate, seemingly
antimodern (or rather anti-Enlightenment) themes, they basi-
cally constitute modern Jacobin revolutionary movements, para-
doxically sharing many characteristics (sometimes in a sort of
mirror-image way) with communist movements of an earlier
era. 24 They share with communist movements the promulgation
of totalistic visions entailing the transformation both of man
and of society. Some claim to be concerned with the "cleans-
ing" of both. It is the total reconstruction of personality, of
individual and collective identities, by conscious human action,
particularly political action, and the construction of new per-
sonal and collective identities entailing the total suhmergence
of the individual in the community that they seek. Like commu-
nist movements they seek to establish a new social order, rooted
in revolutionary, universalistic ideological tenets, in principle
transcending all primordial, national, or ethnic units. In the
case of earlier communist regimes, the proclaimed goals were
to produce collectivities of "workers" and "intellectuals" that
would embrace all mankind; in the case of Islamic fundamental-
ist regimes, the realm of Islam, as a new conception of the
ummah, transcends any specific place, having hroad and con-
tinually changing yet ideologically closed boundaries. Both the
communist and the fundamentalist movements-mostly, hut
not only, the !vluslim ones-are transnational, activated by
intensive, continually reconstructed networks that facilitate the
expansion of the social and cultural visions proclaimed by these
groups. They are at the same time constantly confronted with
competing visions. In all these ways, both their movements and
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20 S. N. Eisenstadt
their programs constitute part and parcel of the modern politi-
cal agenda.
There are, of course, radical differences in the respective
visions of the two types of Jacobin (the communist and the
fundamentalist) movements and regimes, above all in their
attitudes to modernity and in their criticism. In their analysis of
the basic antinomies of modernity, and in their interpretation
and rejection of different components of the cultural and politi-
cal programs of classical modernity, Muslim fundamentalists
share, as Nihifer Gale's essay shows, a preoccupation with
modernity. It is their major frame of reference. 2S
XIV
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Multiple Modernities 2]
also seen certain "postmodern" themes emerge within funda-
mentalist movements. Beyond this paradox, these movements
share an overarching concern about the relationship between
the identities they promulgate and the universalistic themes
promulgated by other hegemonic programs of modernity, above
all the relationship between their purportedly authentic identi-
ties and the presumed Western, especially American cultural
hegemony on the contemporary scene. Significantly, fear of the
erosion of local cultures from the impact of globalization has
led these movements to be suspicious of the emerging centers of
a globalizing world, giving rise yet again to a continuous oscil-
lation between cosmopolitanism and various "particularistic"
tendenciesY
xv
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22 S. N. Eisenstadt
in modernity's new language, utilizing totalistic, essentialistic,
and absolutizing terms. When such clashes in cultural debates
intersect with political, military, or economic struggles, they
can quickly become violent.
The reconstructions of the various political and cultural vi-
sions across the spectrum of collective identities on the contem-
porary scene entail a shift in the confrontation between West-
ern and non-Western civilizations, between religions and soci-
eties, and also in the relationship of these confrontations to the
Western cultural program of modernity. As against the seeming
if highly ambivalent acceptance of modernity's premises and
their continual reinterpretation characteristic of the earlier
reformist religious and national movements, most contempo-
rary religious movements-including fundamentalist and most
communal religious movements-seem to engage in a much
more intensive selective denial of at least some of these pre-
mises. They take a markedly confrontational attitude to the
West, indeed to anything conceived as Western, seeking to
appropriate modernity and the global system on their own,
often anti-Western, terms. Their confrontation with the West
does not take the form of wishing to become incorporated into
a new hegemonic civilization, but to appropriate the new inter-
national global scene and the modernity for themselves, cel-
ebrating their traditions and "civilizations." These movements
have attempted to dissociate Westernization from modernity,
denying the Western monopoly on modernity, rejecting the
Western cultural program as the epitome of modernity. Signifi-
cantly, many of these same themes are also espoused, though in
different idioms, by many "postmodern" movements.
XVI
The preceding analysis does not imply that the historical expe-
rience and cultural traditions of these societies are of no impor-
tance in the unfolding of their modern dynamics. The signifi-
cance of their earlier traditions is manifest not least in the fact
that among modern and contemporary societies, fundamental-
ist movements develop above all within the societies that took
shape in the ecumene of monotheistic religion-Muslim, Jew-
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Multiple Modernities 23
ish, and Christian civilizations. In these contexts, the political
system has been perceived as the major arena for the implemen-
tation of transcendental utopian visions. In contrast to this, the
ideological reconstruction of the political center in a Jacohin
mode has been much weaker in civilizations with "other-worldly"
orientations-especially in India and, to a somewhat smaller
extent, in Buddhist countries. There, the political order is not
perceived as a forum for the implementation of a transcenden-
tal vision. 28
It is a commonplace to observe that the distinct varieties of
modern democracy in India or Japan, for example, may he
attributed to the encounter between Western modernity and the
cultural traditions and historical experiences of these societies.
This, of course, was also true of different communist regimes.
What is less well understood is that the same happened in the
first instance of modernity-the European-deeply rooted in
specific European civilizational premises and historical experi-
ence. 29 But, as in the case of Europe, all these "historical" or
"civilizational" influences did not simply perpetuate an old
pattern of institutional life.
Nor is it happening on the contemporary scene, as if nothing
more than a continuation of respective historical pasts and
patterns is being perpetuated. Rather, these particular experi-
ences influence the continual emergence of new movements and
networks between different actors-judges, experts, parliamen-
tarians, and others-cutting across any single society or civili-
zation, maintaining a flow between them. The political dynam-
ics in all these societies are closely interwoven with geopolitical
realities, influenced by history, and shaped mostly by modern
developments and confrontations. They make impossible any
effort to construct "closed" entities.'O
Thus, the processes of globalization on the contemporary
scene entail neither the "end of history"-in the sense of an end
of ideological confrontational clashes between different cul-
tural programs of modernity-nor a "clash of civilizations"
engaging a secular West in confrontation with societies that
appear to opt out of, or deny, the program of modernity. They
do not even constitute a return to the prohlems of premodern
axial civilizations, as though such a thing were possible. Rather,
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24 S. N. Eisenstadt
the trends of globalization show nothing so clearly as the
continual reinterpretation of the cultural program of moder-
nity; the construction of multiple modernities; attempts by vari-
ous groups and movements to reappropriate and redefine the
discourse of modernity in their own new terms. At the same
time, they are bringing about a repositioning of the major
arenas of contestation in which new forms of modernity are
shaped, away from the traditional forum of the nation-state to
new areas in which different movements and societies continu-
ally interact.
Not only do multiple modernities continue to emerge-by
now going beyond the premises of the nation-state-but within
all societies, new questionings and reinterpretations of different
dimensions of modernity are emerging. The undeniable trend at
the end of the twentieth century is the growing diversification
of the understanding of modernity, of the basic cultural agen-
das of different modern societies-far beyond the homogenic
and hegemonic visions of modernity prevalent in the 1950s.
Moreover, in all societies these attempts at interpreting moder-
nity are continually changing under the impact of changing
historical forces, giving rise to new movements that will come,
in time, to reinterpret yet again the meaning of modernity.
While the common starting point was once the cultural pro-
gram of modernity as it developed in the West, more recent
developments have seen a multiplicity of cultural and social
formations going far beyond the very homogenizing aspects of
the original version. All these developments do indeed attest to
the continual development of multiple modernities, or of mul-
tiple interpretations of modernity-and, above all, to attempts
at "de-Westernization," depriving the West of its monopoly on
modernity.
XVII
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Multiple Modernities 25
the studies presented here attest to the continually expanding
range of possibilities in ideological interpretations, in construc-
tions of the meaning of modernity, in institutional patterns of
political and social life. All of this makes plain, as Niliifer Gale
shows, that one of the most important characteristics of moder-
nity is simply, but profoundly, its potential for self-correction,
its ability to confront problems not even imagined in its original
program. The most important new problems today are prob-
ably those relating to the environment, to gender, and to the
new political and international contestations discussed above.
In coping with these problems, different contemporary societies
can draw in ever more varied ways, as Tu Weiming notes, on
the cultural resources of their respective civilizational tradi-
tions.
At the same time these very developments-above all the
tendency toward constant self-correction characteristic of mo-
dernity-make all the more pressing the great difficulty of how
to answer the question about the limits of modernity. It is not
that such limits do not exist, but the very posing of this question
puts the question within the discourse of modernity.
Illuminating and describing the essentially modern character
of new movements and collective identities, charting courses
somewhere beyond the classical model of the territorial, na-
tional, or revolutionary state, does not necessarily lead us to
take an optimistic view. On the contrary; the ramifications are
such as to make evident the fragility and changeability of
different modernities as well as the destructive forces inherent
in certain of the modern programs, most fully in the ideologization
of violence, terror, and war. These destructive forces-the
"traumas" of modernity that brought into question its great
promises-emerged clearly after World War I, became even
more visible in World War 11 and in the Holocaust, and were
generally ignored or set aside in the discourse of modernity in
the 1950s, 1960s, and 1970s. Lately, they have reemerged in a
frightening way-in the new "ethnic" conflict in parts of the
Balkans (especially in the former Yugoslavia), in many of the
former republics of the Soviet Union, in Sri Lanka, and in a
terrible way in such African countries as Rwanda and Burundi.
These are not outbursts of old "traditional" forces, but the
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26 S. N. Eisenstadt
result of the ongoing dialogue between modern reconstruction
and seemingly "traditional" forces. So, also, fundamentalist
and religious communal movements developed within the frame-
work of modernity, and cannot be fully understood except
within this framework. Thus, modernity-to paraphrase Leszek
Kolakowski's felicitous and sanguine expression-is indeed "on
endless trial."3!
FNDNOTFS
IEugene Kamenka, ed., The Portable Karl Marx (New York: Viking Press,
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(Guetersloh, Germany: Guetersloher Verlagshaus, 1978); Weber, Politik ,l/S
Beruf (Berlin: Dunker and Humblot, 1968); Weber, On Charismol and Insti-
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Weber, The Rational and Social Foundations of Music (Carbondale: South-
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bridge, Mass.: Harvard University Press, 1984).
2Francis Fukuyama, The End of History olnd the I.ast Mol/l (New York: Free
Press, 1992).
'Samuel P. Huntington, The Clash of Ciuilizations and the Remaking of World
Order (New York: Simon & Schuster, 1996).
4James D. Faubion, Modern Greek 1.essons: A Primer in Historic,II
Constructi~'ism (Princcton: Princeton University Press, 1993), 113-115.
'On the axial age civilizations, see S. N. Eisenstadt, "The Axial Age: The Emer-
gence of Transcendental Visions and the Rise of Clerics," European .Toumoll
of Sociology 23 (2) (1982): 294-314; Eisenstadt, ed., The Origins and Diz'er-
sit)' of Axial-Age Ciuilizations (Albany, N.Y.: SUNY Press, 1986).
"Daniel Lerner, The Passing of Traditional Society: Modernizing the Middle East
(Glencoe, Ill.: Free Press, 1958); Alex lnkeles and David H. Smith, Becoming
Modem: lndiuidual Change in Six Developing Countries (Cambridge, Mass.:
Harvard University Press, 1974).
-5. ~. Eisenstadt, "Frameworks of the Great Revolutions: Culture, Social Struc-
ture, History and Human Agency," International Social Science 1ol/mal133
(1992): 385-401; Eisenstadt, Revolutions and the Transformatioll of Societ-
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Liminality and Dynamics of Civilization," Religion 15 (1985 i: 315-338;
Eisenstadt, "Cultural Traditions and Political Dynamics," British Journal o(
Sociology 32 (1981): 155-181; Eric Voegelin, Enlightenment <1Ild Rellolll-
tion, ed. John H. Hallowell (Durham, N.C.: Duke University Press, 1975 i;
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Multiple Modernities 27
Adam B. Seligman, "The Comparative Studies of Utopias," "Christian Uto-
pias and Christian Salvation: A General Introduction," and "The Eucharist
Sacrifice and the Changing Utopian Moment in Post Reformation Christian-
ity," in Order and Transcendence, ed. Adam B. Seligman (Leiden: E. J. Brill,
1989), 1-44.
'Bruce A. Ackerman, We The People (Camhridge, Mass.: Harvard Universir\
Press, 1991). .
"S. N. Eisenstadt and B. Giesen, "The Construction of Collective Identity," Euro-
pean Journal of Sociology 36 (1) (1995): 72-102; Edward Shils, "Primordial,
Personal, Sacred and Civil Ties," in Center and Periphery: Essays ill
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[OStephen Toulmin, Cosmopolis (New Yark: Free Press, 1990).
II Norbert Elias, The Court Society (Oxford: B. Blackwell, 1983); Elias, The Ciul-
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Birth of the Clinic: An Archaeology of Medical Perception (New York: Vin-
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Foucault (Amherst, Mass.: University of Massachusetts Press, 1988); Fou-
cault, Surveiller et Punir: Naissance de la Prison (Paris: Gallimard, 1975);
Foucault, Madness and Civilization: A History of Insanity in the Age of Red-
son (New York: Pantheon Books, 1965); Peter Wagner, A Sociology of Mo-
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12Shils, "Primordial, Personal, Sacred and Civil Ties," 111-126.
1l0 n the revolutions and modernity, see, for instance, the special issue on "The
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(Paris: Plon-Nourrit, 1924); Cochin, L 'esprit du Jacohinisme (Paris:
Universitaires de France, 1979); ]. Baechler, "Preface," in ihid., 7-3.1;
Fran<;:ois Furet, Rethinking the French Revolution (Chicago: University of
Chicago Press, 1982); Vladimir C. Nahirny, The Russian Intelligentsia: From
Torment to Silence (New Brunswick, N.].: Transaction Books, 1981).
14Stephen R. Graubard, ed., Norden-The Passion for Equality (Oslo: NorV\c-
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Mohilizations: A Historical Analysis of the Nordic Countries (Beverly Hills:
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(Princeton, N.].: Princeton University Press, 1978), 41-98; E. P. Thompson,
The Making of the English Working Class, rev. ed. (Harmondsworth: Pen-
guin, 1968); David Thomson, The Democratic Ideal in France alld England
(Cambridge: The University Press, 1940); Thomson, England in the Nine-
teenth Century (London: Pelican Books, 1960); Pieter Ceyl, The Rel/o/t or the
Netherlands (New York: Barnes and Noble, 1958); Max Beloff, The Age (It
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28 S. N. Eisenstadt
Absolutism: 1660-1815 (London: Hutchinson & Co., 1954); H. Daalder,
"On Building Consociational Nations: The Case of the Netherlands and Swit-
zerland," International Social Science Journal 23 (1971): 355-370; Jean
Prancois Bergier, Naissance et croissance de la Suisse industrielle (Bern:
Francke Verlag, 1974); Gerhard Lehmbruch, Proporzdemokratie: Politisches
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I 'Johann P. Arnason, "The Theory of Modernity and the Problematic of Democ-
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Germany (London: The Falmer Press, 1997).
16Anthony Giddens and David Held, eds., Classes, Power, and Conflict: Classic,ll
and Contemporary Debates (Berkeley: University of California Press, 1982);
Joseph A. Schumpeter, Imperialism and Social Classes (Philadelphia: Orion
Editions, 1991); Furet, Rethinking the French Reuolution; Fran<;:ois Furet and
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1SS. N. Eisenstadt,Japanese Ciuilization: A Comparatiue View (Chicago: Univer-
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I"Jonathan Friedman, Cultural Identity and Global Process (London: SAGE
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2°J'vlarcus, ed., Perilous States.
21Eisenstadt, Fundamentalism, Sectarianism and Reuolutions; Martin E. Marty
and R. Scott Appleby, eds., Fundamentalisms and Society: Reclaiming the Sci-
ences, the Family and Education (Chicago: University of Chicago Press,
1993); Martin E. Marty and R. Scott Appleby, eds., Fundamentalisms Ob-
served (Chicago: University of Chicago Press, 1991); Martin E. Marty and R.
Scott Appleby, eds., Fundamentalisms Comprehended (Chicago: University
of Chicago Press, 1995); Martin E. Marty and R. Scott Appleby, eds., Funda-
mentalisms and the State: Remaking Polities, Economies, and Militance (Chi-
cago: University of Chicago Press, 1993); Martin E. Marty and R. Scott
Appleby, eds., Accounting for Fundamentalisms: The Dynamic Character of
Movements (Chicago: University of Chicago Press, 1994).
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Multiple Modernities 29
22Dale F. Eickelman, ed., Russia's Muslim Frontiers: New Directions in Cross-
Cultural Analysis (Bloomington: Indiana University Press, 1993); Eickelman,
"Changing Interpretations of Islamic Movements," in Islam and the Politic.]1
Economy of Meaning, ed. William R. Roff (London: Croom Helm, 1983),
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of Anthropology 27 (1998): 83-104.
21Edward Tiryakian, "Three Meta Cultures of Modernity: Christian, Gnostic.
Chthonic," Theory, Culture and Society 13 (1) (1996): 99-118.
24Eisenstadt, Fundamentalism, Sectarianism and Reuolutions.
2'Niliifer Gale, The Forbidden Modern: Ciuilization and Veiling (Ann Arbor:
University of Michigan Press, 1996).
26Eickelman, ed., Russia's Muslim Frontiers.
27Friedman, Cultural Identity and Global Process; Hannerz, Cultural Complex-
ity; Marcus, ed., Perilous States; "The Road to 2050"; Smolicz, "Nation-
States and Globalization from a Multicultural Perspective. "
28Eisenstadt, Fundamentalism, Sectarianism and Revolutions.
29 S. N. Eisenstadt, European Ciuilization in a Comparative Perspectiue (Oslo:
Norwegian University Press, 1987).
lO"The Road to 2050: A Survey of the New Geopolitics," The Economist (31
July 1999).
31Leszek Kolakowski, Modernity on Endless Trial (Chicago: University of Chi-
cago Press, 1990).
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