COMPLETE DOCUMENT IN FOUR (4) PARTS.

PART 3 - A guide to understanding useful information

contained in Mr Otis T. Carr’s ‘Dimensions Of Mystery’, latest
research being conducted, design schematics for a 25” model
OTC - X1 and other useful devices, other relevant information.

A note to all:
Some will question my references to GOD. You are only possible because God is. Every being is a facet.
The whole is oneness. The eternal light of creation. There is only sacred geometry. On the smallest level,
beyond the atom, all things are the sphere. The center of this sphere is hollow. The only thing that remains
when all is removed from a true vacuum, is aether. It is the nothing in between. That which is every where
and no where all at once. This is your direct connection to all matter every where and every when.

Upon the mere contemplation of any idea, concept or anything directly or remotely associated with any idea
and / or information and / or concept in part or in full, contained in this document renders that idea free for
public use, REGARDLESS of how the contemplation or idea came about. Whether that be written, oral, text,
conversation, obtained through dreams (or dream like states), second hand source, remote viewing (and
associated techniques), clairvoyance (and associated techniques) or any other conceivable or non conceivable
method of obtaining or understanding. The novel ideas and concepts contained within are expressed
information of the information field rendering these concepts free for use throughout the entire universe /
multiverse by any being. This information is for the betterment of all beings every where and every when.
THIS IS NOT NEW TECHNOLOGY. This is potential information which has existed as the principles of
creation since GOD consciousness permeated the entirety of all things. A beautiful man by the name of Nikola
Tesla understands this and how to use it. That is why to date everything in this technological world of ours, all
stems from him. IT MUST BE NOTED, Nikola only has the interest of the betterment of humanity as a goal.
Others who use his technology, specifically governments and contractors associated with ‘dis-harmony’
projects are singularly responsible for what they have done with the information stolen from Nikola. Nikola
knows the things they do are quite possible, but he only has love in his heart.

The authors of this series of three documents recognize and acknowledge there is no such thing as an original
idea, not any one human can have an original idea. It is merely a fact of how well you are spiritually connected
to the information field and the totality of all things. All information, that would be all truth, as only truth is
information, is known and shown in the work of GOD, therefore no one can ‘patent’ that which is eternal
universal truth. A meaningless man made law (wall) only applies in the realm of Maritime Law. The law of
water, the law of bankers, the law of corporations. The government can not deal with private citizens, because
you were created with sovereign rights, it can only deal with corporations. If the government wishes to engage
you contractually, it has no choice but to create a fictitious entity which is the corporation of you. If you try to
get your name put into lower case when dealing with these type of institutions you will quickly realize the
computer software is written to convert your name directly into one of the three versions below displayed in
red:

john smith - free and sovereign citizen of the multiverse

John Smith - Capitus Dimunutia Minima - first loss of rights

John SMITH - Capitus Dimunutia Media - can be fined but not imprisoned

JOHN SMITH - Capitus Dimunutia Maxima - rights of freedom totally given up, condition
changes from free to a state of bondage where
you can be fined and / or imprisoned for a period
of time determined by the state.
Your very birth certificate is a contract with the government. So to are property deeds, property
rates, social security, employment contracts, drivers licence, TAXATION and anything else with
your name spelt in any other way, other than all lower case.

You as a free and sovereign citizen do not need any contracts with anyone.

You as a free and sovereign citizen are not bound to Earth.

This information is for all beings following the rules of creation.

This information is for humanity to use.

For everyone to benefit from and to forge a spiritual connection with everyone and everything,
every where and every when.

You can not expect to be treated as free or exercise your right to freedom unless you let others do the
same.

You must understand your reason for being and complete your life goal.

When you have only love in your heart, ONLY LOVE (this is not a blase statement), then you have no
need to be governed.

With the realization that everyone and everything, every where and every when is inevitably made from
the same base geometry, you now realize we are not just made of the same stuff, we are in fact
all one experience faceted over a universe.

The final note is this: to be free you must be. You must be the change you want to see.

light love balance

 SPACE CRAFT

CONSTRUCTION
MANUSCRIPT Introduction by
Ralph & Marsha Ring.
Including a guide to understanding
useful information contained within
Otis T. Carr’s ‘Dimensions of Mystery’
 Introduction

It is with Great Honor and Humility to have the opportunity to

introduce this great work. For over 50 years this information has
remained in obscurity. Otis T. Carr after being refused by the
patent office for his ideas of levitation, was told if he pulled those
ideas out of the patent, they would give him a patent for an
amusement device. He was compelled to write "Dimensions of
Mystery" which contained all of the simple and natural laws
regarding levitation and wove them into pros and poetry. Carr
made the comment that when the time is right for this information
to surface and be used again it will be decoded and unwoven by
someone of great vision, patience and love for humanity. That
person, Benn hallett, has now come forth resonating from etheric
consciousness to decode in such a loving, beautiful and senseful
way the “Dimensions of Mystery." This literary gift provides the
reader with a kind of aerial map of unfolding messages. It also
portrays a man, Benn hallett, passionate about presenting truth in
as clear, practical and real a way as possible. It is a close up of a
man and a message alive with the inner flame of spirit and in
touch with the consciousness of great Minds and Hearts such as
Nikola Tesla, Viktor Schauberger, Walter Russell, Rudolph Steiner,
Albert Einstein, Henry Moray, and Otis T. Carr. This work is only
the tip of the ice burg, the beginning that will eventually take us
home to the stars and beyond. It has now become possible by this
work more than ever before to bring about free and abundant
energy for everyone. With Respect, Honor and Love in our Hearts
for this Great Man.
Ralph and Marsha Ring
To whom it may concern:

i am. I am also aware of the significance of the information contained

in this, my guide to understanding useful information in Mr Otis T.
Carr’s ‘DIMENSIONS OF MYSTERY’. This is what I see written
when I read the words of a beautiful man. To me the story seems lost
when translated. I understand what I understand from the original
‘DIMENSIONS OF MYSTERY’ through studying the subject matter
at hand. I have had no more or less available to me than is available to
anyone with a genuine interest in the betterment and prosperity of
Humanity and above all a conscious objective to continue the Christ
work of enlightenment and awakening back to the way of oneness with
Gaia and the harmony of pure love and all conscious creation. As of now,
I here by release, to my knowledge for the first time publically since it
was written, a guide to understanding useful information contained
within Mr Otis T. Carr’s ‘DIMENSIONS OF MYSTERY’ in order to
perform the task of: 1) UNDERSTANDING, 2) building and 3) using a
working OTC - X1. It must be understood that the simple act of
understanding how to understand can be a monumental task if looked at
from the wrong angle. That statement in itself poses a question? Why
did I choose the word ‘angle’? Answer, It is a direct reference to
geometry (ge ome tree) and dimensional planes of existence. It is also a
direct association to the words angel and angelic, leading one to the
assumption that specific angles lead to angelic forms. Such is the case
when the point of Sacred Geometry is bought into the equation. Once
again by my using the word ‘point’ I am signifying that Sacred Creation
Geometry begins from a point. From this ‘point of creation’ is formed a
line, the line forming a circle from whence is birthed the sphere. This
sphere contains the entirety of all geometry. When one looks at the
basic forms of geometric structure we see in our world today, they can Otis T. Carr & ‘Long’ John Nebel with a model of the OTC - X1.
be easily explained like this:

Sacred geometry - pertaining spiritual creation. Adhering to the rules set forth by, in and for all infinite co - creation.
Functional geometry - pertaining the esoteric geometry used in modern city planning to accumulate from the energy grid.
Aerodynamic geometry - pertaining the inertial based transportation and aircraft industry.
Hydrodynamic geometry - pertaining the inertial based water craft industry.
Electrodynamic geometry - pertaining the layout of electrical circuits.
Aesthetic geometry - pertaining designs which are ‘appealing to the eye’ regardless of functional ability or practicality.
As of now we are only concerned with sacred geometric arrangement and construction.
This is the most detailed public document available concerning Otis T. Carr and his Aetheric gravitational device known

as the:

IMPORTANT NOTE: This manuscript which you are about to read is a step on your path of
curiosity. In these pages are all the answers one needs to understand why. I understand this book may still
seem a little hard to comprehend to some, my advice is to understand something about sacred geometry
in order to understand the contents of this book and the process of Aetheric energy accumulation and
conversion into free abundant usable energy. Two ongoing years of research, a reference library of
over two thousand five hundred books at my disposal freely downloaded from the internet, a lot of books
I have been given, a few I have bought and thousands of hours of documentaries on television, internet
and dvd have culminated to produce this work.

Anyone attempting to see this process through, by that I mean the creation of an OTC - X1, must understand
this is a conscious creation process. The creator works in symbiosis with the creation to birth the principals
into being. The true aim of this process is for the creator of the craft to realize the actuality that in fact it is a
training device and you yourself are a biological zero point Aetheric energy inter - dimensional teleportation
device, capable of accessing each and every plane of dimensional existence through the process of harmonic
sympathetic resonance or sympathetic resonant frequency.

Finally, I urge all to use their own power of investigation to understand these and many more concepts for
themselves. I do not view this work as a translation, it is a guide, it is what I understand.
 OC

Norman Colton with ‘Long’ John Nebel viewing a larger unmanned model.
 INNER DIMENSIONS

A guide to understanding useful information contained within

Otis T. Carr’s ‘DIMENSIONS OF MYSTERY’.

A Me Stone Sage for the Twentieth Century.

Pronounced: may
 “......What doth the Lord require
of thee, but to do justly and to
love mercy and to walk humbly
with thy God?”
Micah 6:8

Mica 6:8, ratio / scale. Working from the dimensions of the forty five foot craft, this gives us
the thickness for the dielectric medium of the ‘equatorial field correlator’ of 3/4” (three quarter inch).
When using bonded mica as a dielectric, use pure shellac bonded mica. Mica - the substance, 6:8 - the
ratio, set in a spiritual context reflecting the importance of Mica. This passage also alludes to oneness
“walk humbly with thy God”, a bringing together, a correlation, as this is the function of the ‘equatorial
field correlator’. Mica is used for very good reason. Mr Tesla, a man who has helped me an immense
amount, used the highest grade mica for its dielectric properties due to its high potential applications
as a dielectric. It is useful to note that human skin and hair both sit higher on the dielectric scale than
mica. A very useful piece of knowledge considering the abilities of the human body. By using a high
quality mica dielectric the two plates of a capacitor may be placed much closer together without risk
of conductance between each plate. The mica dielectric can accept a much higher charge and heat
than most other dielectric mediums and is absolutely organic. This is a major factor in the conscious
intent when creating this craft. Aetheric energy accumulation requires sacred geometric design and
construction as well as the use of pure organic dielectrics in order to obtain and control useable energy
from the Aether. Mica bonded with shellac is absolutely organic and fits perfectly in the design of this
craft. Shellac is made of the female lac bug, meaning it is a pure organic, being that it is essentially
made (on an atomic level) of the same creation geometry as the Human body and therefore all sacred
creation.
 Conscious Projection

Conscious Transmutation of Energy

Mat: from the Egyptian Goddess Maat or Maati meaning truth, balance.
DNA frequency interaction
Theforostrich feather of Maat is the feather of truth used to weigh against
T and A sequences:
the heart in the underworld, with Anubis tending the scales.

2 parts - 1) Mind (not brain) - 2) the ‘El’ or ‘God’ power within thy self.
The power of Love unconditional.

DNA
DNA frequency interaction
for G and C sequences:
TRANSMITTER
As G Emission
Direction
Conscious Feeling F
Sections

Tuning Section to Masters Thought

D&E

Inverted Hood or Cup

Shown as ‘H’
H Tesla’s Machine
TRANS = Go between, journey
or distance between
Capitals: MATMEGCM two points
MITTER = German ‘with’ or ‘by
1000 1000 100 1000 hand to hand’

13 13 12 13 TRANSMITTER = To convey across a

distance
4 11 - 111111 ************************************
Transmission Sphere = G
2900 AT EG - 11 GATE P
0290 GATE Tuned Resonance Cavity - This is tuned to the
thought frequency
of the Master (Mas
ter Design)

Secondary Conductor
of Gold Foil on Carved Dry Wood - E

A1 B2 C3 D4 E5 F6 G7 H8 II9 J10 K11 L12 M13 N14 O15 P16 Q17 R18 S19 T20 U21 V22 W23
Resistance X24 Y25
and Capacitance or - D Z26
‘Electrical Tuning Plates’

Conscious Emotion Primary Coil often protected - C

A - This is a cavity filled with fiber which

is soaked in Salt Water Prior to Use.
The Genetic Code The Genetic Code Priests often used to urinate on this
pad when water was not available.
This provides the excellent ground
1st base 2nd base 3rd base 1st base 2nd base
connection with the Sacred3rd Spot.base

T C A G T C A G

Phe Ser Tyr Cys T Phe Ser Tyr Cys T

Phe Ser Tyr Cys C Phe Ser Tyr Cys C
T Leu Ser STOP STOP A T Leu Ser STOP STOP A
Leu Ser STOP Trp G Leu Ser STOP Trp G

Leu Pro His Arg T Leu Pro His Arg T

Leu Pro His Arg C Leu Pro His Arg C
C Leu Pro Gln Arg A C Leu Pro Gln Arg A
Leu Pro Gln Arg G Leu Pro Gln Arg G

Ile Thr Asn Ser T Ile Thr Asn Ser T

Ile Thr Asn Ser C Ile Thr Asn Ser C
A Ile Thr Lys Arg A A Ile Thr Lys Arg A
Met Thr Lys Arg G Met Thr Lys Arg G
Conscious Thought
Val Ala Asp Gly T Val Ala Asp Gly T
Val Ala Asp Gly C Val Ala Asp Gly C
G Val Ala Glu Gly A G Val Ala Glu Gly A
Val Ala Glu Gly G Val Ala Glu Gly G
Walter Russell
 Walter Russell

The Science Of The Future Is Based Upon GOD by Walter Russell

Walter Russell
Walter Russell
Nectar - aether, fluid, water, blood (always present)
Pollen - static accumulation(the static comes an goes)

The product of the geometry of the flower of life

And other sacred geometric arrangements
Is the eternal life force energy of the creator
For all to freely use.
When the fields of magnetism
Interact with the aetheric field
Transmutation
Leaving for the non spiritually aware
A taste of who they are and of possibility
Numbered by line.
Nectar - aether (the aether always present)
Pollen - static accumulation(the static potential)

Title) WOODLAND FABLE is an equation of degrees for sacred geometry.

Equation: 13 letters, 2 words, the double ‘OO’ signifies a different number.
1 11 11111 11111 = the space is the decimal point = 26.5 degrees. Specific
to phi ratio geometry.
1) Birth and re-birth - generation and regeneration.
Alleg-(h-en)-y : the ‘h’ says use your mind and pull out the proceeding 2
letters, the vowel and the consonant, knowing they are interchangeable
remove the ‘h’ as it is a marker an replace them with the intended letters
of ‘o’ and ‘r’ then we have Allegory, meaning ‘the description of one thing
under the image of another’.
2) Allegheny (Allegory) Mountain(s) plural, plural suggests plurality, equality,
two mountain peaks these being both halves of the central accumulator, the
‘region’ referred to being the central point or valley between the two
mountains.
3) The brilliant foliage of the forest is the progression of static build up and accumulation
in the vortex arrangement. In a tree the root structure and vortex system exists above
and below as with all creation. The leaf structure is the top of the static vortex
extending above the top cone of the central accumulator and the root structure is
the bottom half of the static vortex with the roots beginning just above the water
level of the valley or neutral center containing as all rivers do the ‘water’.
In actuality the water is the Aether as known by adepts. Aquarius, the water bearer,
pours the life blood or Aether from the vessel.
4) The center, mirror image, ‘there are valleys’ - ‘there’s a re valley’ ‘re’ or ray or
or Aetheric light of electromagnetic accumulation in the ‘valley’ or ‘neutral center’
of the accumulator. It will be further evident upon observation of the part construction
drawings that there is a resonance chamber in the center of the accumulator.
5) The point where the pressure difference is greatest between the two halves of the central
accumulator. Neutral center.
6) This is the point of Aetheric field compression - expansion.
7) Jordan’s Run = Sound / Octave relationships / pure wave form / frequency the elements of the
complete periodic table of creation, also the creation tones of Solfeggio scale, harmonic scale
of creation tones which are the frequencies by which the energy field is harmonized to and is
interacted with. The ‘J’ and the ‘R’ are shown below.
396
1. Ut = 396 = 9 41
5 7
2. Re = 417 = 3
3. Mi = 528 = 6
28
J R
4. Fa = 639 = 9
528
174

5. Sol = 741 = 3
6. La = 852 = 6
7. Si = 963 = 9
8. Ut = 174 = 3
3

63
96

9. Re = 285 = 6
741
852
One of the nine octaves of the elements of matter by Walter Russell.
 This Mind And Motion Universe by Walter Russell

THE HEALING TREE

SOLFEGGIO SCALE
963 852 741 639 528 417 396 285 174
Hz Hz Hz Hz Hz Hz Hz Hz Hz
SEALS
ENDOCRINE SYSTEM
1 2 3 4 5 6 7
GONADS PANCREAS ADRENAL THYMUS THYROID PINEAL PITUITARY

CHAKRAS
SOLAR THIRD
ROOT SACRAL HEART THROAT CROWN
PLEXUS EYE

COLOURS
RED ORANGE YELLOW GREEN BLUE INDIGO VIOLET

ELECTROMAGNETIC SPECTRUM
GAMMA
RADIO WAVES MICROWAVES INFRARED LIGHT ULTRAVIOLET X - RAYS
RAYS
8, 9) Towards the resonance chamber of the central accumulator, ‘the historic Potomac’
or ‘hi po stor atomic eth c’ = the high potential storage of atomic Aetheric light (energy).
It is the ‘turbulent fast - moving stream’ or vortex, the ‘storage’ term refers to the geometric
structure, it is naturally accumulating Aetheric energy. So it would read:

Towards the center of the accumulator, the high potential storage of safe atomic Aetheric
energy and thence the sea of magnetic radiation created by the pulsing ‘C’ shaped magnets.

10, 11, 12, 13, 14) Side and top elevation reference, referring to the western side of the
design layout and energy flow, must be considered in the mind from a 3d design layout
perspective. This is the progression of the FIRST action / reaction / mutation /transmutation
of ‘strawberries’ or Utron’s passing through the pulsed magnetic fields.

‘On a hillside facing west, the first patch of strawberry plants had shed their blooms
a moon past and full-grown berries were awaiting the kiss of the afternoon sun to ripen
into their brilliant red fulfillment’

= As the initial rotation begins the capacitors are repelled and Utron’s pass through ‘moon’
or ‘C’ shaped magnets transmutating the remainder of the energy back to the center. The
progression of the strawberry ripening is transmutation of the sun’s 10^12 hertz frequency.
A geometrically designed commutator provides a circuit breaker system, this being the
initiated pulse sequence required to pass the electrons through the magnetic field,
instantaneously instigating regeneration upon exiting the magnetic field of the ‘C’ shaped
magnets allowing the utron to perform its function of transmutation.

15, 16, 17, 18, 19, 20, 21, 22, 23) The ‘wild morning glory’ is the exact sacred ratios by
which this geometric arrangement is to be constructed. Sacred geometry teaches us that
5 is the number of man and he may thereby understand his relationship to all things
through the mathematical equations and geometric arrangements of all natural creation.

‘Much too shy and proud to gaze upward at a noonday sun’ - side elevation of design,
pentagon (5) geometry.
‘Softly folded the petals of its blue bell.’ Draw the fold line of the petal at the top or the
half circle at the base of the geometry, flip it over and place it at the top. ‘The large
bumblebee is the 1: 2 relationship in the ‘heart’ or center of the geometric arrangement.
This is the natural Aetheric accumulation area, where it is filched, or taken, in the form of
static, ‘angrily emerged’ - enormous power being released from delicate geometry and with
a pulsed frequency, transmutated energy is aimed from the altitudinal direction of the Utron’s
in the interior rotating assembly to the central shaft on a 45 degree angle completing the cycle
of mutation - transmutation back to the central accumulator.
‘The forest was alive with a gay symphony of sound’ - this is the point where every part of
the microcosm is in active sympathetic resonant harmony with each other.
 RATIO SOURCE RECIPROCAL
1
(fraction = ratio )
1.000 = 1 =1.000
1.272 = N =0.786
1.4142 = 2 =0.707
1.618 = 2.618 =0.618
1.732 = 3 =0.577
2.000 = 4 =0.500
2.236 = 5 =0.447

Geometric measurements for 25” or 63.5cm diameter.

25 / 2 (1 / 2) = 12.5000000” 31.75000cm
25 / N (1 / N) = 15.4511740” 39.24300cm
= 25 / N x 2 (1 / N x 2) = 30.9023480” 78.49196cm
2
25 / N 2
(1 / N ) = 9.5495514” 19.62299cm
2 2
= 25 / N + 25 / N (1 / N + 1 / N ) = 25.000725” 63.50184cm

The following two (2)

pages are from the book:
Robert Lawlor Philosophy and practice

sacred geometry
 ‘Sound: the music of the brook;’ - the interactive harmonic resonant frequency of the
Aether. Sound also represents magnetic field. The ‘crickets’ or never ending pulsation
of the ‘C’ shaped magnets , ‘the bright, clear whistle’ or invisible harmonic breath or
Aetheric field lines from the accumulator. The reference to the ‘maples, oaks and poplars’
is a reference to the geometry of the inner rotating assembly passing through the ‘caressing
breeze’ or the magnetic field they revolve in due to the field created via the exterior rotating
assemblies ‘C’ shaped magnets. Considering this passage relates to ‘sound’ and basically
describes the natural harmonic resonance surrounding a stream in the heart of a forest, it is
a direct relationship to the Aetheric vortex flow beginning above and below (as above, so below)
each cone of the central accumulator continuing on an ever evolving path of compression and
expansion with the field being held and dispersed from the geometric poles correlating at the
Mica dielectric equatorial field correlator. The fields of the central accumulator travel onward
creating the harmony and resonance among the inner working components of the craft, as
per the inner workings of all nature.
********************************************************************

The previous passage describing the harmonies of the inner workings constitute the microcosm
in the macrocosm. If we look at the drawing below
and visualize the points ‘A’ and
A drawing of a Red Black snake ‘B’ as the points where two tree If we now overlap points ‘A’ and ‘B’ we
coiled on the ground. A snake branches protrude, this drawing see the points ‘C’ and ‘D’ forming the
found in Australia. Black on top is now a ‘side elevation’ and not shell of the cosmic egg holding the
and red underneath. a ‘top elevation’ as in the previous ‘unsuspecting timid bird’.
drawing.
A B C A B D

As we can see from the final drawing, it encapsulates the

C AB D ‘timid bird’, the ‘poor bug’, the ‘black snake’ the cosmic
egg and the Vesica Pisces.

The significance of the ‘bug’ to the project at hand is quite profound. The ‘bug’ or ‘Kheperu’ or scarab
beetle I have drawn here is the final piece of the craft circuitry and the control method by which the craft
MEN A
RA is maneuvered. The cartouches drawn here are two of Amenn Tutankh Haqansu, better known to most as
N Tutankh Amun. We will look at the second one now. Kheperu, the scarab beetle, is the embodiment of the
zero point energy space craft which is the Human body. The upper surface being composed of three part.
T U
ANKH T KHEPERU The head or front representing the seven orifices of the face (eyes x 2, ears x 2, nose x 2, mouth) and the
two halves of the back or shell representing the left and right hemispheres of the brain. The under side of
the scarab beetle displays the tree of life and energy chakra points the Human self. The entire cartouche
AN of Ra Kheperu An Neb displays the principal of the pilot interaction and control of the craft. This is the
SU AN HAQ
NEB so - called ‘LASER’ illumination system for the crystal ball in the center of the craft. Neb - represents
the rear mirror, An - the plurality of the harmonic interactive Aetheric field to be viewed, Kheperu -
conscious interaction with the pilot, Ra - the output coupler, crystal ball, as the name suggests the
dispersal of rays.
 ‘A black snake, coiled ‘round the limb of a tree’, the above is a VERY significant passage. The
‘black snake’ represents the raising of the Kundalini serpents, yes plural. This one specific snake
represents both polarities of the Kundalini energy. The ‘black snake’ or ‘red belly black snake’
is black on top and as the name suggests red underneath. ‘The limb of a tree’ is the eternal tree
of life or chakra system of the body. As the pilot raises the serpent energy of the body (increases
the resonant frequency of the body) it begins activating the chakra system of the body which is
the process of ‘turning on’ the energy vortex system of the body. The picture below displays quite
clearly the ‘timid bird’.

The ‘timid bird’ represents the third eye or pineal gland. When you understand the process of activation,
the lowering of the snakes head ready to strike is the point just before the pineal gland is opened. As this
vortex fully activates and opens up, it is at this point when the serpents ‘strike’ the pineal as they have each
chakra vortex on there progression from the feet upwards. As the eternal light enters through the top of the
head it floods the body from the feet upward unifying all energy vortices of the compressed energy structure
known as the Human body. The wings represent the fact that through the activation of the entire chakra
system, the pineal gland is mankind’s connection to the totality of all creation. This energy activation is the
final stage of enlightenment in the process of reawakening the physical angel we all are. When this is realized
and achieved, the knowing that all matter in existence is energy in varying degrees of expansion and compression,
is the actuality in which you reside. By this means of conscious knowing you may be anything from pure energy
to the smallest particle to the largest universe and anything and everything in between. The process of activation
is the realization of the ultimate pure balance of the masculine and feminine energies. GOD consciousness is
being the pure balance. ‘These, and the like happenings, are the undertones in the forest symphony lest anyone
forget’, without the undertones one can not experience the overtones. Symbiosis. ‘In this mortal world of sin’,
‘In this finite world of ignorance to the true path of divine existence’, Failure to realize the understanding of the
kinship of all things and there harmony will lead to undesired results. At this point in the progression of events
in this particular geometric arrangement of sympathetic harmonic vibrations, the ‘dark cloud’ or accumulation
and compression of Orgone or Aetheric energy is culminating to a focal point of conscious interaction.
 From Walter Russell’s Home Study Course Lessons 1, 2, 3, 4.

UNIVERSAL LAW, NATURAL SCIENCE AND PHILOSOPHY Page 63

nature, His power as your power, and His knowing as your knowing.
Meditation is for the purpose of acquiring this awareness.
And if you acquired it just for the bliss of it, for the ecstasy
and peace of it for yourself alone that is not enough, for the God
nature is purposeful and you must be purposeful by extending your
nature to all other men for their cultural uplift.
‘Life in the valley prepared for a summer shower;’, the valley resides between
the ‘two mountains’ or the two halves of the accumulator, the resonance chamber
is preparing for a new burst of Aetheric energy. The ‘bolt of lightning with its
thunder’ displaying the scale of Aetheric static accumulation with its symbiotic
twin, the ‘thunder’ or resonant harmonic frequency. ‘The cymbal crash’ is
displaying the significance of the process taking place as well as the point of
initiation in a sequence sympathetic harmonic vibrations when the flow of energy
through the circuit is created. The ‘harvest of rain’ is the mass accumulation and
distribution of the Aetheric energy flow through the central accumulator and on
ward as a result of the resonant frequency created within each and every part and
therefore subsequent process occurring in the ecosystem of the craft, this includes
the pilots.
At this point it must be pointed out the process of teleportation. The crystal is a conduit
for the interaction between pilot and Aether. The process is: focus, the vortex begins,
10^12 hertz frequency is reached through counter rotating vortex, matter is transmutated
to light, you are now where you wanted to be, the frequency of the vortex instantly slows
down compressing light into matter, done.

‘The dancing brook’ or accumulation of field energy is consciously resonating with

the new and ongoing accumulation of vortex field energy. The ‘deep pool’ displays
the fact that just like fresh cold water stored in a deep pool, this is not an evaporating
form of energy storage. The deep pool is a quiet everlasting store of clean fresh
accumulated energy. The ‘stately maple’ the geometrical arrangement of the vortex
energy interaction with the accumulator.
This ecosystem (or stage) of harmonies, sympathetic resonant frequencies and vibrations
(or setting) is a result of the sacred arrangement of creation geometry (or scenery) and
the resultant sacred geometric structures and components (or props) of the craft.
‘The shower ended as quickly as it began’, the whole process from initiation of the
sequence of events through to conscious interaction with the craft happens
instantaneously. The accumulation and compression of the Aetheric energy and
the subsequent release or expansion. This is the final transmutation of the Aetheric
energy spectrum into visible light through the ‘moistened foliage’. The ‘moistened
foliage’ holds raindrops. The raindrops, are relationships to light refraction. This is
the process by which the Aetheric field is viewed in the control cab via a crystal ball
producing ‘The beautiful spectrum of a rainbow’ in the control cab directly above the
center of the craft. This is the means by which the interactive sympathetic harmonic
resonant frequencies of the Aethers are manifest in the visual spectrum. These
interactive Aetheric frequencies are the octave frequencies of all sacred creation
geometry and the means by which the manipulation of energy into matter and matter
into energy occurs.

As soon as the sequence of initiation of interaction with this field is focused

upon by projecting the frequency you wish to go to from your minds eye or
pineal gland to the crystal ball in the control cab, a process of sympathetic
resonance is established amongst the inner workings of the craft in order to
allow the entire craft and occupants of the craft to consciously change their
resonant frequency in order to cease residing in the frequency they are
in where they enter the craft and subsequently now reside in the location
corresponding to the frequency they previously projected. As this projection
is occurring from the spiritual mind at higher dimensional frequencies than the
three dimensional brain can comprehend, the three dimensional thought
process may try bringing third dimensional rationality in and try confusing
the situation. Block this out.
‘Along the banks of the brook’, brook = small stream, the neutral center holding
the flow of Aetheric energy. The name ‘neutral center’ refers to the point where the
field pressure is greatest, even pressure each side. One can understand from the above
passage the cyclic flow of the Aetheric energy. With the sacred creation geometry of
the accumulator there is a continuous flow of Aetheric energy interacting with the
shape of the design. This flow begins as the Aethers. The Aether interacts with all
matter, this is true, though the Aether accumulates in specific areas of geometry and
organic material. This process is ongoing in the structure of the craft, whether it is in
operation or not, due to the fact that the entire craft is a sacred geometric arrangement
of sacred geometric arrangements. Therefore the process of Aether interacting with the
geometry creates static which is continuously accumulated and stored as field potential.
By this manner the craft remains consciously and continuously charged and ready to
operate at any time, no need to refuel.

UNIVERSAL LAW, NATURAL SCIENCE AND PHILOSOPHY (The Russell Cosmogony) by Walter and Lao Russell
I A Home Study Course I UNIT V-LESSONS 17, 18, 19, 20 Copyrighted 1951 by Walter and Lao Russell
In the vortices fields of the central accumulator the natural progression of energy is
one of continuous compression and expansion, this is where the ‘drops of rain’ or
Aetheric energy resides in the form of an everlasting vortex which figuratively resides
as a mountain with the trees extending either side of their neutral point or neutral
center or the Earth they are planted in, which is the neutral center. As the root system
of a tree mimics the vortex shape of the branch and leaf structure, you can understand
the vortex interaction with the central accumulator as each half (or presto conical section)
is a mirror of one another displaying the entire geometry of all creation. This passage
allows you to understand the progression of events within the vortex field of energy.
‘Jordan’ is a reference to the octave waves of vibrating light which constitute the
elements of matter. Matter is manipulated by sympathetic resonant frequency. The
Sol Feggio scale is the perfect circle of sound found in the bible. Below is a beautiful
chalk board drawing of octave mathematics.

Walter Russell: Basic Principles Of Space Geometry

Walter Russell: Molecular Wave Mechanics
 Adam Eve

The passage above is showing the ABSOLUTE BALANCE of purity in conscious God Creation.
This is the power laying dormant in the right hemisphere of the brain. The sub - conscious mind.
If you picture in your mind the act of an ‘innocent’ ‘spotted fawn sniffing for the first time the rare
fragrance of the new blossoms of the wild mountain laurel’ you can see absolutely the purity of the
intension needed to be held in order to interact with the Aetheric energy field.
The importance of balance and purity once again shown. The description is very detailed
towards the innocence and purity of balance. ‘The graceful mannerisms of ages gone by’
are the sacred balances of art and knowledge held within her beauty. When one studies
the art of great philosophers such as Leonardo, you can see almost in an instant there
is something other than aesthetic beauty to his artistic creations. It is most helpful to
understand how sacred geometry is used in art. If you study the great artists, especially
those who dealt with anatomical artwork such as Leonardo, you will soon realize they
contain the sacred creation ratios for the geometry of the human body. On the next page
are some examples of these artworks painted by Leonardo of Vinci.
 ‘Annunciation’

‘Mona Lisa’ ‘Virgin of the rocks’ ‘Cecilia Gallerani’

‘Madonna of the Yarnwinder’ ‘Munich Madonna’ ‘Benois Madonna’

The Vitruvian Man drawn from his observations of the work of Vitruvius by the great Leonardo of Vinci.
‘After what has been said’ this displays the nature of ‘Robert’, or the masculine and the conscious
control of the patriarchal left hemisphere of the brain. The masculine left hemisphere of the brain is
the basis of dominance and unbalanced control in the body therefore the state of all things associated
with the body. When one masters thine own self, when mankind be as one, only then may a progression
of the same follow throughout all existence. This also relates back to ths coiled black snake:

The ‘pearl of great price’ the very essence all mankind seeks is encapsulated in this work. This is
the substance the ancient alchemists sort, the philosopher sought the stone, so called ‘modern’ man
tries unraveling these mysteries and is lost in the translation, why? The term ‘a picture speaks a
thousand words’ is true. All ancient language, if conveyed three dimensionally was done so via picto -
glyph, hieroglyph, painting, drawing or some other form of specific symbol that could not be changed
in its meaning so as the knowledge of what it contained was both hidden and preserved. Curiosity of
the unknown tends to preserve it for a time wen it can be deciphered. The coiled black snake is the
helical structure of the DNA and the energy grid and energy points or chakra - endocrine system of
the Human self as well as the Kundalini serpent energy contained within. The ‘pearl of great price’ is
Balanced Pure God Consciousness. The true philosopher stone. The raising of the Kundalini serpent
and ‘cutting off it’s head’. The balance and understanding of all knowledge. This is the knowledge of
how one understands and thereby interacts with, in true conscious totality, all matter and all energies
in all creation via the sacred tones of all God’s creation and therefore all sacred creation geometry.
That is why when you understand language, even a little, you know the ‘philosopher’s stone’ is actually
the ‘philosopher stone’ which is in fact is the ‘philosophers tone’ or the knowledge of the interactive
frequencies of all creation. They are interactive for the simple reason that: you are, just as ‘Suzanne’
and ‘Robert’ are, a portion of God’s soul. The Eternal Light Of God Consciousness. By this means it
is only natural that you, me, we all interact with our environment. It begins with knowing thy self in
totality, loving thy self in totality and being the difference you want to see. Your connection with Source,
or GOD, is entirely up to you. Being GOD consciousness is the enlightenment leading to ascension.
The realization of the physical angel we truly are, with the dissolution of third density matter to the
realization of pure energy where the realization of all things is actuality.

There are also relationships in infinity loop windings for coils in the geometry of the coiled black snake.
All Things Are Involved In All Things - Analysis Of The Harp String by Walter Russell
The Sole Working Tools Of Creation by Walter Russell
Walter Russell

Walter Russell
Time for a quick explanation on the significance of sacred geometry
and it’s relationship to GOD, more specifically the word ‘GOD’.
Below is a series of drawings showing the geometric reasoning for
the letters ‘G’, ‘O’ and ‘D’. Intern the significance of geometry is
revealed.

The The Left

The One Unified Self. Vesica hemisphere
The encapsulation of Pisces, +
point . Right
all geometry and the The
of creation. sacred tones of all Creation hemisphere
creation. Vessel. =
balance.
Suzanne, Robert
a Cezanne, a Holbein or a Corot.

Suzanne, Robert
a Ce
zanne, a Ho
lbein or a
C
orot.

Se, Rt, Ce, Ho, C

With an eloquence bordering

Walter Russell
 From the book, Osiris and the Egyptian Resurrection by Sir E. A. Wallis Budge.
There is something that should be kept in mind when understanding ancient texts. They
are not simply something to be understood from the accompanying ‘texts’. Esoteric information
is basically layered encryption. If you look at the picture above you can see circled the chest
and arms of ‘The goddess of the West receiving into her hands the disk of the setting sun’. As
all existence is encapsulated in the circle of life, so to is this picture. If the goddess of the West
is receiving then the goddess of the East must be giving. From the point of view of the OTC - X1
we are looking at the ‘C’ shaped magnet with the Utron being ‘received’ on its orbit through it.
Leonardo’s Virtuitive Man below shows the ratios.
Ratios for ‘C’ shaped magnets

In the overlay (above) Osiris and Maat, notice

Maat has her hands on each shoulder and the
double figure of Osiris is a perfectly symmetrical.
He is also depicted in green and white showing
the white light of illumination in alignment with
the heart and balance. Maat is truth and balance,
with a hand on each shoulder this is displaying
left and right hemispheres are in balance. This is
a very complex image with many more layers.
The energy vortex of the third eye is easily seen.

When enlarged it is easy

to see actual pivot points above
and below the sun disc.
 Concerning the OX Circuit:
Given that Mr Carr was a Temple level Frater of the Rossicrusian Order, one understands this man had not
only a deep connection with the hEart (or Earth if you prefer) but also a deep connection with the multiverse.
Mr Carr realized that the universe mimics the multiverse, the galaxy mimics the universe, the solar system
mimics the galaxy, the planet mimics the solar system, the human body is the microcosm of the macrocosm,
our heart is rhythmically aligned with our planet and considering everything is made of the atom, gravitational
energy generators should follow the same principles using sacred geometry. One should also note that Mr Carr
had quite a different view of what the actual make up our solar system is. The reason Mr Carr’s craft works is
because it has no other option. Simply put, as the natural flow of life is that our heart and this planet are aligned
and can and do have a huge influence over one another, Mr Carr built a scale working replica of this very planet,
that is a craft built to the same dimensions and using the same geometry as all creation and therefore the planet
incorporating the use of pure magnetism in the same respect as does Earth and the solar system for an infinite
system. Knowing that the human heart brain tissue sends more signals to the brain than the actual brain in your head
sends to your heart, all we have to do to control this craft is send the control signal of pure love from the heart to
flood the brain so that we can consciously project through the pineal gland the destination. Mr Carr built this as
an inter-dimensional teleportation craft, this concept voids time and shows it for the man made conception it is.
Both the heart and the pineal gland hold the very magnetic fields in place needed to interact with the energy of the
craft. Being a true disciple of the Great Master Adept of the Art, Nikola Tesla, Mr Carr had the most beautiful of
mentors. His understanding of the truth is the means by which he had success. Nikola is not Earth bound.

As Otis says “if you want to understand Nikola, you must attune your mind to God”.
Here is how it goes:
FORGET THREE DIMENSIONAL THINKING. This design can not be understood in the 3rd dimension. It is commonly
understood that this is a counter rotational circular foil craft. This is quite true, however, what is not understood is how it
works. The reason for this is we try to conceive the vision of this vehicle as it begins to counter rotate then levitate at
auto-rotation and then we go to where ever we are going. This is not necessarily the case. This is essentially designed primarily
as a teleportation craft. The counter rotation principal is in place, and, this is what happens, though it can happen at the speed
of thought in this method of travel. This is why the frequency of the principals designed in this craft can't be slowed down in the
translation or interpretation for a 3D brain in order to contemplate through a three dimensional thought process. You need to
realize you are not a third dimensional construct. You are designed to work on fifth dimensional concepts. To the unknowing eye,
this craft when complete, will not be understood. The pilot is the completion of the circuit. Pure LOVE energy is the catalyst for
the initiation and activation of the craft. Anyone displaying the polar opposite emotion, or Fear, will not be able to use this. Why is
the term ‘pure LOVE energy’ being used to describe the first process in the craft? Simple. It is referring to the elevated frequency
of the human body when activating your ‘biological circuit’. Wireless transmission of power is truly wireless reception of energy.
We need not transmit a thing when we realize the energy is all around, we simply need to build the receiving vessel or device.
The clockwise rotation is aerial, the counter - clockwise rotation is ground.

Teleportation - ‘Spending time in time’

One must understand the concept of ‘spending time in time’. This is the process where by
you experience the totality of the experience. If you understand your entire so - called
‘reality’ is being perceived or received by you at twenty four (24) frames per second or
twenty four (24) cycles per second, we now have a base to work with. What would happen
if you exceeded this number of cycle per second? A flickering light pulsed at more than
twenty four (24) pulsations per second would begin to take on the appearance of a single
non - pulsating light. Therefore, if you could train your mind to go beyond the twenty four
(24) cycle per second interpretation of the perception of reality, you would naturally see
more reality. For example, contemplate what would happen if a person could train there
mind to see forty eight (48) frames or cycles per second. If we take this person and stand
them next to someone who can only perceive twenty four (24) frames per second, and ask
both people questions about an event they just witnessed, the first person who can perceive
more frames or cycles per second actually saw twice as much information as the second
person over the same given amount of time. Here we have an example of ‘spending time in
time’. This is important for understanding what your body and mind will go through during
teleportation.
This is the general principle, there are some variances, though this gives a point ‘A’ to point
‘B’ description of how things work. The following is happening at the speed of thought.

1) The pilot decides the destination

2) Focused intension toward the crystal
3) A process of harmonization occurs
4) The intension of destination decides the frequency
5) the counter rotating vortex begins
6) harmonization with the 10^12 hertz frequency occurs (gravity wave - one trillion cycles per second)
7) matter is transmutated to light
8) This light is pulsating at one trillion cycles per second, pure gravity wave. Perceiving reality at
this many cycles or frames per second is hard to comprehend
9) Upon the matter being transmutated to the gravity wave, the destination is reached instantaneously
where by the vortex slows / stops and light is transmutated to matter once again to complete the cycle.
 The
Pod Work
Part 1
 Cover Page

Internal ‘Clockwise’ Rotating Central Assembly

‘X2’ Prototype Part Construction

Workshop Schematics

10 (ten) pages including cover page

Page

1
 Contents

1. Cover Page
2. Contents
3. Capacitor Plate page 1
4. Capacitor Plate page 2
5. Outer Utron
6. ‘C’ Magnet
7. Trunnion page 1
8. Trunnion page 2
9. Central Accumulator page 1
10. Central Accumulator page 2

Red lines & text: represent measurement, angular lines of interaction, angular
degrees, thickness lines, design lines and technical information / specification.
Black lines: represent actual shape and final component design to be machined.

All drawings are actual size, background page size is A4 or 21 cm x 29.7 cm.

Page

2
 X2 - Capacitor Plate x 6 - pg - 1
(Machine Shop Design Schematic)

115.577 mm

Side Elevation

2.5 mm
9 mm 4 mm

2.5 mm

2.5 mm aluminium plate thickness

7.879 mm

(leading edge thickness same as plate)

Page

3
 X2 - Capacitor Plate x 6 - pg - 2
(Machine Shop Design Schematic)

Top Elevation
115.577 mm
7.879 mm

130.782 mm

122.96 mm
115.363 mm

7.596 mm

74.433 mm
95.25mm

Page

4
 X2 - Outer Utron x 6
(Machine Shop Design Schematic)

m
m
.4
25

35.921mm

90
O
Equator

90
O O

45.921mm 90

90
O

6.5mm

3mm

All one piece, double cones including spindle.

Page

5
 X2 - ‘C’ Magnet x 12 - pg - 1
(Machine Shop Design Schematic)

Side Elevation
End Elevation (full measurement / angles for ‘one [1]’ plate constructed in one piece.
All plates are identical and each constructed in ‘one [1]’ piece. This
5.093 mm design is for a one piece magnet, with the coil being wound onto the magnet)
13.991 mm 50.115 mm

Use This
60.96 mm
8.467 mm

Design

5
O
O

5.093 mm 69.5

5.093 mm 20
O

8.133 mm
O
20.5
25.5
O
13.668 mm
8.575 mm O
64.5
3.936 mm
17.15 mm

O 5
O
69.5
41 1.599 mm
O
270
8.575 mm
11.275 mm

50.774 mm 21.185 mm
1.838 mm

2.639 mm

End Elevation 5.093 mm

44.996 mm

49.473 mm 8.467 mm
0.94 mm 11.275 mm

60.96 mm

The above diagram represents the ‘end

elevation’ of ‘one (1)’ plate, which together
with the other ‘eleven (11)’ identical plates
Page
form a set, which intern, forms ‘one (1)’
complete magnet. 6
 X2 - Trunnion x 12 - pg - 1
(Machine Shop Design Schematic)

Side elevation

19.46 mm
3.996 mm

8.325 mm

11.761 mm
1.415 mm

5.724 mm

o
45
1.414 mm

45
o 8.325 mm
7.713 mm
45
o 14.589 mm
o

5.462 mm
33 6.264 mm

Accumulator frame 4 mm
6
m
m
3
m
m

Bearing
6 mm outer diameter
3mm inner diameter
3.
5

3.5 mm spindle
m
m

hole through trunnion.

Page

7
 X2 - Trunnion x 12 - pg - 2
(Machine Shop Design Schematic)

Side elevation
19.46 mm

3.996 mm

8.325 mm

11.761 mm
1.415 mm

5.724 mm

1.414 mm
8.325 mm
7.713 mm
14.589 mm

5.462 mm 6.264 mm

Accumulator frame 4 mm
6
m
m
3
m
m

Bearing
6 mm outer diameter
3mm inner diameter
3.
5

3.5 mm spindle
m
m

hole through trunnion.

Trunnion Bearing

Side End
Outer diameter
elevation W - 6 mm x H - 2 mm
Center hole
elevation
10.0 mm
W - 3mm x H - 2mm.

14.589 mm
W - 3.5mm hole
on top of bearing
Accumulator frame 4 mm
through trunnion,
in counter - sunk
arrangement with
bearing, for the
Utron spindle to
fit in and free spin.
Page

8
 X2 - Central Accumulator - pg - 1
(Machine Shop Design Schematic)

89.803 mm
19 mm
89.803 mm

127 mm

52.604 mm

Page
127 mm
9
 X2 - Central Accumulator - pg - 2
(Machine Shop Design Schematic)

19 mm
89.803 mm

52.604 mm
4 mm

52.604 mm

Page
127 mm
10