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Copyright © 2017, McGraw-Hill Education Ltd.
Chapter 6
Perception, Cognition, and Emotion
Overview
The basic building blocks of all social encounters include perception (how we make sense of our
environment), cognition (how we process information) and emotion (internal affective states).
Each of these factors can play a role in shaping negotiation interactions and outcomes, often in
subtle and difficult to observe ways. A working knowledge of how humans perceive and process
information is important to understanding why people behave the way they do during
negotiations. We will look at how information is perceived, filtered, distorted and framed.
Learning Objectives
The purpose of this chapter is to introduce perception, cognition, and emotion, and explain how
each can influence negotiator behaviour. After reading this chapter you should have a deeper
understanding of the following:
1. Define perception and explain the ways perceptual distortion can influence negotiator
behaviour,
2. Describe the ways in which cognition (information processing) can be affected by
framing processes and systematic errors (or cognitive biases), and
3. Recognize the effects of mood and emotion on how we interact with others in negotiation
situations.
I. Perception
B. Perception distortion
1. A perceiver’s own needs, desires, motivation and personal experiences may create a
predisposition about the other party. This can lead to biases and errors in perception
and subsequent communication.
a. Stereotyping – occurs when one individual assigns attributes to another solely on
the basis of the other’s membership in a particular social or demographic
category.
II. Framing
A frame is the subjective mechanism through which people evaluate and make sense out of
situations, leading them to pursue or avoid subsequent actions. Framing is a key issue in negation
because it is a way of labeling different interpretations of the issues in dispute or the situation.
A. Frames in Negotiation
1. Loss–gain—how the parties define the risk or reward associated with particular
outcomes. Being in a loss frame of mind makes you more risk seeking.
2. Outcome—a party’s predisposition to achieving a specific result or outcome from the
negotiation. Strong outcome frame makes you more likely to engage in distributive
negotiations.
3. Aspiration—a predisposition toward satisfying a broader set of interests or needs in
negotiation. Strong aspiration frame makes you more likely to engage in integrative
negotiations.
4. Process—how the parties will go about resolving their dispute. Strong process frame
makes you more likely to be concerned about how the dispute is managed.
5. Identity—how the parties define “who they are.” Strong identity frames makes you
more likely to be concerned with the social category of the parties (e.g., race, gender,
etc.).
1. Several factors shape a frame: the negotiation context clearly affects the way both
sides define the issue and conversations that the parties have with each other about
the issues in the bargaining mix.
2. Remember that frames are not fixed and can be altered by persuasion. As such, rather
than focus on a parties’ initial dominant frame, focus on the patterns of change
(transformation) that can occur in the issues as parties communicate with each other.
The process of “reframing” is important because it allows the party to propose to
counterpart a new way to approach the problem.
Summary of Framing
Framing is about focusing, shaping, and organizing the world around us—making sense of
complex realities and defining them in ways that are meaningful to us. We discussed the
different type of frames that exist and their importance for understanding strategic choices in
negotiation. We can offer the following prescriptive advice about problem framing for the
negotiator:
• Frames shape what the parties define as the key issues and how they talk about them
• Both parties have frames
• Frames are controllable, at least to some degree
• Conversations change and transform frames in ways negotiators may not be able to
predict but may be able to control.
• Certain frames are more likely than others to lead to certain types of processes and
outcomes
Negotiators tend to make systematic errors (i.e., cognitive biases) when processing information.
These errors tend to impede negotiator performance. Some examples of cognitive biases are:
• Anchoring is to the effect of the initial standard (or offer) against which
subsequent adjustments are made during negotiation.
• Once the anchor is set or defined, parties tend to treat it as a real, valid benchmark
by which to adjust other judgments, such as the size of the other side’s counter to
the opening offer.
• A frame is a perspective or point of view that people use when they gather
information and solve problems.
• The way an issue is framed (e.g., positive/negative or loss/gain) influences how
negotiators perceive risk and behave in relation to it.
5. Availability of information
7. Overconfidence
• The law of small numbers refers to the tendency of people to draw conclusions
from small sample sizes.
• This tendency leads to a self-fulfilling prophecy - people who expect to be treated
in a distributive manner will:
1. Be more likely to perceive the other party’s behaviors as distributive
2. Treat the other party in a more distributive manner.
9. Self-serving biases
• The endowment effect is the tendency to overvalue something you own or believe
you possess.
• The endowment effect can lead to inflated estimations of value that interfere with
reaching a good deal.
13. Egocentric bias – this should be added to the textbook chapter 6 because it is discussed
as a cognitive bias in chapter 7
A. Reframing
a. Definitions
i. Mood – states of feeling that are mild in intensity, last for an extended
period of time and are not directed at anything
ii. Emotions – intense feelings that often last for a short duration and are
clearly directed at someone or something
Lewicki, Essentials of Negotiation, 3rd Canadian Edition
Instructor’s Manual
Copyright © 2017, McGraw-Hill Education Ltd.
Negative Emotions
When displayed to or perceived by the other side, negative emotions may lead
counterpart to act aggressively, retaliate or escape.
a. Anger - Signals irritation, with the hopes the party may settle, though this
depends on the power dynamics. If the expresser of anger is in position of
power, then it may lead to greater gains for him or her. Expressing anger in
other circumstances may not be as effective or may produce negative results.
Positive Emotions
i. Given the power that emotions may have in swaying the other side toward
one’s own point of view, emotions may also be used strategically and
manipulatively as influence tactics within negotiation.
ii. Negotiators may also engage in the regulation or management of the
emotions of the other party.
1. Be on the lookout for your own tendency to be influenced by perceptual distortions and
cognitive biases. However, it is just as important to watch out for these tendencies from
your counterparts. These factors often help to explain why negotiators perceive their
counterparts to be acting irrationally. Perhaps their behaviour appears to be risk-seeking.
Could it be caused by framing effects? Or perhaps they are selling something and can’t
possibly imagine that someone else might value the thing they are selling less then they
value it. Could this be caused by the endowment effect?
2. Watch for the effects of emotions and moods on your own and your counterpart’s
behaviour. For the most part, positive emotions produce positive results, while negative
emotions create tension and frustration. Do what you can to create the right mood
because it can influence your likelihood of success.
Frizzled Ham.
Do you think you would like Frizzled Ham? I do; and this is how I
cook it. Start with half a pound of rather fat ham in thin slices. Put
half a tablespoon of butter in the pan, and when very hot add the
ham. As soon as it begins to curl at the edges, dust the slices with
dry flour, which will soon turn brown. Turn the lamp down and keep
simmering. Now mix in a bowl half a tablespoon of vinegar and the
same of dry mustard. Pour it over the ham, add enough boiling
water to cover the meat, put in three drops of Tabasco, and let it all
boil up for a minute.
Ham in Hades.
Another and somewhat similar way of preparing ham, which has
been very successful, particularly at supper-time, after, say, a lobster
salad, has been christened Ham in Hades.
Make a mixture of a teaspoon of made mustard, a tablespoon of
Tarragon vinegar, a pinch of salt, a teaspoon of Paprika, a teaspoon
of Worcester sauce. Spread this mixture on both sides of half a
dozen slices of ham. Put two tablespoons of olive oil in the Chafer.
When this begins to smoke, put in the ham and brown it quickly on
both sides.
Gallimaufrey.
Gallimaufrey is a very old dish, meaning really All Sorts. Shakespeare
calls it Gaily-Mawfrey. A very excellent Modern Gallimaufrey is
prepared thus: Three thickish slices of ham with two walnuts of
butter in the Dish. Let it cook slowly. Add six peeled and washed
Jerusalem artichokes, three sliced carrots, one sliced onion. Let it go
on simmering. Now put in a couple of dozen haricot beans, a sprig
of parsley, three cloves, a wineglass of sherry, a blade of mace, salt,
pepper, and a teaspoon of sugar. Simmer it for twenty minutes,
bringing it at last just to the boil. It is then an agreeable stew, which
is probably as totally unlike the real old-fashioned Gallimaufrey as
anything possibly could be. But that really does not matter.
Gallimaufrey dates back to the time of Master Robert May, who
published a memorable cook-book in 1660, which is not without its
humours. A real old English banquet, it seems, would not be
complete without two pies, the one filled with live frogs, and the
other with birds. These are for the particular delectation of the
ladies. “They will desire to see what is in the pies; where lifting first
the lid off one pie, out skips some frogs, which makes the ladies to
skip and shreek; next after the other pie, whence come out the
birds, who, by a natural instinct, flying at the light, will put out the
candles. So that what with frogs beneath, and birds above, it will
cause much delight and pleasure to the whole company.”
They were right merry folk then!
Hodge’s Sausages.
This is a Cambridge recipe for Hodge’s Sausages. Put as many as
you think you can eat in the dish with a walnut of butter for every
two, pepper and salt, and a tablespoon of Worcester sauce. Then
add one sliced apple for each sausage. Take out the cores, but do
not peel them. Stab the sausages with a fork to prevent their
bursting. Cook for twelve minutes. American apples are good for this
dish, and also the homegrown Keswick Codlin, Blenheim Orange, or
Hambledon Deux Ans.
There is something peculiarly bucolic about Hodge’s Sausages which
may commend itself to the rurally minded. To me, it brings the scent
of the hay over the spirit-lamp.
Goulasch.
Another appetising stew is Goulasch. Beat well a half-pound (or
larger) steak; cut it into pieces the size of a domino. Put them in the
Chafing Dish with two cold cooked potatoes chopped into dice. Pour
over the meat and the vegetables two tablespoons of olive oil, and
as soon as it simmers add an onion in slices, half a teaspoon of
Paprika, salt, and a cupful of bouillon. Cover it up, and let it cook for
ten minutes, stirring occasionally. Just before serving drop in half a
dozen stoned olives.
So much for beef. The next meat is of course mutton, for which
three recipes should suffice. The first is Mutton Steaks, and is
adapted from a Welsh recipe. I have a very interesting Welsh
cookery book, tersely entitled: “Llyfr Cogino a Chadw ty: yn cynwys
Pa fodd? A Paham? Cogyddiaeth.” I am sorry that ignorance prevents
my giving anything out of it, but I think that I have got the title
nearly right.
Mutton Steaks.
To make Mutton Steaks, cut three slices, each an inch thick, from
the middle of a cold cooked leg of mutton. Put them in the Dish with
enough water to cover them, pepper and salt, and five small onions.
Cover it up and let the meat brown thoroughly on one side, then
turn it over and add a walnut of butter and a tablespoon of flour. Do
not allow it to boil, but keep it simmering gently for at least fifteen
minutes. If raw meat be used, the result is also quite satisfactory,
but it is well in that case to replace the water by a cup of bouillon.
Turkish Mutton.
Turkish Mutton, locally termed Etena Jarvat: this is one of those
dishes which may fairly be included in Brillat-Savarin’s magistères
restoratifs. It is easy enough to chafe.
Cut half a pound of uncooked mutton (from the leg from choice, but
not absolutely necessary) into medium dice. Put the meat into the
Chafing Dish with salt, pepper and dripping, fat, oil, or butter,
according to taste, but oil is preferable. When the meat turns brown,
add half a pound of previously cooked and sliced French beans, also
half a pint of water or bouillon (latter for choice) and a bunch of
simples, either thyme or marjoram, or both. Simmer steadily for
twenty minutes, stirring occasionally. Carrots can be used instead of
beans. Just before serving turn up the flame full, and let it come just
to the boil.
Mutton Venison.
Mutton Venison is a compromise, and may be recommended as
such. We live in an age of compromise, so why not bring it into our
cookery? Make an extra strong decoction of bouillon from any good
meat-juice, three tablespoons in quantity, mince into it an onion, and
put in the pan with a tablespoonful of Worcester sauce, three drops
of Tabasco, a glass of claret, a dessert-spoon of red-currant jelly (or
guava or blackberry jelly), pepper and salt. When very hot put in
about a pound of slices of cold cooked leg of mutton, lean, cut into
strips. Let it simmer for twenty minutes. It is not a bit like venison,
but distinctly good nevertheless.
Scouse.
Permit me now to suggest a trial of that very old and famous dish,
Scouse. It is prepared in the following fashion: Get one pound of
lean, dairy-fed pork, cooked and cold. Cut it into half-inch squares;
sprinkle them with flour, salt, Paprika, and dip them lightly in French
mustard. Put in the Chafing Dish three chopped onions, half a
teaspoon of sugar, one wine-glass of vinegar, three cloves, a blade of
mace and a bayleaf. Cover up and let it simmer, not boil, while the
quantity of liquid is reduced by one half. Add the pork with half a
pint of bouillon, and simmer for another ten minutes.
Young pork, like young veal, is always excellent, but it can be too
young. A sucking pig with lacklustre eye and a lemon in its jaws is
pathetic and none too appetising. Veal, in England at any rate, is
often tasteless and somewhat dull. Not so very long ago, in Ireland,
they used to kill newborn calves, bake them in an oven with
potatoes, and call the dish “Staggering Bob.”
Kabobs.
Kabobs have probably come to us from India, via the Cape. This is
an old Capetown-Malay recipe which is thoroughly reliable. Half a
pound of cold veal; the same of lean ham, both cut into slices a
quarter of an inch thick; three apples, and three onions. Cut the
meat and the vegetables into rounds with a knife or cutter, about the
size of a crown piece. Skewer them up on wooden (or, if you are a
de Beers shareholder, on silver) skewers, in the following order: (1)
a round of veal; (2) a round of apple; (3) a round of ham; (4)
around of onion. Sprinkle them with pepper, salt and curry-powder.
Put them in the Chafing Dish with a teacupful of bouillon and a
walnut of butter; simmer steadily for twenty minutes, then thicken
the gravy with a little flour, and serve either with boiled rice, or
toast, or both.
Brigands’ Fowls.
Cold fowls lend themselves in a hundred ways to the kind attentions
of Chaffinda. Mention of quite a few of these must urge the
gastronomer to further experiments and discoveries. Pollio à la
Contrabandista: this is the way brigands cook, or ought to cook,
fowls. Cut a cold cooked fowl into neat joints. Put them into the
Chafing Dish with four tablespoons of olive oil, and heat up until the
meat is of a light brown colour, turning the pieces frequently. Then
keep the flame lower and simmering all the time; add four tomatoes
cut into quarters, two chopped green chillies, one shredded Spanish
onion, one tablespoon of Worcester sauce, the same of mushroom
ketchup, and four cloves. Let it simmer, closely covered, for at least
fifteen minutes. It will then prove a most savoury mess.
Howtowdie.
From Spain to Bonnie Scotland! This is how to cook Howtowdie. Cut
up a young fowl into handy joints. Put them into the Chafing Dish
with two walnuts of butter, a cupful of bouillon, three sprigs of
parsley, three small onions, salt and pepper. Simmer continuously
until the bird is tender. When half cooked add another cupful of
bouillon to make up for evaporation. When quite cooked put the fowl
on to a hot dish, surround it with poached eggs, then thicken the
gravy in the pan with a tablespoon of flour and a tablespoon of
Worcester sauce; give it a smart boil up and pour it over the fowl.
This Howtowdie is adapted from an excellent recipe in “The Scottish
Cookery Book containing guid plain rules for makin’ guid plain meats
suitable for sma’ purses, big families, and Scotch stomachs.”
Roman Fowl.
The preparation of Roman Fowl is simplicity itself. Pour four
tablespoons of olive oil into the Chafing Dish with a pinch of salt, a
teaspoon of Paprika, three cloves, and herbs to taste, but do not
overdo the herbs. When the oil is sizzling put in all the limbs of a
lightly boiled chicken, cut up. Cook it slowly, turning the meat so
that all the flesh is equally cooked all over. When done it should be a
delicate brown. Add half a cupful of tomato sauce and the same of
bouillon, also three shredded onions. Simmer for eight minutes, then
serve.
Creamed Chicken.
This is an American recipe, copied verbatim from an American
Chafing-Dish cookery book. Two cups cold chicken cut into small
pieces, one cup chicken stock, one cup milk or cream, two
tablespoonfuls of butter, one heaping tablespoonful of flour, salt and
pepper. Cook the butter and the flour together in the Chafing Dish;
add the stock and milk and stir until smooth; put in the chicken, salt
and pepper, and cook three minutes longer.
Other times, other manners. Contrast with the severe simplicity of
the above the sort of thing that gratified the palates of our
forebears. In the fourteenth century, Sacchetti says, a baked goose
stuffed with garlic and quinces was esteemed an excellent dish in
Italy, and when the Gonfalonier of Florence entertained a famous
doctor he gave him the stomach of a calf, boiled partridges, and
pickled sardines.
Old Samuel Pepys, too, had a nice taste in food as in music, and
other things. His idea of “a fine dinner” was to this effect: “A dish of
marrowbones, a leg of mutton, a loin of veal, a dish of fowl; three
pullets and a dozen of larks, all in a dish; a great tart, a neat’s
tongue, a dish of anchovies, a dish of prawns, and cheese.”
For those who are curious in such things it is easy to find quaint
recipes in old books. For instance, if you want to know how to bake
a hedgehog in clay—and very good it is too—you have only to read
Albert Smith’s “Christopher Tadpole” and you will know all about it. It
is truly said that comparatively few people read Disraeli’s novels
nowadays, but those who are culinarily inclined would do well to
turn to the opening chapter of “Tancred,” where there is a delightful
conversation between a grand old maître de bouche, “Papa Prevost,”
and his pupil, the eminent chef, Leander. The pompous spirit of the
culinary artist is delightfully caught and the gastronomic jargon
wonderfully reproduced.
But gastronomy has never lacked its historians. Great painters have
come to its aid, as witness the glowing canvases of Snyders, Teniers,
Jordaens, Ruysdael, Jan Weenix, Melchior de Hondecoeter and Jan
Fyt. Their pictures of still life, the poulterers’ shops, the heaped
baskets of good cheer, the brilliant lobster, the callow lemon, the
russet hare, and the lustrous plumage of the pheasant, have inspired
the hand of the Masters, who must have appreciated all such
culinary delicacies in order to have painted them with such loving-
kindness.
Yesterday’s Pheasant.
“If partridge had the woodcock’s thighs,
’Twould be the noblest bird that flies;
If woodcock had the partridge breast,
’Twould be the best bird ever drest.”
The good things of this life are mostly plain and wholesome (with a
few delightful exceptions), and we can all qualify to live in Bengodi,
Boccaccio’s country of content, where they tie up the vines with
sausages, where you may buy a fat goose for a penny, and have the
giblets thrown in into the bargain. In this place there is a mountain
of Parmesan cheese, and the people’s employment is making
cheese-cakes and macaroons. There is also a river which runs
Malmsey wine of the very best quality.
There are no cheap excursions to Bengodi. We have to tramp there
on foot—and earn our bread on the road as we travel thither.
CHAPTER·VI·VEGETABLES·AND·SALADS·
“Will a man give a penny to fill his belly with hay? Or can you
persuade the turtle-dove to live upon carrion like the crow?”
John Bunyan (“Pilgrim’s Progress”).
Mary’s Potatoes.
The first method is called Mary’s Potatoes for want of a better name.
Slice up half a dozen cold cooked potatoes. Put them in the Chafing
Dish with a walnut of butter and a cupful of milk; let them simmer
for five minutes, then add the juice of half a lemon, a teaspoon of
chopped parsley, pepper and salt. Simmer for five minutes more.
Potato Uglies.
Cut up half a dozen cold cooked potatoes into quarter-inch slices.
Put four slices of fat bacon into the Chafing Dish, and hot up until
the fat begins to smoke; then drop in the potatoes, add pepper and
salt, and cook for five minutes. Drain before serving.
Sala’s Potatoes.
Cut four potatoes in slices as large as a halfpenny, but twice as thick.
Put two tablespoonsful of butter in the Chafing Dish, and a dozen
delicate little onions cut into dice. Hot up the onions and butter till
the former turn a golden brown, then add the potatoes and a
teaspoon of chopped parsley, salt, pepper, and a squeeze of lemon.
Keep stirring, and when the onions are deep yellow, which should be
in about eight minutes, the dish is ready.
Fried Potatoes.
Boil half a dozen potatoes in their skins. Peel them when hot, cut
them in quarters, roll them in bread-crumbs, and then fry them for
seven minutes in two tablespoons of sizzling butter. Sprinkle
chopped parsley on them before serving.
The tomato or love-apple is a perennial joy to the eye, whether
cooked or uncooked, ripe or unripe. Its form and colour are alike
exquisite, and its flavour altogether a thing apart. Our grandfathers
knew little or nothing about it, apart from sauce, and it has been left
to our generation fully to appreciate its possibilities. It is the more
strange because it has been a staple article of food in mid and
southern Europe since time immemorial. It has even been suggested
that Eve’s apple, Paris’ apple, Nausicaa’s apple, and the apples of
Hesperides were all really tomatoes! As pommes d’amour, pomi di
mori, Liebesäpfel, Paradiesäpfel, or tomatoes, they are nowadays
honoured and appreciated by all right lovers of the good things of
the earth. They are both fruit and vegetable, and it is very difficult to
spoil them in cooking. They are best of all when grilled as an
accompaniment to chops (Mr. Pickwick, it will be remembered,
enjoyed them in the form of sauce), but the following is a very
simple and honest way of preparing them.
Fried Tomatoes.
Cut three tomatoes in halves. Pepper and salt them and coat the cut
surfaces with bread-crumbs. Put two tablespoons of butter in the
Chafing Dish, and when sizzling add the tomatoes and cook them
thoroughly for eight minutes.
The Jerusalem artichoke should not be devoted solely to soup. It is
an excellent adjunct to meats, and fully repays a little careful
attention.
Braised Artichokes.
Wash and peel a pound of artichokes and put them aside in a basin
of cold water. Melt a walnut of butter in the Chafing Dish; add the
artichokes after drying them well. Let them brown well in the butter;
add pepper and salt and stir them frequently, letting them simmer
for twelve minutes.
Spinach Purée.
Have your spinach thoroughly well washed in several waters till it is
perfectly clean. Boil a pint of water in the Chafing Dish, salt it and
put in the spinach. Boil it for ten minutes. Take out the spinach and
strain it. Pour cold water over it to take away the bitter taste; strain
again. Put a walnut of butter in the dish, add the spinach and half a
cupful of milk. Mix up well with a wooden spoon. Heat for five
minutes.
There are about twenty-five different kinds of edible mushrooms.
The popular test of peeling is unreliable, because some poisonous
mushrooms peel easily, and some harmless kinds do not. An
authority on mushrooms (Mr. E. Kay Robinson) says: “If a mushroom
of any kind which has been gathered from an open space is brittle
and compact in texture, and not brightly coloured, nor peculiar in
taste or unpleasant in smell, and neither exudes a milky juice when
bruised, nor changes colour when exposed to the air, you may eat it
without fear.”
Consequently, when you go mushroom-gathering you must bear in
mind nearly as many things as when you address your ball on the
tee. I always buy my mushrooms, and go to a good shop; then, I
think, you are fairly safe.
The onion is a sure poison detector. Put an onion in a dish of
mushrooms. If it does not change colour the mushrooms are all
right. If it blushes black with shame at its contiguity, they are all
wrong. A silver spoon acts in the same way and gets black in contact
with toadstools or the like. Verily, evil communications corrupt good
manners—even in onions.
Stewed Mushrooms.
Flood the Chafing Dish with really good olive oil. Put in a teaspoonful
of Paprika and a pinch of salt. Drop in the mushrooms, after having
stalked and peeled them, black part uppermost. Cover up, and listen
to the appetising sizzling for seven minutes. They should then be
done to a turn.
Mushrooms used to be dried, powdered, and used as a flavouring in
the eighteenth century. Cook-books of that period speak of the
condiment as “Cook’s Snuff.” The great and justly esteemed Grimod
de la Reynière said that it ought always to be on the dining-table
together with pepper and salt. Here is a hint for the modern
purveyors of table delicacies.
In Sir Henry Layard’s Essay on “Renaissance Cookery,” he says:
“Amongst vegetables, the thistle (Cardo) was esteemed a delicacy,
and was generally served with fruit at the end of the dinner. The
thorny thistles with well-grown white stalks are the best.” The Cardo
includes the artichoke, but that the name was usually applied to the
common thistle is shown by the quaint remark of Romoli in his
“Singolare Dottrina,” that “it should not be eaten with milk, which it
has the property of curdling, and consequently the process would
take place in your stomach, but it should be eaten with pepper,
which does not generate wind, and clears the liver; and such is the
reason why donkeys, who eat largely of this, have better stomachs
than men.”
Dr. Thudichum, an eminent authority on dietetics, does not agree
with these conclusions, which are nevertheless illuminating, and do
not detract from the merits of the nettle as a food-stuff.
Welsh Leeks.
Boil half a dozen leeks in a pint of water. Drain them well, and cut
each leek into two-inch lengths; squeeze a lemon over them, pepper
and salt them well. Set them aside. Make half a dozen croûtons of
toast and put the leeks on them. Replace them in the Chafing Dish,
pouring over each croûton a liberal dose of Sauce Robert. Heat up
and serve on a very hot plate. Sauce Robert (Escoffier brand) can be
bought ready made at the Stores.
French Beans.
Boil a pound of shredded beans till tender, and then drain them well.
Melt two tablespoons of butter in the Chafing Dish and stir into it a
small dessert-spoon of flour. Keep these simmering, and shake them
about till they are lightly browned; add salt and pepper and a cup of
milk. Just before serving, add the yolks of two eggs, slightly beaten,
and a squeeze of lemon. Stir all up thoroughly and beat up to just
below boiling-point.
Broad Beans.
Shell and wash in cold water one pint of broad beans. Put them in
the Chafing Dish and boil them with a sprinkling of salt; when nearly
soft strain them, and then replace them in the dish with a tumbler of
bouillon, a little chopped parsley, and a lump of sugar. Cook them
slowly until they are quite tender. Beat up the yolk of an egg and a
wine-glass of milk; add both to the beans with pepper and salt, and
beat up thoroughly to just below boiling-point.
Brussels Sprouts.
Place a pint of small Brussels sprouts in the Chafing Dish with two
pints of boiling water, slightly salted. Boil for ten minutes; take out
the sprouts, drain them and put them aside to keep hot. Then make
the following sauce in the Chafing Dish. Two tablespoons of butter
melted, one tablespoon flour, pepper and salt, and sufficient bouillon
to make the mixture of the consistency of thick cream. Heat this to
boiling, stirring it well. Just before serving, add the juice of a whole
lemon. Pour the sauce over the hot sprouts, and serve very quickly.
Both this and the previous recipe are adapted from a most excellent
book on the cooking of vegetables: “Leaves from our Tuscan
Garden,” by Janet Ross.
Haricot Beans.
Put a pint of young green shelled haricot beans into the Chafing Dish
with two pints of boiling water. When half cooked add salt and
pepper and a tablespoon of butter. Take out the beans, drain them,
and replace them in the dish with another tablespoon of butter, a
little chopped parsley, more salt and pepper and a squeeze of lemon.
Toss them about well in the Chafing Dish and hot up for eight
minutes.
Fried Parsley.
Indispensable for flavourings. Wash the parsley thoroughly, pick off
the stalks, leaving the large heads. Dry it very carefully as, if it is left
at all damp, it will never become crisp. Put the parsley in the Chafing
Dish with a tablespoon of olive oil or butter. As soon as the oil or
butter ceases bubbling, take out the parsley and let it dry on a piece
of paper. The parsley should remain quite green; if it is brownish it is
a sign that it has been fried too long.
Green Peas.
A pint of shelled peas, a tablespoon of butter, pepper and salt, and a
good squeeze of lemon; put all these in the Chafing Dish. Add a
cupful of milk and hot up for ten minutes, then strain and serve.
Avoid mint, green or otherwise.
Chestnuts.
Shell a score of chestnuts, cover them in the Chafing Dish with
boiling water, and in four minutes take them out and remove the
skins. Return them to the boiling water, add a cup of milk, pepper
and salt, and simmer until quite tender but not soft.
It has been made plain, I trust, that it is not necessary to rely solely
on the damp-sodden vegetables of the pre-historic cuisine. It is just
as easy to cook them nicely as otherwise, and a deal more
satisfactory. The bounteous housewife Nature overwhelms us with
her treasures of root and sap, and it seems almost an outrage to
neglect the opportunities so lavishly offered to us.
I have just described a score or so of the plainer methods of cooking
vegetables, simply as an indication of their possibilities, but the
enterprising Chafer will find as he progresses in the art (and Chafing
grows upon one like any other hobby) that there are dozens of
others which lend themselves readily to his, or her, deft
manipulation.
The grandfather of Charles Darwin was a poet of parts, and in his
“Phytologica” he says:
This is wise advice, because the green broccoli is far better than the
white.
There are many American vegetables which may be cooked without
a twang. They are all in tins or bottles, bearing plain directions.
Among others I can speak from personal experience of Sugar Corn,
Green Corn, Oyster Corn, Boston Beans, Lima Beans, and Succotash.
This last is a meal in itself, and of most excellent flavour and
convenience. Green corn, too, reminds those who know the South
African mealie in all its toothsomeness, of many a hearty supper of
Kaffir mealies roasted in the embers of a camp fire, or even in that
most primitive of ovens, an ant-heap, which, believe it or not as you
will, turns out better cooked meats than some of your very patent,
very modern, very “gadgetty” kitchen ranges, although not better, I
ween, than my chaste Chaffinda.
From vegetables to salads is but one step. I do not see any valid
reason for apologising for the inclusion of salads in a Chafing-Dish
book. They are not cooked in a Chafing Dish, it is true, but it is part
of my religion that no meal is complete without a salad, green for
choice, but anyhow a salad. I do not insist on salad for breakfast,
although on a blazing hot July day, after a swim or a tramp, or both,
I can imagine worse things than an omelette, some kidneys and
bacon, and a slice of real ham, and a green salad to top up with. But
no dinner is really a dinner without a salad, and by that I do not
mean three scraggy lettuce leaves, soused in vinegar, which as
Salade de saison is the usual accompaniment to that disastrous hen,
Poulet au cresson, which is a centipede as to legs and has no breast
or liver wing.
As this screed is, after all, a plain record of personal likes and
dislikes, I see no reason for concealing the fact that I have no use
whatever, no manner of use in the wide wide world, for mayonnaise
with salad. The Americans swear by it; I swear at it. My salad
mixture, which goes with everything—absolutely everything—is
simplicity itself. Eccolo!
Salad Mixture.
Into a large bowl put half a teaspoon of salt, same of Paprika, a
dash of black pepper, freshly ground by a hand-mill, and a teaspoon
of made English mustard. Mix them up well. Now add very gradually
the very best quality of olive oil, almost drop by drop, to the quantity
of three tablespoons, mixing all the time until the ingredients
assume the consistency of cream; now thin this with one tablespoon
of good wine vinegar, and amalgamate thoroughly. That is all I use.
Now and again, by way of extra titillation of the jaded palate, you
may add half a tablespoon of Tarragon vinegar, herbs to taste,
Spring onions, chives, French mustard, olives (French only), hard-
boiled eggs, dandelion leaves, nasturtium leaves, and celery salt.
But there are half a dozen rules which I would seriously enjoin the
salad mixer to bear in mind.
Only use a wooden spoon and fork for mixing.
Never cut a lettuce; always break it with the fingers.
Dry the lettuce thoroughly in a serviette or in a salad-basket before
breaking.
Make the salad ten minutes before eating it. Neither more nor less.
Do not bother about garnishing the top of a salad; see the
ingredients are well mixed. The decoration will look after itself and
be much more artistic if left natural than if fussed into geometrical
designs.
Make your mixture proportionate to your salad. This is a matter of
intuition and experience combined. The test of right mixing is that
no fluid should remain at the bottom of the bowl when finally mixed.
The “fatiguing” or turning over and over, that is, the actual mixing of
the salad, should be very thoroughly done for just as long as is
bearable to the verge of impatience. Rub a crust of bread with garlic
or onion, put it in the bottom of the bowl and take it out just before
serving. This is a chapon.
The true salad artist will never add any second dose of any
ingredient during the process of mixing the sauce. I was once
present at a salad duel between an eminent Belgian violoncellist and
a British banker. The former was an artist, the latter a well-meaning
amateur. They used the same cruet-stand, and during the mixing
process the banker politely pushed the oil and vinegar across to the
Belgian, who bowed and said: “Thanks. I never add!” The banker
appreciated the rebuke and retired from the contest. Both salads
were excellent.
The old salad-proverb about the oil-spendthrift, the vinegar-miser,
and all the rest of it, is too old to quote, but it expresses a truism
aptly enough. Three to one is, according to my view, a fair
proportion of oil to vinegar, but this, as indeed most things in this
so-called twentieth century of ours, is only a matter of individual
taste, and I have no desire to suggest that my opinion should be
given the force of law. I have known a salad enthusiast who coated
each leaf of lettuce with oil on a camel’s-hair brush, but this I think
is an exaggeration of artistry. On the other hand, the wild stirring of
dollops of the four condiments .in the salad spoon, which is then
emptied vaguely into the salad, is childish and inefficient. The
Italians have a proverb that runs:
Jardinière.
Almost any cold cooked vegetables. For choice, use equal portions of
sliced potatoes, green peas, carrots, beans, celery, tomatoes, and
onions. Add plenty of dressing.
Poached Eggs.
The Chafing Dish should be more than half full of boiling water.
Break each egg separately into a saucer and slip it steadily and
dexterously into the Chafing Dish. Light the lamp, cover up the
water and eggs, and put the dish over the lower hot-water pan,
which should have in it a pint of hot water. Let it heat until the
whites of the eggs are set; then remove the eggs from the pan with
the special flat implement ad hoc. Put the eggs on rounds of toast.
Sprinkle them with pepper, salt and parsley, and put a tiny piece of
butter on top of each egg.