I.

LEGAL BASIS FOR CULTURE AND ARTS PROMOTIONS

1. The 1987 Constitution of the Republic of the Philippines, Article 14, Section 14, the state shall foster the
preservation, enrichment, and dynamic evolution of a Filipino national culture based on the principle of unity
in diversity in a climate of free artistic and intellectual expression.
2. Republic Act No. 7356 (April 3, 1992), An Act Creating the National Commission for Culture and the Arts
(NCCA), Establishing a National Endowment Fund for Culture and the Arts (NEFCA), and for Other Purposes.
3. The Implementing Rules and Regulations of RA 7356

OTHER RELATED LEGAL BASIS:

1. Executive Order No. 80 (March 5, 1999), Transferring the CCP, KWF, NM, NHI, TNL, and RMAO to the
NCCA for Policy Coordination
2. Republic Act No. 9155 (August 11, 2001), [Governance of Basic Education Act of 2001] Section 8:
Administratively attaching the KWF, NHI, RMAO and TNL to the NCCA
3. Republic Act No. 10066 (March 26, 2010), [National Cultural Heritage Act of 2009], An Act Providing for the
Protection and Conservation of the National Cultural Heritage, Strengthening the National Commission for
Culture and the Arts (NCCA) and its Affiliated Cultural Agencies, and for other Purposes.

II. OBJECTIVES OF THE SOCIO-CULTURAL FESTIVAL

In consonance with the principle that the tertiary education culture and arts program shall be a vehicle for the
inculcation of positive Filipino and universal human values, the objectives of PAGKAREKEDAN Sports and
Socio-Cultural Festival are the following:
1. Provides opportunities for institution to conceptualize, develop, organize and implement project, plan,
programs and activities which will complement the other components of the curriculum aimed at developing
higher level of knowledge and skills, understanding and appreciation, and positive attitudes and values
designed to optimize the full potential of tertiary level students;
2. Provides opportunities for coaches, trainers and headmasters to discover, identify and select students with
competitive skills and talents to join the campus pool of talents and undergo further training in preparation for
higher institutional, regional or national competition.
3. Provide opportunities for tertiary level students who are skilled and talented to participate in culture and the
arts competitions and become carriers of culture and arts promotions, and in the process of active participation
emerge as our national pride.
4. Provide opportunities to develop the character of excellence and appreciation of the Filipino culture, aesthetic
values, knowledge, understanding and socially desirable traits; and
5. Promote the culture of peace through the spirit of sportsmanship, camaraderie, fair play and respect for others.

III. ORGANIZATION AND MANAGEMENT

The Pagkarekedan Sports and Socio-Cultural Festival is organized by the Executive Committee and shall be
jointly managed by the Sports and Socio-Cultural Affairs Office through the Sports and SCAO Coordinators and
the Technical and Working Committee. Further, the Socio-Cultural Events shall be managed and organized by the
Socio-Cultural Executive Committee, to wit:

A. EXECUTIVE COMMITTEE
Chairperson: GLENN D. VALLEJO
Dean

Co-Chairpersons: DR. AMANDO A. EDRADAN, JR.

Associate Dean
DR. SHIRLEY D. DANGAN
Acting Director

Members: ROWENA P. MAGBANUA

Sports & P.E. Coordinator

JOHN VINCENT T. EVIO

Socio-Cultural Affairs Office Coordinator/Program Head
 GEMMA G. GACOTT
Administrative Officer V

JASON L. TORIO
USG Adviser/Planning Officer

GRACENSIA G. MAGBANUA
OSAS Coordinator

JIM RYAN V. VENTURILLO

USG President

LUIS ABELARD V. LEGASPI

SBDT President

B. TECHNICAL AND WORKING COMMITTEE

Chairpersons: ROWENA P. MAGBANUA
Sports/P.E. Coordinator

JOHN VINCENT T. EVIO

SCAO Coordinator/Program Head

JASON L. TORIO
USG Adviser/Planning Officer

Secretariat: ELIANE ANDREA D. GRASPARIL

Faculty

C. SOCIO-CULTURAL EXECUTIVE COMMITTEE

Chairperson: JOHN VINCENT T. EVIO
SCAO Coordinator

Co-Chairperson: ROWENA P. MAGBANUA

Sports & P.E. Coordinator

Head Masters: REY P. AMEDO

Dance Category

JASON L. TORIO
Visual Arts Category

MARIE ROSE S. QUEJANO

Music Category

ROWENA P. MAGBANUA
Performing Arts Category

JOHN VINCENT T. EVIO

Special Categories

JIM RYAN V. VENTURILLO

President, USG

LUIS ABELARD V. LEGASPI

President, SBDT
 ALL UNIVERSITY STUDENT GOVERNMENT OFFICERS AND
SINING BANUA DANCE TROUPE OFFICERS AND MEMBERS

IV. RECORDS COMMITTEE

Chairperson: ELJON TABULINAR
Festival Records Officer

Co-Chairperson: ESTELLE MARIE P. MANAHAN

Faculty

Members: GENE D. TABI

D ‘Educators

JULIUS P. TORRES
The Justice Defenders

CYRIL GALIMBA
The Griffins

TIRSO JASON MARTINEZ

HosTech

ELIANE ANDREA D. GRASPARIL

Secretariat

Responsibilities:

➢ Takes care of the records and documents of the games results, budget use, manpower requirements, and
the like.

V. JURY OF APPEALS
Chairperson: GEMMA G. GACOTT
Administrative Officer V

Co-Chairperson: MENVILUZ S. SABUYA

Supervising HRMO

Members: ROWENA P. MAGBANUA

Sports &P.E. Coordinator

JOHN VINCENT T. EVIO

SCAO Coordinator/Program Head

GRACENSIA G. MAGBANUA
OSAS Coordinator

JASON L. TORIO
USG Chief Adviser/Planning Officer

ESTELLE MARIE P. MANAHAN

Faculty
Responsibilities:

1. This is the highest court of arbitration for any disputes not solved at the Head master’s level.
2. Decides with finality on the penalties due to the charged and guilty party.
 VI. PARTICIPATING TEAMS
Listed below are the teams in this year’s Pagkarekedan Sports and Socio-Cultural Festival:

1. HOSTECH: Majestic Bagis (BSHM&BIT)

2. JUSTICE DEFENDERS: The Sovereign Lions (BSC&BAPS)
3. D’ EDUCATORS: (BSED, BEED&BTVTED)
4. THE GRIFFINS: (BSTM, BSBA, BSE)

VII. DOCUMENTS REQUIRED FOR ELIGIBILITY

1. STRASUC Form 1 (Eligibility Checklist)
2. STRASUC Form 2 (Team Gallery) with 2x2 ID
3. STRASUC Form 3 (3 in 1 eligibility form and parent’s waiver)
4. Insurance Certificate

VIII. IMPORTANT DATES/THINGS TO OBSERVE

1. November 14, 2024 | 12:00 NOON – Deadline of submission of eligibility requirements of each event to
the head master and assistant head master.
2. November 14, 2024 | 2:00 PM – Final briefing, orientation and draw lots per event by the head master
and assistant head master. Each team must be represented by their group leader.
3. November 15-16, 2024 – Checking of eligibility requirements by the HM & Asst. HM.
4. During competition, participants and coaches must arrive at the venue 30 mins before the start of
the competition. Nevertheless, the committee reserves the right to disqualify any team that will
arrive 15 minutes late.
 IX. SCHEDULE OF EVENTS AND VENUE

DATE OF TITLE OF ACTIVITY/TIME VENUE RESPONSIBLE ASST. HEAD

ACTIVITY PERSON/HEAD MASTER
MASTER
November 1. Pagkarekedan Logo Making Contest PSU-PCAT Covered JASON L. TORIO JIM RYAN VENTURILLO
6, 2024 (10AM) Gym/USG Building
November 1. Thanksgiving Mass (7AM) Covered Gymn Alvin Paguia&Gemma Gacott TWG CORE
18, 2024 2. GRAND PARADE AND OPENING OF Control Tower TWG CORE USG/SCAO/SBDT
PAGKAREKEDAN FESTIVAL 2024 (1PM)
3. Pantigoan sa PSU-PCAT (Streetdancing Control Tower REY P. AMEDO KAYLA JOYCE LABRADOR
Competition) (3PM)
4. Pagkarekedan Mascot Making Contest Control Tower JASON L. TORIO JIM RYAN VENTURILLO
(3PM)
November 1. On-the-spot Poster Making (8AM) CAB Room 202 JASON L. TORIO JIM RYAN VENTURILLO
19, 2024 2. Coffee Painting (8AM) CAB Room 203 JASON L. TORIO JIM RYAN VENTURILLO
3. Pencil Drawing (8AM) CAB Room 204 JASON L. TORIO JIM RYAN VENTURILLO
4. Charcoal Rendering (Portrait) (8AM) CAB Room 201 JASON L. TORIO JIM RYAN VENTURILLO
5. Charcoal Rendering (Landscape) (8AM) CAB Room 206 JASON L. TORIO JIM RYAN VENTURILLO
6. Essay Writing (1PM) QAC/CIMDO JOHN VINCENT T. EVIO JUSTINE AGNAS
7. Public Speaking (1PM) Cuyo Gymnasium JOHN VINCENT T. EVIO CLEA MYKA LLAVAN
8. Asian Parliamentary Debate (1PM) Cuyo Gymnasium JOHN VINCENT T. EVIO ERIKA ADIER
9. Vocal Solo (OPM/Foreign) (7PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO JEAN MICHAELA TABANGAY
10. Vocal Solo (Cuyonon) (7PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO ANGELICA BACOMO
11. Kundiman Solo (8PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO JOHN LORENZ BACOMO
12. Vocal Duet (OPM/Foreign) (8PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO REYNA MAE EVINA
13. Vocal Duet (Cuyonon) (9PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO JAMAICA SABENACIO
14. Battle of the Bands (9PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO JERALD BADAJOS
November 1. On-the-spot Mural Painting (7AM) PSU-PCAT Campus JASON L. TORIO JIM RYAN VENTURILLO
20, 2024 2. On-the-spot Acrylic Painting (8AM) Campus field JASON L. TORIO JIM RYAN VENTURILLO
3. Tipano (1PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO REINA LYD CABILDO
4. Bandurria (1PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO JENNY BANTOG
5. Classical Guitar (1PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO SHAINA JAGMIS
6. Violin (1PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO MARK JUSTINE GUIRAY
7. Piano/Organ (1PM) Cuyo Gymnasium MARIE ROSE S. QUEJANO TRISHA MAE ELEAZAR
8. Erekay (7PM) Cuyo Gymnasium ROWENA P. MAGBANUA TRISHA NICOLE VASQUEZ
9. Birso (7PM) Cuyo Gymnasium ROWENA P. MAGBANUA CAMMILE RODRIGUEZ
10. Pinundo-pundo (8PM) Cuyo Gymnasium REY P. AMEDO AXLE ROSS AURELIO
11. Spoken Word Poetry (8PM) Cuyo Gymnasium ROWENA P. MAGBANUA JENNIMIR ROJO
12. Philippine Folkdance (9PM) Cuyo Gymnasium REY P. AMEDO RENIER ROMIALA
13. Comical Skit (9PM) Cuyo Gymnasium ROWENA P. MAGBANUA KATHLEEN JOY LAGAN
November 1. SDG-Related Project Proposal (8AM) QAC/CIMDO JASON L. TORIO JIM RYAN VENTURILLO
21, 2024 2. Photography Contest (1PM) QAC/CIMDO JOHN VINCENT T. EVIO JANINE TABANG
3. Vlogging Contest (1PM) QAC/CIMDO JOHN VINCENT T. EVIO SHAINNA GARCIA
4. Make it reel! Video Reels Making (1PM) QAC/CIMDO JOHN VINCENT T. EVIO SHENYL GRACE TABANGAY
5. Contemporary Dance (7PM) Cuyo Gymnasium REY P. AMEDO JADE NADAYAO
6. Tiktok Dance Challenge (Faculty&Staff) Cuyo Gymnasium REY P. AMEDO E.ANDREA GRASPARIL
7. Stylized Cultural Dance Drama (7PM) Cuyo Gymnasium REY P. AMEDO RONALD REY DANDAL
8. Indakan sa PSU-PCAT (Hiphop) (8PM) Cuyo Gymnasium REY P. AMEDO LUIS ABELARD LEGASPI
9. Bench Cheering (8PM) Cuyo Gymnasium ROWENA P. MAGBANUA MICHAEL JOHN CACATIAN
10. Dance sports (9PM) Cuyo Gymnasium JASON L. TORIO JIM RYAN VENTURILLO
November 1. Barakalan sa PSU-PCAT (Trade Fair PSU-PCAT Grounds JASON L. TORIO JIM RYAN VENTURILLO
22, 2024 Booth Contest) (8AM)
2. Bonfire + selected performances (Hiphop, Control Tower JOHN VINCENT T. EVIO USG/SCAO/SBDT
folkdance, vocals, etc) (7PM)
3. AWARDING CEREMONIES (8PM) Control Tower TWG CORE USG/SCAO/SBDT
4. CLOSING PROGRAM (8PM) Control Tower TWG CORE USG/SCAO/SBDT
5. BURUTUDAN DANCE AND MUSIC Control Tower TWG CORE USG/SCAO/SBDT
FESTIVAL with Battle of the Bands
participants (9PM onwards)
 EVENTS AND COMPETITIONS

Title of Events/Competition Number of Golds

DANCE CATEGORY
Pantigoan sa PSU-PCAT (Streetdancing Competition) 30
Contemporary Dance 10
Indakan sa PSU-PCAT (Hiphop Competition) 16
Philippine Folkdance 15
Pinundo-pundo 6
Tiktok Dance Challenge (Faculty and Staff) 10
Stylized Cuyonon Cultural Dance Drama 15
Total 102
VISUAL ARTS CATEGORY
On-the-spot Poster Making 3
On-the-spot Acrylic Painting 3
Coffee Painting 3
Pencil Drawing 3
Charcoal Rendering (Portrait) 3
Charcoal Rendering (Landscape) 3
Mural Painting 8
Pagkarekedan Festival Photography Contest 6
Pagkarekedan Festival Vlogging Contest 10
Pagkarekedan Festival Make It Reel! Video Reels Making 8
Total 50
MUSIC CATEGORY
Vocal Solo (OPM/Foreign) 3
Vocal Solo (Cuyonon) 3
Kundiman Solo 3
Vocal Duet (OPM/Foreign) 6
Vocal Duet (Cuyonon) 6
Pagkarekedan Festival Battle of the Bands 15
Tipano Contest 3
Bandurria Contest 3
Classical Guitar 3
Violin 3
Piano/Organ 3
Total 51
PERFORMING ARTS CATEGORY
Comical Skit 15
Spoken Word Poetry 3
Bench Cheering Competition 40
Erekay 6
Birso 8
Total 72
SPECIAL CATEGORIES
Public Speaking 3
Essay Writing 3
Asian Parliamentary Debate 9
SDG-Related Project Proposal Contest 20
Pagkarekedan Logo Making Contest 10
Pagkarekedan Mascot Making Contest 10
Barakalan sa PSU-PCAT (A Trade Fair Booth Competition) 20
Total 75

Total Number of Golds 350

JOHN VINCENT T. EVIO
Coordinator, SCAO

REY P. AMEDO
Head Master

KAYLA JOYCE LABRADOR

AXLE ROSS AURELIO
JADE NADAYAO
ELIANE ANDREA GRASPARIL
RENIER ROMIALA
RONALD REY DANDAL
LUIS ABELARD LEGASPI
Assistant Head Masters
Title of Activity: PANTIGOAN SA PSU-PCAT (STREETDANCING COMPETITION)
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Kayla Joyce U. Labrador
Date, Time and Venue: November 18, 2024 | 3PM | PSU-PCAT Control Tower

From the Cuyonon word “antigo”, which means seasoned, knowledgeable or versatile. Pantigoan is a convergence of
skills and talents of the students coming from the different competing teams of this institution showcasing the rich
festivity, culture, heritage and tradition of the Filipinos.

Objective: Streetdancing draws people culture by portraying people’s way of life through movements, expression and
their emotions. It aims to provide fun and increase participation in physical activities to develop camaraderie and
teamwork among dancers. It also aims to develop the skills and ability of the students in the field of streetdancing.

GENERAL GUIDELINES
1. The concept or theme for costume and performance of the competing teams are left to the team’s discretion.
Dance parade steps must be continues/non-stop all throughout the route to facilitate the smooth flow of the
parade.
2. Participants must be students of the team they are representing; the contingent must be within the maximum
of thirty (30) dancers and a minimum of twenty-five (25) dancers.
3. There will be one final judging area for the performance (PSU-PCAT Oval) and two judging areas for the
dance parade (Shell Gasoline Station and in front of CGP Marketing).
4. The recorded musical accompaniment of each team must be played non-stop during the parade. Each team
must provide its own sound system for this purpose.
5. Performance of each team is limited only to a minimum of 8 minutes and maximum of 10 minutes. Choice of
performance music is left to the team’s discretion. However, each competing team is required to incorporate
at least the chorus or part of the Official Pagkarekedan Hymn in their performance.
6. During parade, there will be a two (2) minutes dance exhibition using the Official Pagkarekedan Hymn.
7. They can use any of the traditional, cultural, festival, tribal, indigenous music in the Philippines.
8. CRITERIA FOR JUDGING:
Theme and Concept - 30%
Choreography - 30%
Mastery and Synchronization - 20%
Costume - 10%
Musicality - 10%
Total - 100%
9. Bonus point – since the purpose of Pagkarekedan Festival is for solidarity and unity of the institution, there
will be a one (1) bonus point for the participation of the mayors of the different programs and the program
heads.
10. The winners will be determined based on ranking system. In instances not covered by these rules and
regulations, the Chairman of the Board of Judges is enforced to promulgate decision.
11. Judges’ decision is final.

12. AWARDS AND POINT SYSTEM

Winners of the pantigoan sa PSU-PCAT competition Medal Point System

will receive the following awards:
MINOR AWARDS 1st Place – 25 gold
➢ Best in Costume 2nd Place – 25 silver
➢ Best in Choreography 3rd Place – 25 bronze
➢ Best Dancing Program Mayor
➢ Best Dancing Program Head
MAJOR AWARDS
➢ 3rd Place
➢ 2nd Place
➢ 1st Place
Title of Activity: CONTEMPORARY DANCE COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Jade Nadayao
Date, Time and Venue: November 21, 2024 | 7PM | Cuyo Gymnasium

Contemporary dance is a highly flexible form that lends itself beautifully to allowing students to experience and express
their thoughts and feelings in a way that uniquely represents their individuality, and, moreover, it teaches them to value
and honor those parts of themselves instead of trying to hide or suppress them.

Objective: Because contemporary dance is focused on spontaneity and self-expression, as opposed to choreography
and rigid technique, performers tend to develop better self-awareness, both physical and emotional. It actually helps
build creativity and thought processes that will offer countless advantages and benefits throughout the student’s life
today and in the future. It also helps develop creative thinking, stress reduction, self-expression and social awareness.

GENERAL GUIDELINES
1. The contest piece must be a minimum of four (4) minutes and a maximum of five (5) minutes including
entrance and exit anchoring on the theme “MENTAL HEALTH MATTERS, EVERY MOMENT”.
2. A maximum of twelve (12) and a minimum of eight (8) dancers are allowed to participate.
3. The dance piece should be an original choreography in contemporary form. It should not copy any movements
found in any media source.
4. Soft ballet shoes or pointed shoes may be worn (optional) or dancer may opt to perform barefooted.
5. Sets are not allowed (e.g. risers, back drop, tables, etc.). Hand props may be used (e.g. stick, fan, ring,
umbrella, etc.). Bamboo, wood, steel or plastic pole may be used but must not be more than 2 meters long.
6. The following are strictly not allowed in the performance:
➢ The use of real fighting armor (e.g. sword, knife, guns, arrow, spears, etc.)
➢ The use of any form of liquid (e.g. blood, oil, water, etc.)
➢ The use of fire, candles and any pyrotechnic materials.
➢ Breaking of glass, pots, etc.
➢ The use of confetti either drop of bomb.
➢ Audio visual presentation or screen projection.
7. Costume must be appropriate to the concept of the dance. Skin toned cycling, leggings, or leotards are
allowed. Nudity or toplessness for both male and female is strictly prohibited.
8. Obscene choreography/indecent movements and killing of animals are strictly prohibited. Tossing will not be
allowed.
9. Violation of any of these contest guidelines will result to three (3) points deduction from the total score.
10. Judges’ decision is final.
11. CRITERIA FOR JUDGING:
➢ Choreography and composition - 40%
➢ Performance and expression - 20%
➢ Concept - 20%
➢ Technique and precision of movement - 20%
Total 100%
12. AWARDS AND POINT SYSTEM

Winners of the contemporary dance competition will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 10 gold
Best in Concept 2nd Place – 10 silver
Best in Performance 3rd Place – 10 bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: INDAKAN SA PSU-PCAT (HIPHOP DANCE COMPETITION)
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Luis Abelard V. Legaspi
Date, Time and Venue: November 21, 2024 | 8PM | Cuyo Gymnasium

Hiphop Dance is a fusion of dance disciplines and cultural interpretations from around the country. The dance routine
incorporates the look, music, attitude, posture and street dance style. The most real routine showcase is a variety of
hip hop dance styles, signature moves and choreography conveying the character and energy of the street.

Objectives: Develop a strong understanding of Hip-Hop vocabulary and technique, demonstrating comprehension of
major principles through in-class practice, and self-evaluations. Make a personal connection to dance by exploring their
own folkloric and cultural dance or dance cultures in which they identify.

GENERAL GUIDELINES
1. Groups are permitted to mix and bring music of their choice on a standard CD/MP3 FILE of Original Pilipino
Music (OPM).
2. The contest piece must be four (4) minutes but not more than six (6) minutes
3. A maximum of twenty (20) and a minimum of twelve (12) dancers are allowed to participate.
4. Groups should include in their performance a broad selection of street dance styles (locking, popping,
bboying/bgirling (breaking), waacking/punking, vogueing, house dance, party dances or club –popular or
trendy dances- hip hop dance/choreography, krumping, steeping/gumboots, dancehall) without excessive use
of the same move or pattern. A varied range of styles should be shown in the choreography of arm, leg and
body movement. No body drop is allowed and all lifting should be supported.
5. Attire may include accessories such hats, caps, gloves, scarves, jewelries, etc. Removing pieces of clothing
during the performance is allowed provided it is not offensive or out of character. Appropriate clothing should
be observed in the competition.
6. Sets are not allowed (e.g. risers, back drop, tables, etc.). Hand props may be used (e.g. stick, fan, ring,
umbrella, etc.). Bamboo, wood, steel or plastic pole may be used but must not be more than 1 meter long.
7. Any move where the competitors’ weight is solely on the neck/head i.e. head spins, head stands, tumbling
and tossing, etc. is not allowed.
8. Lifting is allowed up to the second level.
9. Music should not contain obscene lyrics or words.
10. Performers should not wear any identifying marks of their team.
11. A violation of any of the ground rules will be subjected to disqualification.
12. CRITERIA FOR JUDGING:
➢ Choreography and Composition - 40%
➢ Performance and Expression - 20%
➢ Concept - 20%
➢ Technique and Precision of Movement - 20%
Total - 100%
13. Judges’ decision is final and irrevocable.

14. AWARDS AND POINT SYSTEM

Winners of the HipHop Dance competition will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 16 gold
Best in Concept 2nd Place – 16 silver
Best in Performance 3rd Place – 16 bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: PHILIPPINE FOLKDANCE COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Renier Romiala
Date, Time and Venue: November 20, 2024 | 9PM | Cuyo Gymnasium

Folkdance is a way for people to express, share, and connect with their own traditional culture. It keeps a culture of
people alive, by sharing and teaching younger generations the dances. Folkdance keeps the history of people alive as
well. In the Philippines, folk dance is a strong and enduring indigenous expression. The history of Philippine folk dancing
incorporates influences from immigrants and conquerors while at the same time maintaining distinctly Filipino roots.

Objectives: To foster patriotism and nationalism and arouse better appreciation of Philippine music and folkdances. It
also aims to develop a graceful and rhythmic coordination of body movements.

GENERAL GUIDELINES
1. The dancers for each group should not be less than four (4) pairs. Each competing team must have one (1)
entry.
2. The allotted time of performance for each group is 5 minutes including entrance and exit.
3. Costumes will be appropriate to the dance. Refer to the dance literature for proper guidance. Two (2) points
deduction will be imposed to the team that will violate this rule.
4. Participants must provide to the committee the background or history of the selected dance piece.
5. Official contest piece:
➢ Any skilled Philippine folkdances (Rural, Upland Christian, Indigenous, Muslim, Lumad and
Cordilleras)
6. CRITERIA FOR JUDGING:
➢ Interpretation - 20%
➢ Staging - 20%
➢ Performance - 30%
➢ Costume and Props - 10%
➢ Precision of movement - 10%
➢ Musicality - 10%
Total - 100%

7. AWARDS AND POINT SYSTEM

Winners of the folkdance competition will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 15 gold
Best in Costume 2nd Place – 15 silver
Best in Staging 3rd Place – 15 bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: PINUNDO-PUNDO CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Axle Ross Aurelio
Date, Time and Venue: November 20, 2024 | 8PM | Cuyo Gymnasium

Pinundo-pundo literally means “to anchor”, it is a traditional wedding dance in Cuyo Island. The dance was customarily
performed by newlywedded couple. On the later days the pinundo-pundo become an entertainment dance performed
in a social gathering by a pair of a boy and a girl.

Objectives: Heritage is our legacy from the past, what we live with today, and what we pass on to future generations.
Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Incorporating our traditional
practices as Cuyonon in this year’s Intramural Meet is a landmark initiative of this institution to instill to the minds of the
students the importance of cultural appreciation and promotion.

GENERAL GUIDELINES:
1. There shall be one entry in each team.
2. In each team, there will be one (1) male dancer and one (1) female dancer to perform pinundo-pundo.
3. The partner should execute the three (3) integral parts of the dance: Pasikat – the dance of the groom while
the bride stays on the left side, Bales – constitutes the dance of the bride, executing a very graceful sway
while holding white handkerchief, and lastly, Soring or Soriano – in which the groom and the bride dances
together.
4. The committee will provide the official music for the dance.
5. Appropriate costume must be worn by the dancers.
6. CRITERIA FOR JUDGING:
Execution of steps - 30%
Performance and Gracefulness - 30%
Musicality - 20%
Entertainment Quality - 20%
Total 100%

7. AWARDS AND POINT SYSTEM

Winners of the pinundo-pundo contest will receive Medal Point System

the following awards:
MINOR AWARDS 1st Place – 6 gold
Best in Costume 2nd Place – 6 silver
Best in Choreography 3rd Place – 6 bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: TIKTOK DANCE CHALLENGE (Faculty and Staff edition)
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Elaine Andrea D. Grasparil
Date, Time and Venue: November 21, 2024 | 8PM | Cuyo Gymnasium

A TikTok dance is a short, fast choreography set to a catchy snippet of a song. Dance challenges are also popular on
TikTok, where creators come up with choreography based on a certain song and challenge their followers to participate.
In this competition, each group is allowed to make a mash-up of different tiktok dance craze according to their concept
and performance. Tiktokers will present their performance in actual not in an online application.

Objective: To showcase the talents and skills of PSU-PCAT Faculty and Staff to add to enjoyment during the celebration
of the 2024 Pagkarekedan Festival.

GENERAL GUIDELINES
1. The competition is open to all faculty and staff represent their respective teams.
2. The dance presentation is limited to a minimum of 3 minutes and a maximum of 5 minutes per group
excluding entrance and exit.
3. The composition of each group must be six (6) participants and above.
4. Any costumes may be used as long as it is appropriate to the dance performance.
5. Props may be used but not necessary.
6. Draw lots will determine the flow of performance.
7. CRITERIA FOR JUDGING:
Performance and Choreography - 30%
Originality, Artistry and Creativity - 20%
Mastery and Coordination - 20%
Costume - 10%
Projection and Expression - 20%
Total - 100%

8. AWARDS AND POINT SYSTEM

Winners of the tiktok dance challenge will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 10 gold
Best Tiktoker 2nd Place – 10 silver
Best in Costume 3rd Place – 10 bronze
Best in Choreography
MAJOR AWARDS
Champion
1st Runner Up
2nd Runner Up
3rd Runner Up
Title of Activity: STYLIZED CULTURAL DANCE DRAMA
SCAO Coordinator: John Vincent T. Evio
Head Master: Rey P. Amedo
Assistant Head Master: Ronald Rey Dandal
Date, Time and Venue: November 21, 2024 | 7PM | Cuyo Gymnasium

It is a fusion of various genres such as Philippine folkdance steps or cultural dance steps, indigenous dance steps,
highly stylized and modernized, classical and dramatic actions using OPM retro and popular music. This popular dance
is being danced in several competitions in the Visayas using props and other dance properties relevant to the concept
of the performance.

Objectives: To instill to the mind and heart of the competing students that there are variety of ways to appreciate
Philippine folkdances, merely, in the contemporary times, we stylized folk/cultural dance drama depicting the culture
and tradition of a certain place in the Philippines.

GENERAL GUIDELINES
1. The competition is open to all competing teams in the Pagkarekedan Festival.
2. Each participating team can submit only one (1) entry.
3. There shall be a minimum of eight (8) and a maximum of sixteen (16) performers.
4. Narration is strictly not allowed. This competition is designed for each entry to tell a story revolving around the
theme of song through dancing.
5. No dangerous props/stunts allowed.
6. Performance must revolve within folkdance steps, cultural dance steps, indigenous dance steps, highly
stylized and modernized, classical and dramatic actions.
7. The performance shall not exceed six (6) minutes including entrance and exit.
8. Music must be one straight OPM retro or pop music. Participating teams are free to choose from the given
songs below:
a. Manila girl; h. Estudyante blues;
b. Bongga ka day; i. Nosi balasi;
c. Bagani; j. Banyo queen;
d. Piliin mo ang Pilipinas k. Idana;
e. Awitin mo, isasayaw ko; l. Kanta Pilipinas;
f. Sumayaw, sumunod; m. Shine, Pilipinas!;
g. Bonggahan; n. Amakabogera.
9. Costume must be appropriate to the concept of the dance. Participating teams can use balintawak,
maria clara, baro’t saya, kimona’t patadyong, barong and the likes.
10. Violation of any of these contest guidelines will result to three (3) points deduction from the total score.
11. Judges’ decision is final.
12. CRITERIA FOR JUDGING:
Interpretation and Production Quality - 30%
Performance - 20%
Production Design - 20%
Musicality and Over All Impact - 10%
Mastery and Choreography - 20%
Total - 100%

13. AWARDS AND POINT SYSTEM

Winners of the stylized cultural dance drama will Medal Point System
receive the following awards:
MINOR AWARDS 1st Place – 15 gold
Best in Production Design 2nd Place – 15 silver
Best in Choreography 3rd Place – 15 bronze
Best in Storyline
MAJOR AWARDS
3rd Place
2nd Place
1st Place
 JOHN VINCENT T. EVIO
Coordinator, SCAO

JASON L. TORIO
Head Master

JIM RYAN V. VENTURILLO

ALL USG OFFICERS
JANINE TABANG
SHAINNA GARCIA
SHENYL GRACE TABANGAY
Assistant Head Masters
 Title of Activity: ON-THE-SPOT POSTER MAKING CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 19, 2024 | 8AM | Room 202 | Cong. Abordo Bldg.

Poster making is the process of creating visual displays on paper or digital formats, typically for promotional,
informational, or artistic purposes. It involves combining text, images, and other elements to convey a message,
promote an event, or convey information in an eye-catching and informative manner.

Objective: To encourage participants to showcase their creativity and artistic talents while effectively conveying a
specific message, theme, or idea through visually appealing and impactful posters. It serves as a platform for artists
and designers to express themselves and engage with a wider audience, fostering creativity and raising awareness
about the contest's subject or theme.

GENERAL GUIDELINES:

1. The headmaster will give the theme of the poster before the contest begins.
2. Each team must have two (2) representatives to participate, and every participant must submit only one (1) entry.
3. The contest duration is for a period of three (3) hours.
4. Materials to be used are the following: ¼ size illustration board (vertical format) and oil pastels.
5. Word/text can be incorporated in the poster as long as it will not exceed to a maximum of 10 words.
6. Finished output must not contain any malicious and offensive content.
7. Artworks will be displayed in an exhibit at the façade of the University Student Government Office for public
viewing and will be posted at the official fb page of Palawan State University-PCAT University Student
Government for online voting (Shares & Reactions).
8. Proper labeling for recognition will be given: Artist’s name, team name and coach.
9. Only the contestants are allowed in the contest venue.
10. Deduction of one (1) point for every violation of the aforementioned guidelines.
11. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept 30%
● Objective/Intent
● Knowledge of the Subject Matter
● Relevance to the theme
Techniques 30%
● Mastery of Specific Skills and Utilization of Media
Composition and Creativity 30%
● Organization of Visual space and over-all impact
● Conveys a message to its audience in a unique way.
Viewers impact based on Facebook reactions and Shares 10%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the Poster-Making Contest will receive the following awards: Medal Point System

MINOR AWARDS 1st Place - 3 Golds

Best in Concept 2nd Place - 3 Silvers
Best in Composition and Creativity 3rd Place - 3 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: ON-THE-SPOT ACRYLIC PAINTING
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 20, 2024 | 8AM | Campus field

Poster making is the process of creating visual displays on paper or digital formats, typically for promotional,
informational, or artistic purposes. It involves combining text, images, and other elements to convey a message,
promote an event, or convey information in an eye-catching and informative manner.

Objective: To encourage participants to showcase their creativity and artistic talents while effectively conveying a
specific message, theme, or idea through visually appealing and impactful posters. It serves as a platform for artists
and designers to express themselves and engage with a wider audience, fostering creativity and raising awareness
about the contest's subject or theme.

GENERAL GUIDELINES:
1. The headmaster will decide for the subject and will be given on the day of the contest.
2. The contestant must bring his/her own canvas, painting brushes, easel, mixing plate/palette and rugs. Any
kind of brush will be allowed.
3. Each team must have one (1) representative to participate, and every participant must submit only one (1)
entry.
4. The contestant will use water-based paint (acrylic). Materials will be provided by the participants. Only the
three primary colors (red, blue and yellow) and two neutral colors (black and white) shall be allowed.
5. Mixing colors is allowed.
6. The contestants will use the 15” x 20” canvas.
7. The contest duration is for a period of four (4) hours. Only the contestants are allowed in the contest venue.
8. Proper labeling for recognition will be given: Artist’s name, team name and coach.
9. Artworks will be displayed in an exhibit at the façade of the University Student Government Office for public
viewing and will be posted at the official fb page of Palawan State University-PCAT University Student
Government for online voting (Shares & Reactions).
10. Deduction of one (1) point for every violation of the aforementioned guidelines.
11. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept 30%
• Creativity/Uniqueness
• Originality
• Expression
Techniques 30%
● Clarity of the Subject
● Artistic merit
Composition 30%
● Organization of Visual space and over-all impact
Viewers impact based on Facebook reactions and Shares 10%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the on-the-spot acrylic painting will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place - 3 Golds
Best in Concept 2nd Place - 3 Silvers
Best in Composition 3rd Place - 3 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: COFFEE PAINTING
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 19, 2024 | 8AM | Room 203 | Cong. Abordo Bldg.

Coffee painting is a form of art where coffee, usually in various concentrations, is used as a painting medium to
create images or designs on paper or canvas.

Objective: The objective of coffee painting is to create visually appealing artwork using coffee as the primary medium.
Artists aim to achieve various effects, tones, and textures with coffee to convey their artistic vision, often focusing on
themes, compositions, and subjects of their choice.

GENERAL GUIDELINES:
1. The head master will decide for the theme.
2. Each team must have two (2) representatives to participate, and every participant must submit only one (1)
entry.
3. Participants must prepare A4 vellum paper, brushes, pencil, and coffee as the main tool. Ballpoint pen,
markers, and other coloring materials aside from coffee are NOT ALLOWED.
4. The participants have three (3) hours to finish their entry.
5. Participants must prepare a piece of cloth, tissues, or wipes in the competition.
6. Artworks will be displayed in an exhibit at the façade of the University Student Government Office for public
viewing and will be posted at the official fb page of Palawan State University-PCAT University Student
Government for online voting (Shares & Reactions).
7. Proper labeling for recognition will be given: Artist’s name, team name and coach.
8. Deduction of one (1) point for every violation of the aforementioned guidelines.
9. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept 30%
• Creativity/Uniqueness
• Originality
• Expression
Techniques 30%
● Clarity of the Subject
● Artistic merit
Composition 30%
● Organization of Visual space and over-all impact

Viewers impact based on Facebook reactions and Shares 10%

Total 100%

AWARDS AND POINT SYSTEM

Winners of the Coffee Painting Contest will receive the following Medal Point System
awards:
MINOR AWARDS 1st Place - 3 Golds
Best in Concept 2nd Place - 3 Silvers
Best in Composition 3rd Place - 3 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: PENCIL DRAWING
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 19, 2024 | 8AM | Room 204 | Cong. Abordo Bldg.

Pencil drawing is a form of visual art in which graphite or lead pencils are used to create images, designs, or illustrations
on paper or other surfaces. It involves creating various tones, shades, and details through the application of pencil
strokes and shading techniques.

Objective: The objective of pencil drawing is to visually represent the subjects, scenes, or concepts with a high degree
of detail, realism, or artistic expression using graphite or charcoal pencils. Artists use a variety of techniques to capture
form, texture, and depth, conveying their ideas, emotions, or observations through the medium of pencil on paper or
other surfaces.

GENERAL GUIDELINES:
1. Materials will be provided by the contestants.
2. Each team must have two (2) representatives to participate, and every participant must submit only one (1) entry.
3. The contestants must use a ¼ illustration board, Steadler/Rotring pencil from 2H/3H, B/2B and/or 5B/6B.
4. Charcoal Pencil, art gunner or equivalent, brush, cotton, tissue paper, sandpaper, pantograph and air brush are
not allowed.
5. Smudging is also not allowed.
6. The board of Judges will decide for the Still life subject.
7. The contest duration is for a period of four (4) hours.
8. Only the contestants are allowed in the contest venue.
9. Artworks will be displayed in an exhibit at the façade of the University Student Government Office for public
viewing and will be posted at the official fb page of Palawan State University-PCAT University Student
Government for online voting (Shares & Reactions).
10. Proper labeling for recognition will be given: Artist’s name, team name and coach.
11. Deduction of one (1) point for every violation of the aforementioned guidelines.
12. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept 30%
● Objective/Intent
● Knowledge of the Subject Matter
● Similarity or Likeness
Techniques 30%
● Mastery of Specific Skills and Utilization of Media
Composition 30%
● Organization of Visual space
Viewers impact based on Facebook reactions and Shares 10%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the Pencil Drawing Contest will receive the following Medal Point System
awards:
MINOR AWARDS 1st Place - 3 Golds
Best in Concept 2nd Place - 3 Silvers
Best in Composition 3rd Place - 3 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: CHARCOAL RENDERING (PORTRAIT)
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 19, 2024 | 8AM | Room 201 | Cong. Abordo Bldg.

Charcoal rendering for portraits is a technique of creating a visual representation of a person's face or head using
charcoal as the primary drawing medium. This approach emphasizes the use of charcoal's unique properties to convey
details, textures, and emotions, resulting in a distinctive and often dramatic depiction of the subject.

Objective: The primary objectives of charcoal rendering for portraits are to capture a realistic likeness of the subject,
convey emotions and character, and utilize charcoal's expressive qualities for texture and depth in a visually compelling
composition and to develop the artistry and creativity of the students in visual arts.

GENERAL GUIDELINES:
1. Materials will be provided by the contestants.
2. Each team must have one (1) representative to participate, and every participant must submit only one (1) entry.
3. Pantograph, air brush, ruler, and the like are not allowed. (all types of brush is not allowed)
4. Medium: participants may use charcoal pencils, sticks, powdered charcoal or any charcoal related materials.
5. Participants will use ¼ illustration board and may use erasers, wipes, tissue paper, or smudging tools.
Pantograph, air brush, ruler, and the like are not allowed.
6. Smudging is allowed only when done using the contestant’s hands and/or fingers.
7. All contestants will be given a portrait picture individually by the headmaster during the contest proper.
8. The contest duration is for a period of four (4) hours.
9. Only the contestants are allowed in the contest venue.
10. Only the contestants are allowed in the contest venue.
11. Artworks will be displayed in an exhibit at the façade of the University Student Government Office for public
viewing and will be posted at the official fb page of Palawan State University-PCAT University Student
Government for online voting (Shares & Reactions).
12. Proper labeling for recognition will be given: Artist’s name, team name and coach.
13. Deduction of one (1) point for every violation of the aforementioned guidelines.
14. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept 30%
● Objective/Intent
● Knowledge of the Subject Matter
● Similarity or Likeness
Techniques 30%
● Mastery of Specific Skills and Utilization of Media
Composition 30%
● Organization of Visual space
Viewers impact based on Facebook reactions and Shares 10%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the Charcoal Rendering (Portrait) will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place - 3 Golds
Best in Concept 2nd Place - 3 Silvers
Best in Composition 3rd Place - 3 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: CHARCOAL RENDERING (LANDSCAPE)
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 19, 2024 | 8AM | Room 206 | Cong. Abordo Bldg.

Charcoal rendering is a visual art technique that involves creating drawings or renderings using charcoal as the primary
medium. Charcoal is known for its expressive and dramatic qualities, making it a popular choice for artists. Charcoal
rendering typically results in grayscale or monochromatic artwork with a wide range of values from deep blacks to
delicate grays.

Objective: To encourage students to showcase their talents and artistic skills using only found objects, especially
charcoal. Charcoal rendering in landscape art aims to capture realism, convey mood and atmosphere, explore contrast
and texture, enhance composition, express personal interpretation, develop artistic skills, and potentially tell a story or
convey a message.

GENERAL GUIDELINES:
1. Materials will be provided by the contestants.
2. Each team must have one (1) representative to participate, and every participant must submit only one (1) entry.
3. Pantograph, air brush, ruler, and the like are not allowed. (all type of brush is not allowed)
4. Medium: participants may use charcoal pencils, sticks, powdered charcoal or any charcoal related materials.
5. Participants will use ¼ illustration board and may use erasers, wipes, tissue paper, or smudging tools. Pantograph,
air brush, ruler, and the like are not allowed.
6. Smudging is allowed only when done using the contestant’s hands and/or fingers.
7. All contestants will be given a landscape picture individually by the headmaster during the contest proper.
8. The contest duration is for a period of four (4) hours. Only the contestants are allowed in the contest venue.
9. Artworks will be displayed in an exhibit at the façade of the University Student Government Office for public viewing
and will be posted at the official fb page of Palawan State University-PCAT University Student Government
for online voting (Shares & Reactions).
10. Proper labeling for recognition will be given: Artist’s name, team name and coach.
11. Deduction of one (1) point for every violation of the aforementioned guidelines.
12. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept 30%
● Objective/Intent
● Knowledge of the Subject Matter
● Similarity or Likeness
Techniques 30%
● Mastery of Specific Skills and Utilization of Media
Composition 30%
● Organization of Visual space
Viewers impact based on Facebook reactions and Shares 10%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the Charcoal Rendering (Landscape) will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place - 3 Golds
Best in Concept 2nd Place - 3 Silvers
Best in Composition 3rd Place - 3 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: ON-THE-SPOT MURAL PAINTING
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 20, 2024 | 7:00AM | PSU-PCAT Campus

Mural paintings are a form of visual expression that has been practiced since ancient times. Murals, unlike standard
canvas paintings, are often painted on surfaces such as walls, ceilings, or even floors, blending in with the space's
architectural components. They provide three functions: storytelling, ornamentation, and communication.

Objective: The contest aims to promote tourism on the island of Cuyo by having artists create murals reflecting the
area's top tourist spots. Furthermore, it captures attention, grounds the design, and sets the tone for the entire space.

GENERAL GUIDELINES:
1. Materials will be provided by the contestants.
2. Each team must have one (1) representative consisting of three-five members to participate, and every team
must submit only one (1) entry.
3. The mural painting will be done at the concrete fence of PSU-PCAT Campus. Wall assignment per team will
be determined thru a draw lots on the day of the contest.
4. The wall size to be painted will be announced on a later date.
5. Artwork should anchor or based in the theme “Cuyo Island’s Hidden Treasure.”
6. The mural artwork must be original and must not have been an entry to any art-related competition.
7. The contest duration is for a period of five (5) hours.
8. All mural entries shall be considered as property of the PSU-PCAT with proper credit to the artist.
9. Proper labeling for recognition will be given: Artist’s name, team name and coach.
10. Artworks will be posted on the official fb page of Palawan State University-PCAT University Student
Government for online voting (Shares & Reactions).
11. Deduction of one (1) point for every violation of the aforementioned guidelines.
12. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Originality and Creativity 30%
Interpretation and Clarity of the Theme 30%
Quality of the artistic composition and overall design based on the theme 30%
Viewers impact based on Facebook reactions and Shares 10%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the Mural Painting will receive the following awards: Medal Point System
MINOR AWARDS 1st Place - 8 Golds
Best in Originality and Creativity 2nd Place - 8 Silvers
MAJOR AWARDS 3rd Place - 8 Bronze
3rd Place
2nd Place
1st Place
Title of Activity: PAGKAREKEDAN FESTIVAL PHOTOGRAPHY CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: John Vincent T. Evio
Assistant Head Master: Janine Tabang
Date, Time and Venue: November 21, 2024 | 1PM | QAC/CIMDO

Photography is the art and practice of capturing images, typically using a camera or other light-sensitive devices, to
create visual representations of subjects, scenes, or moments. It involves the use of various techniques, equipment,
and creativity to produce still or moving images that convey stories, emotions, and aesthetics.

Objective: The primary objective of photography is to capture and convey visual stories, emotions, and information
through images. Photographers use their skills and creativity to document moments, express artistic visions, inform,
entertain, or communicate ideas. Photography serves a wide range of purposes, including personal expression,
journalism, advertising, scientific documentation, and more.

GENERAL GUIDELINES
1. The contestant will use digital camera (DSLR/Mirrorless).
2. The picture/photo must be taken/shot by the contestant.
3. Photographs must be captured during the Pagkarekedan Festival 2024.
4. Photographs should be in digital format/file. The committee will not accept print or film submissions for the
initial screening of the entries.
5. Photographs to be submitted should have no watermark. There should be no identifying mark on the images
to eliminate any bias during the judging period.
6. Photo entries should be in high-resolution with at least 300 DPI. (IMAGE SHOULD BE LANDSCAPE IN
ORIENTATION).
7. Each team should have only one [1] entry
8. The submitted image must be a single work of original material created and taken solely by the photo contest
participant.
9. Entries will be displayed in an exhibit at the façade of the Socio-Cultural Affairs Office for public viewing and
will be posted at the fb page of Socio-Cultural Affairs Office SCAO for online voting.
10. The following photographs or images are disqualified:
➢ Photographs that have been previously submitted or have won in any local or international photography
contest.
➢ Photographs that have been altered and have undergone post-processing.
➢ Photographs that violate a person’s rights including, but not limited to copyright and privacy.
➢ Photographs that contain obscene, sexually explicit, offensive or any other objectionable or inappropriate
content.
➢ Photographs bearing images of public officials.
11. The judges’ decision is final and irrevocable.
12. CRITERIA FOR JUDGING:
Content and Relevance to the Theme - 40%
Artistic Value and Communication Potential of the Image - 20%
Technical Excellence and Quality - 30%
Online Voting - 10%
TOTAL - 100%

13. AWARDS AND POINT SYSTEM

Winners of the photography competition will receive Medal Point System

the following awards:
MINOR AWARDS 1st Place – 6gold
Pagkarekedan Festival Photographer of the 2nd Place – 6 silver
Year 3rd Place – 6 bronze
Online Votes Award
MAJOR AWARDS
1st Place
2nd Place
3rd Place
Title of Activity: PAGKAREKEDAN FESTIVAL VLOGGING CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: John Vincent T. Evio
Assistant Head Master: Shainna Garcia
Date, Time and Venue: November 21, 2024 | 1PM | QAC/CIMDO

Vlogging, short for "video blogging," is a form of online content creation where individuals or creators use video to
share their thoughts, experiences, opinions, or document their daily life. Vloggers typically post their videos on platforms
like YouTube and facebook and often engage with their audience through video diaries, travelogues, tutorials, or other
video-based content.

Objective: The primary objective of vlogging is to connect with an audience by creating engaging video content that
entertains, educates, informs, or shares personal experiences and insights. Vloggers aim to build the connections with
audience. It aims to document the activities of the festival through a video blogging and develop the creativity of the
students in this form of art expression.

GENERAL GUIDELINES:
1. The vlog entries must be in Cuyonon language.
2. There should be one vlogger in each team.
3. The vlog shall tell stories of the students during Pagkarekedan Festival (it shall highlight the opening parade,
Barakalan sa PSU-PCAT and Night Activities) or express opinion about the activities and should start at telling
the meaning of the Cuyonon word “Kareked” which means to bind something using a string, straw or rope. To
“Kareked” means to tighten the bond further and make it stronger. It signifies unity and solidarity among
PalSU-PCAT Community.
4. Clips may be shot inside and outside the campus depending on the concept of the story.
5. Entries containing dirty, foul and offensive language are subject to immediate disqualification.
6. The vlogs should be in landscape orientation and at least 1080 HD resolution. Vlog entries must not be more
than four (4) minutes.
7. The Pagkarekedan Hymn shall be the ONLY music that can be used by the vlogger/production team.
8. Entries will be posted in the official FB page of the Socio-Cultural Affairs Office.
9. The vlog entries will be judged on the basis of their compelling visuals, and impressions they convey to their
audiences.
10. Deadline of submission of entry will be on November 21, 2024, 9AM, at the Socio-Cultural Affairs Office.
11. The judges’ decision is final and irrevocable.
12. In detail, the vlog entries will be judged based on the following criteria:
CRITERIA FOR JUDGING:
➢ Video Production - 30%
➢ Overall Impressions - 20%
➢ Entertainment Quality - 20%
➢ Clarity of Expression - 20%
➢ Online Votes - 10%
Total - 100%

13. AWARDS AND POINT SYSTEM

Winners of the vlogging competition will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 10 gold
Best in Video Editing 2nd Place – 10 silver
Best in Musical Scoring 3rd Place – 10 bronze
Online Votes Award
MAJOR AWARDS
1st Place
2nd Place
3rd Place
Title of Activity: PAGKAREKEDAN FESTIVAL MAKE IT REEL! VIDEO REELS MAKING COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: John Vincent T. Evio
Assistant Head Master: Shenyl Grace A. Tabangay
Date, Time and Venue: November 21, 2024 | 1PM | QAC/CIMDO

𝐌𝐀𝐊𝐄 𝐈𝐓 𝐑𝐄𝐄𝐋! 𝐕𝐈𝐃𝐄𝐎 𝐑𝐄𝐄𝐋𝐒 𝐂𝐎𝐌𝐏𝐄𝐓𝐈𝐓𝐈𝐎𝐍

Showcasing your creativity in capturing unforgettable moments this Intramural Meet and Pagkarekedan festival 2023!

Objective: The objective of a reel video, often seen on social media platforms like Instagram or TikTok, is to showcase
a short, engaging, and visually compelling compilation of content that highlights a specific theme, talent, or creative
expression. It's a way to capture viewers' attention quickly and leave a lasting impression in a brief video format. Also,
it serves as a documentation of the Pagkarekedan Festival 2024.

GENERAL GUIDELINES:
1. The reel must be taken during the event: Pagkarekedan Festival 2024. It should depict the active participation
of each team in every activity of the Socio-Cultural Affairs Office/SCAO, Sports Office and the University
Student Government.
2. The reel must be an original creation. Plagiarized content led to disqualification.
3. The video should not exceed 60 Seconds.
4. Each team must submit only one entry.
5. Any offensive, name-calling, derogatory remarks, and/or regional slang towards any person or community
should not be used.
6. Please use Cuyonon language for the reels.
7. The Pagkarekedan Hymn shall be the ONLY music that can be used by the vlogger/production team.
8. As per Reel format, the video should be made vertically and not horizontally.
9. Deadline of submission of entry will be on November 21, 2024, 9AM, at the Socio-Cultural Affairs Office.
10. The judges’ decision is final and irrevocable.
11. CRITERIA FOR JUDGING:
Video Production - 40%
Content and Relevance to the theme - 30%
Entertainment Quality - 20%
Online Engagements - 10%
Total 100%
12. AWARDS AND POINT SYSTEM

Winners of the video reels competition will receive Medal Point System
the following awards:
MINOR AWARDS 1st Place – 8 gold
Best in Video Editing 2nd Place – 8 silver
Best in Musical Scoring 3rd Place – 8 bronze
Online Votes Award
MAJOR AWARDS
1st Place
2nd Place
3rd Place
 JOHN VINCENT T. EVIO
Coordinator, SCAO

MARIE ROSE S. QUEJANO

Head Master

JEAN MICHAELA TABANGAY

ANGELICA BACOMO
JOHN LORENZ BACOMO
REYHNA MAE EVINA
JAMAICA SABENACIO
JERALD BADAJOS
REINA LYD CABILDO
JENNY BANTOG
SHAINA JAGMIS
MARK JUSTINE GIRAY
TRISHA MAE ELEAZAR
Assistant Head Masters
Title of Activity: VOCAL SOLO (OPM or Foreign Song)
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Jean Michaela A. Tabangay
Date, Time and Venue: November 19, 2024 | 7PM | Cuyo Gymnasium

Vocal Solo is the act of producing musical sounds with the voice and augments regular speech using sustained tonality,
rhythm, and a variety of vocal techniques.

Objective: The "Vocal Solo (OPM/Foreign Song)" competition aims to give aspiring and gifted vocalists a stage on
which to demonstrate their singing abilities, celebrate their love of music, and foster artistic expression. This contest
promotes healthy competition and individual development while encouraging competitors to showcase their distinctive
voice abilities.

GENERAL GUIDELINES:
1. One (1) participant in each team will be entertained.
2. The contestant shall sing straight published Original Pilipino Music (OPM) songs or foreign songs.
Rearrangement or revival of an OPM song or adaptations from foreign compositions is allowed.
3. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live accompaniment shall not
be allowed. Soft/electronic copy (MP3/MP4 format) shall be provided to the committee prior to the contest for
compilation.
4. Delivery of each piece is for 3-5 minutes.
5. The judges’ decision is final and irrevocable.
6. CRITERIA FOR JUDGING:
Tone quality and enunciation - 30%
Stage presence - 20%
Pitch accuracy - 15%
Deportment - 10%
Rhythm and timing - 10%
Overall Performance: - 15%
Total - 100%

1. AWARDS AND POINT SYSTEM

Winners of vocal solo competition (OPM/Foreign) will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 3
Conquering Performance of the Night 2nd Place – 3
Best Singer 3rd Place – 3
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: VOCAL SOLO (Cuyonon Song)
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Angelica Bacomo
Date, Time and Venue: November 19, 2024 | 7PM | Cuyo Gymnasium

Vocal Solo is the act of producing musical sounds with the voice and augments regular speech using sustained tonality,
rhythm, and a variety of vocal techniques.

Objective: The "Vocal Solo (Cuyonon)" competition aims to give aspiring and gifted Cuyonon vocalists/singers a stage
on which to demonstrate their singing abilities, celebrate their love of music, and foster artistic expression. This contest
promotes healthy competition and individual development while encouraging competitors to highlight their distinctive
voice abilities. It also promotes the rich cultural heritage of the Cuyonon people.

GENERAL GUIDELINES:
1. One (1) participant in each team will be entertained.
2. The contestant shall sing straight Original Cuyonon songs. Rearrangement or revival of a Cuyonon song or
adaptations is allowed. Revival or adaptations from foreign compositions is disallowed.
3. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live accompaniment shall not
be allowed.
4. Soft/electronic copy (MP3/MP4 format) shall be provided to the committee prior to the contest for compilation.
5. Delivery of each piece is for 3-5 minutes.
6. The judges’ decision is final and irrevocable.
7. CRITERIA FOR JUDGING:
Tone quality and enunciation - 30%
Stage presence - 20%
Pitch accuracy - 15%
Deportment - 10%
Rhythm and timing - 10%
Overall Performance: - 15%
Total - 100%

8. AWARDS AND POINT SYSTEM

Winners of vocal solo competition (Cuyonon) will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 3
Conquering Performance of the Night 2nd Place – 3
Best Singer 3rd Place – 3
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: KUNDIMAN SOLO
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: John Lorenz C. Bacomo
Date, Time and Venue: November 19, 2024 | 8PM | Cuyo Gymnasium

GENERAL GUIDELINES
1. The song shall be one straight KUNDIMAN.
2. Transposition is NOT allowed.
3. Piano should be the accompaniment only.
4. Appropriate Filipiniana attire is required.
5. Judges’ decision is final and irrevocable.
6. The following is the list of the Kundiman Songs:
a. Ako’y Ibong Sawi by Buencamino
b. Madaling Araw by Nicanor Abelardo
c. Kung Hindi Man ni Nicanor Abelardo
d. Nasaan Ka Irog? Ni Narciso Asistio
e. Malungkot ang Maya by Jose Estrella
f. Pakiusap ni Francisco Santiago g. Kundiman by Abdon
h. Kundiman ng Luha i. Ang Aking Bayan by San Pedro
j. Bayan ko (Ako ay Pilipino)
k. Kundiman (Ako’y Anak ng Dalita) by Santiago
l. Pahiwatig
7. Non-compliance with the guidelines will mean disqualification.
8. The judges’ decision is final and irrevocable.
9. CRITERIA FOR JUDGING:
Tone quality and enunciation - 30%
Stage presence - 20%
Musicianship - 15%
Deportment - 10%
Rhythm and timing - 10%
Overall Performance: - 15%
Total - 100%

10. AWARDS AND POINT SYSTEM

Winners of kundiman solo will receive the following Medal Point System
awards:
MINOR AWARDS 1st Place – 3
Conquering Performance of the Night 2nd Place – 3
Best Singer 3rd Place – 3
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: VOCAL DUET (OPM or Foreign song)
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Reyna Mae Evina
Date, Time and Venue: November 19, 2024 | 8PM | Cuyo Gymnasium

A vocal duet is a musical work for two singers, with high voice/low voice combination working best. There are three
basic types of vocal duets. The simplest form is isorhythmic, where one part sings a melody and the other part sings
in harmony, with both parts moving together in pretty much the same rhythm.

Objectives: The "Vocal Duet (OPM/Foreign Song)" competition aims to give gifted singers a stage on which to display
their vocal harmonies and duet performances. This competition strives to highlight the synergy and connection between
two vocalists as they produce beautiful music in pairs, celebrating the art of pair singing. Through this contest, we want
competitors to showcase their vocal prowess, originality, and stage presence while encouraging musical collaboration
and a sense of camaraderie.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. The contestants shall sing straight published Original Pilipino Music (OPM) either English or Filipino or Foreign
Song. Rearrangement into a duet of an OPM song is allowed.
3. Revival or adaptations from foreign compositions is disallowed.
4. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live accompaniment shall not
be allowed.
5. Soft/electronic copy (MP3/MP4 format) shall be provided to the committee prior to the contest for compilation.
Delivery of each piece is for 3-5 minutes.
6. Non-compliance with the guidelines will mean disqualification.
7. The judges’ decision is final and irrevocable.
8. CRITERIA FOR JUDGING:
Tone quality and enunciation - 30%
Stage presence - 20%
Blending and Harmony - 15%
Deportment - 10%
Rhythm and timing - 10%
Overall Performance: - 15%
Total - 100%

11. AWARDS AND POINT SYSTEM

Winners of vocal duet competition (OPM/Foreign) will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 6
Conquering Performance of the Night 2nd Place – 6
Best Singer 3rd Place – 6
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: VOCAL DUET (Cuyonon)
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Jamaica A. Sabenacio
Date, Time and Venue: November 19, 2024 | 8PM | Cuyo Gymnasium

A vocal duet is a musical work for two singers, with high voice/low voice combination working best. There are three
basic types of vocal duets. The simplest form is isorhythmic, where one part sings a melody and the other part sings
in harmony, with both parts moving together in pretty much the same rhythm.

Objectives: The "Vocal Duet (Cuyonon)" competition aims to give culture loving Cuyonon singers a stage on which to
display their vocal harmonies and duet performances. This competition strives to highlight the constructive collaboration
and connection between two vocalists as they produce beautiful music in pairs, celebrating the art of pair singing.
Through this contest, we want competitors to highlight their vocal prowess, originality, and stage presence while
encouraging musical collaboration and a sense of camaraderie while promoting Cuyonon culture.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. The contestants shall sing straight Original Cuyonon Music (OCM) songs. Rearrangement into a duet of a
Cuyonon song is allowed. Revival or adaptations from foreign compositions is disallowed.
3. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live accompaniment shall not
be allowed. Soft/electronic copy (MP3/MP4 format) shall be provided to the committee prior to the contest for
compilation.
4. Delivery of each piece is for 3-5 minutes.
5. Non-compliance to the guidelines will mean disqualification.
6. The judges’ decision is final and irrevocable.
7. CRITERIA FOR JUDGING:
Tone quality and enunciation - 30%
Stage presence - 20%
Blending and Harmony - 15%
Deportment - 10%
Rhythm and timing - 10%
Overall Performance: - 15%
Total - 100%

8. AWARDS AND POINT SYSTEM

Winners of vocal duet competition (Cuyonon) will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 6
Conquering Performance of the Night 2nd Place – 6
Best Singer 3rd Place – 6
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: PAGKAREKEDAN FESTIVAL BATTLE OF THE BANDS
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Jerald Badajos
Date, Time and Venue: November 19, 2024 | 9PM | Cuyo Gymnasium

Battle of the bands is a music competition in which a number of bands compete for the title of “best band”. Usually rock
or metals bands, but often musical acts from a range of different styles.

Objectives: The "Battle of the Bands" competition's main goal is to give up-and-coming, talented musical groups a
stage on which to demonstrate their uniqueness, inventiveness, and performing abilities while promoting a sense of
community and cordial competition among artists and music lovers. The purpose of this event is to support and
celebrate many musical genres, to foster artistic expression, and to provide an enjoyable and interesting experience
for the audience.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. Each group will perform ONE STRAIGHT original Pilipino music/OPM of rock genre., ONE ORIGINAL
COMPOSITION AND ONE REVIVAL SONG.
3. Each group will have a minimum of four and a maximum of seven members.
4. Each group will perform a warm-up song prior to the contest with a limited time of five minutes including set
up, and preparation time. A total of 20 minutes will be allotted. Beyond this, a total of five points will be
deducted by the tabulator from the group total score.
5. Each group must provide their respective instruments. Change of cymbals will be allowed. A minimum of 4
amplifiers shall also be provided by the host institution for one lead guitar, rhythm guitar, one bass guitar and
one keyboard.
6. The members of the band may be composed of all males, or all females, or mixed.
7. The use of pyrotechnic gadgets, smoke, or combustible materials as props are not allowed.
8. Medley arrangement of songs is not allowed.
9. Coaches/trainers are allowed to guide the song technicians provided by the team during the warmup song
only (Note: No more interference of coaches and trainers during the delivery of the contest piece)
10. The committee should provide an official timekeeper to monitor and remind the performers.
11. The judges’ decision is final and irrevocable.
12. CRITERIA FOR JUDGING:
Musicality (harmony, rhythm, sound quality) - 50%
Performance (stage presence, style) - 30%
Technicality (handling of instruments) - 10%
Over-All Impact (includes interpretation) - 10%
Total - 100%
13. AWARDS AND POINT SYSTEM

Winners of the Battle of the Bands will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 15 gold
Best Lead Vocalist 2nd Place – 15 silver
Best Lead Guitarist 3rd Place – 15 bronze
Best Drummer
Best Bassist
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: TIPANO CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Reina Lyd D. Cabildo
Date, Time and Venue: November 20, 2024 | 1PM | Cuyo Gymnasium

Tipano is a traditional flute that is made out of bamboo that originates from Cuyo Island. It is a living cultural and musical
heritage that the Cuyonon has a deep appreciation to music.

Objectives: To provide a stage for talented tipano players to showcase their technical mastery, creativity, and passion
while fostering a deeper understanding and appreciation of this distinctive musical tradition among both participants
and audiences. To celebrate and showcase the rich cultural heritage and musical artistry associated with the tipano
instrument.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. Contest piece shall be a Cuyonon song. Playing other songs will mean disqualification from the competition.
3. Performance should last up to 5 minutes. Playing Cuyonon medley is allowed.
4. Express the musicality of the tipano through dynamics, variations in volume, and emotional connection to the
music. Accompaniment of a live guitar is allowed but not compulsory.
5. Embrace the cultural significance of the tipano.
6. Understand the role it plays in Cuyonon music and society and convey this knowledge in your performance.
7. CRITERIA FOR JUDGING:
Rhythmic Precision - 30%
Rhythm and Timing - 30%
Audience Connection - 25%
Overall Impact - 15%
Total - 100%

8. AWARDS AND POINT SYSTEM

Winners of tipano competition will receive the Medal Point System

following awards:
MINOR AWARDS 1st Place – 3
Best in Musicality 2nd Place – 3
Best Tipanista 3rd Place – 3
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: BANDURRIA COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Jenny C. Bantog
Date, Time and Venue: November 20, 2024 | 1PM | Cuyo Gymnasium

Bandurria is a stringed musical instrument of the lute family, with a design derived from the cittern and guitar. The
modern bandurria has a small, pear-shaped wooden body, a short neck, a flat back, with five to seven paired courses
of strings.

Objectives: It will highlight the student’s abilities to play this type of instrument. It takes a combination of musical talent,
stage presence, and preparation to compete in a "Bandurria" competition, which typically entails playing the bandurria,
a Filipino plucked string instrument.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. The music piece shall be one straight piece of any Filipino FOLK SONG/MUSIC.
3. The contestant shall play the instrument with the accompaniment of classical guitar either live or recorded
but it has no bearing to the over-all performance.
4. The title of the piece must be given to the Board of Judges before the performance. The master of
ceremonies shall announce the title of the piece.
5. Non-compliance with the guidelines will mean disqualification.
6. The judges’ decision is final and irrevocable.
7. A copy of the chosen piece should be submitted in the screening schedule.
8. CRITERIA FOR JUDGING:
Technique and Intonation - 15%
Clarity of Tone - 30%
Mastery (Fidelity of the score) - 30%
Expression - 15%
Interpretation - 10%
Total - 100%

9. AWARDS AND POINT SYSTEM

Winners of bandurria competition will receive the Medal Point System

following awards:
MINOR AWARD 1st Place – 3
Best Banduria Player 2nd Place – 3
MAJOR AWARDS 3rd Place – 3
3rd Place
2nd Place
1st Place
Title of Activity: CLASSICAL GUITAR COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Shaina Jagmis
Date, Time and Venue: November 20, 2024 | 1PM | Cuyo Gymnasium

Classical guitar, also called Spanish Guitar, is an acoustic wooden string instrument with strings made of gut or nylon,
it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings.

Objectives: To give classical guitarists a stage on which to demonstrate their mastery of the instrument, artistic
interpretation, and passion for it, while promoting musical excellence, encouraging the exploration of a wide range of
repertoire, and providing insightful feedback for both personal and professional development within the classical guitar
community.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. Classic Guitar (nylon string) will be used.
3. The music piece shall be any of classic Filipino love songs.
4. The contestant shall play the instrument without any back-up, accompaniment or background music. No
electronic device/pitch up.
5. The title of the piece must be given to the Board of Judges before the performance. The master of ceremonies
shall announce the title of the piece.
6. Performance shall be 3-5 minutes.
7. Non-compliance to the guidelines will mean disqualification.
8. Judges’ decision is final and irrevocable.
9. Copy of the chosen piece should be submitted in the screening schedule.
10. CRITERIA FOR JUDGING:
Intonation and Clarity of Tone - 30%
Mastery (Fidelity of the score) - 30%
Expression - 10%
Interpretation - 30%
Total - 100%

11. AWARDS AND POINT SYSTEM

Winners of classical guitar competition will receive Medal Point System

the following awards:
MINOR AWARD 1st Place – 3
Best Classical Guitarist 2nd Place – 3
MAJOR AWARDS 3rd Place – 3
3rd Place
2nd Place
1st Place
Title of Activity: VIOLIN COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Mark Justin Giray
Date, Time and Venue: November 20, 2024 | 1PM | Cuyo Gymnasium

Violin is a stringed musical instrument of treble pitch, played with a horsehair bow with four string that is usually held
against the shoulder under the chin.

Objectives: The primary objective of the 'Violin' competition is to provide a platform for accomplished violinists to
showcase their exceptional technical proficiency, artistic interpretation, and musical expression while fostering a spirit
of excellence, encouraging the development of violinists, and promoting the rich tradition of violin music.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. The music piece shall be one straight piece of any OPM music.
3. The contestant shall play the instrument with the accompaniment of piano either live or recorded but it has
no bearing to the overall performance.
4. The title of the piece must be given to the board of Judges before the performance.
5. The master of ceremonies shall announce the title of the piece.
6. Time starts on the first note produced using the solo instrument or accompaniment.
7. The performance shall be 3-5 minutes. Beyond this limit, a total of five (5) points will be deducted by the
tabulator from the total score of each judge.
8. A copy of the chosen piece should be submitted in the screening schedule.
9. The judges’ decision is final and irrevocable.
10. CRITERIA FOR JUDGING:
Tone Quality - 20%
Musicality (Rhythm, Intonation, Techniques) - 60%
Performance Factor (Interpretation, Stage Deportment) - 20%
Total - 100%
11. AWARDS AND POINT SYSTEM

Winners of violin competition will receive the Medal Point System

following awards:
MINOR AWARD 1st Place – 3
Best Violinist 2nd Place – 3
MAJOR AWARDS 3rd Place – 3
3rd Place
2nd Place
1st Place
Title of Activity: PIANO/ORGAN COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Marie Rose S. Quejano
Assistant Head Master: Trisha Mae Eleazar
Date, Time and Venue: November 20, 2024 | 1PM | Cuyo Gymnasium

Organ is a keyboard instrument, operated by the player’s hands and feet, in which pressurized air produces notes
through a series of pipes organized in scalelike rows.

Objectives: To provide a platform for pianists of all ages and skill levels to showcase their technical proficiency, musical
artistry, and interpretive abilities on the piano, fostering musical growth, encouraging excellence, and promoting a deep
appreciation for the piano repertoire among participants and audiences.

GENERAL GUIDELINES:
1. One (1) entry per team will be entertained by the committee.
2. The music piece shall be one straight OPM piece.
3. Contestant must submit his/her contest piece (soft copy) a week before the competition.
4. A standard, upright piano or organ will be used for the competition. If no upright piano is available, an electronic
piano/keyboard with 88 keys in piano mood setting can be used.
5. Time starts on the first note produced. The performance shall be 3-5 minutes. Beyond this limit, a total of five
(5) points will be deducted from the total score of each judge by the tabulator.
6. Non-compliance to the guidelines will mean disqualification.
7. The judges’ decision is final and irrevocable.
8. CRITERIA FOR JUDGING:
Technique and Intonation - 20%
Dexterity - 20%
Mastery (Fidelity of the score) - 30%
Interpretation - 10%
Stage Deportment - 20%
Total - 100

9. AWARDS AND POINT SYSTEM

Winners of piano/organ competition will receive the Medal Point System

following awards:
MINOR AWARD 1st Place – 3
Best Pianist 2nd Place – 3
MAJOR AWARDS 3rd Place – 3
3rd Place
2nd Place
1st Place
 JOHN VINCENT T. EVIO
Coordinator, SCAO

ROWENA P. MAGBANUA
Head Master

TRISHA NICOLE VASQUEZ

CAMILLE RODRIGUEZ
JENNIMIR ROJO
KATHLEEN JOY LAGAN
MICHAEL JOHN CACATIAN
Assistant Head Masters
Title of Activity: COMICAL SKIT COMPETITION (CUYONON)
SCAO Coordinator: John Vincent T. Evio
Head Master: Rowena P. Magbanua
Assistant Head Master: Kathleen Joy V. Lagan
Date, Time and Venue: November 20, 2024 | 9PM | Cuyo Gymnasium

Comical skit is a short literary piece of humorous or satirical character. It is a short theatrical sketch or act, usually
comical. Its delivery can either be scripted or impromptu as long as it delivers entertainment to the audience. This event
tests the participants’ ability to come up with something funny in an instant and make the audience laugh. It also tests
the participants’ sense of humor and if they can attune with their audience know what makes the audience laugh.

Objectives: The objective of the "Comical Skit (Cuyonon)" competition is to provide participants with a creative platform
to showcase their comedic talents and originality by delivering humorous, entertaining, and well-structured skits. This
competition aims to engage and amuse the audience while fostering the development of comedic storytelling, acting,
and stage presence, ultimately encouraging a vibrant and enjoyable comedic culture.

GENERAL GUIDELINES:
1. Each team should have one (1) entry.
2. Cuyonon language shall be used by the participants. There shall be one voice over artist in every team.
3. Every team shall have a minimum of eight (8) and maximum of twelve (12) participants, including human
props and propsmen.
4. The concept of this event is retro; thus, participants should dress in 70s, 80s, and 90s outfit.
5. Storyline should focus on the experiences of the students inside the campus adhering to the question “How
does it fell to be a college student in PSU-PCAT?”
6. Performance shall be limited to a minimum of seven (7) minutes and a maximum of ten (10) minutes.
7. Use of foul words, adopting a slapstick style of comedy, inclusion of offensive acts is strictly and highly
prohibited.
8. CRITERIA FOR JUDGING:
Originality and Creativity - 30%
Humor and Entertainment Value - 25%
Script and Dialogue - 20%
Timing and Duration - 15%
Audience Impact - 10%
Total - 100%

9. AWARDS AND POINT SYSTEM

Winners of comical skit competition will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 15 gold
Best Comedian 2nd Place – 15 silver
Best in Concept 3rd Place – 15 bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: SPOKEN WORD POETRY COMPETITION (CUYONON)
SCAO Coordinator: John Vincent T. Evio
Head Master: Rowena P. Magbanua
Assistant Head Master: Jennimir C. Rojo
Date, Time and Venue: November 20, 2024 | 8PM | Cuyo Gymnasium

Spoken word poetry is a word-based performance art where speakers engage in powerful self-expression by sharing
their views on particular topics for a live audience, focusing on sound and presentation

Objectives: The objective of the "Spoken Word Poetry" contest is to celebrate and promote the art of spoken word
poetry. This contest provides a platform for poets to express themselves through the spoken word, sharing their
creativity, emotions, and perspectives with an audience. Participants will have the opportunity to showcase their talent
and connect with others who appreciate the power of spoken poetry as a form of artistic expression.

GENERAL GUIDELINES:
1. Poems can cover a wide range of themes, including but not limited to love, social issues, personal
experiences, culture, and self-expression.
2. Poems should be original and not infringe upon any copyright or intellectual property.
3. Each participant should perform a poem with a maximum duration of five (5) minutes.
4. Poems should be performed using CUYONON language.
5. Hate speech, discrimination, or offensive content will not be tolerated.
6. Judges will consider the emotional connection with the audience and the relevance to the theme.
7. CRITERIA FOR JUDGING:
Content - 35%
Emotion - 20%
Creativity - 15%
Delivery - 20%
Overall impact - 10%
Total - 100%

8. AWARDS AND POINT SYSTEM

Winners of spoken word poetry competition will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 3 gold
Best Spoken Word Artist of the Year 2nd Place – 3 silver
Best in Performance 3rd Place – 3 bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: BENCH CHEERING COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: Rowena P. Magbanua
Assistant Head Master: Michael John L. Cacatian
Date, Time and Venue: November 21, 2024 | 8PM | Cuyo Gymnasium

Bench cheering, is appreciated for its captivating displays of team spirit through synchronized routines and spirited
cheers, igniting the fervor for the upcoming intramural event with flawless choreography blending elements of nature,
set to the rhythmic beat of live drums.

Objective: Bench cheering competition highlights the exceptional talent of the students and exemplified the enduring
spirit and strong sense of unity within PSU-PCAT.

GENERAL GUIDELINES
1. The competition is open to all the students of each competing team.
2. Each group must have a minimum of thirty (30) performers and a maximum of fifty (50) performers, one (1)
drummer and one (1) cheerleader.
3. Each participating team must integrate at least 10-second of any part of the Pagkarekedan Hymn in their
performance.
4. The minimum length of the performance is four (4) minutes and a maximum of seven (7) minutes. Teams that
go beyond or fall short based on the time provided will be penalized. Every exceeding minute will get a one
(1) point deduction from the total score, or vise-versa.
5. Costumes should be their team’s uniform.
6. Every contingent is allowed to use paint, gloves, hand cover and head dress.
7. Recycled props are allowed.
8. ONLY hand props are allowed but it should be limited to one (1) meter long.
9. Decision of judges is final.
10. CRITERIA FOR JUDGING:
Originality - 20%
Synchronization - 20%
Musicality - 20%
Clarity of voice - 20%
Mastery and timing - 20%
Total - 100%

13. AWARDS AND POINT SYSTEM

Winners of the bench cheering competition will Medal Point System

receive the following awards:
MINOR AWARDS 1st Place – 40 gold
Best Drummer 2nd Place – 40 silver
Best Performer 3rd Place – 40 bronze
Best Cheerleader
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: EREKAY CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Rowena P. Magbanua
Assistant Head Master: Trisha Nicole Vasquez
Date, Time and Venue: November 20, 2024 | 7PM | Cuyo Gymnasium

Erekay is a Cuyonon poetry ballad. This is a competition between a boy and a girl on how to deliver a spontaneous
rhyme verse with a particular topic to resolve. This can be classified as Cuyono version of “Balagtasan”. However,
Erekay was accompanied by soft music of string instrument particularly, a tenor or a guitar.

Objectives: To showcase how rich Cuyonon people are in terms of their cultural possessions. And to expose the
students to the promotion and revival of our cultural practices and involve them to the process.

GENERAL GUIDELINES:
1. There will be one (1) entry per team composed of one (1) female and one (1) male participant.
2. Only Cuyonon language must be used by the performers.
3. The “Manig-erekay” must perform in satire and comedic manner.
4. They are given a minimum of four (4) minutes for their performance.
5. Costumes must be kimona patadyong for woman and kamisa for man.
6. They can use background music but ONLY Cuyonon songs are allowed. Using live instrumental music is
also permitted by the committee.
7. CRITERIA FOR JUDGING:
Originality - 20%
Concept and Content - 20%
Entertainment Value - 40%
Clarity of voice - 20%
Total - 100%

14. AWARDS AND POINT SYSTEM

Winners of the erekay competition will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 6 gold
Best Performer 2nd Place – 6 silver
MAJOR AWARDS 3rd Place – 6 bronze
3rd Place
2nd Place
1st Place
Title of Activity: BIRSO CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Rowena P. Magbanua
Assistant Head Master: Camille B. Rodriguez
Date, Time and Venue: November 20, 2024 | 7PM | Cuyo Gymnasium

Birso is a four-line Cuyono rhyme verses or equivalent to one stanza. The verses are usually full of jesting and
naughtiness. Verses are classified into two (2); the Children Verses and Verses for the Adults.

Objectives: To showcase the Cuyonon original birso and have an avenue for the appreciation and promotion of our
culture. It also aims to inculcate the young generation to embrace the traditional practices of our Cuyonon ancestors.

GENERAL GUIDELINES
1. There will be one (1) entry per team composed of three (3) female and three (3) male participants.
2. Only Cuyonon language must be used by the performers.
3. Each team is given a minimum of four (4) minutes only for their performance.
4. Background music is allowed provided that the “Manig-birso” must incorporate Cuyonon songs/dances in their
before starting a “Birso” for each performer (e.g. Pasadoble, Paraguanen, Ati-ati and the likes).
5. Costumes must be kimona at patadyong for women and kamisa for men.
6. CRITERIA FOR JUDGING:
Dance and Performance - 20%
Concept and Content - 20%
Originality and Entertainment Value - 40%
Clarity of voice - 20%
Total - 100%

7. AWARDS AND POINT SYSTEM

Winners of the birso competition will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 8 gold
Best Performer 2nd Place – 8 silver
MAJOR AWARDS 3rd Place – 8 bronze
3rd Place
2nd Place
1st Place
JOHN VINCENT T. EVIO
Coordinator, SCAO

JOHN VINCENT T. EVIO

JASON L. TORIO
Head Masters

JIM RYAN VENTURILLO

ALL USG OFFICERS
CLEA MYKA LLAVAN
ERIKA ADIER
JUSTINE AGNAS
Assistant Head Masters
Title of Activity: PUBLIC SPEAKING COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: John Vincent T. Evio
Assistant Head Master: Clea Myka H. Llavan
Date, Time and Venue: November 19, 2024 | 1PM | Cuyo Gymnasium

Public speaking, also called oratory or oration, has traditionally been defined as speaking in person to a live audience.

Objectives: A "Public Speaking" competition aims to give participants the chance to hone their public speaking abilities,
including their capacity for successful communication, audience engagement, and message clarity and assurance.
This competition inspires people to express themselves more freely, improve their communication skills, and gain
confidence while speaking in front of an audience.

GENERAL GUIDELINES:
1. Public speaking can cover a wide range of themes, including but not limited to love, social issues, subjective
experiences, culture, and self-expression.
2. The main theme of this year’s public speaking competition should anchor on “ENVIRONMENTAL
STEWARDSHIPS”.
3. Content should be a motivational speech.
4. Specific speech topics will be given during the competition.
5. Public speaking should be original and not infringe upon any copyright or intellectual property.
6. Each participant should perform a poem with a maximum duration of three (3) Minutes.
7. Public speaking can be performed in any language, but most preferably English language
8. Members are expected to respect the diversity of voices and perspectives.
9. Hate speech, discrimination, or offensive content will not be tolerated.
10. CRITERIA FOR JUDGING:
Content - 35%
Creativity - 10%
Delivery - 40%
Overall impact - 15%
Total - 100%

11. AWARDS AND POINT SYSTEM

Winners of public speaking competition will receive Medal Point System

the following awards:
MINOR AWARDS 1st Place – 3
Best Motivational Speaker 2nd Place – 3
Best Public Speaker 3rd Place – 3
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: ESSAY WRITING COMPETITION
SCAO Coordinator: John Vincent T. Evio
Head Master: John Vincent T. Evio
Assistant Head Master: Justine Agnas
Date, Time and Venue: November 19, 2024 | 1PM | Quality Assurance Center/CIMDO

A short piece of writing on a particular subject, often expressing personal views. In a school, an essay is a written
answer that includes information and discussion, usually to test how well the student understands the subjects.

Objectives: The "Essay Writing" competition aims to boost participants' critical thinking, creativity, and interpersonal
skills. This contest encourages participants to present their ideas and opinions on a particular subject, problem, or
theme in a well-organized and cohesive way. It strives to advance students' writing abilities, encourage intelligent
conversation, and honor the value of the written word.

GENERAL GUIDELINES:
1. The competition may have a specific theme or a range of topics for participants to choose from.
2. Themes and topics will be provided in advance to allow participants to prepare. Theme shall be centered on
“My Pagkarekedan Stories as a College Student”.
3. Essays should typically be between 800 and 1,500 words.
4. Participants must adhere to the specified word count limits.
5. Participants are required to write their essays in a designated language, which is English.
6. Essays must be original, and participants are prohibited from submitting previously published works.
7. Plagiarism is strictly forbidden, and essays will be subject to plagiarism checks.
8. Essays should follow a clear and logical structure, including an introduction, body, and conclusion.
9. Proper formatting and citation styles should be used if necessary.
10. A panel of judges or experts will assess the essays.
11. Participants are given two (2) hours to finish the essay.
12. Late submissions will not be accepted.
13. CRITERIA FOR JUDGING:
Originality - 10%
Relevance to the theme or topic - 25%
Writing quality - 25%
Argumentation - 20%
Overall impact - 20%
Total - 100%

14. AWARDS AND POINT SYSTEM

Winners of essay writing competition will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 3
➢ Best Creative Writer 2nd Place – 3
MAJOR AWARDS 3rd Place – 3
➢ 3rd Place
➢ 2nd Place
➢ 1st Place
Title of Activity: ASIAN PARLIAMENTARY DEBATE
SCAO Coordinator: John Vincent T. Evio
Head Master: John Vincent T. Evio
Assistant Head Master: Erika B. Adier
Date, Time and Venue: November 19, 2024 | 1PM | Cuyo Gymnasium

Debate is a venue of reasoned discussion from two opposing sides on a well-defined context, where parties deliver
their arguments in an organized fashion with the primary purpose of convincing and persuading the parliament or the
audience to give merit on the contention of their cause.

Objective: To help students learn social issues through a friendly competition, healthy argument by examining
controversial topics and “strengthen skills in the areas of leadership. It also aims to develop creative, independent and
critical thinking. Improve rhetorical skills, increase involvement in social and political issues and to expose participants
to the norms of group discussion.

GENERAL GUIDELINES
1. Teams: There are two opposing teams in an Asians format of debate:
➢ Government side- proposes and defends the motion;
➢ Opposition side- refutes and negates the motion. Each side is composed of three members.
2. The Members of the government side are the following:
➢ Prime minister (PM)- opens the debate, defines the motion and advances arguments;
➢ Deputy prime Minister (DPM)- refute at first instance the case of the opposition, re-establish the
government's claim, and advances arguments;
➢ Government whip (GW)- makes an issue-based rebuttal of the opposition's case and summarizes the
case of the government.
3. The Members of the Opposition side are the following:
➢ Leader of the Opposition (LO) - responds directly to the case of the government by giving a direct clash,
and advances arguments. May challenge the motion if the definition is challengeable;
➢ Deputy Leader of the Opposition (DPL) - refutes the case of the DPM, re-establishes the case of the
opposition, and advances an argument;
➢ Opposition Whip (OW) - makes an issues-based rebuttal of the government's and summarizes the case
of the opposition.
4. Time of Speeches: Each speaker is allocated seven minutes to deliver their constructive speeches. One
speaker from each side (For the Government: PM/DPM, for Opposition: LO/DLO) is given four minutes to
deliver a reply speech. The speakers will be speaking in the following order:
Prime Minister (4 min) Leader of the opposition (4 min)
Deputy Prime Minister (3 min) Deputy Leader of the Opposition (3 min)
Government Whip (3 min) Opposition Whip (3 min)
Opposition Reply (2 min) Government Reply (2 min)
5. Point of Information (POI): During the constructive speeches, Point of Information (POI) may be raised by the
opposing side after the first minute up to the sixth minute. POI may be refused or accepted by the speaker.
During reply speeches, no POI may be raised.
6. Reply Speech: Reply speech is a comparative analysis of the strength and weaknesses of the case of both
sides. The aim of the speech is to give a bias judgment as to why should the people support the team's claim.
The speech is first delivered by the opposition side and followed by the government side that will close the
debate.

7. CRITERIA FOR JUDGING: Matter, Manner, Method:

Asian Parliamentary Debate is assessed by an Adjudicator Panel composed of an odd number according to
the following criteria:

Matter (40) - substance of the debate, the arguments and evidence presented, and the logical reasoning and
presentation of said arguments.
Manner (40) - the style of delivery, the persuasion skills, and the conduct of the debaters.
Method (20) - the response to the dynamics of the debate, and the observance of the rules of debate.
Total - 100%
 8. AWARDS AND POINT SYSTEM

Winners of Asian Parliamentary Debate competition Medal Point System

will receive the following awards:
MINOR AWARDS 1st Place – 9 gold
Best Debater (Elimination round) 2nd Place – 9 silver
Best Speaker (Final Round) 3rd Place – 9 bronze
MAJOR AWARDS
1st Place
2nd Place
3rd Place
Title of Activity: SDG-RELATED PROJECT PROPOSAL CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 21, 2024 | 8AM | Quality Assurance Center/CIMDO

Sustainable development is at the forefront of today’s global agenda, and proposing projects that align with this goal is
more important than ever. But crafting a comprehensive and persuasive project proposal can be a daunting task. This
will serve as an avenue for the students to identify and address key sustainability challenges and goals.

Objectives: To foster collaboration and communication among team members, leading to more effective project
implementation. It also aims to introduce to the students the 17 Sustainable Development Goals or the 2030 Agenda
for Sustainable Development of the United Nations Department of Economics and Social Affairs.

GENERAL GUIDELINES:
1. This will be open to all teams; each team shall have one entry consisting of 4 rapporteurs.
2. Each participating team must have a booth where they can market their proposed SDG-related project using PPT,
AVP, or both inside the campus.
3. The exhibits will start on November 18, 2024, in the designated area.
4. Additional design and props for the booth may be done by participating organizations to explain more about their
projects and convince the audience to vote on their proposals.
5. Only the team or rapporteurs of the participating groups will be allowed to present.
6. Presentations on the panels are limited to 5-10 minutes.
7. The booths will be opened to the public starting November 18, 2024 and will close on November 22, 2024 at
1:00pm. Audiences can cast their votes at the University Student Government Office.
8. The presentation to the judging panel will be on November 21, 2024 at 1:00PM at the Quality assurance Center
9. There will be a Q&A portion during the presentation (3-5 minutes).
10. Note that 80% of the score will be from the panel of judges and 20% is from the students’ votes.

TEAM COMPOSITION:
➢ Each team consisting of 4 rapporteurs and 4 members.
➢ Students who will present must be enrolled this semester in Palawan State University-PCAT.
➢ Team can be composed of students from 1st year to 4th year as long as they are enrolled in the same
program or team.

PROPOSAL PAPER SUBMISSION

➢ Each team must submit (1) project proposal.
➢ The content of the proposal should be the following: title page, table of contents, executive summary, body
of the proposal (problem, solution/innovation, goals/objectives, expected result of the project), any relevant
topic/researches that could support the proposal (if there’s any), project beneficiary/beneficiaries, project
sustainability, and proposed budgets and timeline.
➢ The paper must be aligned to the SMART (Specific, Measurable, Attainable, Realistic, Time-bound) goals
CRITERIA FOR JUDGING:
CRITERIA Percentage
Innovation / Novelty 20%
Impact on Students 30%
Project Description 20%
Project Feasibility 30%
Total 100%

AWARDS AND POINT SYSTEM

Winners of the SDG-Related Project Proposal will receive the following Medal Point System
awards:
MINOR AWARDS 1st Place - 20 Golds
Best Booth 2nd Place - 20 Silvers
Best Rapporteur 3rd Place - 20 Bronze
Best in Presentation
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: LOGO MAKING CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 6, 2024 | 10:00AM | PSU-PCAT Gymnasium

A logo is a symbol or design used to identify a company or organization, as well as its products, services, employees.
In its simplest definition, a logo identifies. It’s how an organization or event is recognized and remembered among
others. It also functions as the face of your organization or event.

Objectives: To develop student’s craftmanship and artistry through logo-making. It also aims to establish the official
logo of the Pagkarekedan Festival through a competition.

GENERAL GUIDELINES:

1. The contest is open to all competing teams in this year’s Pagkarekedan Festival. Each team shall send only one
(1) entry consisting of three (3) members.
2. The actual contest is on November 6, 2024, and will start at 8:00a.m.to 12:00noon.
3. The logo design shall include the name of the festival, it should align with the meaning of the celebration which is
“Kareked” or solidarity.
4. The contestant will use paint. Materials will be provided by the participants. Only the three primary colors (red,
blue and yellow) and two neutral colors (black and white) shall be allowed. Mixing colors are allowed.
5. Logo shall be placed in a 1M x 1M frame made of plywood.
6. The design of the logo should communicate a proactive, progressive, united and empowered institution.
7. The Logo description must be submitted in printed form (A4 size) and a digital copy upon submission of the entry
on November 6, 2024, 12:00 noon at the USG building. A deduction of one point per minute will be imposed.
8. Students' Artists will be given a maximum of 3-minute presentation of their entry.
9. The judging will be on November 6, 2024, 2:00 in the afternoon at the USG Building.
10. The official announcement of the winner will be during the opening program of the festival.
11. The winning piece will be reviewed by the committee for additional insight and possible changes of details before
being used as the official logo of the Pagkarekedan Festival.
12. Deduction of one (1) point for every violation of the aforementioned guidelines, except guideline no. 7.
13. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Concept and Relevance to the Theme 30%
Originality 20%
Creativity 30%
Color Coordination and Harmony 20%
Total 100%

AWARDS AND POINT SYSTEM

The winners of the Logo Making Contest will receive the following Medal Point System
awards:
MINOR AWARDS 1st Place - 10 Golds
Most Creative Logo 2nd Place - 10 Silvers
Best in Concept 3rd Place - 10 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: PAGKAREKEDAN MASCOT MAKING CONTEST
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 18, 2024 | 3:00PM | PSU-PCAT Control Tower

A mascot is any human, animal, or object thought to bring luck, or anything used to represent a group with a common
public identity, such as a school, sports team, society, military unit, or brand name. In sports, mascots are also used
for merchandising. Team mascots are often related to their respective team nicknames.

Objectives: To develop students’ craftmanship and creativity in making a team’s mascot; and to select the official
mascot of Pagkarekedan Festival.

GENERAL GUIDELINES:
1. The competition is open to all local designers coming from the different competing teams.
2. One official entry per team will be accepted by the committee.
3. The mascot shall be man-sized. Use of colors is limited only to Orange, Maroon, Black and White.
4. The costume must represent a fusion of the sports and socio-cultural and adheres to the meaning of the Cuyonon
word “Kareked” which means solidarity in English.
5. Materials to be used are left to the team’s discretion.
6. The mascot must be an animal that best represents the students of PSU-PCAT.
7. Designed creation of each team will be paraded during the opening program of Pagkarekedan Festival on
November 18, 2024.
8. Mascots must be visible in each team’s booths every day from 8AM to 10AM.
9. The winning piece will be reviewed by the committee for additional insight and possible changes of details before
being used as the official mascott of the Pagkarekedan Festival.
10. Each team shall prepare a brief opening spiel that talks about the mascot he/she wears. A (two) 2-minute dance
production shall be presented by participating team after the spiel including their muse and escort.
11. Deduction of one (1) point for every violation of the aforementioned guidelines.
12. Judges’ decision is final and irrevocable.
13. Note that 50% of the score will be from the preliminary judging and 50% is from the final judging.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Craftmanship and Originality 20%
Cultural Value and Relevance to the Festival 30%
Visual Aesthetics Quality 20%
Wearability and Functionality 10%
Presentation and Dance Performance 20%
Total 100%

AWARDS AND POINT SYSTEM

The winners of the Pagkarekedan Mascot Making Contest will receive Medal Point System
the following awards:
MINOR AWARDS 1st Place - 10 Golds
Best in Craftsmanship 2nd Place - 10 Silvers
Best in Concept 3rd Place - 10 Bronze
Best in Presentation
MAJOR AWARDS
3rd Place
2nd Place
1st Place
Title of Activity: BARAKALAN SA PSU-PCAT (TRADE FAIR BOOTH CONTEST)
SCAO Coordinator: John Vincent T. Evio
Head Master: Jason L. Torio
Assistant Head Master: Jim Ryan V. Venturillo
Date, Time and Venue: November 22, 2024 | 8:00AM | PSU-PCAT Grounds

Trade Fair booth is an avenue for student organizations to have a student economic enterprise. It is designed to
showcase creativity and marketing strategies helping them uplift their income as an organization that will serve as their
fund.

Objectives: It aims to empower and promote microenterprise among student organizations in PSU-PCAT and to
generate income from the said activity. It also aims to develop teamwork and camaraderie among team members

GENERAL GUIDELINES:
1. The competition is open to all competing teams. Each team shall send only one (1) entry.
2. The booth shall have an exhibit of the students’ outputs and projects other than the products for sale.
3. The exhibit of booths starts after the opening parade and will be operational until the closing program of
Pagkarekedan Festival 2024.
4. The booth construction may start on November 15, 2024 to November 17, 2024, at 4:00 in the afternoon.
5. The booth must adhere to the theme of Pagkarekedan Sports and Socio-Cultural Festival.
6. The booth must be made up of recycled, indigenous materials and any materials.
7. ONLY THE STUDENTS of the team can participate in the booth construction, otherwise a deduction of 5 points
will be imposed.
8. Each booth must have a customized signature that will represent their organization.
9. The booth should either offer fun games or showcase awards and achievements. Hence, team mascot must be
in the booth every day to encourage more customers from 8AM to 10AM.
10. The Preliminary Judging will be on November 18, 2024 and Final judging will be on November 22, 2024, 10:00 in
the morning.
11. After the preliminary judging, no more details (designs, etc.) may be added to the booth, except the products for
sale, otherwise a deduction of 5 points will be imposed.
12. Deduction of one (1) point for every violation of the aforementioned guidelines, Except Guideline No. 7 & 11.
13. Judges’ decision is final and irrevocable.

CRITERIA FOR JUDGING:

CRITERIA Percentage
Overall booth design/appearance 35%
Relevance to the theme and Creativity 25%
Originality and Compliance 20%
Cleanliness 20%
Environmentally Friendly 20%
Total 100%

AWARDS AND POINT SYSTEM

The winners of the Barakalan sa PSU-PCAT Contest will receive the Medal Point System
following awards:
MINOR AWARDS 1st Place – 20 Golds
Most Creative Booth 2nd Place – 20 Silvers
Highest Generated Sales 3rd Place - 20 Bronze
MAJOR AWARDS
3rd Place
2nd Place
1st Place
THIS MANUAL OF OPERATIONS FOR THE PAGKAREKEDAN FESTIVAL 2024 SOCIO-CULTURAL EVENTS IS
PREPARED AND SUBMITTED BY:

JOHN VINCENT T. EVIO

Coordinator, Socio-Cultural Affairs Office
Date: ____________________________

Reviewed by:

ELIANE ANDREA V. GRASPARIL JASON L. TORIO

TWG Secretariat TWG Chairperson
Faculty Chief Adviser, USG

ROWENA P. MAGBANUA JOHN VINCENT T. EVIO

TWG Chairperson TWG Chairperson
Sports Coordinator SCAO Coordinator

LUIS ABELARD V. LEGASPI JIM RYAN V. VENTURILLO REY P. AMEDO

President, SBDT/SCAO President, USG Head Master, Dance

MARIE ROSE S. QUEJANO JASON L. TORIO ROWENA P. MAGBANUA

Head Master, Music Head Master, Visual Arts Head Master, Performing Arts

JOHN VINCENT T. EVIO

Head Master, Special Categories

Noted:

JULIUS P. TORRES MARY JIMAVEL D. BUENAVISTA PIO J. JUTARE JASON L. TORIO

Socio-Cultural Manager Socio-Cultural Manager Socio-Cultural Manager Socio-Cultural Manager
Justice Defenders The Griffins HosTech D’ Educators

ARLAN P. BELEN DR. ELENA S. SADANG LOUIE P. VALLEDOR JASON L. TORIO

Delegation Head Delegation Head Delegation Head Delegation Head
Justice Defenders The Griffins HosTech D’ Educators

Recommending Approval:

GRACENSIA G. MAGBANUA DR. SHIRLEY D. DANGAN DR. AMANDO A. EDRADAN, JR.

OSAS Coordinator Acting Director Associate Dean

Approved:

GLENN D. VALLEJO
Dean
Date: _____________________________
 OFFICIAL PAGKAREKEDAN HYMN
JV Evio, EM Manahan, JL Torio

Mga tangay maireg kita pantigoan

Ang talento, ipasikat, ilaban
Indi ag eya, tanan-tanan ay daepan ta
Mag-kalipay, lipatan mo ang problema

Amos tara, magboronyogan kita ohhh

Mag-tarabidan, mag-tarabangan, mag-karekedan
Isilibra, mag-beregkes kita ohh
Mag-irembeng, maging maambeng, maambeng ohhh
Karekedan kita, karekedan kita, karekedan kita ohhh

PSU-PCAT, mal kaw ameng tanan

Mal kaw ameng tanan, mal kaw nameng tanan,
Mal kaw nameng tanan

Amos tara, magboronyogan kita, ohhh

Mag-tarabidan, mag-tarabangan, mag-karekedan
Isilibra, mag-beregkes kita ohh
Mag-irembeng, maging maambeng, maambeng ohhh
Karekedan kita, karekedan kita, karekedan kita ohhh
PSU-PCAT!

CREDITS:

John Vincent T. Evio, Estelle Marie P. Manahan, Jason L. Torio

Composers

Lucky Faith Onggonion and Jhedd Buen

Vocal Artists

Jeriel Amores
Song arranger

Philipp Enrico Abid

Sound Engineer

Arvin Arzaga
Saxophone

Phits Arzaga
Vocal Artists

Sining Banua Dance Troupe 2023-2024

Dance and Concept
 PSU-PCAT UNIVERSITY STUDENT GOVERNMENT OFFICERS

PRESIDENT: VENTURILLO, Jim Ryan V.

VICE PRESIDENT: CASTRO, Justine Rey C.

SENATORS:
1. AGAC, Miko T. 5. TANDOC, Jhon Rey J.
2. GABUCO, Francis Paul P. 6. ZAMBRANO, Rollie Gie A.
3. ABING, Bon Gabriel A. 7. RAMOS, Christine Mae B.
4. ONGONION, Lucky Faith D. 8. FEROLINO, Gliza Mae C.

Executive Secretary - Hazel Edep Gacita

Assistant Executive Secretary - Rose Joy Faeldonia
Secretary for Evaluation - Jessica V. Macmac
Secretary for Budget, Finance, and Management - Marinella G. Macalua
Secretary for External Affairs - Aira Nicole L. Cabebe
Press Relation Officer - Angela V. Magbanua
Secretary for Student Activities and Development - Mary Joy D. Tabang
Media and Creative Director - Paul Austria
Secretary for Programs and Engagement - Cyril Hermoso
Media Staff - Michael Reyan Tandoc
Media Staff - John Lester Parangue
Media Staff - John Albert Caabay

MR. JASON L. TORIO

Chief Adviser
 SOCIO-CULTURAL AFFAIRS OFFICE
Sining Banua Dance Troupe Officers

President: Luis Abelard V. Legaspi

Vice President: Jade Nadayao
Secretary: Kathleen Joy V. Lagan
Treasurer: Jennimir C. Rojo
Auditor: Trisha Nicole Vasquez
Props Custodian: 1. John Lorenz Bacomo
2. Ken Russel Ponce de Leon
Costume Custodian: 1. Jerald E. Badajos
2. Kayla Joyce U. Labrador
Muse: Jamaica A. Sabenacio
Escort: Eric Buizon

Sining Banua Dance Troupe MEMBERS

1. Erika B. Adier 16. Kayla Joyce U. Labrador
2. Justine Agnas 17. Kathleen Joy V. Lagan
3. Axle Ross Aurelio 18. Luis Abelard V. Legaspi
4. Jerald E. Badajos 19. Clea Myka H. Llavan
5. Angelica Bacomo 20. Jade Nadayao
6. John Lorenz C. Bacomo 21. Ken Russel Ponce de Leon
7. Jenny C. Bantog 22. Camille B. Rodriguez
8. Reina Lyd D. Cabildo 23. Jennimir C. Rojo
9. Michael John L. Cacatian 24. Renier Romiala
10. Ronald Rey M. Dandal 25. Jamaica A. Sabenacio
11. Trisha Mae H. Eleazar 26. Janine U. Tabang
12. Reyna Evina 27. Jean Michaela A. Tabangay
13. Shainna Garcia 28. Shenyl Grace Tabangay
14. Mark Justin Giray 29. Trisha Nicole Vasquez
15. Shaina Jagmis 30. Jim Ryan V. Venturillo

JOHN VINCENT T. EVIO

Artistic Director
IMPORTANT NOTES
IMPORTANT NOTES