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Mediums of Visual Arts

The document discusses various mediums of visual arts, including painting techniques such as oil, tempera, watercolor, fresco, and acrylic, along with their characteristics and disadvantages. It also covers sculpture materials and processes, including stone, wood, ivory, terra cotta, and modern materials, as well as architecture and construction types like post-and-lintel, arch, and cantilever. Additionally, it highlights famous Filipino painters and their contributions to the art world.

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0% found this document useful (0 votes)
9 views12 pages

Mediums of Visual Arts

The document discusses various mediums of visual arts, including painting techniques such as oil, tempera, watercolor, fresco, and acrylic, along with their characteristics and disadvantages. It also covers sculpture materials and processes, including stone, wood, ivory, terra cotta, and modern materials, as well as architecture and construction types like post-and-lintel, arch, and cantilever. Additionally, it highlights famous Filipino painters and their contributions to the art world.

Uploaded by

rgarino01
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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HUMANITIES 3 ART APPRECIATION HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

MEDIUMS OF THE
Medium refers to the materials which are
VISUAL ARTS used by an artist — it is the means by which
he communicates his ideas.

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

PAINTING // OIL
- pigments mixed in oil
PAINTING - two (2) methods in painting in oil
- the art of creating meaningful effects on a flat 1. Direct method - paint is opaque and is
surface by the use of pigments applied to the surface
2. Indirect method - paint is applied in many
thin layers of transparent color
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION OIL

PAINTING // OIL
- has its disadvantages
- the oil paint dries slowly and has a tendency to
rise to the surface and form a film over the picture
making it appear dull Maria Makiling
CARLOS “BOTONG” FRANCISCO

Oil on canvas
1980

HUMANITIES 3 ART APPRECIATION OIL HUMANITIES 3 ART APPRECIATION OIL

Red Talisman Parisian Life


JOSE JOYA JUAN LUNA

Oil on canvas Oil on canvas


1975 1982
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

PAINTING // TEMPERA
PAINTING // TEMPERA - special characteristic: an emulsion, water-based
- mixture of ground pigments and an albuminous or - rapid drying and great luminosity of tone
colloidal vehicle, either egg, gum or glue, used by
- three (3) principal dimensions
1. unvarnished or gouache-like tempera
Egyptian, Medieval and Renaissance painters
2. varnished tempera
3. tempera as an under painting for oil

HUMANITIES 3 ART APPRECIATION TEMPERA HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

Resurrection with
Two Angels
BERNARDINO FUNGAI PAINTING // WATERCOLOR
Tempera on wood siena
1460-1616 - pigments mixed with water and applied to fine,
white paper
- require a high degree of technical dexterity
- gouache, opaque watercolor
Majesty
SEGNA DI BONAVENTURA

Tempera on panel siena


1298-1326
HUMANITIES 3 ART APPRECIATION WATERCOLOR HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

PAINTING // FRESCO
- colors are mixed with water and applied to fresh
plaster which absorbs the color
- “fresco”, Italian, means fresh and is used to
designate the process of painting in fresh wet
plaster

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION FRESCO

PAINTING // FRESCO
- has its disadvantages
- it is almost impossible to move a fresco
- the painting is subject to the disasters that may The Creation of Adam
happen to the wall of which it has become a part MICHELANGELO

Fresco
1512
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION ACRYLIC

PAINTING // ACRYLIC
- synthetic paint using acrylic emulsion as binder
- combines the transparency and quick-drying
qualities of watercolor
- flexible as oil, does not tend to crack, and turn
yellow with age
- completely insoluble when dry and can be used
almost on any surface

HUMANITIES 3 ART APPRECIATION SOME FAMOUS FILIPINO PAINTERS HUMANITIES 3 ART APPRECIATION SOME FAMOUS FILIPINO PAINTERS

Fernando Amorsolo Fabian dela Rosa Carlos “Botong” Jose Joya Ang Kiukok Juan Luna
Francisco
HUMANITIES 3 ART APPRECIATION SOME FAMOUS FILIPINO PAINTERS HUMANITIES 3 ART APPRECIATION SOME FAMOUS FILIPINO PAINTERS

Vicente Manansala Hernando Ocampo Damian Domingo Mauro Malang Santos Benedicto “Bencab”
Cabrera

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION SCULPTURE

SCULPTURE
- the art of making two-dimensional or 3D
representative or abstract forms, by the use of
different mediums
U.P. Oblation
GUILLERMO TOLENTINO

Sculpture
1949
Stela of Akhenaten
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

SCULPTURE SCULPTURE
- two (2) types of mediums used in making a sculpture: - two (2) major sculpting processes:
1. soft - lends itself to a moderate technique that 1. subtractive process - a process in which
uses squeezing and shaping, continuously unwanted material is cut away, ex: carving of
adding to it as the work goes on, ex: clay stone and wood
2. hard - requires the process of cutting and 2. additive process - the construction of a figure
taking away from the block, ex: stone, wood by putting or welding materials together

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION MARBLE

SCULPTURE // STONE & BRONZE


- media most commonly used for sculpting
- durable, resistant to elements, fire and other
hazards
- heavy and breaks easily*
- marble is the most common used stone Pieta
- plenty in Greece and Italy MICHAELANGELO

- high gloss, polished, more or less permanent Marble


1499 Head of Ptolemy
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION WOOD

SCULPTURE // WOOD
- advantage: really cheap, readily available and easy
cut, polishes well and has smooth, shiny surface
and beautiful color
- relatively light and can easily be made into variety
of shapes; grainy texture of wood adds beauty
- disadvantage: limited size and burns easily,
discolors and decays easily in warm climate Epic-scale wood carving
by JOSE ALCANTARA

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION IVORY

SCULPTURE // IVORY
- survive through long periods of time due to the
intrinsic value of the material
- commonly used in sculpting heads and arms of
saint statues
- lacks vigor unlike wood; seldom used today
The bust of the Virgin Mary in
ivory made in Goa c.1650
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION TERRA COTTA

SCULPTURE // TERRA COTTA


- terra cotta literally means “cooked earth”
- moist, moderately coarse clay subjected to heat,
fired comparatively at low temperature
- usually painted and coated in heavy glaze
- disadvantages: breaks and chips easily, cannot
stand great strain or weight
The amazing terra cotta warriors in Xi’an, China

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS

SCULPTURE // OTHERS ARCHITECTURE


- aluminum, chromium, steel, plastic - the art of designing and constructing buildings
- plastic is the least expensive material used for - materials used (stone, wood, brick, concrete,
casting; less fragile and light which makes it glass) and the methods of assembling these
preferable compared to other materials materials are among the factors contributing to
architectural style
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION WOOD

ARCHITECTURE // WOOD
- common building material
- advantages: abundance, relative durability, and
high tensile and compressive strength
- disadvantages: easily destroyed by moisture,
insects, and fire
- plywood has improved the structural possibilities
of wood; stronger than any known material

HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION STONE

ARCHITECTURE // STONE
- used when permanence is desired
- concrete, commonly used
- made of sand and gravel mixed with cement
- high compressive strength, does not crumble or break
down when subjected to heavy weight
- does not corrode and is fire resistant
- ferro-concrete, reinforced concrete (stronger variants
of concrete)
HUMANITIES 3 ART APPRECIATION MEDIUMS OF THE VISUAL ARTS HUMANITIES 3 ART APPRECIATION STONE

ARCHITECTURE // STEEL
- tough alloy of iron in variable amounts
- malleable under proper conditions and greatly
hardened by sudden cooling
- high tensile strength
- made possible the building of the high-rise
structures

HUMANITIES 3 ART APPRECIATION 3 BASIC TYPES OF CONSTRUCTION HUMANITIES 3 ART APPRECIATION POST-AND-LINTEL

1// Post-and-lintel
- consists of two vertical posts for support (post) and
horizontal one (lintel)
- generally used for wooden buildings

Parthenon
HUMANITIES 3 ART APPRECIATION 3 BASIC TYPES OF CONSTRUCTION HUMANITIES 3 ART APPRECIATION ARCH

2// Arch
- dominant in Roman architecture
- architectural forms built from pieces of wood called
voussoirs with joints between them and are arranged in
a semi-circle
- all materials are in compression
- typical for stone construction; can stand great pressure
- dome, extension of the arch
- roof resembling an inverted cup or hemisphere, formed by round arches
or vaults rising from a round or many-sided base

HUMANITIES 3 ART APPRECIATION 3 BASIC TYPES OF CONSTRUCTION HUMANITIES 3 ART APPRECIATION CANTILEVER

3// Cantilever
- any structural part projected horizontally and anchored at one
end only
- needs a beam with tensile strength, and does not crack or
break easily
- largely utilized in buildings with steel as medium
- wood is also used but is limited since it has a tendency to
warp, sag, or rot
- used in construction of skyscrapers which depends for
support upon a steel skeleton

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