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high society quarrel between Arabella Fermor (Belinda) and Lord Petre. Belinda is
compared to the Sun in the poem. “An Essay on Criticism” (1711) and “Windsor
Forest” (1713) are also his works.
26. Arms and the Man is a comedy by George Bernard Shaw. The title was borrowed
from Virgil’s Aeneid in Latin ( Arms and the man I Sing). Raina is a character in the
play. Shaw’s other works are Candida, You Never Can Tell, The Man of Destiny.
27. Between the Acts is the final novel by Virginia Woolf published in 1941 shortly
after her suicide.
28. George Bernard Shaw’s Candida set in the month of October.
29. Confidence is a novel by Henry James in 1879.
30. Death in Venice (1912) is a novella by German author Thomas Mann.
31. Dream of Four to Middling Women is Samuel Beckett’s first novel. It is an
autobiographical novel. The main character Belacqua is a writer and teacher in the
novel.
32. Edgar Allan Poe began his own journal “The Penn”. ( Later it was renamed as “The
Stylus”)
33. Thomas Hardy first employed the term “Wessex” in Far from the Madding Crowd.
34. Franklin Evans or The Inebriate is the only novel ever written by Walt Whitman.
35. George Bernard Shaw is the only person to have been awarded both a Nobel Prize
in literature ( 1925) and an Oscar (1938). Shaw wrote 63 plays. His first novel
Immaturity was written in 1879 but last one to be printed in 1931. His last
significant play was In Good King Charles Golden Days.
36. George Eliot’s pen name was Mary Ann Evans. Her works- Adam Bede(1859), The
Mill on the Floss (1860), Silas Marner (1861), Romola (1866), Felix Holt, the Radical
(1866), Middlemarch(1871-72), Daniel Doronda (1876).
37. Jonathan Swift wrote “Drapier’s Letters” in 1724.
38. Gustav Flaubert was a French writer and well known for his first published novel,
Madame Bovary (1857).
39. Happy Days is a play in two acts by Samuel Beckett. Winnie, Willie are the
characters in the play.
40. Henrik Ibsen is often regarded to as “the father of realism” and one of the founders
of Modernism in Theatre.
41. Love in Several Masques was Henry Fielding’s first play.
42. Chaucer lived during the reigns of : Edward III, Richard II and Henry IV
43. William Langland was the closest contemporary of Chaucer.
44. The Hundred Year's War was fought between England and France.
45. The War of Roses figures in the works of Shakespeare.
46. John Wycliffe is called 'the morning star of the Reformation'.
47. Twenty Nine pilgrims in Chaucer's Canterbury Tales were going on the pilgrimage
from the Tabard Inn.
48. Three pilgrims in the Prologue to the Canterbury Tales represent the military
profession.
49. Eight ecclesiastical characters are portrayed in the Prologue in Canterbury Tales.
50. It is believed that the Host at the Inn was a real man. His name was Harry Bailly.
51. The pilgrims were going to Shrine of St. Thomas Becket at Canterbury.
52. Three women characters figure in the Prologue to the Canterbury Tales.
53. “The Parson's Tale” is in prose in Canterbury Tales.
54. “Bath” is the name of the town to which she belonged in Chaucer’s “Wife of Bath”.
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55. "He was as fresh as the month of May " .This line occurs in the Prologue. This is
referred to the Squire.
56. Treatise on the Astrolabe is Chaucer's prose work.
57. The War of Roses was fought between The House of York and The House of
Lancaster
58. The followers of Wycliffe were called “ the Lollards”
59. John Wycliffe was the first to render the Bible into English in 1380.
60. The Piers the Plowman is a series of visions seen by its author Langland. ‘The
Vision of a 'Field Full of Folks' was the first vision that he saw.
61. Occleve in The Governail of Princes wrote a famous poem mourning the death of
Chaucer.
62. Caxton was the first to set up a printing press in England in 1476.
63. William Tyndale’s English New Testament is the earliest version of the Bible.
64. Tottle's Miscellany is a famous anthology of 'Songs and Sonnets' by Wyatt and
Surrey.
65. Amoretti contained 88 sonnets of Spenser.
66. Thomas Mores' Utopia was first written in Latin in 1516. It was rendered into
English in 1551.
67. Roister Doister is believed to be the first regular comedy in English by Nicholas
Udall.
68. Gorboduc is believed to be the first regular tragedy in English by Sackville and
Norton in collaboration.
69. Chaucer's Physician in the Doctor of Physique was heavily dependent upon
Astrology.
70. Spenser described Chaucer as "The Well of English undefiled’.
71. Chaucer's pilgrims go on their pilgrimage in the month of April.
72. Forest of Arden appears in the play As You Like It by William Shakespeare.
73. Globe Theatre was built in 1599.
74. When Sidney died, Spenser wrote an elegy on his death called “Astrophel”
75. Spenser’s Epithalamion is a wedding hymn.
76. The first tragedy Gorboduc was later entitled as Ferrex and Porrex.
77. Sidney's “Apologie for Poetrie” is a reply to Gosson's “School of Abuse”.
78. In his Apologie for Poetrie, Sidney defends the Three Dramatic Unities.
79. Christopher Marlowe wrote only tragedies. He first used Blank Verse in his Jew of
Malta.
80. "Was this the face that launched a thousand ships” . This line occurs in Doctor
Faustus by Marlowe.
81. Ben Jonson used the phrase 'Marlowe's mighty line' for Marlowe's Blank Verse.
82. Ruskin said, "Shakespeare has only heroines and no heroes".
83. The phrase 'The Mousetrap' used by Shakespeare in Hamlet. It is the play within
the play.
84. Spenser dedicates the Preface to The Faerie Queene to Sir Walter Raleigh.
85. The Faerie Queene is an allegory .In this Queen Elizabeth is allegorized through the
character of Gloriana.
86. Charles Lamb called Spenser the 'Poets' Poet'.
87. Spenser first used the Spenserian stanza in Faerie Queene.
88. In the original scheme or plan of the Faerie Queene as designed by Spenser, it was
to be completed in Twelve Books. But he could not complete the whole plan. Only
six books exist now.
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119. Dryden's Essay of Dramatic Poesy develops through dialogues amongst four
interlocutors. They are - Eugenius, Crites, Neander , Lisideius.
120. In Dryden’s Essay of Dramatic Poesy Neander speaks for Modern English
Dramatists. (Neander is Dryden in Essay of Dramatic Poesy)
121. Conquest of Granada is a play written by Dryden.
122. Dryden's All For Love is based on Antony and Cleopatra.
123. John Locke is the author of The Essay on Human Understanding.
124. The central theme of Dryden's The Hind and the Panther is Defence of Roman
Catholicism.
125. Samuel Butler's Hudibras is a satire on Puritanism.
126. Grace Abounding is an autobiographical work by John Bunyan.
127. Bunyan's The Pilgrim's Progress is an allegory.
128. 'Gather ye rose - buds while ye may'. This is the opening line of 'Counsel to Girls'
written by Robert Herrick.
129. "Here is God's plenty". Dryden refers Chaucer in the line.
130. Nahum Tate gave a happy ending to King Lear.
131. The theatres were closed down during the Commonwealth period in England. In
1660 they were reopened.
132. "Here lies my wife, here let her rest ! Now she is at rest, and so am I ! " This was a
proposed epitaph to be engraved on the tomb of John Dryden’s wife.
133. Dryden's The Medal is a personal satire on Shaftesbury.
134. Dryden is hailed as 'The Father of English Criticism' by Dr. Johnson.
135. "The Restoration marks the real moment of birth of our Modern English Prose."
Matthew Arnold says this.
136. The term 'Augustan' was first applied to a School of Poets by Dr. Johnson.
137. Matthew Arnold called the eighteenth century "Our admirable and indispensable
Eighteenth Century".
138. Matthew Arnold called the eighteenth century 'the Age of Prose and Reason'.
139. 'Dryden found English poetry brick and left it marble.' Dr. Johnson remarked this.
140. 'If Pope be not a poet, where is poetry to be found? This observation was made by
Dr.Johnson.
141. "I shall endeavour to enlighten morality with wit, and to temper wit with
morality." Addison made this endeavor.
142. Richard Steele started the journal The Tatler.
143. The ‘Four Wheels of the Van of the English Novel are- Fielding, Smollett, Sterne,
Richardson.
144. Referring to one of his novels, Jonathan Swift said, "Good God! What a genius I had
when I wrote that book! “He was referring A Tale of the Tub.
145. Pope said "The proper study of mankind is man”.
146. Absolem and Achitophel deals with the Popish Plot'.
147. The Elegie in praise of John Donne was written by Thomas Carew.
148. In Joseph Andrews Fielding parodies Richardson's Pamela.
149. Swift said 'Pope can fix in one couplet more sense than I can do in six'.
150. The 'Coffee House Culture' flourished in The Age of Dr. Johnson.
151. Pope observed, "A little knowledge is a dangerous thing Drink deep or taste not the
Pierian spring."
152. Lady M.W .Montagu said Pope's Essay on Criticism is 'all stolen'.
153. Matthew Prior's The Town and Country Mouse is a parody of Dryden's The Hind
and the Panther.
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154. Dr. Johnson wrote the “Lives” of 52 poets in his "Lives of the Poets”.
155. Dr. Johnson left out Goldsmith in his Lives of the Poets.
156. Tennyson called Milton "the mighty-mouthed inventor of harmonies".
157. James Thomson’s Seasons is a Nature poem divided into four parts.
158. John Dyer is the author of the poem Grongar hill.
159. Thomas Gray’s “Elegy Written in a Country Churchyard” begins with the line "The
curfew tolls the knell of parting day".
160. 1798 was taken to be the year of the beginning of the Romantic Movement because
Wordsworth’s Lyrical Ballads was published in the year.
161. Wordsworth's Prelude is an Autobiographical poem.
162. Cowper wrote, "God made the country and man made the town."
163. "We are laid asleep in body and become a living soul." This line occurs in
Wordsworth’s Tintern Abbey.
164. Collins's poem "In Yonder Grave a Druid lies" is an elegy on the death of James
Thomson.
165. Thomas Love Peacock satirises Shelley and Coleridge in Nightmare Abbey.
166. "It is a truth universally acknowledged that a single man in possession of a good
fortune must be in want of a wife". This line occurs in Pride and Prejudice by Jane
Austen.
167. The phrase, "willing suspension of disbelief" is applied to Coleridge.
168. "When lovely woman stoops to folly" occurs in a play written by Oliver Goldsmith.
(She Stoops to Conquer)
169. "Bliss was it in that dawn to be alive. But to be young was very heaven." This line
occurs in Wordsworth’s The Prelude.
170. According to Shelley "Hell is a city much like London."
171. The Mariner kills an albatross in The Rime of the Ancient Mariner.
172. Robert Southey’s A Vision of Judgment is a ludicrous eulogy of George II.
173. Shelley was expelled from the Oxford University for the publication of On the
Necessity of Atheism.
174. Lord Byron was the poet who woke one morning and found himself famous.
175. Matthew Arnold called Shelley "an ineffectual angel beating in the void his
luminous wings in vain".
176. Walter Scott’s novels are called Waverly Novels.
177. 'Elia' is a pen-name assumed by De Quincey.
178. Shelley's Defense of Poetry is a rejoinder (reply) to Love Peacock's The Four Ages
of Poetry.
179. Adonais is a Pastoral Elegy written by Shelley on the death of Keats.
180. Madeline is the heroine in Eve of St. Agnes by John Keats.
181. Matthew Arnold said about Keats, "He is with Shakespeare".
182. Keats said himself, "My name is writ in water."
183. Coleridge said. "I have a smack of Hamlet myself".
184. Shelley's death was caused by drowning.
185. "Life, like a dome of many coloured glass,
Stains the white radiance of Eternity
Until death tramples it to fragments, die."
These lines occur in Shelley’s Adonais.
186. Keats’ Ode on a Grecian Urn ends with the line: "For ever wilt thou love, and she be
fair.”
187. "A thing of beauty is a joy forever ." This line is in Keats’s Endymion.
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299. In Paradise Lost, Book I, Satan is the embodiment of Milton’s Spirit of revolt.
300. Wordsworth called poetry “the breadth and finer spirit of all knowledge”.
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337. How do I love theepoem ends 'I shall but love thee better after death' by Elizabeth
Barrett.
338. Lord Byronis considered a national hero in Greece.
339. The three gallants weregoing to a wedding in the poem 'The rime of the Ancient
Mariner' by Coleridge.
340. Harold Nicholson described T. S. Elliot as 'Very yellow and glum. Perfect manners'.
341. Emily Dickinsonrarely left home.
342. Rupert Brooke wrote his poetry duringFirst World War.
343. Maya Angelou wrote 'A brave and startling truth' in 1996.
344. Using words or letters to imitate sounds is called onomatopoeia.
345. The study of poetry's meter and form is calledProsody.
346. Shakespeare composed much of his plays inIambic pentameter.
347. 'Did my heart love til now?/ Forswear it, sight/ For I never saw a true beauty until
this night' is famous lined from Romeo and Juliet by Shakespeare.
348. Auld Lang Syne is a famous poem by Robert Burns.
349. Arthur Conan Doylewrote "The Hound of the Baskervilles”.
350. Agatha Christiewrote "Ten Little Niggers”.
351. Haiku is a Japanese poetic form.
352. Dylan Thomas's 'Under Milk Wood’ is known as A radio play.
353. A funny poem of five lines is called Limerick.
354. W. H. Auden described poetry “A game of knowledge”.
355. Bildungsroman and Erziehungsroman German terms signifying “novels of
formation” or “novels of education”.
356. Black Death is the name given to the epidemic of plague that occurred in Chaucer's
Age.
357. Occleve wrote a famous poem The Governail of Princes mourning the death of
Chaucer.
358. William Tyndale’s English New Testament is the earliest version of the Bible.
359. Thomas Mores' Utopia was first written in Latin in 1516. It was rendered into
English in 1551.
360. Roister Doister is believed to be the first regular comedy in English in Nicholas
Udall.
361. Spenser described Chaucer as "The Well of English undefiled”.
362. Rahel and Estha are the twins in Arundhati Roy’s The God of small Things.
363. Tinu and Dinu are the characters in Mrinal Pande’s Daughter’s Daughter.
364. In The Branded, Laxman Gaikwad retrospects the subhuman condition of Uchalya
community.
365. The sunshine Cat is an outstanding poem by Kamala Das.
366. Bianca or The Young Spanish Maiden is a novel by Toru Dutt.
367. Rukmini is the protagonist in Nectar in the Sieve by Kamala Marakandaya.
368. The Good Earth is a novel by Pearl C Buck.
369. Mahesh Dattani is the founder of a theatre group known as ‘Playpen’.
370. In Part II of An Essay on Criticism by Popeincludes a famous couplet:
A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring.
371. An Essay on Criticism was famously and fiercely attacked by John Dennis, who is
mentioned mockingly in the work. Consequently, Dennis also appears in Pope's
later satire, The Dunciad.
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372. “To err is human, to forgive divine” is a famous line appears in Pope’s An Essay on
Criticism
373. An Essay on Man is a poem published by Alexander Pope in 1734.
374. Pope's Essay on Man and Moral Epistles were designed to be the parts of a system
of ethics which he wanted to express in poetry.
375. Voltaire calledPope’s An Essay on Man "the most beautiful, the most useful, the
most sublime didactic poem ever written in any language"
376. Anton Pavlovich Chekhov was a Russian physician, dramaturge and author.
Chekhov was a doctor by profession.
377. Anton Chekhov said , "Medicine is my lawful wife and literature is my mistress."
378. Anton Chekhov’s works are : The Seagull, Uncle Vanya, Three Sisters and The
Cherry Orchard
379. Keat's Endymion has 4,000 lines.
380. Venus and Adonis, Glaucus and Scylla, Arcthusa and Alpheus – These pair of lovers
Endymion meets in Keat’s Endymion.
381. Wordsworth wrote the famous Preface to the Lyrical Ballads.
382. Lyrical Ballads were published in1798.
383. The Lyrical Ballads opens with Rime of the Ancient Mariner
384. The Lyrical Ballads closes with Lines Written above Tintern Abbey.
385. Dorothy Wordsworth was the third person with Coleridge and Wordsworth at
Quantico Hills when the Lyrical Ballads were composed.
386. John Keats is known for his Hellenic Spirit.
387. PB. Shelley wrote: "Our Sweetest songs are those that tell our saddest thoughts"
388. Shelley's Prometheus Unbound is a lyrical drama.
389. S.T Coleridge wrote this: "He prayed well, who loved well both man and bird and
beast"
390. The journal to which Southey contributed regularly was The Quarterly Review.
391. Sir Walter Scott collected Scottish ballads, and published them along with his own,
in Minstrelsy of the Scottish Border.
392. Byron was 19 years old when he published Hours of Idleness, a collection of poems
in heroic couplet.
393. When Hours of Idleness was criticized by the Edinburgh Review, Lord Byron
retaliated by writing a satiric piece. The title of this satire was English Bards and
Scotch Reviewers
394. The first two cantos of Byron’s Childe Harold take a reader to Spain, Portugal, and
Greece and Albania
395. In Byron’s Childe Harold, the description of the "Battle of Waterloo" appears in
Canto III.
396. The hero of Childe Harold is the poet himself.
397. "Michael", "The Solitary Reaper," "To a Highland Girl" - all these poems depict
simple common folk.
398. Purchas's Pilgrimage inspired Coleridge's Kubla Khan.
399. The Vision of Judgment is satire on Southey.
400. Don Juan has 16 cantos.
401. Halide is the Daughter of an old pirate in Don Juan
402. "Man's love is of man's life a thing apart, "Tis woman's whole existence...." These
lines appear in Don Juan.
403. Don Alfonso, Julia, Sultana , Don Juan – are the characters in Don Juan.
404. Shelley was only 18, When he wrote Queen Mab.
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426. "Be Homer's works your study and delight. Read them by day, and meditate by
night." This advice was given to the poets by Pope.
427. "The end of writing is to instruct ; the end of poetry is to instruct by pleasing." –
Dr.Johnson
428. "There neither is, nor can be, any essential difference between the language of
prose and metrical composition." – William Wordsworth
429. "I write in metre because I am about to use a language different from that of
prose." – Coleridge
430. Walter Pater gave the concept of "Art of Art's sake'.
431. Matthew Arnold gave the concept of "Art for life's sake’.
432. 'Objective correlative', 'Dissociation of sensibilities', 'Unification of sensibilities,
Impersonality theory- are associated with T S Eliot.
433. John Crowe Ransom is believed to be the pioneer of the so-called New Criticism.
434. Prosody is science of all verse forms, poetic metres and rhythms.
435. Longinus is called the first romantic critic.
436. Aristotle is known as the first scientific critic.
437. Fred invites Scrooge to Christmas dinner in A Christmas Carole.
438. "Lycidas" is a poem by John Milton, written in 1637 as a pastoral elegy. It is
dedicated to the memory of Edward King. Milton describes King as "selfless."
439. Elizabthan Theatres : Blackfriars Theatre, The Boar’s Head Theatre, Cockpit
Theatre or The Phoenix, The Curtain, The Fortune, The Globe, The Hope, The Red
Bull ( Play House), The Red Lion, The Rose Salisbury Court Theatre, The Swan,
The Theatre, White friars Theatre.
440. The Globe Theatre was built in 1599 by Shakespeare’s playing company and
was destroyed by fire on 29June, 1613.A second theatre was built on the same
land by June 1614 and closed in 1642. A modern reconstruction of the Globe,
named “Shakespeare’s Globe “opened in 1997.
441. Samuel Taylor Coleridge adopted Absolute principle in developing his theory of
literature, a theory in which NATURE appears as the Absolute.
442. New Humanism: It was led by the scholars Irving Babbitt and Paul Elmer More,
called for a rejection of transcendental, idealist terms, of which the Coleridge an
Absolute was a major example.
443. The scholar Robert Calasso used the term absolute literature to describe writings
that reveal a search for an absolute.
444. French writer Albert Camus employed the term “Absurd” to describe the futility
of human existence, which he compared to the story of Sisyphus, the figure in
Greek mythology condemned for eternity to push a stone to the top of a
mountain only to have it roll back down again.
445. Martin Esslin found “the theatre of the absurd,” to describe plays that
abandoned traditional construction and conventional dialogue.
446. Absurd Play and playwrights : Samuel Beckett’s Waiting for Godot (1953) and
Endgame (1957), Eugene Ionesco’s Rhinoceros (1960), Arthur Adamov’s Ping
Pong (1955), Harold Pinter’s The Caretaker (1959), Edward Albee’s The
American Dream (1961) and The Zoo Story, Joseph Heller’s Catch-22 (1961),
Gunther Grass’s The Tin Drum (1959) etc
447. Martin Esslin’s The Theatre of the Absurd was written in 1961. He first used
“Theatre of Absurd” in this work.
448. The ELIZABETHAN five-act structure derives from the Roman playwright Seneca.
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449. Kenneth Burke analyzes the tragic rhythm of action in his A Grammar of Motives
(1945).
450. Action painting is a term coined by the critic Harold Rosenberg to describe a
central principle of the Abstract Expressionist art movement that developed in
the 1940s and ’50s.
451. In novels such as Flaubert’s Madame Bovary (1856–57), Tolstoy’s Anna Karenina
(1875–77) and Hawthorne’s The Scarlet Letter (1850), the heroines of all three of
these novels commit adultery and are punished as social outcasts.
452. The Scarlet Letter by Hawthorne forms the basis of three novels by Updike (A
Month of Sundays,1975; Roger’s Version,1986; and S,1988) in which the
perspectives of the three main characters of the Hawthorne novel (Arthur
Dimmesdale, Roger Chillingworth, and Hester Prynne) are recreated in
contemporary terms.
453. Donald Greiner’s Adultery in the American Novel (1985) looks at the uses of the
theme in the works of Nathaniel Hawthorne, Henry James, and John Updike.
454. Robert Louis Stevenson’s Treasure Island was written in 1883.
455. Walter Pater’s Studies in the History of the Renaissance (1873), which concludes
with the famous invitation to “burn with a hard gemlike flame” in the “desire for
beauty, the love of art for its own sake.”
456. Oscar Wilde, who at the end of his life lamented in De Profundis (1905), “I treated
art as the supreme reality and life as a mere mode of fiction.”
457. Affective fallacy is a term in NEW CRITICISM used to describe the error, from a
New Critical perspective, of analyzing a work of literature in terms of its impact
upon a reader. William Wimsatt and Monroe Beardsley coined the term to call
attention to the distinction between the text of a work and “its results in the
mind of its audience.” “The Affective Fallacy” is included in Wimsatt’s The Verbal
Icon (1954).
458. Harriet Wilson’s Our Nig; or, Sketches from the Life of a Free Black was the first
novel by an African American writer to be published in the United States.
459. African-American literature was dominated by three novelists: Richard Wright,
Ralph Ellison, and James Baldwin. Wright’s Native Son (1940), Ellison’s The
Invisible Man (1952), and Baldwin’s Go Tell It on the Mountain (1953).
460. Major African-American Writers : Maya Angelou (I Know Why the Caged Bird
Sings,1969), Ishmael Reed ( Mumbo Jumbo,1972), Alice Walker ( The Color
Purple,1982), the playwright August Wilson (Fences,1987), and the Nobel
laureate Toni Morrison (Beloved,1987).
461. Dr. Samuel Johnson was a poet, critic, editor, and lexicographer.
462. Gibbon wrote Decline and Fall of the Roman Empire (1776–87)
463. Boswell wrote Life of Johnson (1791).
464. Richard Brinsley Sheridan’s The School for Scandal (1777), and Oliver
Goldsmith’s She Stoops to Conquer (1773) , William Congreve’s A Way of the
World– are the examples for Comedy of Manners.
465. Tobias Smollett wrote the novel Humphrey Clinker (1771).
466. Laurence Sterne’s Tristram Shandy (1760–67), is one of the great comic novels in
English.
467. At the polar opposite of the view of age in King Lear is Robert Browning’s
depiction in “Rabbi Ben Ezra”:
Grow old along with me
The best is yet to be
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468. John Updike’s Rabbit tetralogy, Rabbit, Run (1960), Rabbit Redux, Rabbit is Rich,
and Rabbit at Rest (1990). Rabbit, Run depicts three months in the life of a 26
year-old former high school basketball player Harry’Rabbit’ Angstrom.
469. Clifford Odets’s waiting for Lefty (1935), a passionate prolabor union drama
focusing on a taxi drivers’ strike.
470. Shakespeare’s notable drinkers, Sir Toby Belch in Twelfth Night and Falstaff in
his three plays.
471. Sidney Carton, in Charles Dickens’s A Tale of Two Cities (1859) declares “It is a
far, far better thing I do than anything I have ever done.”
472. “I took the one less travelled by, and that has made all the difference” is a line
from the poem “The Road Not Taken” by Robert Frost.
473. “Good fences make good neighbours” is a line from “Mending Wall” by Robert
Frost.
474. Alexandrine is a line of six iambic feet (12 syllables). Edmund Spenser’s The
Faerie Queene, which consists of nine-line stanzas, the first eight in iambic
pentameter, with the ninth line an alexandrine.
475. Eugene O’Neill wrote Long Day’s Journey Into Night (1940)
476. Sartre wrote No Exit in 1945.
477. Alienation Effect is a term coined by the German dramatist Bertolt Brecht to
describe a desired detachment on the part of both actors and audience to
prevent them from becoming emotionally involved in the action of the play.
478. Allegory: Jonathan Swift’s Tale of a Tub (1704), Scarlet Letter (1850), Herman
Melville’s Moby Dick (1851).
479. Allusion is a reference within a literary text to some person, place, or event
outside the text.
480. William Butler Yeats’s reference to “golden thighed Pythagoras” in his poem
“Among School Children.” It is an example for personal allusion.
481. William Empson’s Seven Types of Ambiguity (1930), a work that had a powerful
impact on the development of New Criticism. Empson used the term to describe
a literary technique in which a word or phrase conveys two or more different
meanings.
482. William Empson defined ambiguity as “any verbal nuance, however slight, which
gives room for alternative reactions to the same piece of language.”
483. The American critic F. O. Matthiessen first employed the term American
renaissance to describe the major works of Emerson (Essays, 1841, Poems,
1847); Thoreau (Walden, 1854); Hawthorne (The Scarlet Letter, 1850); Melville
(Moby Dick, 1851), and Whitman (Leaves of Grass, 1855).
484. Anapaest is a metrical FOOT containing two unaccented syllables followed by an
accented syllable.
485. Anaphora: In RHETORIC, a figure of speech in which a word or words are
repeated, usually at the beginning of successive sentences or lines of verse.
William Blake’s “London” provides an example:
486. Janie Crawford is the heroine of Hurston’s novel Their Eyes Are Watching God.
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487. In his Anatomy of Criticism (1957), Northrop Frye defines the term as “a form of
fiction . . . characterized by a great variety of subject matter and a strong interest
in ideas.”
488. Androgyny is combination of male and female characteristics. The word itself
combines the Greek words for male (andros) and female (gynous). Shakespeare’s
Twelfth Night, Dickens’s unfinished novel The Mystery of Edwin Drood (1870),
Poe’s “The Fall of the House of Usher” (1838), and John Barth’s The Sot-Weed
Factor (1974) employ opposite-sex twins as embodiments of androgynous
ideals.
489. Anglo-Irish Writers: George Farquahr, Richard Steele, Laurence Sterne, Richard
Brinsley Sheridan, Oliver Goldsmith, Oscar Wilde, George Bernard Shaw,
Edmund Burke and Jonathan Swift.
490. William Butler Yeats returned to Celtic mythology as the inspirational source of
his poetry.
491. Angry young men: A term applied to a group of English writers, whose novels
and plays in the 1950s featured protagonists who responded with articulate rage
to the malaise that engulfed post-war England.
492. “She tragedies” is a term coined by Nicholas Rowe which focused on the
sufferings of an innocent and virtuous woman became the dominant form of
pathetic tragedy.
493. Victor Brombert points out, “Nineteenth and twentieth century literature is . . .
crowded with weak, ineffectual, pale, humiliated, self-doubting, inept,
occasionally abject characters . . .”
494. Ralph Ellison’s Invisible Man (1952) has unnamed protagonist.
495. Albert Camus wrote The Fall (1954)
496. Sir Walter Scott’s Ivanhoe (1820)
497. George Eliot’s Daniel Deronda (1876)
498. Aphorism is a brief, elegant statement of a principle or opinion, such as “God is in
the details.” An aphorism is similar to an EPIGRAM, differing only in the
epigram’s emphasis on WIT.
499. Apollonian/Dionysian are the Contrasting terms coined by the 19th-century
German philosopher Friedrich Nietzsche. Nietzsche employs these terms in his
The Birth of Tragedy (1872), in which he argues that Greek tragedy is essentially
Dionysian, rooted in powerful and primitive emotions, and that the Apollonian
element is a later accretion.
500. Aporia: The Greek word for complexity, used in classical philosophy to describe a
debate in which the arguments on each side are equally valid. The “answer” to
the question “Which comes first, the seed or the tree?” is an example of an aporia.
501. Apostrophe: A figure of speech in which a speaker turns from the audience to
address an absent person or abstract idea. It differs from a soliloquy in that the
speaker of an apostrophe need not be alone on the stage. An example occurs in
the second act of Hamlet, when the Prince turns from a conversation with
Rosencrantz and Guildenstern.
502. Apron stage is a stage that is thrust out into the audience on three sides,
creating closer contact than is the case with a PROSCENIUM stage. The apron
stage was a common feature of Elizabethan theatres, such as Shakespeare’s
GLOBE THEATRE.
503. Arab-American literature: An early and important force in Ameen Rihani, a
Lebanese-born scholar and diplomat, whose The Book of Khalid (1911), a novel
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written in free verse records the struggles and triumphs in the immigrant
experience. The most important early work of Arab-American literature is Kahil
Gibran’s world-famous The Prophet (1923), a meditative prose poem, extolling
love as the central fact of the human condition.
504. Philip Sidney’s Arcadia (1587, 1590) is an elaborate, pastoral prose-romance
that exerted a strong influence on English Renaissance literature.
505. Aristotle defined literature as imitation (MIMESIS); gave an account of the
origins, development, and structure of drama; distinguished between comedy
and tragedy; and introduced the concept of CATHARSIS and the UNITIES.
506. Arnold introduced a number of terms that have enjoyed wide currency:
HEBRAISM/ HELLENISM, PHILISTINE, SWEETNESS AND LIGHT, and the
TOUCHSTONE principle.
507. Art for art’s sake: The argument that art should be autonomous and not
compelled to serve a specific c social or moral purpose. The phrase was used in
19thcentury France and England as a slogan of AESTHETICISM.
508. Aside: In drama, a comment by a character directed to the audience, not
intended to be heard by the other characters on stage. The use of the aside
affects the role of the audience in the play.
509. Assonance is a form of RHYME in which the vowels rhyme, but not the
consonants. Examples: kite-bike; rate-cake.
510. Aubade: A poem in which lovers complain of the appearance of dawn, which
requires them to part. The form achieved great popularity in medieval France
and was employed by Chaucer in Troilus and Criseyde and by Shakespeare in
Romeo and Juliet.
511. Walter J. Ongwrote an essay, “The Writer’s Audience is Always a Fiction.”
512. Roland Barthes’s “The Death of the Author” is included in his Image, Music,
Text(1977)
513. Michel Foucault’s “What Is an Author?” is reprinted in The Foucault Reader
(1984).
514. Ballad is originally a song associated with dance, the ballad developed into a
form of folk verse narrative. The majority of folk ballads deal with themes of
romantic passion, love affairs that end unhappily, or with political and military
subjects. The story usually is in dialogue form. The ballad form was imitated by
Romantic poets, signalled by the publication of William Wordsworth and Samuel
Taylor Coleridge’s Lyrical Ballads in 1798.
515. “Motiveless malignity” is the phrase by Samuel Taylor Coleridge.
516. Bathos is a term used to describe a writer’s failure to elicit a strong emotion,
inadvertently producing laughter or ridicule.
517. Jonathan Swift’s Battle of the Books (1697) satirized the modernist position.
518. Beat is a term for a group of American writers who came into prominence during
the 1950s and offered a radical critique of middle class American values.
519. Berliner Ensemble is a Theatrical company established in East Berlin in 1949 by
the playwright Bertolt Brecht. It offered Brecht the opportunity to implement his
theoretical conceptions, such as EPIC THEATRE and the ALIENATION EFFECT.
520. Bildungsroman (education novel): A German term for a type of novel that
focuses on the development of a character moving from childhood to maturity.
Sometimes known as a Coming of Age novel, the form usually charts a
movement from innocence to knowledge. Prominent examples include Goethe’s
The Sorrows of Young Werther (1774), Charles Dickens’s David Copperfield
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(1849–50), James Joyce’s A Portrait of the Artist as a Young Man (1916), and
Günter Grass’s The Tin Drum (1959).
521. BIOGRAPHERS : James Boswell’s The Life of Samuel Johnson (1791), Leon Edel’s
five-volume biography of Henry James (1953–72), Richard Ellmann’s James Joyce
(1959), and David Riggs’s Ben Jonson: A Life (1989).
522. Blank verse: The term for verse written in unrhymed iambic pentameter,
unrhymed lines of about 10 syllables, in which the accent falls on the even
numbered syllables.
523. Blazon is a lyric poem, typically a SONNET, in which the poet praises the beauty
of his beloved, detailing her specific c features: eyes, hair, cheeks, and usually her
“fair” complexion. Ex: Lord Byron’s “She Walks in Beauty like the Night.”
524. Bloomsbury group: A circle of English writers, artists, and philosophers with a
shared set of values who frequently socialized at the homes of the novelist
Virginia Woolf and her sister Vanessa Bell, located in the Bloomsbury section of
London. Among its members were the economist John Maynard Keynes, the
novelist E. M. Forster, the biographer Lytton Strachey, and the philosopher
Bertrand Russell.
525. Braggart warrior (miles gloriosus): In classical comedy, a Stock Character who
boasts of his military valor, but is usually shown to be a coward. Shakespeare’s
Falstaff is a type of braggart warrior, as is Captain Boyle in Sean O’Casey’s Juno
and the Paycock (1924).
526. Brat pack: Name given to a group of young writers who enjoyed brief fame in
the 1980s. They included Jay McInerney (Bright Lights, Big City, 1984), Bret
Easton Ellis (Less Than Zero, 1985) and Tama Janowitz (Slaves of New York,
1986).
527. Bricoleur is a term coined by the French Structuralist Claude Lévi-Strauss to
describe someone who assembles disparate objects to produce a tool that serves
a particular purpose.
528. Bunraku is the modern term for the puppet theater of Japan. Chikamatsu
Monzaemon’s The Love Suicides at Sonezaki (1703) is one of the most celebrated
examples of the genre.
529. Burlesque: A type of literature or drama designed to mock a serious work or an
entire GENRE. As a form of Parody, burlesque is usually distinguished from satire
by its broad comic effects and its willingness to depart from serious criticism of
its subject in favor of simple entertainment. Ex: John Gay’s The Beggar’s Opera
(1728), Richard Brinsley Sheridan’s The Critic (1779).
530. Philip Massinger wrote tragedy The Roman Actor (1626)
531. Byronic hero: A term for the dark, brooding, rebellious and defiant hero
associated both with the character of George Gordon, Lord Byron and the heroes
of many of his poems and plays. In the l9th century the Byronic hero became a
major feature of Romanticism, its internally conflicted, alienated, and demonic
strain at once attractive and dangerous. Ex: Charlotte Brontë’s Jane Eyre (1847)
and the figure of Jeffrey Aspern in Henry James’s The Aspern Papers (1888).
532. Campus novel: A novel set at a college or university, in which academic life
assumes not merely a background role but is a determining factor in the lives of
its characters. Campus novels may be divided between those dealing with
students’ experiences and those that focus on the faculty. Ex: Philip Roth’s When
She Was Good (1967), Tom Wolfe’s My Name Is Charlotte Simmons (2004).
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533. Ezra Pound’s major work is a poem consisting of over 100 cantos entitled simply
The Cantos (collected and published in one volume in 1971).
534. Thomas Dekker wrote The Shoemaker’s Holiday (1599).
535. Joseph Heller’s Something Happened (1974) deals with a corporate ambience.
536. William Gaddis’s JR (1975), a satire focusing on a child capitalist.
537. Carnival is a term used by the Russian theorist Mikhail Bakhtin to explore the
subversion of authority and official culture in popular entertainment and
festivals.
538. “Cavalier Poetry,” specialized in witty, elegant love lyrics. A group of poets
connected to the court of Charles I of England, who supported the King during
the English Civil Wars (1641–49). The king’s followers were called Cavaliers
while his Parliamentary opponents were known as Roundheads. Among the
better known cavalier poets are Sir John Suckling, Richard Lovelace, Edmund
Waller, Thomas Carew, and the finest poet of the group, Robert Herrick.
539. ‘Carpe Diem’ means “seize the day”: A Latin term expressing the idea of taking
advantage of the present moment. In literature, the term refers to a type of
poetry in which the poet implores the beloved to seize pleasure rather than to be
“coy.” Two outstanding examples of the type date from the 17th century, Robert
Herrick’s “To the Virgins, To Make Most of Time” and Andrew Marvell’s “To His
Coy Mistress.”
540. Seize the Day (1956) is a novel written by Saul Bellow.
541. Catastrophe: In Tragedy, the final phase—the denouement—of the tragic
action. In Henry IV, Part II, Shakespeare uses the term comically in the sense of
“rear end”: “I’ll tickle your catastrophe.”
542. Catharsis means “purgation”.
543. In his Poetics, Aristotle defines tragedy as “an imitation of an action . . . through
pity and fear effecting the proper catharsis of these emotions.”
544. Chamberlain’s/King’s Men: The two names of the acting company of which
Shakespeare was a member and for which he wrote his plays. The Lord
Chamberlain’s Men was formed in 1594 under the patronage of Henry Carey,
(Lord Hunsdon), Lord Chamberlain from 1585 to 1596 and under his son George
until 1603. The two star performers were Richard Burbage, who excelled in the
leading tragic roles, and Will Kempe, the principal comic actor. In 1599 the
players erected their own playhouse, the GLOBE THEATRE, on the outskirts of
London.
545. A basic distinction between types of characters is that between “flat” and
“round.” Flat characters tend to be minor figures, who remain unchanged
throughout the story. Round characters—those seen in a more rounded fashion-
usually change in the course of the story.
546. Chiasmus: In RHETORIC, the inversion of words from the first half of a
statement in the second half. A famous example is John F. Kennedy’s “Ask not
what your country can do for you; ask what you can do for your country.” The
critic Louis Montrose employs chiasmus in his definition of NEW HISTORICISM
as “the history of texts and the textuality of history.”
547. Chicago renaissance: A period in early 20th-century American literary history
when a significant number of important writers, including Theodore Dreiser,
Edgar Lee Masters, Carl Sandburg, and Sherwood Anderson, lived in and wrote
about Chicago.
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548. Chicago school: A critical movement centered at the University of Chicago from
the 1930s to the 1960s that adopted an Aristotelian approach to literary texts.
Ronald Crane was the group’s leader. In addition to Crane, other prominent
Chicago critics included W. R. Keast, Richard McKeon, Elder Olson, and Norman
Maclean (later celebrated as the author of A River Runs Through It, 1976).
549. George Bernard Shaw wrote Saint Joan: A Chronicle Play (1923).
550. Climax is the turning point in a DRAMA or work of fiction. Although usually
located near the end of a NARRATIVE or play, the climax occasionally occurs
earlier, as Mark Antony’s address to the crowd at the midpoint of Shakespeare’s
Julius Caesar.
551. Closet drama: A play designed to be read either silently or in a group, not
performed “Closet” in this sense means private library or study. Among notable
examples of the type are John Milton’s “Samson Agonistes” (1671), Lord Byron’s
Manfred (1817), and Percy Bysshe Shelley’s Prometheus Unbound (1820).
552. Cockney school of poetry: A derisive term first employed in 1817 to describe
the poetry of Leigh Hunt, John Keats, Percy Shelley and William Hazlitt.
553. Aristophanes’ last play, Plutus (388 B.C.), is the sole surviving example of “Middle
Comedy,” a form that employed parody and satire of classical myth.
554. Comic Novels: Henry Fielding’s Tom Jones (1749) and Laurence Sterne’s
Tristram Shandy (1759–67), James Joyce’s Ulysses (1922), Joseph Heller’s Catch-
22 (1961).
555. Flannery O’Connor wrote A Good Man Is Hard to Find.
556. Coming of age: A sociological term for the movement of an individual from
childhood or adolescence to adulthood. Ex: Charles Dickens’s Great Expectations
(1860–61), Mark Twain’s Adventures of Huckleberry Finn (1884), and Henry
James’s What Maisie Knew (1897), J. D. Salinger’s Catcher in the Rye (1951) and
Harper Lee’s To Kill a Mockingbird (1960).
557. Confessional Poetry: Name for a type of post–World War II American poetry in
which the poet appears to reveal intimate details of his or her life and a fragile,
fragmented sense of self. A major practitioner of the form was Robert Lowell,
whose book of poems Life Studies (1959) had a powerful influence on two
younger poets, Sylvia Plath and Anne Sexton. Plath’s Ariel (1965), a collection of
brilliant, angry, suicidal revelations, proved to be prophetic: two years before
their publication, she took her own life. The title of Sexton’s first book of poetry,
To Bedlam and Part Way Back (1960), is indicative of the personal anguish that
motivated her poetry.
558. Robert Penn Warren wrote All the King’s Men (1946).
559. Connecticut wits: Name of a group of late 18th century American writers who
attended Yale University around the time of the American Revolution. The
members represented conservative political and cultural values, endorsing the
study of literature as a source of moral improvement. Stylistically, they were
influenced by the English tradition of the Augustan age, the examples of Pope
and Swift. Among their better-known practitioners were the poets John
Trumbull, Timothy Dwight, who became president of Yale in 1795, and Joel
Barlow, who later served as ambassador to France.
560. The term “Courtly love” was coined in 1883 by the French medieval scholar
Gaston Paris and developed by C. S. Lewis in his The Allegory of Love (1938).
561. The Criterion was an influential literary quarterly published in England from
1922 to 1939. Edited by T. S. Eliot, whose most famous poem The Waste Land
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appeared in its first issue, the journal helped to propagate the principles of New
Criticism.
562. Cultural Studies:An interdisciplinary movement that focuses on Popular
Culture, placing it in a socio-historical context. The movement originated in Great
Britain in the 1960s and spread to the United States in the 1980s.
563. Curtal sonnet: It is a term coined by the Victorian poet Gerard Manley Hopkins
to describe a sonnet of 10 and a half lines rather than the 14 lines of the usual
sonnet. Ex: Hopkins’s celebrated poem “Pied Beauty”.
564. Cyberpunk is a form of SCIENCE FICTION in which the world of high-tech
computer networks (cyberspace) dominates life in the near-future.
565. Dactyl is a metrical foot consisting of one stressed syllable followed by two
unstressed syllables, as in the word “courtesy”.
566. Dada is a movement of writers and artists that rejected conventional modes of
art and thought in favour of consciously cultivated, deliberate nonsense.
According to its founder, Tristan Tzara, “DADA MEANS NOTHING.”
567. Charles Darwin wrote On the Origin of Species (1859).
568. Dasein: A term used by the German philosopher Martin Heidegger to describe
the distinctively human way of being in the world. Dasein literally means “being
there,” and Heidegger employs it to avoid the notion—implicit in terms like “self
” or “man”—of an isolated private entity set off from the objective world.
569. Shakespeare’s FIRST FOLIO appeared in 1623.
570. Shelley’s poems represented what the critic Mario Praz has called the “Romantic
agony,” the aesthetic that pairs death with beauty.
571. Tolstoy wrote The Death of Ivan Ilych (1886)
572. Thomas Mann’s novella is Death in Venice (1912).
573. “Yale critics”: Paul De Man, J. Hillis Miller, Geoffrey Hartman.
574. Defamiliarization is a principle associated with RUSSIAN FORMALISM which
asserts that one function of art and literature is to disturb its audience’s routine
perception of reality. The term (in Russian ostranenie) was coined by the critic
Viktor Shklovsky, who argued that in disrupting our everyday sense of what is
real and important, art puts us in touch with our deepest experiences. The
techniques of defamiliarization include placing characters and events in
unfamiliar contexts, FOREGROUNDING dialects and slang in formal poetry, and
employing unusual imagery.
575. Deism held that belief in God was consistent with human reason, but not with
the beliefs of specific c religions that claim truth on the basis of divine revelation.
Thus most Deists rejected Christianity’s claim that the BIBLE contained the
revealed word of God. In literature, Deistic elements appear in the poetry of
Alexander Pope. Pope himself remained a practicing Christian all his life, but his
Essay on Man (“Know then thyself, presume not God to scan/The proper study of
Mankind is Man.”) is considered a deistic poem, as is James Thompson’s The
Seasons (1730).
576. Edgar Allan Poe’s Murders in the Rue Morgue (1841) is a detective story.
577. Diachronic/Synchronic are the two terms designed to reflect two approaches
to the study of language. To look at language diachronically is to study its
historical development, while the synchronic approach analyzes a language
system at a given moment in its history. The terms are associated with the
French linguist Ferdinand de Saussure, who advocated the synchronic approach
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593. Drâme bourgeois (bourgeois drama): A term coined by the 18th-century French
philosopher and playwright Denis Diderot to describe a type of drama that
focused on the domestic problems of middle class families.
594. Sigmund Freud wrote The Interpretation of Dreams (1900).
595. Dream vision is a type of medieval literature in which the narrator, in a dream,
observes allegorical or actual figures whose behavior illustrates some truth of
life Ex : Guillaume de Lorris’s Roman de la Rose, William Langland’s Piers
Plowman (1366–86)
596. Chaucer employed the Dream Vision form in a number of works: The Book of
the Duchess (1369) is a combined elegy and dream vision, commemorating the
death of Blanche, the Duchess of Lancaster and wife of John of Gaunt, Chaucer’s
patron. The dream in The Parliament of Fowls (c. 1375) concludes with a
parliament of birds discussing a variety of views of the nature of love. The
prologue to his The Legend of Good Women (c. 1380) contains a dream vision
that operates as the framing device of the individual stories that follow it.
597. The 14th-century dream vision poem is The Pearl, in which a lost pearl comes to
stand for a daughter who has died in infancy.
598. Dream work is Sigmund Freud’s term for the transformation of the hidden or
latent meaning of a dream into the form that is remembered and reported by the
dreamer.
599. Shakespeare’s Hamlet is the play-within-the-play.
600. Eclogue is a PASTORAL poem, traditionally featuring shepherds engaged in
dialogue, as in Edmund Spenser’s The Shepherd’s Calendar (1579).
601. Ecocriticism is an approach to literature from the perspective of
environmentalism. Ecocriticism focuses on nature writing. Ex : Henry David
Thoreau’s Walden (1854), Annie Dillard’s Pilgrim at Tinker Creek (1974), John
McPhee’s Coming into the Country (1977), Joseph Meeker’s The Comedy of
Survival (1974), Jonathan Bate’s The Song of the Earth (2000).
602. Martin Heidegger, who sees the connection of nature with literature as “the
poetry of dwelling” with the earth.
603. H G Wells is best known for his SCIENCE FICTION, also wrote social novels like
Tono-Bungay (1908).
604. Forster’s Howards End (1910) depicts the interaction of the English leisure class
with the commercial middle class. ‘Howard’ is the name of the house.
605. Elegy is a lyric poem meditating on the death of an individual or on the fact of
mortality in general. Ex : Thomas Gray’s “Elegy Written in a Country Churchyard”
(1750), Alfred, Lord Tennyson’s In Memoriam (1880), W. H. Auden’s “On the
Death of W. B. Yeats” (1939), Paul Monette’s tribute to a lover who died of AIDS,
Love Alone: Eighteen Elegies for Rog (1988), John Milton’s Lycidas (1637), Percy
Bysshe Shelley’s Adonais (1821).
606. Sidney’s An Apologie for Poetrie (1595) is a defense of literature from Puritan
attack and an early example of literary criticism in English.
607. End-stopped line is a line of verse that concludes with a pause coinciding with
the completion of a phrase or clause. Ex: Emily Dickinson’s Because I could not
stop for Death.
608. Enjambment : In verse, the continuation without pause from one line or couplet
to the next. The opposite of enjambment is the End-Stopped Line.
609. John Locke: “Reason must be our last judge and guide.”
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610. Epic is a long narrative poem which focuses on a heroic figure or group, and on
events that form the cultural history of a nation or tribe. Ex : Milton’s Paradise
Lost, Beowulf , Homer’s Iliad and Odyssey, Herman Melville’s Moby Dick (1851),
Marcel
611. Proust’s Remembrance of Things Past (1913–27), Lord Byron’s Don Juan (1816),
Walt Whitman’s Leaves of Grass (1855), Ezra Pound’s Cantos (1920–72) and
William Carlos Williams’s Paterson (1946–58), James Joyce’s Ulysses (1922)
612. D. W. Griffith’s wrote Birth of a Nation (1915).
613. Epic theatre: A type of drama developed by the playwright Bertolt Brecht.
Brecht argued for a form of theatre in which actors and audience would be
always aware that they were enacting or watching a play. This Alienation Effect,
as Brecht termed it, attempts to produce a more thoughtful and less emotional
response in the audience.
614. Brecht’s Mother Courage and Her Children (1941) exhibits both “dramatic” and
“epic” qualities.
615. Oscar Wilde: “I can resist everything but temptation.”
616. Epigraph is a quotation used at the beginning of a text designed to illustrate its
title or designate its theme.
617. Epilogue: In drama, a final speech addressed to the audience soliciting its
approval for the play. Famous examples from Shakespeare’s plays are Puck’s
appeal for applause at the conclusion of A Midsummer Night’s Dream, and
Prospero’s epilogue to The Tempest.
618. Epiphany: James Joyce used the term to describe the artistic revelation of the
inner radiance of an object or event. The best known of his epiphanies occurs in
his autobiographical novel A Portrait of the Artist as a Young Man (1916).
619. David Lodge’s The Art of Fiction (1992) offers a lively account of the use of the
epiphany in modern literature.
620. Luigi Pirandello wrote Right You Are If You Think You Are (1917).
621. Alexander Pope’s Epistle to Dr. Arbuthnot (1735), a brilliant satire of life and
letters in 18th-century England.
622. Epistolary novel: Fiction written in the form of a series of letters. Samuel
Richardson’s Pamela (1740), Clarissa (1747–48), John Barth’s Letters (1979),
Alice Walker’s The Color Purple (1982), A. S. Byatt’s Possession (1990). A
memorable film based upon the epistolary idea is Max Ophuls’s Letter From An
Unknown Woman (1948).
623. Epithalamion is a poem written on the occasion of a wedding, usually celebrating
the virtue and beauty of the bride. The best known example is Edmund Spenser’s
“Epithalamion” (1595), written for his own wedding. A modern example is John
Ciardi’s “I Marry You” (1958).
624. Esemplastic is a term coined by the Romantic poet and critic Samuel Taylor
Coleridge to describe the shaping power of the poetic imagination.
625. Francis Bacon (1561-1626) is a well known essayist. The 19th century’s
outstanding essayists are including Thomas De Quincey, Charles Lamb, Ralph
Waldo Emerson, John Ruskin, and Walter Pater. Modern essayists are Henry
James (The Art of Fiction-1894), D. H. Lawrence (Studies in Classic American
Literature -1923), Virginia Woolf (The Common Reader-1925), and the collected
essays of T. S. Eliot.
626. The most significant examples of the essay adapted to verse are Alexander
Pope’s Essay on Criticism (1711) and his Essay on Man (1733).
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627. Matthew Arnold’s phrase, “the best that has been thought and said”.
628. The novelist Alice Walker coined the term womanism to describe a feminist “of
color.”
629. Ethos: In Rhetoric, the ethical character that a speaker projects in his efforts to
persuade an audience.
630. Euphony is a pleasing, agreeable sound, traditionally associated with lyric
poetry. The opposing term to euphony is Cacophony. ( *Euphony x Cacophony)
631. Tavern Scene occurs in Shakespeare’s Henry IV, Part One.
632. Euphuism: A late 16th-century, highly mannered style developed by John Lyly in
his Euphues: The Anatomy of Wit (1578) and Euphues and His England (1580).
Features of the style included samplings of alliteration, antitheses, balanced
constructions, and analogies drawn from natural history.
633. French theorist Georges Bataille wrote Literature and Evil (1973).
634. Exemplum: A tale designed to illustrate a moral lesson. The form was popular in
the MIDDLE AGES. “The Pardoner’s Tale” in Chaucer’s The Canterbury Tales is a
representative example: It is a story cast in the form of a sermon on the theme of
money as the root of all evil.
635. In Being and Time (1927), Heidegger provides a phenomenological description of
human existence which he calls DASEIN (being there).
636. Works on Existentialism : Dostoyevsky’s Notes from Underground (1864),
Melville’s Bartleby the Scrivener(1853), Tolstoy’s The Death of Ivan Ilych(1884),
Franz Kafka (“Metamorphosis,” 1915; The Trial, 1925), Robert Musil (The Man
Without Qualities, 1930–43) , Albert Camus in his novels (The Stranger, 1942;
The Fall, 1956) and plays (Caligula, 1944), Simone de Beauvoir’s The Second Sex
(1949), Ralph Ellison’s Invisible Man (1952), Saul Bellow’s Herzog (1964), and
Norman Mailer’s American Dream (1965), Flannery O’Connor’s novel The Violent
Bear It Away (1960), and Walker Percy’s The Moviegoer (1961).
637. Sartre’s What Is Literature? (1949) provides an interesting application of
existentialism to literary criticism.
638. Exordium: In RHETORIC, the introductory part of a formal speech. The aim of
the exordium is to catch the attention of the audience.
639. Expressionism: A movement in literature and art in the early 20th century that
sought to go beyond Realism on the one hand and Impressionism on the other.
For the expressionists, realists and impressionists were too concerned with the
surface of reality and reproducing the appearance of things. Ex: Eugene O’Neill.
The Emperor Jones (1920) and The Hairy Ape (1921), Sean O’Casey’s The Silver
Tassie(1929) and Elmer Rice’s The Adding Machine (1925)
640. Strindberg’s To Damascus (1898–1901) is regarded by some as the first
expressionist play.
641. Georg Kaiser, who produced 24 plays between 1917 and 1923, all in the
expressionist mode. His notable plays are From Morn to Midnight, 1912, and Gas,
1917).
642. Fable is a short Narrative in prose or verse in which the action of the characters,
usually animals, conveys a moral lesson. Aesop was the chief source of the fables
of Jean de La Fontaine, whose 17th-century collection in verse continues to
represent the standard for the form. Notable examples of the satiric fable are
Chaucer’s “Nun’s Priest’s Tale” from The Canterbury Tales and George Orwell’s
Animal Farm (1945).
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643. Fabliau is Humorous, frequently bawdy, tales in verse popular in Europe during
the MIDDLE AGES. It was originated in France. The fabliau was adapted for use
by Boccaccio in his Decameron (1350) and by Chaucer, who used the form for
the “Miller’s Tale,” the “Reeve’s Tale,” and the “Summoner’s Tale” in his
Canterbury Tales (1387–1400).
644. Arthur Miller wrote After the Fall (1964).
645. Fantasy is a form of literature characterized by highly imaginative or
supernatural events. Ex: Gabriel García Márquez’s One Hundred Years of Solitude
(1967) and Toni Morrison’s Beloved (1987).
646. Farce is a type of dramatic comedy characterized by broad, visual effects, fast
moving action.
647. The term “tragic farce” was also employed by T. S. Eliot to describe Christopher
Marlowe’s The Jew of Malta (1590).
648. The decree was issued as a response to Rushdie’s The Satanic Verses (1988), a
novel regarded as insulting to Islam in general and to the prophet Mohammed in
particular. Living under the threat of assassination since that time, Rushdie, an
English citizen, has publicly apologized and declared himself to be a faithful
Muslim.
649. Thomas Mann wrote Doktor Faustus (1947), in which the story is recast as a
commentary on the German people’s “pact” with Nazism. (Note: Christopher
Marlowe wrote Tragical History of Dr. Faustus (1588–92), in which Faustus
makes a pact for 24 years and he is dragged screaming into Hell.)
650. Feminist Works: Feminist criticism emerged in the late ’60s. Ex: Simone de
Beauvoir’s The Second Sex (1949), Mary Ellmann’s Thinking about Women
(1968), Kate Millett’s Sexual Politics (1970), Norman Mailer’s The Prisoner of Sex
(1971), Virginia Woolf’s A Room of One’s Own (1929)
651. First Folio: The first collected edition of Shakespeare’s plays, published in 1623,
seven years after the playwright’s death. The book was published as a result of
the efforts of John Heminges and Henry Condell, two of the principal actors of
The King’s Men, Shakespeare’s theatrical company. The Folio included a total of
36 plays, half of which had never been published before.
652. Ben Jonson said Shakespeare as “not of an age, but for all time.”
653. Foot is a unit of METER consisting of two or more syllables, each of which is
treated as accented (stressed) or unaccented (unstressed). The most common
feet in English are: IAMB, TROCHEE, ANAPEST, DACTYL, SPONDEE, Iamb,
trochee, and spondee are two-syllable feet; dactyl and anapest are three-syllable
feet.
654. Amphibrach and amphomacer are also three-syllable feet. Choriamb contains
four-syllables.
655. Foregrounding is the English translation of the Czech word aktualisace, a term
coined by Jan Mukarovsky of the Prague School, early advocates of linguistic
Structuralism.
656. Formalism An approach to literature that analyzes its internal features (its
Structure, Texture, And Imagery, for example) and minimizes or ignores its
relations to historical, social, political, or biographical factors. Ex: Henry James’s
Washington Square (1880) focuses recurrent images, structural oppositions, and
features such as FORESHADOWING, while ignoring such topics as 19th-century
class consciousness, the role of women, and the relevance of the novel to the
author’s biography.
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657. Fourteener is a line of iambic verse consisting of 14 syllables (seven feet), also
known as heptameter. The form was popular in the early Tudor period (1500–
60).
658. Lord Byron wrote Cain (1831).
659. Frankfurt school: The name given to a group of German intellectuals associated
with the Institute for Social Research at the University of Frankfurt in the 1920s
and ’30s, and later in London and New York. After World War II, the Institute was
reconstituted in Frankfurt. The prominent figures associated with the School are
the philosophers and social theorists Max Horkheimer, Theodore Adorno, and
Herbert Marcuse, the psychologist Erich Fromm, and, on the fringe of the group,
the theorist Walter Benjamin.
660. Free verse Lines of poetry written without a regular METER and usually without
RHYME. Although scattered examples of free verse appear in earlier poetry, the
great pioneer of the form was Walt Whitman, whose Leaves of Grass (1855)
constituted a free verse manifesto.
661. German playwright Gustav Freytag has developed a description of the structure
of a five-act play in his Technique of Drama (1862). Freytag’s design features five
movements: exposition, complication, climax, reversal, and denouement.
662. Fugitive/Agrarians: The name for a group of Southern writers, many of them
faculty members of Vanderbilt University, who in the 1920s argued for a return
to an agricultural society in the South. They viewed industrialization as a
destructive force, destined to undermine and distort traditional Southern values.
The group published their views, along with poetry and criticism, in The Fugitive
(1922–25) and later in The Southern Review (1935–42). Among the early group
were Allen Tate, John Crowe Ransom, and Robert Penn Warren, three of the
leading exponents of what was to become the New Criticism.
663. Futurism: A literary/artistic movement in early 20th-century Italy, calling for a
rejection of the past and a celebration of modern technology. The movement was
founded in 1909 by Tommaso Marinetti. The Futurists proclaimed “the beauty of
speed” and a poetics wedded to the glorification of the machine. They called for a
reform of literature, art, and society, demanding new forms and themes.
664. Christopher Marlowe’s Edward II (1592–93), a play depicting the monarch’s love
for a courtier, Piers Gaveston, and its tragic consequence.
665. Walt Whitman, particularly in the “Calamus” section of Leaves of Grass (1855–
92), and Herman Melville, in Typee (1846) and other novels, have portrayed
homosexual relations.
666. E.M.Forster’s Maurice, a novel written in 1914 but, because of its explicit
homosexuality, not published until 1971, years after the author’s death.
667. Geneva School: A group of critics associated with the University of Geneva in
the 1940s and ’50s. The leading figure of the Geneva School were Georges Poulet,
Jean Starobinski, J. Hillis Miller.
668. Henry James’s The Turn of the Screw (1899) is a classic ghost story in which the
reader never learns whether the “ghosts” in the story are real or the product of
the narrator’s imagination.
669. Philip Roth’s novel The Ghost Writer (1979) uses the term to reflect on the
Holocaust in depicting Anne Frank (literally, a “ghost writer”) as an embittered
survivor of a concentration camp, now living in America.
670. Globe Theatre: An Elizabethan playhouse, the home of Shakespeare’s company,
the Lord Chamberlain’s Men (later The King’s Men). The playhouse was
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constructed in 1599 on the Bank side of the Thames River, just outside the
London city limits. It burned down in 1614 during a production of Shakespeare’s
Henry VIII; an event that Shakespeare might have prophesied when in The
Tempest (1612) Prospero spoke of the disappearance of “the great globe itself.”
671. In Shakespeare’s King Lear, the term the gods is used 26 times.
672. In the ominous first act, Lear invokes the gods Apollo, Jupiter, and Hecate against
Cordelia in Shakespeare’s King Lear.
673. Friedrich Nietzsche argued in his Birth of Tragedy (1871) that tragedy arose out
of the conflicting positions symbolized by the gods Apollo and Dionysus, where
Apollo represents reason, restraint, and morality, and Dionysus, represents
passion, frenzy, and amorality.
674. Gothic Novel: A type of fiction that employs mystery, terror or horror, suspense,
and the supernatural for the simple purpose of scaring the wits out of its readers.
Notable works are: Hugh Walpole’s The Castle of Otranto (1764), Anne Radcliffe’s
The Mysteries of Udolpho (1794), Matthew Lewis’s The Monk (1796), Jane
Austen’s Northanger Abbey (1818), Mary Shelley’s Frankenstein (1818).
675. Graveyard school is a term for a group of 18th-century poets who focused on
the theme of DEATH, the pain of bereavement, and the longing for immortality.
The best known of the group were Robert Blair (“The Grave,” 1743), Edward
Young (Night Thoughts on Life, Death, and Immortality, 1742–45), and Thomas
Gray, whose “Elegy Written in a Country Churchyard” (1751) is an acknowledged
masterpiece of the form.
676. Group Theatre: The name of a New York–based, experimental theatrical
company that flourished in the 1930s. The group was well known for its
productions of plays dealing with socially significant issues such as labor unrest
and racism. Two of the group’s best known productions were Clifford Odets’s
Waiting for Lefty and Awake and Sing (both 1935).
677. Sophocles’ Oedipus Rex, in which the detective, Oedipus, discovers that he himself
is guilty of the death of his father and of incest with his mother.
678. Albert Camus’s The Stranger (1942), in which the protagonist Meursault kills a
man but is executed not for the killing but for his indifference to society’s
apparent values.
679. Gynocriticism In feminist criticism, the emphasis on literature written by
women, as opposed to an earlier phase of feminist criticism that concentrated on
the representation of women in literature written by men. Coined by the feminist
scholar Elaine Showalter in 1978, gynocriticism is designed, in her words, to
“stop trying to fit women between the lines of the male tradition and focus
instead on the newly visible world of a female culture.” Examples of formerly
neglected novels that gynocritics have helped to publicize include Kate Chopin’s
The Awakening (1899) and Zora Neale Hurston’s Their Eyes Were Watching God
(1937).
680. Haiku is a type of Japanese poetry that captures the impression of a single object
or aspect of nature. The traditional haiku consists of 17 syllables, arranged in
three lines of five, seven, and five syllables, but there are numerous variations,
especially in modern poems.
681. Hamartia: In Aristotle’s Poetics, an error committed by a tragic hero that leads
to his downfall.
682. “The Mona Lisa of literature,” T. S. Eliot’s epithet for Hamlet, acutely points to the
mystery lying at the heart of each work.
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698. “Implied author” was coined by the critic Wayne Booth in his The Rhetoric of
Fiction (1961) to describe the “second self” of the author, the one that exists only
as the creative presence governing a Narrative.
699. Wolfgang Iser’s The Implied Reader (1974) provides a detailed description of the
reader’s role in fiction.
700. In Myths of Modern Individualism, the critic Ian Watt focuses on four archetypal
individuals: Faust, DON JUAN, Don Quixote, and Robinson Crusoe.
701. The social evils of the factory system were explored in a number of Victorian
novels including Elizabeth Gaskell’s Mary Barton (1848) and North and South
(1855), and Charles Dickens’s memorable study of life in a textile town, Hard
Times (1854).
702. in medias res (in the middle of things) A NARRATIVE convention in which a
story begins in the middle of an important action rather than at its chronological
beginning.
703. The terms inscape/instress were employed by the Victorian poet Gerard
Manley Hopkins to describe certain features of nature. Hopkins uses inscape to
single out the individuating character of a natural thing, that which distinguishes
it from everything else, its “thisness.” Instress is the force that gives a form to
inscape, enabling it to be perceived by an observer. Ex : Hopkin’s “The
Windhover”
704. Intentional fallacy: According to the New Critics W. K. Wimsatt and Monroe
Beardsley, the fallacy of locating the meaning of a work of literature in the
intention of its Author. Wimsatt and Beardsley argued that, in the majority of
cases, it was neither possible nor desirable to search for the meaning in the
author’s intention.
705. Interior Monologue : James Joyce’s novel Ulysses (1922), Manhattan Transfer
(1925) by John Dos Passos, To the Lighthouse (1927) by Virginia Woolf, and The
Sound and the Fury (1929) and As I Lay Dying (1930) by William Faulkner.
706. Interpolation: The insertion of lines into another text by someone other than
the original AUTHOR of the TEXT. Well-known examples are the insertions into
Shakespeare’s Macbeth of lines and songs from The Witch a play by
Shakespeare’s contemporary, Thomas Middleton.
707. Intertextuality is a term associated with Post Structuralism, which rejects the
idea of a TEXT as a single, autonomous entity created by a single author. The
French critic Julia Kristeva coined the term, which she derived from the theory of
Dialogism formulated by Mikhail Bakhtin. There are two types of intertextuality:
citation and presupposition.
708. William Hazlitt - "Poetry is the language of imagination and the passions".
709. William Wordsworth - "Poetry is the spontaneous overflow of powerful
feelings recollected in tranquillity".
710. James Reeves - “Poetry is vital, fresh and surprising language".
711. James H. Smith - "Poetry is the art by which feeling is conveyed by author
to reader in metrical language".
712. John Keats - "Poetry is a friend to soothe the cares, and lift the thoughts of
man".
713. P.B. Shelly - " Poetry lifts the veil from the hidden beauty of the world and
makes familiar objects be as if they were not familiar".
714. John Keats : A thing of beauty is a joy forever
715. Hopkins : Glory be to God for Dappled things
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733. Lake Poets: The term for a group of early Romantic poets—William
Wordsworth, Samuel Taylor Coleridge, and Robert Southey—who lived in the
Lake District of Cumbria in North-western England.
734. Language Poets: A contemporary school of American poets emphasizing a
number of defamiliarization techniques, including the condensation and
distortion of words, phrases, and sentences. Among the poets associated with
this movement are Ron Silliman, Bob Perelman, and Lyn Hejinian.
735. Langue/Parole are the contrasting terms employed by the Swiss linguist
Ferdinand de Saussure to distinguish language as an abstract system (langue)
from a particular speech or utterance (parole) in that language.
736. Herman Melville wrote Billy Budd (1891).
737. Walter Scott’s The Lay of the Last Minstrel (1805, uses the narrative device of a
tale told by an aging minstrel.
738. Chekhov wrote The Cherry Orchard (1904)
739. Woody Allen is the author of Manhattan (1979)
740. The Liberal Imagination (1950) is the title of an important essay and book by the
distinguished critic Lionel Trilling.
741. Limerick: A form of light verse consisting of five anapestic lines rhyming a-a-b-
b-a. The vogue for the limerick was created in 1846, when the humorist Edward
Lear included examples in his Book of Nonsense.
742. In Anatomy of Criticism (1957), Frye traces the “history” of the basic forms of
tragedy, comedy, lyric, and epic as cyclical movements that pass through five
phases: mythic, romantic, high mimetic, low mimetic, and ironic.
743. The DIAL, founded in 1840 as a vehicle for the ideas associated with
Transcendentalism. Among its earliest editors were Margaret Fuller and Ralph
Waldo Emerson.
744. English little magazine The Yellow Book (1894–97), which proclaimed the
principles of aestheticism and included among its contributors Oscar Wilde,
Henry James, and Aubrey Beardsley, whose artistic designs broke new ground in
art illustration.
745. Logocentrism: In the principles of Deconstruction, the belief in an ultimate
referral point outside of language that forms the basis of Western thought. As
critiqued by Jacques Derrida, who coined the term, logocentrism lies at the root
of the assumption that words “present” (in the sense of “make present”) to the
listener their referent, the object to which they refer. Derrida derives his term
from logos, a Greek word that means both “word” and “logic” or “reason.”
746. Lost Generation: A term used to describe a group of young American writers of
the 1920s who experienced alienation and the loss of ideals resulting from
World War I and its aftermath.
747. Rosalind remarks in As You Like It, “Men have died from time to time, and worms
have eaten them, but not for love.”
748. In Henry VI, Part Three, Shakespeare has the villainous Gloucester (later to be
crowned Richard III) asserted that he will “set the murderous Machiavel to
school.”
749. Magic Realism is a term referring to fiction that integrates realistic elements with
supernatural or fantastic experiences. The most celebrated example of magic
realism is Gabriel García Márquez’s One Hundred Years of Solitude (1971), Toni
Morrison (Beloved, 1987), Donald Barthelme (The Dead Father, 1975), Alice
Walker (The Color Purple, 1982) and William Kennedy (Quinn’s Book, 1988).
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750. Malapropism An unconscious PUN, the misuse of a word sounding like the
appropriate word. The term derives from Mrs. Malaprop, a character in Richard
Brinsley Sheridan’s comedy The Rivals (1775).
751. Twentieth-century examples include the manifestoes of FUTURISM (1909),
IMAGISM (1915), SURREALISM (1924), and PROJECTIVISM (1950).
752. The central texts of contemporary Marxist criticism include George Lukacs’s The
Historical Novel (1963); Louis Althusser’s “Ideological State Apparatuses” in his
Lenin and Philosophy (1971); Terry Eagleton’s Marxism and Literary Criticism
(1976), and Literary Theory (1983); and Fredric Jameson’s Marxism and Form
(1971) and The Political Unconscious (1981).
753. John Milton’s Comus (1634) is a masque.
754. Shakespeare’s Cymbeline and The Winter’s Tale include brief masques while the
The Tempest contains a masque followed by Prospero’s famous speech that
begins “Our revels now are ended.”
755. Melodrama is a type of DRAMA that highlights suspense and romantic
sentiment, with characters who are usually either clearly good or bad. As its
name implies, the form frequently uses a musical background to underscore or
heighten the emotional tone of a scene.
756. Simone de Beauvoir’s Memoirs of a Dutiful Daughter (1958) is a memoir.
757. The yellow fog that rubs its back upon the window panes,” is a line from T. S.
Eliot’s “The Love Song of J. Alfred Prufrock” (1915).
758. “An Epistle of Dr. Arbuthnot” is a poem by Alexander Pope published in 1735.
The poem is addressed to Pope’s Friend John Abuthnot. The epistle is an apology
in which Pope defends his works against the attacks of his detractors particularly
Joseph Addison, Lady Mary Wortley Montagu, John Lord Hervey. The poem has
character sketches of “Atticus” (Addison) and “Sporus” (John Hervey).
759. John Donne: “For God’s sake, hold your tongue and let me love.”
760. Metaphysical Poets: Donne was the first and preeminent metaphysical poet.
Later followers included George Herbert, Henry Vaughan, Andrew Marvell,
Richard Crashaw, Abraham Cowley, and Thomas Traherne.
761. Margaret Edson’s Pulitzer Prize–winning Wit (1998), a drama about an English
professor dying of cancer after having devoted her life to the poetry of Donne.
762. Metatheatre: A term coined by the critic Lionel Abel to describe a dramatic form
that focuses on the “dramatic consciousness” of its characters—the
consciousness, that is, of being characters in a play. For Abel, the earliest
example of the form is Shakespeare’s Hamlet: “For the first time in the history of
drama the problem of the protagonist is that he has a playwright’s
consciousness.” Other examples are Pedro Calderón de la Barca’s Life Is a Dream
(1635) and, in modern drama, Luigi Pirandello’s Six Characters in Search of an
Author (1921), Jean Genet’s The Balcony (1956), and Tom Stoppard’s
Rosencrantz and Guildenstern Are Dead (1967). Lionel Abel’s Metatheatre (1963)
contains a full account of the term.
763. Iambic is one unaccented syllable followed by an accented syllable, as in the line
quoted above.
764. Spondaic is Two stressed and no unstressed syllables.
765. Anapestic is Two unaccented syllables followed by one accented.
766. Dactylic is one accented syllable followed by two unaccented syllables.
767. Trochaic One accented syllable followed by an unaccented one.
768. MONOMETER - One foot
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794. Samuel Taylor Coleridge’s description of critics’ search for Iago’s motivation in
Shakespeare’s Othello as “the motive hunting of a motiveless malignity.”
795. The Movement is the name given to a group of English poets in the 1950s who
stressed irony, restraint, self-doubt, and the celebration of ordinary life. Among
its practitioners were Donald Davie, Thom Gunn, Elizabeth Jennings, and, most
notably, Philip Larkin.
796. Muckrakers is a term coined by Theodore Roosevelt to describe a group of
American writers in the first decade of the 20th century who exposed the
corrupt practices of certain big businesses and government officials.
797. Mummers’ Play/Mumming Play: A form of folk play performed during
Christmas time in English villages in the 16th and 17th centuries. Many of the
plays feature the folk hero of the Red Cross, St. George. The basic plot involves a
fight between St. George and the Turkish Knight, one of whom is killed.
798. “The Rake’s Progress” ( 1951) was written by W H Auden.
799. Aldous Huxley’s novel is Point Counterpoint (1928)
800. In John Osborne’s The Entertainer (1956), the fading music hall performer Archie
Rice comes to stand for post-war England, still clinging to its old glory days as it
loses its place on the world stage.
801. James Frazier, whose multi-volume The Golden Bough (1890–1915) is a
collection of myths and rituals exhibiting archetypal patterns from a wide variety
of cultures.
802. Leslie Fiedler wrote Love and Death in the American Novel (1960).
803. Northrop Frye wrote A Natural Perspective (1965).
804. Naive/Sentimental: The terms were coined by the German dramatist and critic
Friedrich Schiller in his On Naive and Sentimental Poetry (1795–96), in which he
contrasts the literature of classical Greece with that of his own time. Schiller
argues that the Greeks lived in harmony with nature and produced a poetry that
was more natural and less tortured by the ethical doubts and idealized goals of
late 18thcentury poets. He calls for a union of the naive and sentimental,
exemplified for him by his great contemporary Johann von Goethe.
805. John Keats coined the term “egotistical sublime.”
806. In Hamlet and Narcissism (1995), John Russell argues that Shakespeare’s Hamlet
is a character trapped in a narcissistic illusion generated by his ambivalence
toward his dead father. He contrasts Hamlet’s failure to move beyond narcissism
to Edgar’s successful reconciliation with his father, the earl of Gloucester, in King
Lear.
807. Charles Kinbote is the narrator in Vladimir Nabokov’s Pale Fire ( 1962).
808. The first novel by a Native American, Sophia Alice Callahan’s Wynema, was
published in 1891.
809. N. Scott Momaday won Pulitzer Prize for his House Made of Dawn.
810. Rudyard Kipling is the youngest to win the Nobel Prize and Doris Lessing is the
oldest who won the Nobel Prize at the age of 93.
811. Native American Writers: Leslie Marmon Silko (Ceremony, 1977), Louise
Erdrich (Love Medicine, 1984), and James Welch (Fools Crow, 1986) in fiction. In
poetry, Simon Ortiz (From Sand Creek, 1981), Joy Harjo (In Mad Love and War,
1990), and Sherman Alexie (The Business of Fancydancing, 1992)
812. Naturalism is a late 19th-century movement in literature and art that grew out
of the theory of Realism. The foremost spokesman of the naturalist school was
Émile Zola, who expressed these ideas in two works, The Experimental
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839. Edmund Spenser’s “Epithalamion” contains 24 stanzas for each hour of the day,
365 long lines for the days of the year, and 68 short lines for the sum of the
months (12), weeks (52), and seasons (4) of the year.
840. Objective Correlative: A term coined by T. S. Eliot to describe an author’s need
to represent a character’s internal emotion as an objective person or thing. Eliot
used the term in an essay called “Hamlet and His Problems,” in which he
maintained that Hamlet’s inner turmoil was objectified in the play in the person
of Gertrude, Hamlet’s mother.
841. T. S. Eliot’s essay “Hamlet and His Problems” is included in his The Sacred Wood
(1920).
842. Objectivism: A movement among American poets that began in 1931 as a
further development of imagism.
843. Walt Whitman’s “When Lilacs Last in the Dooryard Bloomed,” written in
response to the assassination of Abraham Lincoln, is an example of occasional
verse.
844. The Occult: In literature, the term occult refers to the presence of magical,
mysterious, or supernatural influences in a literary work.
845. Blake wrote The Marriage of Heaven and Hell (1791).
846. Octave is a poetic stanza containing eight lines.
847. Ode: A lyric poem of any length that addresses a person or treats a theme in a
dignified, serious manner. In English poetry there are three types of odes: the
Pindaric, the Horatian, and the irregular. The Pindaric ode is named after the
Greek poet Pindar (fifth century B.C.), whose poems, written to commemorate
athletic victories, were sung by a chorus. The Horatian odes, after the Roman
poet Horace (65–6 B.C.), are more personal and reflective. Both types employed
regular stanzaic and metrical patterns. The irregular ode, associated with the
17th-century English poet Abraham Cowley, broke with the tradition of regular
stanzas, permitting variation. Ex: Ben Jonson’s “Ode to Sir Lucius Cary and Sir
Henry Morrison” (Pindaric), John Keats’s “Ode on a Grecian Urn” (Horatian), and
William Wordsworth’s “Ode: Intimations of Immortality” (irregular).
848. Oedipal Complex: The theory advanced by Sigmund Freud that very young
children experience an intense love for the parent of the opposite sex and a
consequent hatred and fear of the other parent, whom they view as a rival. If this
emotion is not resolved in childhood, it becomes a determining factor in later
adult life. To illustrate his theory, Freud chose Sophocles’ Oedipus Rex, the
tragedy of a man who unwittingly killed his father and married his mother. For
Freud the universal appeal of the Oedipus story confirmed the universality of its
underlying theme. Subsequently, in an early example of Psychoanalytical
Criticism, Freud suggested that Shakespeare’s Hamlet illustrated the presence of
the Oedipal conflict in its main character—and implicitly in its author. Freud’s
observation was developed into a full-length study (Hamlet and Oedipus, 1949)
by his disciple Ernest Jones. Ex: D. H. Lawrence’s Sons and Lovers (1913)
849. Onomatopoeia: A word whose sound hints at its meaning, such as bang, zap,
and hiss. The term is also used to describe a group of words in which sound and
sense reinforce each other.
850. Organic Form is a term originally employed by Samuel Taylor Coleridge in
defending Shakespeare from neoclassical critics’ charges of formal flaws in his
plays. Coleridge argues that Shakespeare’s works exhibit “organic” rather than
“mechanic” form.
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869. J. D. Salinger’s novel The Catcher in the Rye (1951) is often regarded as an
“urban” pastoral, a contradiction justified here by the young hero’s attempt to
wrest innocence and honesty from the jaws of corrupt experience.
870. Pathetic Fallacy: A term coined by the art critic John Ruskin in his Modern
Painters (1856) to describe the poetic attribution of human feelings to natural
objects, such as trees and mountains.
871. Peripeteia: In drama or narrative, a reversal in fortune, either, as in comedy, the
move from bad to good, or in tragedy from good to bad or, occasionally, from bad
to worse.
872. Personification: A figure of speech in which human qualities are attributed to
an inanimate or abstract entity. Personification is a common feature of POETRY
from Virgil (“the tears of things”) to Emily Dickinson (“Because I could not stop
for Death/He kindly stopped for me”) to popular songs (“April played the
fiddle”).
873. Personification is an essential component of allegory.
874. Jacques Derrida coined the term “phallogocentrism.”
875. Toril Moi wrote Sexual/Textual Politics in 1985.
876. Phenomenology is a philosophical method that describes objects as they are
registered in the consciousness of an observer. The founder of phenomenology is
Edmund Husserl, who described its aim as a description of what is given in
experience.
877. Philistine: A boorish, uncultivated person. Matthew Arnold used the term in his
Culture and Anarchy (1869) to describe the prosperous middle class that had
come to power in industrialized Europe.
878. Phoneme In linguistics, the smallest unit of speech that distinguishes one word
from another. A phoneme is always seen in relation to other phonemes. Thus the
b in big and the p in pig are phonemes.
879. Picaresque is a term for a form of narrative that recounts the adventures of a
pícaro(Spanish for “rogue”). Ex : Herman Melville’s The Confidence Man(1857),
Joyce Cary’s The Horse’s Mouth (1944), Ralph Ellison’s Invisible Man (1952), Saul
Bellow’s The Adventures of Augie March (1953), and Thomas Mann’s The
Adventures of Felix Krull, Confidence Man (1954).
880. Plagiarism is the act of representing as one’s own the writing of another
person.
881. Poetaster In ELIZABETHAN drama, a disparaging term for an inferior poet. Ben
Jonson’s The Poetaster (1600) was a satiric attack directed at two rival
playwrights, John Marston and Thomas Dekker.
882. Symbolist Poets : Charles Baudelaire, Arthur Rimbaud, and Paul Verlaine
883. Poetic Diction refers to the choice of words used in a literary work. Poetic
diction refers to the special use of language in POETRY, its order, arrangement,
and, in some cases, vocabulary.
884. Poetic Justice The doctrine that a literary work ought to end with the good
characters rewarded and the evil ones punished. The term was coined by
Thomas Rymer, a disciple of NEOCLASSICISM, who dismissed Shakespeare’s
Othello as “a Bloody Farce, without salt or savor.”
885. James Joyce’s Ulysses (1922) was banned in the United States until a court
decision in 1933 for having pornographic content in the book.
886. Frantz Fanon wrote Black Skin, White Masks in 1950 and The Wretched of the
Earth in 1961.
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887. Postcolonial Literature : Chinua Achebe (Things Fall Apart,1958), Wole Soyinka
(A Dance of the Forests,1960), and Salman Rushdie (Midnight’s Children,1981).
Well-known postcolonial critics include Gayatri Spivak (In Other Worlds,1987),
Henry Louis Gates (The Signifying Monkey,1980), and Kwame Appiah (In My
Father’s House, 1992).
888. Gabriel García Márquez wrote One Hundred Years of Solitude (1970)
889. Vladimir Nabokov wrote Pale Fire (1962)
890. Derrida’s essay “Structure, Sign, and Play in the Discourse of the Human
Sciences” was written in 1966.
891. Julia Kristeva coined the term INTERTEXTUALITY.
892. C. S. Lewis referred to mid-Tudor poetry as the “Drab Age.”
893. Practical Criticism is associated with the critic I. A. Richards, whose Practical
Criticism (1929) had a profound impact on the teaching of literature in the
United States and Britain from the 1930s to the 1960s.
894. Prague School : Term for a group of linguists at Charles University in Prague
from 1926 to 1948 who laid the groundwork for French Structuralism. A key
figure in the group was the linguist Roman Jakobson, who emigrated to Prague
from Moscow, bringing with him the ideas of Russian Formalism.The Prague
School extended the work of the Formalists by integrating it with the linguistic
theories of Ferdinand de Saussure, whose theory of the SIGN was to have a
profound impact on Structuralism.Another important theorist of the Prague
School was Jan Mukarovsky, who developed the concept of Foregrounding, the
use of self-referential language within a text.
895. Joseph Conrad wrote preface to The Nigger of the “Narcissus” (1897).
896. Pre-Raphaelites A group of English artists who in 1848 founded a movement
protesting the conventional academic art of the time. The pre-Raphaelites called
for a simpler, less sophisticated form of painting than that which followed in the
wake of the Renaissance painter Raphael (1483–1520).In literature the
movement is associated with the POETRY of Christina and Dante Rossetti, A.C.
Swinburne, and William Morris. Their poetry strove to capture the sensuous
religious character of pre-Raphaelite painting. A typical pre-Raphaelite poem is
Dante Rossetti’s “The Blessed Damozel” (1850), with its combination of sensuous
detail, religious feeling, and dreamlike mood.
897. Fyodor Dostoyevsky wrote The House of the Dead (1861).
898. Lord Byron’s narrative poem The Prisoner of Chillon (1816), cast as a dramatic
monologue delivered by Francis Bonjonist, a 16th-century French satirist.
899. Charles Dickens’s Little Dorrit (1847), whose chief character, Amy Dorrit, works
for years in a desperate effort to free her father from the Marshalsea debtors’
prison.
900. Robert Burns wrote I Am a Fugitive from a Georgia Chain Gang!(1932)
901. Problem Plays: A form of drama that raises controversial social questions.
Henrik Ibsen focused on social problems in A Doll’s House (women’s rights), An
Enemy of the People (the moral individual in an immoral society), and Ghosts
(religious hypocrisy and venereal disease). Ex : George Bernard Shaw (Mrs.
Warren’s Profession , 1893), Lillian Hellman (The Children’s Hour, 1934), and
Arthur Miller (All My Sons, 1947), All’s Well That Ends Well (1602), Troilus and
Cressida (1602), and Measure for Measure (1604).
902. Projectivism is a term for a movement among American poets triggered by the
poet Charles Olson in his essay “Projective Verse” (1950).
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903. Prosody : In literature, the study of the metrical characteristics of verse, such as
Meter, Rhyme, and Rhythm.
904. Pun : A play on words, usually for comic effect, but sometimes for a serious
purpose. Jonathan Culler’s On Puns: The Foundation of Letters (1988) argues for
the pun as a central feature of literary language.
905. Puritanism A religious reform movement beginning in mid-16th-century
England that went on to play a major role in the shaping of American literature.
The original Puritans focused on the reform of practices and services of the
Church of England.
906. Quatrain : A four-line stanza of verse, generally exhibiting a rhyme scheme. The
traditional Ballad was usually composed in quatrains, in which the second and
fourth lines rhyme.
907. Quintain : A five-line stanza of verse
908. Tom Stoppard wrote The Dog It Was That Died (1982)
909. H. G. Wells wrote The War of the Worlds , Time Machine etc
910. Readerly/Writerly (Lisible/Scriptible) : Contrasting terms used by the
French theorist Roland Barthes to describe a fundamental distinction between
two types of text. The readerly (lisible) text is the conventional narrative with a
beginning, middle and end, a fi nished product that leaves the reader in the
position of a passive consumer. The writerly (scriptible) text, on the other hand,
is process rather than product, an open, pluralist, linguistic experience which the
reader is asked not to consume but to co-produce. Roland Barthes explains his
use of the term in his S/Z (1970).
911. Stanley Fish wrote Is There A Text in This Class? (1980)
912. A significant contribution to realist criticism is Erich Auerbach’s Mimesis (1953),
a study of “the literary treatment of reality.” Auerbach sees realism rooted in two
distinct traditions, the classical and the biblical.
913. The most important American naturalist writers were Stephen Crane (Maggie: A
Girl of the Streets,1896), Harold Frederic (The Damnation of Theron Ware,1896),
Frank Norris (McTeague,1899), and Jack London (The Call of the Wild,1903).
914. Reception theory is associated with Hans Robert Jauss, who formulated his
theory in 1967, at which time he focused on readers in the collective sense.
915. T. S. Eliot’s Four Quartets explores the relation of time to eternity.
916. Samuel Johnson in his Lives of the Poets chided Donne and the other
metaphysicals for employing “heterogeneous ideas . . . yoked by violence
together.”
917. Margaret Edson’s Pulitzer Prize–winning drama Wit (1999), in which a Donne
scholar discovers on her deathbed the limitations of his poetry and her life.
918. Thomas Kyd’s The Spanish Tragedy (1589) was an early influential example of
revenge tragedy. Other works include Cyril Tourneur’s The Revenger’s Tragedy
(1607), John Marston’s Antonio’s Revenge (1599), and George Chapman’s The
Revenge of Bussy d’Ambois (1610), Shakespeare’s Hamlet
919. Shakespeare’s Hamlet, in which the idea of revenge presents the hero with a
moral confl ict he must resolve before acting on his revenge.
920. CONNECTICUT WITS : John Trumbull, the author of a satirical mock epic
M’Fingal (1776), heavily indebted in its form to Pope’s poems. The most
accomplished poet of the period was Philip Freneau, “the poet of the American
Revolution,” who wrote sharp, satirical attacks on the British army. Historically
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caesura within a line, indicated by a double vertical line (||) and to its rhyme
scheme, indicated by small letters a, b, c, and so on.
937. Conrad’s Lord Jim (1899), in which Jim’s decision to save himself from a sinking
ship ironically illustrates the “survival of the fittest.”
938. Science Fiction A type of fiction based on future possibilities, derived from
scientific discoveries. Ex: Mary Shelley’s Frankenstein (1818), Jules Verne’s
Voyage to the Center of the Earth (1864) and Around the World in Eighty Days
(1873), H. G. Wells’ The Time Machine (1895), The War of the Worlds (1898), The
First Men on the Moon (1901), Aldous Huxley’s Brave New World (1932), C. S.
Lewis’ Out of the Silent Planet (1938), Kurt Vonnegut’s Slaughterhouse Five
(1969), William Gibson’s Necromancer (1984), Octavia Butler’s Kindred (1979),
George Lucas’s Star Wars (1977)
939. Mary Shelley’s Frankenstein (1818), in which a man-made monster suggests the
possibility of scientific discovery going too far, taking on a God-like power that
leads to disaster.
940. The term science fiction was popularized in America by Hugo Gernsback, the
editor of Amazing Stories,the first magazine devoted to science fiction.
941. Scrutiny An influential literary journal published in England from 1932 to 1953.
Its editor was the powerful critic F. R. Leavis, and it numbered among its
contributors T. S. Eliot.
942. écriture féminine means “feminine writing”.
943. Semiotics/Semiology is the study of SIGNS.
944. The American philosopher Charles Peirce coined the term semiotics in 1867;
semiology is the coinage of the Swiss linguist Ferdinand de Saussure.
945. T. S. Eliot’s poem “The Love Song of J. Alfred Prufrock” (1917) contains an
allusion to Polonius as “full of high sentence, but a bit obtuse.”
946. Sestet: A poem or stanza of six lines. The term is also used to describe the final
six lines of a Petrarchan SONNET, in which the sestet offers a response to the
proposition in the fi rst eight lines.
947. Sewanee Review Periodical published since 1892 by the University of the South
in Sewanee, Tennessee. Since the early 1940s, the Reviewhas been noted for the
quality of the essays, criticism, and fiction. During those years, it was closely
identified with the NEW CRITICISM particularly the Southern writers Robert
Penn Warren, Allen Tate and Cleanth Brooks.
948. Signifier/Signified According to the Swiss linguist Ferdinand de Saussure, the
two component parts of a linguistic SIGN. The signifier is the sound of a word or,
in writing, the marks on a page. The signified is its concept or meaning. Ex :
signifier is ‘cat’ andsignified is “the mental images of a four-legged animal”
( Signifier = Sound/ Signified = Meaning)
949. Henry Louis Gates wrote The Signifying Monkey: A Theory of Afro-American
Criticism (1988).
950. Simile A comparison between two dissimilar things, usually connected by the
words like or as. Ex : “My love is like a red, red rose” is a simile; “My love is a red
rose” is a metaphor.
951. Skeltonics is an irregular verse form used by the early Tudor poet John Skelton.
952. Harold Bloom wrote The Western Canon (1994).
953. Slave Narratives : Nineteenth-century, autobiographical accounts by escaped
slaves. The best known of these accounts is Narrative of the Life of Frederick
Douglass (1845). Douglass’s eloquent description of his experiences amounted to
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Berlichingen (1773), Schiller’s The Robbers (1781), and the play that gave the
movement its name, Friedrich Klinger’s Confusion or Storm and Stress (1776).
973. Dr. Samuel Johnson’s response to the death of Cordelia in King Lear—“I was so
shocked by Cordelia’s death that I know not whether I ever endured to read
again the last scenes of the play till I undertook to revise them as an editor”
974. Michael Ondaatje wrote The English Patient (1992)
975. Graham Greene’s The Heart of the Matter (1948)
976. Surrealism An artistic and literary movement that stressed the importance of
the UNCONSCIOUS in artistic creativity. The French poet and critic André Breton
founded the movement in 1924, after breaking away from Dada.
977. Breton defined Surrealism as “pure psychic automatism by means of which we
propose to express either verbally, or in writing, or in some other fashion, what
really goes on in the mind. Dictation by the mind unhampered by conscious
control and having no aesthetic or moral goals.”
978. Sweetness And Light A phrase, popularized by the poet and critic Matthew
Arnold in his Culture and Anarchy (1869), to describe the aim of high culture. For
Arnold, the purpose of culture and literature was to emphasize the life of the
spirit (“sweetness”) and the mind (“light”) against the chief enemy of culture.
979. Syllepsis In RHETORIC,the use of a word that appears to be in the same relation
to two or more other words, but turns out not to be.
980. Synecdoche A figure of speech in which the part stands for the whole or the
whole for the part. Examples include hearts or hands for people, as in “We need
brave hearts and steady hands.”
981. Tel Quel (As Is) : A literary journal, begun in Paris in 1960. The theorist Julia
Kristeva was particularly associated with the journal, in whose pages she first
articulated her concept of Intertextuality.
982. Tenor/Vehicle Two terms coined by the critic I. A. Richards to describe the two
constituents of a METAPHOR. Tenoris Richards’s term for the subject to which
the metaphor applies; vehicle,the figure that illustrates the idea. In John Donne’s
“No man is an island,” man is the tenor, island the vehicle.
983. Tetralogy : Four NOVELS or PLAYS focusing on the same characters. Ex:
Shakespeare’s three Henry VI plays and Richard III.
984. “There is no outside-the-text.”, is a famous phrase of Jacques Derrida.
985. In his novel Pale Fire (1962), Vladimir Nabokov satirizes the language and some
of the assumptions of textual criticism.
986. Theater of Cruelty was coined in the 1920s by the French dramatist Antonin
Artaud.
987. theatrum mundi means “theatre of the world”
988. Thick Description The term used by the cultural anthropologist Clifford Geertz
to describe the anthropologist’s goal, that is, to probe a particular practice in a
society in order to uncover the layers of meaning that underlie the practice.
989. Threnody A lament spoken or sung on the occasion of a funeral. The concluding
15 lines of Shakespeare’s “The Phoenix and the Turtle” is a threnody, celebrating
the fusion of beauty (the phoenix) and fidelity (the turtle dove).
990. Martin Amis wrote Time’s Arrow (1991).
991. topos (topic) In rhetoric,both the material that makes up an argument and the
form these arguments might take. The term is derived from the Greek word for
place. In his Rhetoric, Aristotle lists 28 valid and 10 invalid examples of topoi.
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992. Touchstone: A term for a method developed by the 19th-century poet and critic
Matthew Arnold “for detecting the presence or absence of high poetic quality. . .”
Arnold argues (in The Study of Poetry, 1880) that certain lines or passages
written by Homer, Dante, Shakespeare, and John Milton constitute infallible
criteria for judging the value of lines placed alongside them.
993. Aristotle defines tragedy as “an imitation of an action that is serious, complete
in itself, and of a certain magnitude. . . in the form of action, not narrative,
through pity and fear effecting the proper purgation of these emotions.”
994. A. C. Bradley wrote Shakespearean Tragedy (1904)
995. Samuel Becket : “There’s nothing funnier than unhappiness.”
996. Transactional Theory A theoretical approach to literature that emphasizes the
interaction of the reader and the text. The critic Louise Rosenblatt first put forth
the theory in Literature as Exploration (1938).
997. Transcendentalism An American literary and philosophical movement that
developed in New England in the 1830s and ’40s. Based upon some of the ideas
of the German philosopher Immanuel Kant and a variety of other sources,
transcendentalism emphasized individual intuition as a central means of
understanding reality.
998. As the leading transcendentalist, Ralph Waldo Emerson, wrote in his essay
Nature (1836), nature “is the apparition of God. . . the organ through which the
universal spirit speaks to the individual and strives to lead the individual back to
it.”
999. Immanuel Kant wrote Critique of Pure Reason (1788)
1000. Transcendental Club: The Dial,a quarterly journal that served as a vehicle of
transcendentalist thought. Among the members of the club were Margaret Fuller,
the first editor of The Dial;the novelist Nathaniel Hawthorne; Bronson Alcott, the
father of Louisa May Alcott; and Henry David Thoreau, whose Walden (1854).
1001. Graham Greene’s Lawless Roads (1939), is a description of Mexico in the 1930s.
1002. Trimeter A line of verse consisting of three feet.
1003. Trochee A metrical FOOTof one stressed syllable followed by an unstressed
syllable.
1004. Trope : In rhetoric,a term for figurative language that changes the meaning of
words. The theorist and critic Kenneth Burke has argued that there are four
“master tropes,” METAPHOR, METONYMY, SYNECDOCHE,and IRONY,which help
to shape all of human thought.
1005. Two Cultures A phrase coined in 1959 by the English novelist and scientist C. P.
Snow to dramatize the gap in knowledge that exists between scientists and
humanists.
1006. Ultraism (Ultraismo) A literary movement founded in 1919 by a group of
Spanish poets who argued for a “pure” poetry free from the constraints of logic
or traditional form. The ultraists employed FREE VERSE and favored unusual
disconnected images. In the 1920s, the Argentinian writer Jorge Luis Borges
introduced the movement to South America.
1007. The Swiss psychologist Carl Jung moved Freud’s concept of a personal
unconscious in a striking direction by positing the existence of a “collective
unconscious”.
1008. Sigmund Freud’s An Outline of Psychoanalysis (1940), Carl Jung’s The Structure
and Dynamics of the Psyche (1960), and Jacques Lacan’s Écrits (1977) are three
basic texts on the unconscious.
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They continued back and forth, with the knight getting more and more frustrated
that the dreamer did not understand the woman had died.
1040. Geoffrey Chaucer wrote The Book of the Duchess,around 1370, English was his
chosen language.
1041. Chaucer used English as his language to write The Book of the Duchess.
1042. Instead of using the standard four-stress line used in The Romance of the Rose,
Chaucer introduced a five-stress line—iambic pentameter—which was later
used by William Shakespeare and John Milton.
1043. Boccaccio’s most famous work was The Decameron, which means “Ten Days’
Work.”
1044. Chaucer wrote The House of Fame sometime between 1374 and 1382. It was
divided into three books. The lady of TheHouse of Famecould give immortality,or
enduring fame, to any man she chose.
1045. In 1380, Chaucer wrote the poem The Parliament of Fowls, which poked fun at
the House of Commons. Instead of using the four-stress couplet, Chaucer created
the seven-line stanza, whichhad five stresses to the line. The rhyming pattern
was known as Rime Royal.
1046. Chaucerwas the first poet to be buried in Westminster Abbey.
1047. Chaucer’s The Legend of Good Women, which was dedicated to Anne of Bohemia,
King Richard’s wife.
1048. The woman in Chaucer’s The House of Fame had been unfaithful to her husband,
but Chaucer made a point of creating very faithful women in The Legend of Good
Women.
1049. In The Legend of Good Women,Chaucer painted men as wicked, unreliable, and
unfaithful. The only man who was really trustworthy was none other than the
character of Geoffrey.
1050. Astrology was considered an important science during the Middle Ages, and
Chaucer was knowledgeable in it. Troilus and Criseyde was based on the rare
astrological phenomenon of Jupiter and Saturn in the sign of Cancer.
1051. Chaucer took two minor characters from Homer’s Iliad—Troilus and Criseyde—
and created his own work.
1052. Chaucer’s tale Troilus and Criseyde was a love story. Troilus, the son of the
Trojan king, Priam, fell in love with Criseyde during the Trojan War. When he
was rejected, it was as if the world had stopped spinning on its axis. Criseyde’s
father had joined the Greeks and was considered a traitor. The two lovers,
however, with some help, managed to spend three years together in perfect
harmony in Troy. When prisoners were exchanged, Criseyde was forced to go to
her father’s side, but she swore to love Troilus forever. She further swore to
return within ten days, but on the way to her see her father, she fell in love with
her Greek escort, Diomede, and gave him the pin Troilus had given her. The
devastated Troilus was killed in battle by Achilles, and Criseyde was set up as the
unfaithful woman.
1053. The Book of the Duchess is an elegiac poem, it commemorates and mourns the
death of Blanche, duchess of Lancaster.
1054. Black Knight is a central character in Chaucer’s elegiac Book of the Duchess.
1055. The Book of the Duchess : The poem is spoken by a first-person narrator
and divided into three parts. The first part focuses on the lovesick narrator,
describing his pain and sleeplessness. His insomnia leads him to read from a
book of tales. The second part of the poem tells the story he chose to read, the
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tragedy of King Seys and Queen Alcyone. The third part recounts a dream he has
after finally falling asleep. In this dream he meets a strange grieving Black
Knight who eventually reveals the cause of his sorrow: his wife’s death.
1056. The unnamed Canon in “The Canon’s Yeoman’s Tale” by Chaucer practices
alchemy for the sole purpose of making money by cheating other people.
1057. The Canterbury Tales is Chaucer’s longest work, extending to 17,000 lines of
verse and prose.
1058. The story opens with a generalPrologue that describes the meeting of 31
pilgrims at the taBarD Inn in southWark, a suburb of London on the south
side of the river Thames.
1059. The characters in The Canterbury Tales were on a 60-mile, four-day trip to
Canterbury Cathedral, to the shrine of Thomas Becket.
1060. The host, Harry Bailey, told the travelers that they were to compete by telling
stories. The prize was a supper at the Tabard Inn, to be paid for by all of the
other travelers.
1061. The general prologue, the beginning of the book, introduced all of the pilgrims
except the Canon and the Yeoman.
1062. The characters and their tales were arranged as follows: Knight, Miller,
Reeve (Estate Manager), Cook, Man of Law, Wife of Bath, Friar, Summoner; Clerk,
Merchant; Squire, Franklin (landowner), Physician, Pardoner; Shipman, Prioress,
Sir Thopas, Melbee, Monk, Nun’s Priest; Second Nun, Canon’s Yeoman; Manciple
(Business Manager), and Parson.
1063. Chaucer started the tales with a knight who was honorable and courteous to all,
courageous in war, and who understood the religious significance of a
pilgrimage. His son the Squire was a courtly lover who knew how to sing, dance,
and joust. He was dressed in the latest fashion. His hair was “curled as if taken
from a press” and he “blazed like a spring meadow to the sight.” Next, readers
met the Prioress, Madame Eglantine, who spoke Frenchwith a perfect accent and
was a perfect lady. Chaucer obviously loved this character, who had several little
dogs. She was tender-hearted and had a small red mouth, a straight nose, blue
eyes, and the high forehead that all the ladies desired to have. In her innocent
heart, the church and the world existed comfortably side by side. The Miller had
his bagpipes; the Monk had his hunting dogs; and the Wife of Bath wore a shady
hat.
1064. The Knight’s Tale is the longest tale in The Canterbury Tales.
1065. The Prioress Tale is the shortest tale in The Canterbury Tales.
1066. “The Nun’s Priest’s Tale” was an example of a beast fable, in which animals
behaved like human beings.
1067. In The Canterbury Tales, Chaucer described the Friar as corrupt and hypocritical.
1068. The knight, among all the characters, was the noblest of the pilgrims.
1069. “The Monk’s Tale” expressed Chaucer’s scorn fordisrespectful and unruly
commoners.
1070. The Pardoner was painted as the most evil of the pilgrims because he used the
church and sacred objects for personal profit.
1071. The clergy on the whole were supposed to be closer to God, but often the
contrary was true.
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1072. Priests were underpaid, so they were quick to sell their services. Offerings were
expected for everyservice they performed, even for Communion. They also took
bribes.
1073. Franklin’s message about marriage is “Love creates success”.
1074. Bonita M. Cox wrote in an essay on Chaucer, “He entertains, he informs, he
instructs, and he makes us laugh—but in the final analysis he remains
mysterious.”
1075. The most famous of these is “The Wife of Bath’s tale,” which engenders a debate
on marriage that is joined by the Clerk, the Merchant and the Franklin.
1076. John Dryden who exclaimed on Chaucer that “here is God’s plenty.”
1077. “The Knight’s Tale” belongs to the genre of chivalric romance.
1078. “The miller’s tale,” a bawdy fabliau, narrates the attempts of two men, a student
named Nicholas and a clerk named Absalom, to seduce Alison, the wife of a
naive old carpenter. One of them, Nicholas, is successful. Absalom ends up
kissing her behind and being farted on by Nicholas.
1079. “The Pardoner’s tale,” in which three young rioters go out in search of Death,
intending to kill him and thus put a stop to his ravages. They are distracted from
their mission, however, when they find a large quantity of gold lying unattended
in a field. They selfishly plot against each other to keep from having to divide the
gold three ways, and, as a result, they all end up dead.
1080. In “The shipman’s tale,” a merchant’s wife borrows money from a corrupt
monk (John the Monk). The monk, who poses as a family friend, borrows the
sum from the merchant and then gives it to the man’s wife (who is unaware of
the money’s source) in exchange for sexual favors. When the monk tells the
merchant he has repaid the loan by giving the money to his wife, she is unable to
deny receiving it, but claims to have believed it was a gift.
1081. “The tale of melibee,” which relates the debate that takes place between
Melibee and his wife, Prudence, over how he should respond to the men who
broke into his house and attacked his family.
1082. “The manciple’s tale” is a story derived from ovid’s Metamorphoses.
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1083. John Dryden who is actually credited with the introduction of poetic diction. In
his translation of Virgil, Dryden employed dignified diction.
1084. Alexander Pope applied artificial diction in his translation of Homer .
1085. Pope used the term poetic diction" in the preface to his translation of the Iliad to
mark the difference between the vocabulary of prose and poetry .
1086. Neo-classical writers are chiefly associated with the concept of poetic diction.
1087. William Wordsworth challenged the artificial diction, which was the hall-mark of
the eighteenth century writers.
1088. Biographia Literaria is the work of Samuel Taylor Coleridge.
1089. Dr Johnson expressed his keen dislike for Milton's Lycidas on the ground that
much in it was unnatural or away from common experience.
1090. Richard Steele wrote these plays : Lying Lover , Tender Husband and The
Conscious lovers.
1091. Oliver Goldsmith’s The Citizen of the World is a series of imaginary letters from a
philosophical Chinaman, writing letters home from London, giving Goldsmith
the opportunity of expressing his own mind upon the society and literature of
the day .
1092. Oliver Goldsmith published his essays in The Bee .
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1093. Richard Brinsley Sheridan’s main plays are: The Rivals, The School for Scandal,
The Critic, The Duenna, St. Patrick's Day, The Scheming Lieutenant etc.
1094. Sheridan has been justly called a dramatic star of the first magnitude.
1095. The sentimental comedy was basically a reaction against the comedy of humours.
1096. Richardson, Fielding, Smollett, Sterne – the four wheels of the English novel.
1097. Johnson was born in Lichfield, Staffordshire, in 1709 as the son of a small book
seller .
1098. Samuel Johnson started two magazines : The Rambler and The Idler.
1099. In 1749 Dr Johnson began the Dictionary of the English language and completed
it in 8 years.
1100. Life of Johnson is the biography of the great critic by James Boswell.
1101. Hume was the great historian and philosopher of England during the 18th
century. His works are A Treatise of Human Nature; Essays, Moral and Political
and The History of England, in six volumes.
1102. The Decline and Fall of the Roman Empire (1777) in 6 volumes was written by
Edward Gibbon.
1103. Burke was a famous Irish orator, historian, scholar and political writer. His
philosophic writings are A Vindication of Natural Society, and The Origin of Our
Ideas of the Sublime and Beautiful.
1104. The Rambler and The Idler followed the tradition of The Spectator.
1105. Boccaccio wrote Decameron, a world famous collection of love stories in prose.
1106. Lyly's Euphues, Thomas Lodge's Rosalynde and Sidney's Arcadia, could be
collectively categorised as Romances.
1107. Laurence Sterne’s Tristram Shandy was a forerunner in using stream of
consciousness method which is practised by 20th century novelists.
1108. Samuel Richardson was the first of the great novelists of the 18th century. His
important works are Pamela, Clarissa Harlowe and Sir Charles Glandison.
1109. Pamela is the first English novel written by Richardson in the form of letters. It
consists of a series of familiar letters from a young beautiful girl to her parents.
So it is an epistolary novel. It has a sub-title Virtue Rewarded. The story is very
simple. Pamela, a virtuous maid servant resists the attempts of seduction by the
son of her late land lady . Finally , a proposal of marriage comes from his and it is
accepted. Pamela is part of a trilogy along with Clarissa Harlowe and Sir Charles
Grandison.
1110. Gothic novels are characterised by horror and mystery.
1111. Pantomime is acting without speech, using only posture, gesture, bodily
movement and exaggerated facial expression to mimic a character's actions.
1112. First Indo - Anglian writer of verse and prose is Henry Derozio.
1113. Derozio's most ambitious work is The Fakir of Jungheera
1114. H. Derozio is considered to be the Keats in Indian literature.
1115. Yeats greeted Man Mohan Ghose's 'Songs of Life and Death' as one of the most
lovely works in the world .
1116. Tagore’s 'Gitanjali' is a sequence of 103 lyrics translated from selected lyrics in
his own Bengali works. The term 'Gitanjali' rendered as 'song of offerings' by
Tagore. He wrote Gitanjali in 1912.
1117. Tagore was awarded the Nobel Prize in 1913.
1118. Gitanjali Songs are mainly poems of Bhakti.
1119. Tagore was awarded Nobel Prize for his poetic collection 'Gitanjali'
1120. Gitanjali contains a sequence of 103 lyrics.
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1152. Howards End by E.M.Forster opens abruptly with a series of letters from Helen,
the more impulsive of the Schlegel sisters, to her sister Margaret, declaring her
love for the Wilcoxes, Paul Wilcox in particular.
1153. Virginia Woolf referred to The Waves as autobiography.
1154. Ruth Prawar Jhabvala won Booker Prize for her novel Heat and Dust (1975) in
1975. She became British citizen in 1948. She has written almost 13 novels : To
Whom She Will (1955), The Nature of Passion (1956), Esmond in India (1958),
The Householder(1960), Get Ready for Battle (1962), A Backward Place (1965), A
New Dominion (1972), Heat and Dust (1975), Autobiography of a Princess (1975),
In Search of Love and Beauty (1983), Poet and Dancer (1993), Shards of Memory
(1995)
1155. Ruth Prawar Jhabvala wrote short stories : “Like Birds, Like Fishes and Other
Stories “(1963), “A Stronger Climate” (1968), “An Experience of India’ (1971)
1156. To Whom She Will (1955) is a comic novel by Ruth Prawar Jhabvala. Jhabvala
presents the social and individuals she had seen in Delhi during the first years of
her stay in India. These individuals and groups are represented in the novel by
the Rai Bahadur, Vazir Dayal Mathar, and Suri among the men; and among the
women , Rai Bahadur Mathar’s three daughters Radha, Mira, and Tara, then
Prema, Mrs.Ram Prasad Khanna and Mrs.Anand.
1157. Heat and Dust (1975) is a love story by Jhabvala. In this story, Olivia is married to
an English officer , Douglas Rivers . She falls in love with the local Nawab, a minor
Indian Prince. She becomes pregnant, has an abortion and abandons her
husband. Fifty years later her step-grand daughter , the narrator travels to India
to investigate the enigma of the family scandal.
1158. Abenteuerroman (G ‘adventure novel’) A form of fiction related to the
picaresque novel in which the hero conventionally undergoes a series of testing
and episodic adventures, often involving travel to colourful and exotic locations.
Ex : Thomas Dekker’s Old Fortunatus(1600), Thomas Mann’s Bekenntnisse des
Hochstaplers Felix Krull (1922)
1159. Abjection : A psychoanalytic concept developed by Julia Kristeva in Powers of
Horror (1980) to explain the formation and maintenance of subjectivity.
1160. Lacan coined the term ‘mirror stage”.
1161. The term ‘abolitionist’ refers to the 18th and 19th c. black British, African-
American, and white European and American men and women who campaigned
for the abolition of slavery in the British Empire and North America.
Abolitionist literature comprises the writings of former slaves and abolitionists
such as Frederick Douglass’s Narrative of the Life of Frederick Douglass
(1845) and Harriet Jacobs’s Incidents in the Life of a Slave Girl(1863), and Harriet
Beecher Stowe’s best-selling sentimental novel Uncle Tom’s Cabin(1852).
1162. Horace appears to have been the first to insist on a five-act structure. Ibsen
(1828–1906) cut the number of acts to four. Dramatists like Chekhov (1860–
1904) and Pirandello (1867–1936) also used four.
1163. T. W. Baldwin gives an illuminating account of Elizabethan methods in
Shakespeare’s Five-Act Structure (1947).
1164. J. Greimas used the term “actant” to describe the paired roles he argued as
common to all stories: subject/object, sender/ receiver, helper/opponent.
1165. David Daiches wrote A Study of Literature for Readers and Critics (1948).
1166. Arthur Murphy wrote plays : The Apprentice(1756), The Upholsterer (1758), The
Citizen (1761) and What We Must All Come To (1764).
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1167. The term ‘age of reason’ was derived from the title of Thomas Paine’s 1794
pamphlet The Age of Reason, which attacked institutionalized religion.
1168. In The Tempest by Shakespeare, Caliban uses the word in this sense: ‘Be not
afeard. The isle is full of noises,/ Sounds and sweet airs that give delight and
hurt not’ (III, ii, 148–9).
1169. Alexandrine : In French prosody a line of twelve syllables and known as
tétramètre.
1170. German term ‘Verfremdungseffekt’ ( Alienation Effect or A-Effect), Brecht’s
term for a key principle of his dramatic theory of epic theatre, sometimes
abbreviated to A-effect. The theory dictated that both audience and actors ought
to maintain a critical detachment from the play rather than submitting to the
staged illusion or easy emotional identification with character and situation.
1171. Homer is the presumed author of the Iliad and the Odyssey.
1172. Aeschylus, the first of classical Athens’s great dramatists, raised the emerging art
of tragedy to great heights of poetry and theatrical power. According to the
philosopher Flavius Philostratus, Aeschylus was known as the “Father of
Tragedy.” Aristotle says in his Poetics, Aeschylus “reduced the chorus’ role and
made the plot the leading actor.”
1173. Aristotle made reference of Sophocles’ Oedipus the King in his Poetics and he
regarded this play as a masterpiece of construction.
1174. Aristophanes is the greatest representative of ancient Greek comedy.
1175. The Roman poet Virgil, best known for his national epic, the Aeneid. His fame
rests chiefly upon the Aeneid, which tells the story of Rome’s legendary founder
and proclaims the Roman mission to civilize the world under divine guidance.
Virgil’s earliest certain work is the Eclogues, a collection of 10 pastoral poems.
1176. Murasaki Shikibu is the name that has been given to the court lady who was the
author of the Genji monogatari(The Tale of Genji), generally considered the
greatest work of Japanese literature and thought to be the world’s oldest full
novel. The Tale of Genji captures the image of a unique society of ultrarefined and
elegant aristocrats, whose indispensable accomplishments were skill in poetry,
music, calligraphy, and courtship. Much of it is concerned with the loves of Prince
Genji and the different women in his life, all of whom are exquisitely delineated.
1177. Dante Alighieri was an Italian poet, prose writer, literary theorist, moral
philosopher, and political thinker who is best known for the monumental epic
poem The Divine Comedy.
1178. The Divine Comedy consists of 100 cantos, which are grouped together into three
sections, or canticles, Inferno, Purgatorio, and Paradiso. There are 33 cantos
in each canticle and one additional canto, contained in the Inferno,which serves
as an introduction to the entire poem. The poem’s rhyme scheme is the terza
rima (aba,bcb,cdc, etc.). etc.). The poem’s plot can be summarized as follows: a
man, generally assumed to be Dante himself, is miraculously enabled to
undertake a journey that leads him to visit the souls in Hell, Purgatory, and
Paradise. He has two guides: Virgil, who leads him through the Infernoand
Purgatorio, and Beatrice, who introduces him to Paradiso. Through these
fictional encounters taking place from Good Friday evening in 1300 through
Easter Sunday and slightly beyond, Dante learns of the exile that is awaiting him
(which had, of course, already occurred at the time of the writing). The exile of an
individual becomes a microcosm of the problems of a country, and it also
becomes representative of the Fall of Man.
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1179. Petrarch, an Italian poet and humanist, was regarded as the greatest scholar of
his age. His poems addressed to Laura, an idealized beloved, contributed to the
Renaissance flowering of lyric poetry.
1180. Luís de Camões is Portugal’s great national poet. He is the author of the epic
poem Os Lusíadas(1572; TheLusiads), which describes Vasco da Gama’s
discovery of the sea route to India.
1181. French writer Michel de Montaigne coined the word “essays” in his Essais. The
Essays are the record of Montaigne’s thoughts, presented not in artificially
organized stages but as they occurred and reoccurred to him in different shapes
throughout his thinking and writing activity.
1182. Miguel de Cervantes was a Spanish novelist, playwright, and poet. Best known as
the creator of Don Quixote(1605, 1615), he is the most important and celebrated
figure in Spanish literature. Thomas Shelton’s English translation of the first part
of Don Quixote appeared in 1612.
1183. Edmund Spenser was an English poet whose long allegorical poem The Faerie
Queene is one of the greatest in the English language. His first important
published work, The Shepheardes Calender (1579 or 1580), can be called the first
work of the English literary Renaissance. Spenser’s Calender consists of 12
eclogues, one named after each month of the year. This Calender was dedicated
to Robert Dudley, earl of Leicester.The Faerie Queene consists of six books and a
fragment (known as the “Mutabilitie Cantos”). As a setting Spenser invented the
land of Faerie and its queen, Gloriana. To express himself he invented what is
now known as the Spenserian stanza: a nine-line stanza, the first eight of five
stresses and the last of six, whose rhyme pattern is ababbcbcc. Amoretti , a
sonnet sequence and Epithalamion, a marriage ode celebrating his marriage
were published in 1595.
1184. The first three books of The Faerie Queene were published in London in 1590 and
Books IV, V, and VI of The Faerie Queene appeared in 1596.
1185. Christopher Marlowe’s Tamburlaine the Great (in two parts, both performed by
the end of 1587; published 1590).
1186. Marlowe had translated Ovid’s Amores (The Loves) and the first book of Lucan’s
Pharsalia from the Latin.
1187. Dido, Queen of Carthage was the joint work of Marlowe and Thomas Nashe
published in 1594.
1188. Doctor Faustus—Marlowe’s most famous play, in which he tells the story of the
doctor-turned-necromancer Faustus, who sells his soul to the devil in exchange
for knowledge and power for twenty-four long years.
1189. Christopher Marlowe’s last play may have been The Jew of Malta.
1190. Ben Jonson told that Shakespeare “was not of an age, but for all time.”
1191. John Donne, the leading English poet of the Metaphysical school, wrote
Anniversaries (1611-12).
1192. John Donne begins his love poem“The Canonization” with the line “For Godsake
hold your tongue, and let me love,” plunging the reader into the midst of an
encounter between the speaker and an unidentified listener.
1193. John Milton is best known for Paradise Lost, widely regarded as the greatest epic
poem in English. He wrote poems in Latin, Italian, and English. Among the most
important of these are the companion poems L’Allegro and II Penseroso, both
published later in Poems (1645); Milton’s first published poem in English, On
Shakespeare, composed in 1630 and published anonymously in the Second
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1200. Voltaire’s Candide (1759), is a satire on philosophical optimism. In it, the youth
Candide, disciple of Doctor Pangloss (himself a disciple of the philosophical
optimism of Leibniz), saw and suffered such misfortune that he was unable to
believe that this was “the best of all possible worlds.” Having retired with his
companions to the shores of the Propontis, he discovered that the secret of
happiness was “to cultivate one’s garden,” a practical philosophy excluding
excessive idealism and nebulous metaphysics.
1201. Henry Fielding was a novelist and playwright who is considered one of the
founders of the English novel. He began his literary career as a playwright who
wrote satirical plays often targeting political corruption of the times. The passage
in 1737 of the Licensing Act, by which all new plays had to be approved and
licensed by the Lord Chamberlain before production, ended this work. He
probably wrote Shamela (1741), a burlesque of Samuel Richardson’s novel
Pamela that he never claimed. He also wrote Amelia (1751)
1202. Fielding’s Joseph Andrews also satirizes Pamela, with Joseph, Pamela’s virtuous
footman brother, resisting the attempts of a highborn lady to seduce him. The
parodic intention soon becomes secondary, and the novel develops into a
masterpiece of sustained irony and social criticism. At its centre is Parson
Adams, one of the great comic figures of literature. Fielding explains in his
preface that he is writing “a comic Epic-Poem in Prose.”
1203. Henry Fielding’s The History of Tom Jones, a Foundling(1749) opens with a
country gentleman, Squire Allworthy, discovering a baby boy tucked between the
sheets of his bed, whom he adopts and names Tom Jones. Tom grows into a
dashing, hot blooded young man who falls in love with Squire Western’s
beautiful daughter Sophia. But, beacause of gaping chasm between their social
stations, their love is doomed.When Tom is thrown out of home and Sophia feels
her overbearing father, they both end up on the road. The story unfolds across
the English countryside, in alehouses and inns, as Yom and Sophia alternately
pursue and flee from each other on the way to London, where Tom eventually
finds Sophia and discovers his true identity.
1204. Samuel Johnson, an English critic, biographer, essayist, poet, and lexicographer,
is regarded as one of the greatest figures of 18th-century life and letters. Johnson
was the son of a poor bookseller. Johnson began his long association with The
Gentleman’s Magazine, often considered the first modern magazine, with a wide
range of poetry and prose. His Miscellaneous Observations on the Tragedy of
Macbeth (1745), intended as a preliminary sample of his work, was his first
significant Shakespeare criticism, which remains his greatest work of literary
criticism. The Vanity of Human Wishes (1749), his most impressive poem as well
as the first work published with his name, and the long fiction Rasselas
(originally published as The Prince of Abissinia: A Tale), which he wrote in 1759,
during the evenings of a single week, in order to be able to pay for the funeral of
his mother. His many essays appeared in the periodicals The Rambler (1750–52),
The Literary Magazine (from 1756), and The Universal Chronicle(in a series
known as The Idler,1758–60), among others. His subsequent works include A
Journey to the Western Islands of Scotland (1775), based on travels with Boswell
and Prefaces, Biographical and Critical, to the Works of the English Poets
(conventionally known as The Lives of the Poets). His A Dictionary of the English
Language, which was eventually published in two volumes in 1755.
1205. Boswell wrote biography of Johnson, The Life of Samuel Johnson, LL.D.(1791).
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1206. Johann Wolfgang von Goethe was a poet, playwright, novelist, scientist,
statesman, theatre director, critic, and amateur artist. He is considered the
greatest German literary figure of the modern era.
1207. Robert Burns, considered the national poet of Scotland, wrote lyrics and songs in
the Scottish dialect of English.
1208. William Wordsworth was an English poet whose Lyrical Ballads (1798), written
with Samuel Taylor Coleridge. His poem The Prelude, or, Growth of a Poet’s Mind
is an autobiographical poem. The second edition of Lyrical Ballads was published
in 1800.
1209. The Scottish novelist, poet, historian, and biographer Sir Walter Scott is often
considered both the inventor and the greatest practitioner of the historical novel.
His first published work, The Chase, and William and Helen (1796), was a
translation of two ballads by the German Romantic balladeer G.A. Bürger. His
other works include , The Lay of the Last Minstrel (1805), The Lady of the Lake
(1810), Rob Roy (1817) and The Heart of Midlothian (1818), The Bride of
Lammermoor and A Legend of Montrose (both 1819), Kenilworth (1821),
Redgauntlet (1824) and The Talisman (1825). He wrote a novel called Waverley,
A story of the Jacobite rebellion of 1745, it reinterpreted and presented with
living force the manners and loyalties of a vanished Scottish Highland society.
Waverley novels are Waverley, Guy Mannering (1815) and The Antiquary (1816),
a sort of trilogy. In 1827 Scott’s authorship of the Waverley novels was finally
made public.
1210. Coleridge’s The Rime of the Ancient Mariner, composed during the autumn and
winter of 1797–98. For this, his most famous poem, he drew upon the ballad
form. The main narrative, infused with supernatural elements, tells how a sailor
who has committed a crime against the life principle by slaying an albatross
suffers from torments, physical and mental, in which the nature of his crime is
made known to him.
1211. Coleridge’s play Osorio, written many years before, was also produced at Drury
Lane with the title Remorse in January 1813.
1212. Coleridge wrote Biographia Literaria (1817)
1213. Jane Austen’s earliest writings is evident in Lady Susan, a short novel-in-letters
written about 1793–94 (and not published until 1871).
1214. Jane Austen began Sanditon, a robust and selfmocking satire on health resorts
and invalidism. This novel remained unfinished owing to Austen’s declining
health.
1215. In Greece Byron began Childe Harolde’s Pilgrimage, which he continued in
Athens. In March 1810 he sailed for Constantinople (now Istanbul, Turkey),
visited the site of Troy, and swam the Hellespont (present-day Dardanelles) in
imitation of Leander.
1216. In March 1812, the first two cantos of Childe Harold’s Pilgrimage were published
by John Murray, and Byron “woke to find himself famous.” The poem describes
the travels and reflections of a young man who, disillusioned with a life of
pleasure and revelry, looks for distraction in foreign lands. Besides furnishing a
travelogue of Byron’s own wanderings through the Mediterranean, the first two
cantos express the melancholy and disillusionment felt by a generation weary of
the wars of the post-Revolutionary and Napoleonic eras. In Geneva he wrote the
third canto of Childe Harold(1816), which, perhaps predictably, follows Harold
from Belgium up the Rhine River into Switzerland. In May he arrived in Rome,
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1241. Charlotte Brontë was an English novelist best known for Jane Eyre (1847), a
strong narrative of a woman in conflict with her natural desires and social
condition. Her works are : The Professor: A Tale, Jane Eyre: An Autobiography,
Shirley: A Tale, Villette. Her first novel, The Professor, which is based on her
experiences in Brussels, was published posthumously in 1857.
1242. Henry David Thoreau wrote Walden (1854), “Civil Disobedience” (1849).
1243. Emily Brontë was an English novelist best known for Wuthering Heights (1847).
1244. Walt Whitman was an American poet, journalist, and essayist whose verse
collection Leaves of Grass. In 1846 he became editor of the Brooklyn Daily Eagle.
1245. Leaves of Grass was warmly praised by the poet and essayist Ralph Waldo
Emerson, who wrote to Whitman on receiving the poems that it was “the most
extraordinary piece of wit and wisdom” America had yet contributed.
1246. Whitman wrote an elegy on President Abraham Lincoln in “When Lilacs Last in
the Dooryard Bloom’d”.
1247. The fourth edition of Leaves of Grass, published in 1867.
1248. The American novelist, short-story writer, and poet Herman Melville is best
known for his novels of the sea, including his masterpiece, Moby Dick (1851). His
other works : Typee (1846), Omoo (1847), Mardi (1849), Redburn (1849), White-
Jacket (1850), Pierre (1852), The Confidence-Man (1857), Billy Budd (1924)
1249. Moby Dick was published in London in October 1851. Captain Ahab pursues the
white whale, Moby Dick, which finally kills him. At that level, it is an intense,
superbly authentic narrative of whaling. In the perverted grandeur of Captain
Ahab and in the beauties and terrors of the voyage of the Pequod, however,
Melville dramatized his deeper concerns: the equivocal defeats and triumphs of
the human spirit and its fusion of creative and murderous urges.
1250. Billy Budd was Herman Melvilles’s last work.’
1251. George Eliot’s pseudonym was Mary Ann (or Marian) Evans.Her major works are
: Adam Bede (1859), The Mill on the Floss (1860), Romola(1862–63),Silas
Marner(1861), Felix Holt, the Radical (1866), Middlemarch (8 parts, 1871–72),
Daniel Deronda(8 parts, 1876)
1252. T S Eliot is associated with “ The Criterion” ( journal)
1253. Adam Bede (1859), George Eliot’s first long novel, she described as “a country
story—full of the breath of cows and the scent of hay.”
1254. Daniel Deronda (8 parts, 1876) is built on the contrast between Mirah Cohen, a
poor Jewish girl, and the upper class Gwendolen Harleth, who marries for money
and regrets it. The hero, Daniel, after discovering that he is Jewish, marries Mirah
and departs for Palestine to establish a home for his nation. The best part of
Daniel Deronda is the keen analysis of Gwendolen’s character, which seems to
many critics the peak of George Eliot’s achievement.
1255. Fyodor Mikhaylovich Dostoyevsky was a Russian novelist and short-story
writer. His works : The House of the Dead(1961-62), The Idiot(1969), Crime and
Punishment (1966), Notes from the Underground (1964), The Possessed (1972),
The Brothers Karamazov (1979-80)
1256. Crime and Punishment describes a young intellectual who is willing to gamble on
ideas and decides to solve all his problems at a stroke by murdering an old
pawnbroker woman.
1257. Gustave Flaubert is best known for his Madame Bovary (1857), a realistic
portrayal of bourgeois life.
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1258. Henrik Ibsen was a major Norwegian playwright of the late 19th century. His
major works : A Doll’s House (1879), The Lady from the Sea (1888), Hedda
Gabler(1890), The Master Builder (1892), Little Eyolf (1894), When We Dead
Awaken (1899).
1259. Leo Tolstoy is a Russian writer. He served in the army, which included service in
the Crimean War (1853–56). His major works are My Confession, Anna Karenina,
War and Peace.
1260. Tolstoy’s novel, Anna Karenina (1875–77) begins with “All happy families
resemble each other; each unhappy family is unhappy in its own way.”
1261. Lewis Carroll’s pseudonym was Charles Lutwidge Dodgson. He is well known for
his Alice’s Adventures in Wonderland (1865) and its sequel, Through the Looking-
Glass(1871).
1262. Mark Twain’s pseudonym was Samuel Clemens. His first book was The
Celebrated Jumping Frog of Calaveras County and Other Sketches (1867). He is
well known for his travel narratives, especially The Innocents Abroad (1869),
Roughing It (1872), and Life on the Mississippi (1883), and for his adventure
stories of boyhood, especially The Adventures of Tom Sawyer (1876) and
Adventures of Huckleberry Finn (1885).
1263. Émile Zola, a French critic and political activist, was also the most prominent
French novelist of the late 19th century. Two early novels are Thérèse Raquin
(1867), a grisly tale of murder and its aftermath, and Madeleine Férat (1868).
1264. Honoré de Balzac wrote The Human Comedy.
1265. Henry James was an American novelist. James began his long expatriation in the
1870s, heralded by publication of the novel Roderick Hudson (1875), the story of
an American sculptor’s struggle by the banks of the Tiber between his art and his
passions; Transatlantic Sketches, his first collection of travel writings.
1266. Henry James’ works : The Portrait of a Lady (1881), The Bostonians (1886), The
Princess Casamassima (1886), The Spoils of Poynton (1897), What Maisie Knew
(1897), The Turn of the Screw (1898), The Wings of the Dove (1902), The
Ambassadors (1903), The Golden Bowl (1904), The American Scene (1907).
1267. August Strindberg was a Swedish playwright, novelist,and short-story writer
who combined psychology and Naturalism in a new kind of European drama that
evolved into Expressionist drama. He published his first novel, The Red Room
(1879), a satirical account of abuses and frauds in Stockholm society. He wrote,
The Father (1887), Miss Julie (1888), and The Creditors (1888). His last play, The
Great Highway, a symbolic presentation of his own life, appeared in 1909.
1268. Oscar Wilde was an Irish wit, poet, and dramatist whose reputation rests on his
only novel, The Picture of Dorian Gray (1891), and on his comic plays. He was a
spokesman for the late 19th-century Aesthetic movement in England, which
advocated art for art’s sake. His The Picture of Dorian Gray was published in
Lippincott’s Magazine in 1890. A Woman of No Importance was produced in
1893. He also wrote An Ideal Husband.
1269. George Bernard Shaw was an Irish comic dramatist, literary critic, and socialist
propagandist and the winner of the Nobel Prize for Literature in 1925. His fiction
failed utterly. The semiautobiographical and aptly titled Immaturity (1879;
published 1930) repelled every publisher in London. In his first play, Widowers’
Houses (performed 1892), he emphasized social and economic issues instead of
romance, adopting the ironic comedic tone that would characterize all his work.
He described his first plays as “unpleasant”. His major works are : Arms and the
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Man (performed 1894) , Candida (performed 1897) , You Never Can Tell
(performed 1899), John Bull’s Other Island (performed 1904) , Man and
Superman (performed 1905) , Major Barbara (performed 1905), and The Doctor’s
Dilemma (performed 1906), Pygmalion (performed 1913), Saint Joan (performed
1923)
1270. George Bernard Shaw won the Nobel Prize for Literature in 1925 and he refused
the award.
1271. In 1888, Anton Chekhov published his first work in a leading literary review,
Severny vestnik(“Northern Herald”). His Wood Demon(1888–89) is a long-
winded four-act play. His other works include Uncle Vanya,The Bear,The
Proposal,The Seagull.
1272. Anton Chekov’s The Seagull is a study of the clash between the older and younger
generations as it affects two actresses and two writers.
1273. Chekhov’s two last plays—Tri sestry (1901; Three Sisters) and Vishnyovy sad
(1904; The Cherry Orchard)—were both written for the Moscow Art Theatre.
1274. William Butler Yeats was one of the greatest English-language poets of the 20th
century. He received the Nobel Prize for Literature in 1923.
1275. Luigi Pirandello was an Italian playwright, novelist, and short-story writer who
won the 1934 Nobel Prize for Literature. With his invention of the “theatre
within the theatre” in the play Six Characters in Search of an Author (1921), he
became an important innovator in modern drama.
1276. Marcel Proust was a French novelist and his novel In Search of Lost Time,a seven-
volume novel based on Proust’s life told psychologically and allegorically. His
other novels are : The Captive, The Fugitive, Time Regained
1277. Marcel Proust’s autobiographical novel is Jean Santeuil.
1278. “My Butterfly: An Elegy” is written by Robert Frost. His other popular poems are ,
Mending Wall, The Death of the Hired Man, Home Burial, and After Apple-
Picking.
1279. Thomas Mann was a German novelist and essayist whose early novels—
Buddenbrooks (1900), Der Tod in Venedig (1912; Death in Venice), and Der
Zauberberg (1924; The Magic Mountain)—earned him the Nobel Prize for
Literature in 1929.
1280. In A Room of One’s Own (1929), Virginia Woolf blamed women’s absence from
history not on their lack of brains and talent but on their poverty.
1281. In the essay Tradition and the Individual Talent, appearing in his first critical
volume, The Sacred Wood (1920), Eliot asserts that tradition, as used by the poet,
is not a mere repetition of the work of the immediate past; rather, it comprises
the whole of European literature from Homer to the present. The poet writing in
English may therefore make his own tradition by using materials from any past
period, in any language.
1282. T S Eliot won the Nobel Prize for his Four Quartets in 1948.
1283. T S Eliot was an editor to his quarterly review The Criterion (1922–39).
1284. Eugene O’Neill was a foremost American dramatist of the 20th century and the
winner of the Nobel Prize for Literature in 1936. His first full-length play, Beyond
the Horizon,was produced on Broadway, Feb. 2, 1920. His most-distinguished
short plays include the four early sea plays, Bound East for Cardiff,In the Zone
,The Long Voyage Home, and The Moon of the Caribbees, which were written
between 1913 and 1917. His long plays : The Emperor Jones(1920), The Hairy
Ape(1922), Desire Under the Elms (1924), The Great God Brown (1926), Strange
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1293. Adam and Dinah are the characters in Adam Bede by George Eliot ( Pen name :
Mary Ann Evans)
1294. A Marriage Proposal is a one-act play (farce) by Anton Chekhov, written in 1888
– 89 and first performed in 1890. Natalia, Stephan Stepanovitch Chubukov,
Ivan-are the characters.
1295. A Tale of a Tub is a satire by Jonathan Swift. It is a prose parody which divided
into sections of “digression” and “a tale” of three brothers (Peter, Martin and
Jack).
1296. ‘Marriage Bed’ episode appears in Moby Dick.
1297. Clara Durrant and Florida are the characters of Jacob’s Room.
1298. Thomas Merton wrote No Man is an Island.
1299. Donne compares two lovers who are separated to the two legs of a compass in “A
Valediction: A Forbidden Mourning”.
1300. Ben Jonson commented that, “Donne, for not keeping of accent, deserved
hanging”.
1301. Joseph Brodsky wrote a poem named, Elegy for John Donne.
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during the reign of Elizabeth I. Orlando writes The Oak Tree in the novel. King
Charles II is mentioned in the novel.
1331. Ovid was a Roman poet, best known for his Metamorphosis. Metamorphosis
consists of 15 books of mythological narratives written in the epic meter. His
works :
a. Amores (Love Affairs)
b. Ars Amatoria (Art of Love) – 3 books
c. Medea – Ovid’s last tragedy.
d. Remedia Amoris (Cure of Love)
e. Metamorphosis means ‘transformation’.
f. Fasti (The Festivals) – 6 books.
1332. Persuation is Jane Austen’s last completed novel.
a. Both Persuasion and Northanger Abbey were bound up in one volume and
published together.
b. It s set in a fashionable city called Bath.
c. Anne Eliot is the protagonist.
1333. Pride and Prejudice centers on Elizabeth Bannet.
a. The novel begins with the line: “It is truth universally acknowledged that
a single man in possession of a good fortune must be in want of a wife.”
b. The title of the novel was taken from a passage in Fanny Burney’s popular
novel Cecilia (1782).
1334. Romola is a historical novel by George Eliot. It is her fourth novel.
1335. Samuel Beckett was awarded the 1969 Nobel Prize for Literature.
a. Beckett published his work Proust in 1931.
b. His first novel is Dream of Fair to Midding Woman.
c. The novel Murphy (1938) begins with the line, “The sun shone, having no
alternative, on the nothing new.”
1336. The term “ Theatre of Absurd” was coined by Martin Esslin. He used the term as a
title to his book.
1337. Beckett’s Molloy (1951), Malone Meurt (1951), Malone Dies and L’innommable
(1953, The Unnammable) are referred to as a trilogy.
1338. The final phrase of The Unnammable is: “I can’t go on, I’ll go on.”
1339. John MacGowran was the first actor to do a one-man show based on the works of
Beckett.
1340. Sense and Sensibility appeared in 1811 under the pseudonym ‘A Lady’.
a. First draft of the novel was written in the form of letters (epistolary
form).
b. It was earlier titled as Elinor and Marianne.
c. Barton Cottage appears (is mentioned) in the novel.
d. Elinor Dashwood is nineteen years old when the novel begins.
1341. Tess of D’Urbervilles by Thomas Hardy was originally titled “Daughter of
D’Urberville”.
a. It is subtitled as ‘A Pure Woman’.
b. The ancient grove in the novel is called “The Chaste”, to where Alec rides
with Tess.
c. Alec rapes Tess and is referred to as ‘the seducer’.
d. The child born as a result of this rape is named ‘sorrow’. But it does not
survive for long.
e. Tess’ parting words are, “I am ready”.
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1342. Anya, Varya, Yasha,and Dunyasha are the characters in The Cherry Orchard.
1343. The Doctor’s Dilemma is a play by Shaw, written in 1906. It tells the story of Sir
Colenso Ridgeon who has developed a new cure for Tuberculosis. He can treat
only ten patients at a time.
1344. Pope first published The Duncaid in 1728 in three books.
1345. Licensing Act - 1737.
1346. Henry James’ novel, The Europeans: A Sketch was published in 1878.
1347. The Gilded Age: A Tale of Today is an 1873 novel by Mark Twain and Charles
Dudley Warner.
a. Albert Bigelow Paine is Mark Twain’s biographer.
b. The title ‘Gilded Age’ was taken from Shakespeare’s King John (1595).
1348. Hans Castorp is the protagonist in Thomas Mann’s The Magic Mountain (1924).
Viaticum Scene occurs in this work.
1349. The Mayor of Casterbridge (1886) subtitled The Life and Death of a Man of
Character, is a tragic novel by Thomas Hardy. Michael Henchand is its
protagonist.
1350. The Naturalist Theatre Movement was a reaction to melodrama, the Victorian
theatre tradition of the time.
1351. The Poor Man and The Lady (1867) is the first novel of Thomas Hardy, but it is
not published.
1352. The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope.
It was first published in 1712 in two cantos and the revised edition consisting of
five cantos was published in 1714. Belinda is compared to the sun. She threatens
to kill Baron with a bodkin (a sharp hairpin).
1353. Nick Dormer in The Tragic Muse by Henry James wants to pursue a career in
painting instead of the family’s traditional role in British Politics.
1354. Oroonoko is a short work of prose fiction by Aphra Behn. Its subtitle is The Royal
Slave.
1355. Orhan Pamuk is the Turkish novelist who won the Nobel Prize for Literature in
2006. His Works: The White Castle, The Black Book, The New Life, My Name is Red,
Snow, The Museum of Innocence.
1356. Fyodor Dostoyevsky declared Anna Karenina “flawless as a work of art”.
1357. Hayavadana (1972), a play by Girish Karnad was based on a theme drawn from
Thomas Mann’s The Transposed Heads and employed in the folk theatre form of
Yakshagana.
1358. Thomas Hardy took the title for his novel ‘Under the Greenwood Tree’ from
Shakespeare’s As You Like It (Act II, Scene V).
1359. Virginia Woolf’s essay, A Room of One’s Own (1929) contains the famous dictum,
“A Woman must have money and a room of her own, if she is to write fiction.”
Between the Acts is Woolf’s last work. Her only drama is Freshwater: A Comedy.
1360. Waiting for Godot was subtitled, “A Tragicomedy in Two Acts”. The play opens
with Estragon struggling to remove a boot.
1361. Walt Whitman is called the father of free verse.
1362. When We Dead Awaken is the last play written by the Norwegian dramatist,
Henrik Ibsen. It was published in 1899.
1363. Jerusalem was the last poem written by William Blake.
1364. Wordsworth’s The Prelude is a semi-autobiographical poem.
1365. Preface to the Lyrical Ballads is called as the “Manifesto of English Romantic
Criticism.
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1366. Shelley wrote A Defence of Poetry (1821) in response to his friend Thomas Love
Peacock’s article The Four Ages of Poetry (1820).
1367. The title of ‘A Farewell to Arms’ by Ernest Hemingway is taken from a poem by
George Peele (16th century poet).
1368. E. M. Forster borrowed the title to his book ‘A Passage to India’ from Walt
Whitman’s poem of the same name in published in the collection, Leaves of Grass.
The story of the novel A Passage to India is set in a fictional town of
Chandrapore, (based on the Bankipur), in Bihar.
1369. Following William Wordsworth’s death in 1850, and Samuel Roger’s refusal to
take up the responsibility, Tennyson was made the Poet Laureate.
1370. Shelley regarded “Adonais” as the “least imperfect” of his works.
1371. T. S. Eliot described Tennyson as “the saddest of all English poets”.
1372. George Orwell’s Animal Farm was subtitled as “A Fairy Tale”.
1373. The Anthills of Savannah is a 1987 novel by Chinua Achebe, and was chosen as a
finalist for the 1987 Booker Prize for fiction.
1374. John Dryden introduced ‘Alexandrine’ and ‘triplet’ into the form. Alexander Pope
was highly influenced by Dryden. Dryden was the first official Poet Laureate. He
was made so in 1670.
1375. August Strindberg is considered the ‘father of modern Swedish Literature’ and
his The Red Room has been described as the first modern Swedish novel.
1376. Naturalism in the Theatre (1881) was written by Emile Zola.
1377. In the essay On Psychic Murder (1887); Strindberg referred to the psychological
theories of the Nancy School, which advocated the use of hypnosis.
1378. The Intimate Theatre was founded by August Strindberg in 1907. He had the
intention of using the theatre for staging his plays and his plays only. He also had
the intention of using the theatre mainly to stage Chamber Plays.
1379. Strindberg wrote four Chamber Plays: Thunder in the Air, The Burned Site, The
GhostSonata, and The Pelican.
1380. Toni Morrison won the Pulitzer Prize for fiction in 1988 for her novel, Beloved.
The story of Beloved begins with an introduction to the ghost: “124 was spiteful.
Full of a baby’s venom.
1381. Ben Jonson popularized the Comedy of Humours.
1382. Ben Jonson co-authored the play The Isle of Dogs with Thomas Nashe and it was
published in the year 1597.
1383. Ben Jonson was made England’s Poet Laureate in 1616.
1384. Robert Herrick, Richard Lovelace and Sir John Suckling were known as “the Sons
of Ben” or “the Tribe of Ben”.
1385. Bertolt Brecht’s Jungle: Decline of a Family is his third play.
1386. Brecht propounded Epic Theatre. It imposed that a play should not cause the
spectator to identify emotionally with the characters or action before him or her,
but should instead provoke rational self-reflection and a critical view of the
action on the stage.
1387. Brecht’s most important principle called ‘verfremdungseffekt (translated as
“defamiliarisation effect”, “enstrangement effect”). * Alienation Effect
1388. Baal (1918 – 23) is Brecht’s first play and Trumpets and Drums (1955) is his last
play.
1389. Voltaire’s Candide (1759) subtitled, “All for the Best”or “The Optimist” (1762) is a
picaresque novel. It consists of 30 episodic chapters and the tale begins in the
castle of the Baron Thunder-ten-Tronkh in West Phalia.
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1390. Cat on a Hot Tin Roof is a play by Tennessee Williams. This brought him the
Pulitzer Prize for drama in 1955. The play is set in the “Plantation Home in the
Mississippi Delta”. Brick and Margaret are the main characters.
1391. Charlotte Bronte wrote Jane Eyre, using a penname Currer Bell. The subtitle is
Jane Eyre: An Autobiography
1392. George Peele remembers Marlowe as “Marley, the Muses’ Darling”.
1393. E. M. Forster described D. H. Lawrence as “The greatest imaginative novelist of
our generation”.
1394. The White Peacock (1910) is the first published novel of D. H. Lawrence. His
Rainbow (1915) was alleged of obscenity. Lawrence had a lifelong interest
towards painting.
1395. Daniel Defoe wrote Roxana: The Fortune Mistress.
1396. Defoe is known to have used at least 198 pen names.
1397. Dead Souls is a novel by a Russian writer Nikolai Gogol. It was published in 1842.
Chichikov is the main character in this novel. Gogol himself saw it as an “epic
poem in prose”.
1398. Derek Walcott won the Nobel Prize for Literature in 1992. He was born in St.
Lucia, West Indies. He wrote a Homeric Epic poem “Omeros” in 1990.
1399. “Don Juan” is a satirical poem written by Lord Byron. It is dedicated with some
scorn to Robert Southey. It was written in Iambic pentameter. It is divided into
seventeen cantos, with the seventeenth one being left unfinished.
1400. Doris Lessing’s five novels are collectively called: Canopus in Argos: Archives
(1979 – 1983)
The Grass is Singing (1950)
Children of Violence (1952-60)
The Golden Notebook (1962)
The Good Terrorist (1985)
Lessing was awarded the Nobel Prize for Literature in 2007.
She explores the Sufi theme in Canopus in Argos.
1401. E M Forster didnot complete his seventh novel Arctic Summer. E. M. Forster’s
novels: Where Angels Fear to Tread (1905) The Longest Journey (1907) A Room
with a View (1908) Howards End (1910) A Passage to India (1924) Maurice
(1971)
1402. Spencer’s “Amoretti” contains 88 sonnets.
1403. Eugene O’ Neille wrote only one well known comedy – Ah,Wildernes. He won the
Pulitzer Prize in 1920 for his play Beyond the Horizon.
1404. George Orwell is the pen name of Eric Arthur Blair.
1405. Good Morning, Midnight is a 1939 modernist novel by Jean Rhys. The novel’s title
is taken from Emily Dickinson’s poem with the same title.
1406. Harold Pinter’s early plays were called “Comedy of Menace” by David Campton.
Old Times is a play by Harold Pinter.
1407. Hard Times is a novel by Charles Dickens.
1408. Chinua Achebe criticised Heart of Darkness in his 1975 lecture, “An Image of
Africa: Racism in Conrad’s Heart of Darkness”.
1409. “Battle Royal Scene” is seen in Ralph Ellison’s Invisible Man (1952).
1410. Jean Rhys’ Wide Sargasso Sea (1966) is a prequel to Charlotte Bronte’s Jane Eyre.
1411. Cup of Gold (1929) is John Steinback’s first novel.
1412. Joseph Andrew is defined by Fielding as “comic epic poem in prose”. It consists of
4 books.
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1442. Daniel Defoe’s Roxana: The Fortunate Mistress (1724) has a story of an unnamed
‘fallen woman’.
1443. Clarissa: The History of a Young Lady (1748) is written by Samuel Richardson.
Richardson was a printer. He was a rival of Henry Fielding.His Pamela is
regarded as the first English novel. Henry Fielding wrote Shamela as an anti –
novel to Pamela. Pamela and Clarissa are epistolary novels.
1444. Terry Eagleton describes Seamus Heaney as “an enlightened cosmopolitan
liberal”
1445. Battle of Books is written by Jonathan Swift
1446. Battle of Angels is written by Tennesse Williams.
1447. Arrow of God is written by Chinua Achebe
1448. Arrow of Gold (1919) is written by Joseph Conrad.
1449. The protagonist of Harold Pinter’s The Birthday Party is a pianist.
1450. Toni Morrison’s The Bluest Eye opens with prologue relating a paragraph-long
‘Dick and Jane’ tale. Claudia MacTeer is the narrator of The Bluest Eye.
1451. The Caretaker is a play in three acts by Harold Pinter.
1452. Ben and Gus are the main characters of Pinter’s The Dumb Waiter.
1453. The Glass Menagerie by Tennesse Williams is a memory play. Tom, the narrator
and protagonist recollects the memories of his mother Amanda and his sister
Laura. The play is a reworking of one of William’s short stories, Portrait of a Girl
in Glass (1943).
1454. The Golden Notebook by Doris Lessing is the story of a writer Anna Wulf, the four
notebooks in which she keeps the record of her life, and her attempt to tie them
all together in a fifth, gold-coloured notebook. The book is named Free Women.
1455. Tom Joad is the protagonist of The Grapes of Wrath.
1456. Women in Love is a sequel to The Rainbow, by D. H. Lawrence.
1457. Patrick Reilly calls The Secret Agent by Joseph Conrad as “a terrorist text as well
as a text book of terrorism”.
1458. Eclogue is a short pastoral poem that is in the form of a dialogue or soliloquy.
1459. Jake Barnes is the protagonist in Ernest Hemingway’s The Sun also Rises.
1460. Patrick White borrowed the title The Tree of Man from A.E. Housman’s poetry
cycle, A Shropshire Lad, lines of which are quoted in the text. The story of The
Tree of Man revolves around the Parker family.
1461. Okonkwo, the protagonist of Chinua Achebe’s novel The Things Fall Apart,
commits suicide by hanging himself at the end of the novel. The critics call this
novel a modern Greek tragedy.
1462. Nathaniel Hawthorne borrowed the title for his collection of short stories, Twice-
Told Tales from Shakespeare’s The Life and Death of King John (Act 3, Scene 4).
1463. William Makepeace Thackeray borrowed the title for his novel Vanity Fair from
John Bunyan’s allegorical story The Pilgrim’s Progress. Vanity Fair is a novel
without a hero.
1464. Victory: An Island Tale is a psychological tale by Joseph Conrad. It was published
in 1915.
1465. W. H. Auden wrote a verse drama The Dance of Death (1933).
1466. Wallace Stevens won the Pulitzer Prize for his Collected Poems in 1955.
1467. Antoinette Cosway is the protagonist of the novel Wide Sargasso Sea (1939) by
the Dominica-born author Jean Rhys. This novel is divided into 3 parts.
1468. Wole Soyinka became the first African writer to win the Nobel Prize for
Literature in 1986.
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