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Crazy Train

The document contains sheet music for 'Crazy Train' by Ozzy Osbourne, arranged by Ike Reinhardt. It includes parts for various instruments such as flute, clarinet, saxophone, trumpet, trombone, euphonium, sousaphone, and drums. The arrangement specifies the tempo and provides notation for each instrument involved in the performance.

Uploaded by

Irineu Daslive
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
202 views10 pages

Crazy Train

The document contains sheet music for 'Crazy Train' by Ozzy Osbourne, arranged by Ike Reinhardt. It includes parts for various instruments such as flute, clarinet, saxophone, trumpet, trombone, euphonium, sousaphone, and drums. The arrangement specifies the tempo and provides notation for each instrument involved in the performance.

Uploaded by

Irineu Daslive
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Crazy Train

Ozzy Ozborne

        
Arr. Ike Reinhardt

      
          
 = 130

Flute


   
                   

B♭ Clarinet

 
                   

Alto Saxophone


   
                   


B♭ Trumpet


               



Mellophone

  
               
 


  
   
Trombone

 
          
   
    


Euphonium

   
    
    
     


Sousaphone

     

 
Snare Drum

         


          


Tenor Drums

 
      

 

 
  
  

Bass Drums


       
                
5

Fl.


      
               
B♭ Cl.

 
            
 
 
A. Sax.

          
                
   
B♭ Tpt.

 
           

   
Mello.

           
    
 
 
Tbn.

       
         

   
Euph.

   
  
 
     
    
Sphn.

 
S.D.    

 
              
        
  
T.D.

      
B.D.
            

2
  
  
   
 

 
 
      
9

     


Fl.

          

B♭ Cl.


                        


 
     
A. Sax.

 
         
   

    
B♭ Tpt.

               


 

    
                   
Mello.

 

                      
         
Tbn.




Euph.

                        
       



Sphn.

              


  


S.D.

              
T.D.
  
              
  

B.D.

3

  
    

 
    
   

12

     


Fl.

           

  
B♭ Cl.


                
  
  
A. Sax.


            

  
   
B♭ Tpt.

                


  

                       
    
Mello.


                    
        
Tbn.


Euph.

                      
      


Sphn.

     


  

   
S.D.

   
              
 


T.D.

           
  


B.D.

 

4
 
         
         
    
    
15

         


Fl.

 
      
     
   

          
B♭ Cl.

       
  


 
  
A. Sax.

          
 
     
       
B♭ Tpt.

                     


 
    

                                     
                          
Mello.

                                    
                
Tbn.

Euph. 

                                      
Sphn.
               

         
S.D.

                         
T.D.
         

B.D. 

5
                  
           
20

         


Fl.

  
        
     

    
B♭ Cl.

  
    

 

A. Sax.

          
    
      
B♭ Tpt.

                     



    
 
                                   
                          
Mello.

                                   
        
Tbn.

Euph. 

                                     
Sphn.
        

         
S.D.

                         
T.D.
       

B.D. 

6
           

     
          


25

     


   
Fl.


 
  
           


 
               
B♭ Cl.

       



   
A. Sax.

           
        
    


    
B♭ Tpt.

 
     
                      
    



                                  
         
Mello.

 


                             
Tbn.

 

     


Euph.

               
                                   


 

Sphn.

    
  


        
S.D.

                         
         


T.D.

 
     


B.D.



7
                  
       
30

      
Fl.

           

   

     
            
B♭ Cl.

      
      
   


A. Sax.

                   
  
   

      

B♭ Tpt.

  
                
   

    
     
Mello.

         
     
   


    
Tbn.

       
     
      
   

  
Euph.

   
                   
   

Sphn.

                    
 

  
 

S.D.

 
  
   

                          
 

T.D.
 
 
                            
   

B.D.

   

8
    
        
   

     
35

      
Fl.

         
     
          
B♭ Cl.


       
A. Sax.     

               
     
  
B♭ Tpt.

               
    

             
Mello.

      
   

                 
Tbn.

     
    
  
Euph.

  
Sphn.
                       

              
     

S.D.

                            
T.D.
   
              
B.D.
            

9
   
    

40

   
 
Fl.

 

 
B♭ Cl.

     
A. Sax.  

        
 
 
B♭ Tpt.

        

  
Mello.

     
      
  
Tbn.

     
 
     
Euph.

    
    
     
Sphn.

           
S.D.
 
           
 
T.D.

       
   
B.D.

10

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