Getting Started Guide | Issue 2

 Before starting, please check www.allen-heath.com for the latest firmware and documentation.
 Limited One Year Manufacturer’s Warranty

Allen & Heath warrants this Allen &Heath -branded hardware product and accessories contained in the original
packaging ("Allen & Heath Product”) against defects in materials and workmanship when used in accordance with
Allen & Heath's user manuals, technical specifications and other Allen & Heath product published guidelines for a
period of ONE (1) YEAR from the date of original purchase by the end-user purchaser ("Warranty Period").
This warranty does not apply to any non-Allen & Heath branded hardware products or any software, even if packaged
or sold with Allen & Heath hardware.
Please refer to the licensing agreement accompanying the software for details of your rights with respect to the use
of software/firmware (“EULA”).
Details of the EULA, warranty policy and other useful information can be found on the Allen & Heath website:
www.allen-heath.com/legal.
Repair or replacement under the terms of the warranty does not provide right to extension or renewal of the warranty
period. Repair or direct replacement of the product under the terms of this warranty may be fulfilled with functionally
equivalent service exchange units.
This warranty is not transferable. This warranty will be the purchaser’s sole and exclusive remedy and neither Allen &
Heath nor its approved service centres shall be liable for any incidental or consequential damages or breach of any
express or implied warranty of this product.

Conditions Of Warranty
The equipment has not been subject to misuse either intended or accidental, neglect, or alteration other than as
described in the User Guide or Service Manual, or approved by Allen & Heath.
Any necessary adjustment, alteration or repair has been carried out by an authorised Allen & Heath distributor or agent.
The defective unit is to be returned carriage prepaid to the place of purchase, an authorised Allen & Heath distributor
or agent with proof of purchase. Please discuss this with the distributor or the agent before shipping. Units returned
should be packed in the original carton to avoid transit damage.

DISCLAIMER: Allen & Heath shall not be liable for the loss of any saved/stored data in products that are either repaired
or replaced.

Check with your Allen & Heath distributor or agent for any additional warranty information which may apply. If further
assistance is required, please contact Allen & Heath Ltd.

SQ-Rack Getting Started Guide Issue 2

Copyright © 2025 Allen & Heath. All rights reserved.

Allen & Heath Limited, Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
http://www.allen-heath.com

SQ-Rack Getting Started Guide 2 Issue 2

 1. IMPORTANT - Read before starting
1.1. Safety instructions
Before starting, read the Important Safety Instructions supplied with the equipment. For your own safety and that of the
operator, technical crew and performers, follow all instructions and heed all warnings printed on the sheet and on the
equipment panels.

1.2. System operating firmware

The function of this product is determined by the firmware (operating software) that runs it. Firmware is updated regularly
as new features are added and improvements made.
 Check www.allen-heath.com/legal for the latest version of firmware.

1.3. Software licence agreement

By using this Allen & Heath product and the software within it you agree to be bound by the terms of the relevant End User
Licence Agreement (EULA), a copy of which can be found at www.allen-heath.com/legal. You agree to be bound by the
terms of the EULA by installing, copying, or using the software.

1.4. Further information

Please refer to the Allen & Heath website for further information, knowledgebase and technical support.
 Check for the latest version of this Getting Started Guide.

1.5. General precautions

• Protect the equipment from damage through liquid or dust contamination.
• If the equipment has been stored in sub-zero temperatures allow time for it to reach normal operating
temperature before use at the venue.
• Avoid using the equipment in extreme heat and direct sunlight. Make sure the ventilation slots are not
obstructed and that there is adequate air movement around the equipment.
• Clean the equipment with a soft brush and dry lint-free cloth. Do not use chemicals, abrasives or solvents.
• It is recommended that servicing is carried out only by an authorised Allen & Heath agent. Contact details for
your local distributor can be found on the Allen & Heath website. Allen & Heath do not accept liability for
damage caused by maintenance, repair or modification by unauthorised personnel.

1.6. Register your product

Register your product online via www.allen-heath.com/register.

SQ-Rack Getting Started Guide 3 Issue 2

2. Packed items
Check you have received the following:
• SQ-Rack Digital Audio Mixer • QR Code Card
• 2x Rack Ears (left/right) • Safety booklet
• 6x Rack Ear Fixings • IEC mains lead
• 4x Push fit feet

SQ-Rack Getting Started Guide 4 Issue 2

3. Contents

1. IMPORTANT - Read before starting ............................................................................................................ 3

1.1. Safety instructions ................................................................................................................................... 3
1.2. System operating firmware ....................................................................................................................... 3
1.3. Software licence agreement ...................................................................................................................... 3
1.4. Further information .................................................................................................................................. 3
1.5. General precautions ................................................................................................................................. 3
1.6. Register your product ............................................................................................................................... 3
2. Packed items ........................................................................................................................................... 4
3. Contents .................................................................................................................................................. 5
4. Introduction ............................................................................................................................................. 6
4.1. SQ-Rack Features ..................................................................................................................................... 6
5. Fitting Rack Ears ...................................................................................................................................... 7
5.1. Left and right rack ear orientation.............................................................................................................. 7
5.2. Attaching the ears to the SQ-Rack ............................................................................................................. 7
5.3. Freestanding (desktop stand) use ............................................................................................................. 7
5.4. Mounting options ..................................................................................................................................... 8
6. Front Panel .............................................................................................................................................. 9
7. Rear Panel ............................................................................................................................................. 10
8. Digital Audio I/O and Expansion .............................................................................................................. 11
8.1. USB-B and SQ-Drive ................................................................................................................................ 11
8.2. SLink Port .............................................................................................................................................. 11
8.3. I/O Port ................................................................................................................................................. 12
9. Control of the mixer ................................................................................................................................ 13
9.1. Local ‘Surface’ control ............................................................................................................................ 13
9.2. Network control ..................................................................................................................................... 13
9.3. MIDI control ........................................................................................................................................... 14
10. Dimensions ............................................................................................................................................ 15
11. Technical Specifications ......................................................................................................................... 16

SQ-Rack Getting Started Guide 5 Issue 2

 4. Introduction
SQ-Rack is part of the SQ range of digital audio mixers, which also includes the SQ-5, SQ-6 and SQ-7.
Designed for applications where high-quality audio mixing and processing is required in a compact and reliable unit, and
built on an Allen & Heath XCVI core, the SQ series of digital mixers feature 96kHz, variable bit-depth processing and ultra-
low latency.
All SQ models can be used standalone or expanded with a range of expanders and option cards. They can also be
customised with additional processing ‘Add-on’ options.
Having the same processing core means all models have the same processing, routing, connectivity and external control
capabilities. The differences between models are as follows:

SQ Model SQ-Rack SQ-5 SQ-6 SQ-7

Faders - 16+Mix 24+Mix 32+Mix
Faders Screen ✓ - - -

CQ-Control Screen ✓ - - -

Built-in Preamps 16+Talkback 16+Talkback 24+Talkback 32+Talkback

XLR Outputs 12 12 14 16
SoftKeys 8 8 16 16
SoftRotaries 4 - 4 8

4.1. SQ-Rack Features

• Rack-mountable 4U digital mixer for Live, • Dedicated Faders screen
Studio and Installation use • Dedicated SQ-Control screen
• 48x Input Channels • Single/Dual Footswitch Control
• 16x Local Mic/Line Inputs (XLR) • Input channel pairs switchable mono/stereo
• 2x ¼” Stereo Inputs (TRS) • Patchable Insert points
• 1x 3.5mm Stereo Input • Input processing – Trim, HPF, Gate, PEQ,
• 36x Total Busses Compressor, Delay
• 12x Stereo Mix (Aux or Group) + Main • Output processing – Graphic EQ, PEQ,
• PAFL Bus Compressor, Delay
• 14x Assignable Local Analogue Outputs • DEEP Automatic Mic Mixing
(12x XLR + 2x ¼” TRS) • 2x 31/61 Band Real Time Analysers
• AES Digital Output • Quick copy/paste/reset for parameters
• Dedicated Talkback mic input (XLR) • User Permissions to restrict operator access
• ¼” TRS Stereo Headphone out with • 300x Scene memories per Show
dedicated control • Channel Safes, Global and per Scene Recall
• SLink EtherCON connection for remote audio Filters
using dSnake/ME, DX or GigaACE/GX • FX, processing and channel Libraries
protocol (128x128 channels) • SQ-Drive for stereo and multitrack
• I/O Port for Option Card (including 3rd party recording/playback direct to USB drive
protocols – Dante/Waves/MADI) • USB transfer of Scenes, Libraries, Shows
• 8x Mute Groups • 32x32 channel, class compliant USB-B audio
• 8x DCA Groups interface
• 8x Stereo FX with dedicated FX Returns • A&H MIDI Control driver for MIDI control via
• DEEP Processing Ready USB or TCP/IP
• RackExtraFX Effects suite • Remote mixing apps for iPad, Android, Mac
• 7" capacitive touchscreen and PC
• 8x Assignable SoftKeys • Compatible with ME personal monitoring
• 4x Assignable SoftRotaries range
• 6x Layers for 96 assignable Channel Strips
across Fader, Processing and Routing
screens

SQ-Rack Getting Started Guide 6 Issue 2

 5. Fitting Rack Ears
The SQ-Rack is supplied with 2x 4U rack ears which can be fitted to the unit in multiple ways using the supplied fixings.
This enables the unit to be used freestanding or fixed to a flat surface, or to be mounted in different orientations and
angles in a standard 19” rack.

5.1. Left and right rack ear orientation

Either one, or both rack ears include an arrow to show the intended upward direction when fitting in a rack.

This mounts the SQ-Rack a few millimetres higher in the rack and is only important when rack mounting with the feet
already fitted, directly above another unit.

5.2. Attaching the ears to the SQ-Rack

• Hold the first ear to the unit in roughly the position it will be attached (see Mounting Options)
• Align and fit the centre fixing, but do not fully tighten
• Rotate the ear to align the other two fixing holes
• Fit the outer fixings and tighten fully
• Tighten the centre fixing
• Repeat the process for the second ear, matching orientation and angle

5.3. Freestanding (desktop stand) use

When using the rack ears affixed to the bottom edge of the unit for freestanding use, the 4 ‘push fit’ feet supplied with
the SQ-Rack can be fitted to the small holes in the rack ears instead of the unit itself.
When fitted for freestanding use, ears can be angled outward (as when rack mounting) or angled inward (under the unit).

SQ-Rack Getting Started Guide 7 Issue 2

5.4. Mounting options
Front, rear or freestanding options are decided by which fixing holes on the SQ-Rack are used.

Flush or recessed positions are available when mounting straight (0°), with the rack strip or surface parallel to the front,
rear or base of the SQ-Rack.
 In the front recessed position, the tops of rotary controls are parallel with the rack strip.

The entire unit can be angled by ±7.5° or ±15° by turning the ears about the centre fixing. Note that when mounting at an
angle in a rack, more that 4U space may be required.

SQ-Rack Getting Started Guide 8 Issue 2

6. Front Panel

1 2 3 4 5

6 7 8 1

1. SoftKeys
SoftKeys can be assigned custom functions by the user and their function can be changed on a
Scene-by-scene basis. For the full list of available functions, refer to the latest firmware reference
guide.

2. Library and Copy/Paste/Reset keys

The Library Key illuminates when a library is available for the screen being viewed and is used to
store or recall settings and parameters.
The Copy, Paste and Reset Keys are used in conjunction with the touchscreen to copy and paste
settings and parameters from one channel to another or to reset parameters to their default value.

3. Layer keys
Layer Keys work alongside the Faders, Processing and Routing screens to navigate through
channels and make changes. Each of the 6 layers can include up to 16 channel strips.

4. Touchscreen and Screen keys

The touchscreen displays, and allows adjustment of, all mixer settings and parameters. Use the
Screen Keys and on-screen tabs to navigate, then touch to select parameters and use the
touchscreen rotary control (8) to adjust them.

5. Soft Rotaries
Like SoftKeys, the Soft Rotaries can be assigned custom functions by the user and their function
can be changed on a Scene-by-scene basis. For the full list of available functions, refer to the latest
firmware reference guide.

6. SQ-Drive port
The SQ-Drive (USB-A) port can be used to record/play audio direct to/from a USB drive, transfer
Show/Scene/Library data and update SQ firmware.

7. Headphone output and headphone level control

8. Touchscreen rotary control

SQ-Rack Getting Started Guide 9 Issue 2

7. Rear Panel

1 2 3 4 5 6

7 8 9 10 11 12 13

1. Talkback microphone input

2. Dual footswitch connection
For connection of a single or dual footswitch, compatible with momentary or latching types. Like
SoftKeys, a footswitch can be assigned custom functions by the user and their function can be
changed on a Scene-by-scene basis. For the full list of available functions, refer to the latest
firmware reference guide.

3. AES3 digital stereo output

4. Local Outputs - TRS line level
5. Local Outputs – XLR line level
6. Local Inputs – XLR mic/line level
7. Local Inputs – TRS line level
8. Mains power inlet and switch
9. Power LED
Illuminated only when powered on and all voltage rails are good.

10. I/O Port

For digital expansion or system integration using SQ option cards, including Dante, Waves, MADI
or SLink.

11. USB-B port

Class compliant USB audio/MIDI interface for multichannel recording and playback and MIDI
communication.

12. Network port

For connection to a dedicated (recommended) or existing network for remote wired or wireless
control of the mixer.

13. SLink port

Intelligent digital audio port with up to 128x128 channels supported (SLink). Enables connection to
the Allen & Heath ‘Everything I/O’ ecosystem of 48kHz or 96kHz expanders, system-to-system
connections and personal monitoring devices.

SQ-Rack Getting Started Guide 10 Issue 2

 8. Digital Audio I/O and Expansion
The SQ-Rack has built-in ‘local’ input and output sockets. Local inputs include mic/line inputs on XLR with associated
preamp and ADC and line level TRS connections with ADC. Local outputs include both XLR and TRS line level analogue
outputs with associated DAC, as well as a stereo digital AES3 output on XLR.
In addition to the Local I/O, SQ features multiple digital I/O connections. These are presented to the user in the same way
as the local sockets and can also be used in the same way, as sources for input channels and destinations for outputs,
or for insert points and tie lines.

8.1. USB-B and SQ-Drive

SQ features a built-in, class compliant audio/MIDI USB-B interface which can be used without drivers on any device/OS
that supports class compliant audio/MIDI devices.
For improved performance, software compatibility and enhanced system options, a Windows driver can be downloaded
from https://www.allen-heath.com.
The USB-B audio interface is bidirectional with 32 inputs and 32 outputs running at either 48kHz or 96kHz. It can be used
with all leading DAW’s and professional audio software for multichannel recording and playback.
The SQ-Drive connection is USB-A and can be used with USB storage directly to either record or playback up to 16 channels
at 96kHz or up to 32 channels at 48kHz.
 Record and playback patching for USB-B and SQ-Drive is presented as simply ‘USB’ in the SQ. Playback can
only be from either USB-B or SQ-Drive at any one time.

8.2. SLink Port

The SLink Port is used to connect to the Everything I/O range of A&H digital stageboxes/expanders (https://www.allen-
heath.com/everything-i-o/) for bidirectional multichannel audio and, where possible, control preamp and SRC options. It
can also be used to connect directly to another SLink port or GigaACE option card in a mixer to transmit and receive
multichannel audio.
SLink is not a protocol itself, but an intelligent port which switches mode depending on the first device connected and
can run one of three protocols at one time. It carries out Sample Rate Conversion when required as the SQ always runs at
96kHz internally for all processing and mixing.
For more information and examples of possible SLink configurations, refer to the ‘SLink Connections’ document available
to download from https://www.allen-heath.com/.

Total Possible
Protocol Sample Rate Total Possible Inputs Outputs
dSnake (+ME) 48kHz 40 20 (+40 ME)
DX 96kHz 32 32
GigaACE/GX 96kHz 128 128

 Expanders do not alter the number of processing channels available in the mixer core but increase the
number of input and output sockets available for use in the system.
 Control of preamps in an expander is always from the mixer the expander is connected to. Unless using Dante
DT expanders, where multiple mixers can control the same preamp.
 For all digital audio connections using network connections, use CAT5e (or higher specification) STP cables
up to 100m long.
 Refer to https://www.allen-heath.com/ for cable requirements, recommendations, and a list of CAT cables
available to order.

SQ-Rack Getting Started Guide 11 Issue 2

8.3. I/O Port
The I/O Port enables the fitting of an SQ option card for 3rd party protocols or an additional SLink port.
Available option cards include:

• SLink
Provides a secondary SLink port with independent SRC to connect up to 128x128 channels at
96kHz. Can be used to run two different A&H protocols with a single SQ and/or to connect to
expanders at the same time as other mixers.

• Dante 32x32
Provides a 32x32 channel connection to a Dante network at either 48kHz or 96kHz. Can also be
used for connection of DT expanders.

• Dante 64x64
Provides a 64x64 channel connection to a Dante network at either 48kHz or 96kHz. Can also be
used for connection of DT expanders.

• Waves
Provides a 64x64 channel connection to a Waves SoundGrid network at either 48kHz or 96kHz. Can
be used with Waves hardware and software (e.g. Waves SoundGrid Server and SuperRack).

• MADI
Provides two MADI I/O pairs on BNC for 48kHz (64 channel with redundancy options) or 96kHz
(32x32 on each pair) operation. Includes switchable (In/Out) BNC Wordclock connection.

SQ-Rack Getting Started Guide 12 Issue 2

 9. Control of the mixer
The audio processing core is controlled by the ‘control layer’ comprising local ‘surface’ control, network control and MIDI
control.
With all Allen & Heath digital mixers, the audio core and control layer are kept somewhat separate to prevent any issue
with the control network from having an impact on audio.
Changes to the core are made from the control layer and any changes to the core are reflected back to the control layer.
In this way the current state of the mixer core is always visible and accurate.

9.1. Local ‘Surface’ control

The front panel of the SQ-Rack features a touchscreen with surrounding screen selection keys, layer keys and a rotary
control. Select a screen using the screen keys and choose a layer if using Fader, Processing or Routing screens, then
touch on screen to navigate and action any on screen buttons. Select parameters on screen which have a value bar, and
the touchscreen rotary will illuminate to show it can be used for adjustment.
Copy, Paste and Reset keys are provided which can be held when touching channels, processing parameters or scenes
on the screen for easy duplication or resetting of parameters and data. The dedicated Library key illuminates whenever
viewing a screen that has an accompanying Library. This allows storing of user data and recall of factory and user data.
SoftKeys and Soft Rotaries can be set to control specific functions and parameters, including options for control of the
currently selected channel. Their functions can be changed on a scene-by-scene basis if required.
The headphone level is an analogue control for the headphone amplifier.
 Refer to the relevant firmware reference guide available from https://www.allen-heath.com/ for more
information on the navigation and features of the installed firmware.

9.2. Network control

There are 3 remote control apps available for the SQ series:

• SQ-MixPad – for the engineer

Provides control over almost all parameters and settings of the mixer, including many setup
functions. Can also be used in Offline mode as an editor.

• SQ4You – for the performer

Provides easy to use control over a single mix, allowing control of monitoring levels without the
risk of affecting other performers’ mixes.

• SQ-Control – for simplified control

5 tabs with up to 48 widgets in each can be setup by the Admin user to provide simplified access
to key parameters including levels, mutes and SoftKeys.
These all require that the device running the app and the SQ itself are clients on the same network and in the same address
range.
The SQ’s network port can be connected to a LAN port on a router, access point or switch, or directly to the device. By
default, the SQ is set to receive an address via DHCP. If no address is assigned, it will assign itself an address
automatically. It is also possible to set a static address for the SQ.
Devices running apps can then be connected to the same network and their addresses set within the same range.
 A total of 8 remote apps can be connected to an SQ at one time, with up to 3 of these being SQ-MixPad.
 All SQ Network settings can be found in the Setup > Network Setup screen.
 For more information on app connection and functionality, please refer to the in-app help document and
firmware reference guide.

SQ-Rack Getting Started Guide 13 Issue 2

9.3. MIDI control
MIDI (Musical Instrument Digital Interface) is a standardised communication protocol that enables digital devices to
communicate and allows one piece of equipment to control another.
The SQ sends and receives MIDI over USB (via the USB-B port) as well as over ethernet (using MIDI over TCP/IP via the
network port).
Messaging can be broken down into two sets of bi-directional messages. Those that are used with SQ mixing parameters
(i.e. level control of SQ audio channels), and those used to control external software or equipment (i.e. to control a DAW).
When connected to a device using the USB-B port, the SQ will appear as a class compliant MIDI input and output device.
This can be used with software directly or through use of the Allen & Heath MIDI Control application.
To connect a device to the SQ over a network, Allen & Heath MIDI Control can be used. All other clients used for network
communication should be configured to send messages to the SQ’s IP address and use port 51325.
Refer to the SQ MIDI Protocol document available from https://www.allen-heath.com for full details on MIDI messaging
for the SQ series.
Download the most recent version of the Allen & Heath MIDI Control app from https://www.allen-heath.com and refer to
the associated help document for information on installation, setup and use.

SQ-Rack Getting Started Guide 14 Issue 2

10. Dimensions

SQ-Rack Getting Started Guide 15 Issue 2

11. Technical Specifications
Inputs Mic/Line Inputs Balanced XLR, fully recallable
Input Sensitivity -60 to +0dBu
Switchable Pad -20dB
Analogue Gain 0dB to +60dB, 1dB steps
Maximum Input Level +30dBu
Input Impedance >5kΩ
THD+N, Unity gain 0dB 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)
THD+N, Mid gain +30dB 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT
1kHz)
Phantom Power +48V (+3V / -2V)
Stereo Line Inputs
ST1, ST2 connectors Balanced, 1/4" TRS jack
ST3 connector Unbalanced, stereo 3.5mm Mini Jack
Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu ST1, ST2 / 0dBu ST3
Trim +/-24dB
Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
Input Impedance >7kΩ

Outputs XLR Outputs Balanced, XLR

Outputs A and B Balanced 1/4" TRS Jack
Source Patchable
Output Impedance <75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90dBu (muted, 20Hz-20kHz)

AES Digital Output Balanced XLR 2 channel,

96kHz sampling rate (Default with SRC Bypassed)
Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/
(96kHz)
2.5Vpp balanced terminated 110Ω

SLink Connection Neutrik EtherCON (RJ45)

dSnake mode 40 input 20+40(ME) output channels, 48kHz
DX mode 32 input 32 output channels, 96kHz
GigaACE/GX 128 input 128 output channels, 96kHz
Inputs Fully Patchable
Outputs Fully Patchable
Sync/SRC Assignable as audio clock source, 48kHz<>96kHz SRC

I/O Port Multi-channel I/O option module

Inputs Fully Patchable
Outputs Fully Patchable
Sync/SRC Assignable as audio clock source, SRC on option card

System Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
Dynamic Range 112 dB
Frequency Response +0/-0.5dB 20Hz to 20kHz
Headroom +18dB
Internal operating Level 0dBu
THD+N, Mic/Line routed to Main L/R Out Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz)
dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
Main Meter Type 2 x 12 segment, fast (peak) response
Channel Meter Type Chromatic Channel Metering, fully programmable
colour/brightness
Peak Indication -3dBFS (+19dBu at XLR out), multi-point sensing
Sampling Rate 96kHz
Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96bits
Latency <0.7mS, Local Mic Input to Main L/R

Operating Temperature Range 0 deg C to 40 deg C (32 deg F to 104 deg F)

Mains Power 100-240V AC, 50/60Hz
Max Power Consumption 75W

Dimensions Width x Depth x Height

& Weights Unit only (rack ears not fitted) 430 x 214 x 173 mm (16.9" x 8.4" x 6.8")
Packed in shipping box 545 x 350 x 265 mm (21.5" x 13.8" x 10.5")
Unpacked weight 5.8 kg (12.8 lbs)
Packed weight 8 kg (17.7 lbs)

SQ-Rack Getting Started Guide 16 Issue 2

 Control Touch Screen 7" Capacitive, 800 x 480 resolution, 24 bit RGB
SoftKeys 8
SoftRotarys 4
Mute Groups / DCA Groups 8/8
Network TCP/IP Ethernet for MIDI and Control
MIDI TCP/IP and USB-B
Footswitch Single or Dual, Momentary or Latching

Input Source
Processing CH1-48 Fully patchable
USB Global Source SQ-Drive or USB-B Streaming (Auto Switching)

Polarity Normal/Invert
Trim -24 to +24dB
High Pass Filter 12/18/24dB per octave 20Hz – 2kHz
Insert (Pre EQ/Comp) Fully Patchable
Delay Up to 341ms

Gate Patchable Sidechain

Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)
Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Attack / Hold / Release 50µs to 300ms / 10ms to 5s / 10ms to 1s

PEQ 4-Band fully parametric, 20-20kHz, +/-15dB

Band 1, Band 4 Selectable Shelving (Baxandall), Bell, HPF/LPF 12dB/octave
Band 2, Band 3 Bell
Bell Width Variable Q, 1.5 to 1/9th octave

Compressor Patchable Sidechain, DEEP options

Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 30µs to 300ms / 50ms to 2s
Knee Soft/Hard
Detector response Peak/RMS switchable
Parallel Path Compression dry/wet -inf to 0dB

Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
Source select Post-Preamp, Post-HPF, Post-Gate, Insert Return,
Post-PEQ, Post-Comp, Post-Delay
trim -inf to 10dB per channel

Mix Insert (Pre EQ/Comp) Fully Patchable

Processing Delay Up to 682ms
GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct, DEEP
options
PEQ As Input PEQ
Compressor As Input Compressor

FX Internal FX 8 x RackFX engine, Send>Return or Inserted (4 dedicated FX bus)

Types SMR Reverb, Stereo Tap Delay, Gated Reverb, ADT, Blue Chorus
Symphonic Chorus, Flanger, Phaser
8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ

Audio Tools PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to
682ms
Talkback Dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct
HPF
Signal Generator Assignable to any input or mix, Sine/White/Pink/Bandpass Noise
RTA's 2x 31-Band 1/3 octave (Stereo) or 61-Band 1/6 octave (Mono) 20-
20kHz.
PAFL/Selected Channel or Fixed Source

USB Audio SQ-Drive USB-A

Stereo Record 2 channel, WAV, 96kHz, 24-bit, source fully patchable
Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully
patchable
Multitrack Record 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully
patchable
Multitrack Playback 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully
patchable

USB Audio Streaming USB-B, Core Audio compliant, ASIO/WDM for Windows
Send (upstream) 32 channel, 48/96kHz, 24-bit
Return (downstream) 32 channel, 48/96kHz, 24-bit

SQ-Rack Getting Started Guide 17 Issue 2

 AMMs Configuration 2x 24ch or 1x 48ch, freely assignable
Type Gain Sharing
Sidechain Filter HPF / LPF 12dB/octave 20Hz – 5kHz / 120Hz - 20kHz
Priority -15dB to +15dB per channel

Add-ons DEEP Preamps Tube Stage

DEEP Compressors Opto, 16T, 16VU, PeakLimiter76, Mighty, OptTronik, Bus
DEEP GEQ's Proportional-Q, DiGi-GEQ, Hybrid
RackFX units De-Esser, DynEQ4, MultiBD3, MultiBD4,
Bucket Brigade, Echo, Hypabass

SQ-Rack Getting Started Guide 18 Issue 2