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Classical Myth
Eighth Edition
Global Edition
Eighth Edition
GLOBAL Edition
Barry B. Powell
University of Wisconsin–Madison
with translations
by Herbert M. Howe
Boston Columbus Indianapolis New York San Francisco Upper Saddle River
Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto
Delhi Mexico City São Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo
The rights of Barry B. Powell to be identified as the author of this work have been asserted
by him in accordance with the Copyright, Designs and Patents Act 1988.
Authorized adaptation from the United States edition, entitled Classical Myth, 8th edition, ISBN
978-0-321-96704-6, by Barry B. Powell, published by Pearson Education © 2015.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval
system, or transmitted in any form or by any means, electronic, mechanical, photocopy-
ing, recording or otherwise, without either the prior written permission of the publisher
or a license permitting restricted copying in the United Kingdom issued by the Copyright
Licensing Agency Ltd, Saffron House, 6–10 Kirby Street, London EC1N 8TS.
All trademarks used herein are the property of their respective owners. The use of any trade-
mark in this text does not vest in the author or publisher any trademark ownership rights in
such trademarks, nor does the use of such trademarks imply any affiliation with or endorse-
ment of this book by such owners.
10 9 8 7 6 5 4 3 2 1
14 13 12 11 10
Preface 17
Part I
Definitions and Background
1. What Is Myth? 23
2. The Cultural Context of Classical Myth 39
3. The Development of Classical Myth 73
Part II
Divine Myth
4. The Origins of the Gods 99
5. The Origins of Mortals 130
6. Zeus, Hera, Poseidon, and Hades 156
7. Apollo 179
8. Hermes, Pan, Hephaestus, and Ares 199
9. Aphrodite, Artemis, and Athena 222
10. Demeter and Related Myths 252
11. Dionysus 284
12. The Underworld 314
Part III
Legends
13. Introduction to Heroic Myth: Gilgamesh 346
14. Perseus 361
15. Heracles 383
16. Theseus 420
17. The Myths of Crete 451
18. Oedipus and the Myths of Thebes 476
19. Jason and the Argonauts 504
20. The Trojan War 539
21. The Fall of Troy and Its Aftermath 576
22. The Return of Odysseus 600
Part IV
Roman Myth
23. Aeneas 630
24. Legends of Early Rome 657
Part V
Interpretation
25. Theories of Myth Interpretation 681
Reference Charts 711
Chronology of the Ancient World 711
The Greek and Roman Pantheon 713
Credits 715
Index and Pronunciation Glossary 719
List of Perspectives
1 The Brothers Grimm 32
2 Frank Miller’s 300 52
4.1 Rubens’s Saturn Devouring His Son 112
4.2 The Biblical Creation Story 127
5 Ted Hughes’s Prometheus on His Crag 139
6.1 The Three Graces 165
6.2 The Loves of Zeus in European Art (color insert)
7 Soldani’s Apollo and Daphnê 193
8 Pan and the Pastoral Tradition 214
9.1 H. D.’s “Adonis” 230
9.2 Venus: Images of Beauty in European Art (color insert)
10 Rossetti’s Proserpina Holding the Pomegranate 263
11.1 Reni’s Bacchus and Ariadnê 291
11.2 Nietzsche’s The Birth of Tragedy 311
12.1 Vampires 318
12.2 Cerrini’s Apollo and the Cumaean Sybil 337
12.3 Dante’s Inferno 341
13 J. R. R. Tolkien’s Modern Hero in The Lord of the Rings 356
14.1 Piero di Cosimo’s Perseus Frees Andromeda 374
14.2 Classical Myth and the Stars 379
15 Daumier’s Hercules in the Augean Stables 397
16 Boccaccio’s Misfortunes of Famous Men 442
17.1 Rick Riordan’s Percy Jackson 459
17.2 Picasso’s Minotauromachia 463
17.3 Blondel’s The Sun, or the Fall of Icarus 468
18 Ingres’s Oedipus and the Sphinx 487
19.1 Seneca’s Medea 528
19.2 Delacroix’s Médée 531
20.1 Yeats’s “Leda and the Swan” 546
Maps
I. The Ancient Mediterranean (inside front cover)
II. Southern and Central Greece (Chapter 2) 41
III. The Ancient Near East (Chapter 3) 80
IV. The Processional Route from Athens to Eleusis
(Chapter 10) 269
V. The Argive Plain (Chapter 14) 362
VI. Heracles’ Adventures in Greece (Chapter 15) 393
VII. Locations of Heracles’ Deeds Abroad (Chapter 15) 400
VIII. Ancient Athens (Chapter 16) 422
IX. The Adventures of Theseus (Chapter 16) 432
X. The Voyage of the Argo (Chapter 19) 509
XI. The Troad (Chapter 20) 556
XII. Ancient Italy (Chapter 23) 634
XIII. Travels of Aeneas (Chapter 23) 647
XIV. Map of Imperial Rome Showing Sites Mentioned in the Text
(Chapter 24) 658
XV. Greece, the Aegean Sea, and Western Asia Minor (inside
back cover)
Charts
3 Near Eastern Gods and Goddesses 84
4.1 The First Generation of Gods 100
4.2 The Offspring of Gaea and Uranus 102
4.3 The Offspring of Gaea and Pontus 108
4.4 Hittite and Greek Theogonies Compared 127
5 The Descent of the Greek Tribes from the Race
of Titans 153
6.1 The Twelve Olympians 157
6.2 Zeus’s Divine Consorts and Their Children 163
14 The Descent of Perseus 364
15.1 The Descent of Heracles 384
15.2 Heracles’ Wives and Offspring 389
16.1 Cecrops and His Descendants 421
16.2 The House of Erichthonius 424
17 The House of Crete 452
18 The House of Cadmus 481
19.1 The House of Aeolus 505
19.2 The House of Calydon 533
20.1 The House of Atreus 540
20.2 The House of Tyndareüs 544
20.3 The House of Troy 549
FIGURES
1.1 Stars Descend before Sun 27
1.2 The Author at the Walls of Troy 30
2.1 Athens From the West 42
2.2 Greek Papyrus with Alphabetic Writing 48
2.3 Greek Hoplite 51
2.4 The Modern Village of Sparta 55
What does our great historical hunger signify, our clutching about us of
countless cultures, our consuming desire for knowledge, if not the loss of
myth, of a mythic home, the mythic womb?
Friedrich Nietzsche, The Birth of Tragedy, 1872
The category “classical myth” exists more in the minds of contemporary teachers
than it did in the ancient world itself, but it nonetheless serves a useful pedagogical
purpose. For some time now, courses bearing this or a similar title have been a
vehicle for introducing college students to the cultures of the ancient Greeks and
Romans, hence to the roots of Western civilization. By studying the myths of the
ancients primarily through the literary works in which they are preserved, students
are exposed to important classical authors, as well as to stories and figures that
have sustained interest and kindled imaginations throughout the history of Western
culture, and continue to do so today.
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