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Introduction To Typography Design

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luiggie
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100% found this document useful (2 votes)
571 views22 pages

Introduction To Typography Design

Uploaded by

luiggie
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
You are on page 1/ 22

INTRODUCTION TO TYPOGRAPHY

DESIGN

1
Copyright
Copyright2008
2010
Adobe
Adobe
Systems
Systems
Incorporated.
Incorporated.AllAll
rights
rights
reserved.
reserved.
Goals of typographic design

 Typography plays an important role in how audiences perceive your document


and its information.
 Good design is about
 capturing your audience’s interest and
 helping your audience gather information quickly and accurately.
 Typography creates relationships between different types of information, both
organizing this information and keeping it interesting.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Design principles for typography

 Legibility: Making sure the audience can read and understand your text.
 Similarity, alignment: Using typography to create relationships between
similar kinds of information.
 Uniformity or consistency: Repeating familiar elements to focus your
audience’s attention.
 Contrast: Creating interest and distinguishing different types of information
with different typefaces. One element of contrast is hierarchy—making sure
the audience understands that information has different levels of importance.

3
Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Typography and legibility

 Legibility is a combination of factors:


 Font family
 Font size
 Letter, word, and line spacing
 Alignment

4
Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Legibility and font families

Online Print
Stroke
Serifs create Appears Helps the
distinctions between blurry reader follow
characters (uppercase text easily Line
“I” and lowercase “L”
)

Serif fonts have Helps move Helps move


contrasting strokes reader’s eye reader’s eye
and lines character to character to
character character Stroke

Sans serif fonts have Helps readers Makes words


uniform strokes easily read in a sentence
throughout text hard to follow

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Legibility and body text size

 Legibility of body text varies for different audiences:


 Younger audiences may be able to read fonts sized at 8 or 9 points.
 Older audiences may be able to read font sizes around 10 points or above.
 Font sizes above 14 points break down the continuity of the text, making
text appear too gray.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Legibility and spacing

 If letters, words, or lines are too close together, readers have a hard time
because text blocks tend to look too dark.
 If letters, words, or lines are too far apart, readers have a hard time because
blocks of text tend to look too light, causing readers to lose a sense of
continuity.
 Spacing between words needs to be consistent to promote legibility;
too much variation leads to eyestrain.

7
Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Legibility and alignment

 Left-aligned text is most legible,


because spacing between words is
uniform.

 Justified text is also legible, though


less so with shorter line lengths
because it tends to create uneven
spaces between words.

8
Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Legibility and alignment

 Center-aligned and right-aligned


text is generally harder to read,
because your readers’ eyes are
used to following text from left
to right.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Font families and audience

 Each font family has a different “personality.”


 Use different font families to evoke tone and mood.
 An advertisement for a school, for example, might use an “elegant” font
such as

 An advertisement for a financial firm, on the other hand, might use a more
“modern” font such as

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Font families for headings

 For body text, you may want to use something fairly conventional and legible.
 For headings, consider audience: teenagers respond to different fonts than
businesspeople or academics.
 Choose font families that support your subject matter, or deliberately use a
contrasting font to create interest.

11
Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Similarity and alignment

 Aligned text creates a line in your


design; such lines help readers draw
connections between different parts
of a document.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Uniformity and font families

 To maintain overall uniformity, limit the number of different font families per
page to one or two.
 Use the same font for headings and body text to produce a uniform look; this
is known as concordance.

13
Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Contrast and font families

 Using the same font family throughout creates uniformity but may make
documents seem “flat” or uninteresting.
 You can add interest by contrasting the display type and body type.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Contrast and font families

 To create contrast, you could


use two font families, one serif
and one sans serif.

Heading is set in Subheading is


Impact—a sans set in Georgia—a
serif font serif font

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Conflict and font families

 To avoid conflict, many


designers avoid using two
font families of the same
variety, such as two serif
fonts.

Heading is set in Subheading is


Palatino—a serif set in Georgia—
font also a serif font

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Contrast and tracking

 Tracking refers to the space


between all of the letters in a line.
 Font families have built-in
tracking that works well for body
text.
 For headings, you can change
tracking to create contrast.

Heading is set
with wide tracking

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Contrast and baseline shift

 Designers shift baseline to create interest:

Dropping the first


letter adds a playful
look.

Moving other letters


around creates a
“jittery” effect.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Hierarchy and typography

 Use typography to guide readers through the levels of your document.


 Use different headings by changing font family, font type, font size, font color.
 To promote uniformity and help your audiences navigate, keep typographic
choices consistent for each subsection throughout the document.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Hierarchy and typography

 Hierarchy helps your audience distinguish between levels of information, such


as headings versus body text.
 Many documents are divided into hierarchical sections:

Main title
Section
Subsection
Or
Book
Chapter
Subheading
Sub-subheading

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Example of hierarchy

Top-level headings can use


unconventional fonts

Different levels use different


font sizes, font families, font
colors, and leading.

These headings look the same


because they express the same
level of hierarchy

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.
Summary

 Typography can play a key role in design.


 Good typography starts with font family; choose these to meet your design
goals, but keep them limited.
 Use text alignment to create relationships between different kinds of
information.
 Create contrast by using a serif font for headings and a sans serif font for
body text (or vice versa). You can also use italics, bold, tracking, or color to
create contrast.
 Use contrast to indicate hierarchy.

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Copyright 2010 Adobe Systems Incorporated. All rights reserved.

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