PLANTING THE LANDSCAPE

Lecture

Jose B. Juson, Jr.

JPT Review Center
 LANDSCAPE PLANTING

ART SCIENCE

PLANTING DESIGN HORTICULTURE

Horticulture. The science or art of cultivating fruits,

vegetables, flowers, or ornamental plants.
PLANTING DESIGN HORTICULTURE

ART SCIENCE

DESIGN PROCESS

“Planning Before Planting”

 PLANTING DESIGN PROCESS

1. Examination of Historical Precedent

2. Analyzing the Environment
3. Exploring Design Ideas
4. Creating a Design Vocabulary
5. Composing the Planting Design
6. Developing a Plant Palette
7. Planting the Garden
8. Maintaining the Garden
Step 1: EXAMINATION OF HISTORICAL PRECEDENT

1. Ancient Egyptian Gardens (2600–31 BC)

2. Ancient Greek Gardens (480–146 BC)
3. Ancient Roman Gardens (27 BC–476 AD)
4. Ancient Chinese Gardens (1600 BC–1279 AD)
5. Japanese Gardens (575–1600 AD)
6. Medieval European Gardens (500–1200 AD)
7. Moorish Gardens
8. Gardens in Renaissance Italy
9. The Formal French Garden
10. The English Landscape Garden (1715–1820)
11. The English Victorian Garden (1820–1880)
12. The Edwardian Garden (1880–1914)
13. The American Garden (1840–1920)
14. Modern Landscape Architecture in America (1940–1970)
15. The Environmental Movement (1970–Present)
 Step 2: ANALYZING THE ENVIRONMENT

CLIMATE SOIL

1. Temperature 1. Moisture and Aeration

2. Moisture Conditions 2. Physical Structure
3. Light 3. Chemical Structure
4. Wind
Step 3: EXPLORING DESIGN IDEAS

1. Establishing a Design Concept

2. Determining the Design Program
3. Creating the Design
DESIGN ENTAILS ANALYSIS
 Axial Conditions
 Circulation
 Geometry
 Grid
 Hierarchy
 Points of Transition
 Public versus Private Space
 The Borrowed View
 Figure and Ground
Axial Conditions AXIS. An imaginary line about which a form, area, or plane is organized.
Circulation CIRCULATION. Represents design elements of both movement and rest,
setting the pace, mood, atmosphere, and experience of a landscape.
Geometry
Grid GRID. A system of coordinates used in locating the principle elements of a plan
while creating an understandable pattern.
Hierarchy HIERARCHY. Refers to the physical form of rank ordering of spaces or
features, communicating value and importance while adding organization.
Points of Transition POINTS OF TRANSITION are loci of change, thresholds of movement
from inside to outside, darkness to light, enclosed space to open space,
grade to grade, movement to rest, or places to change direction.
Structuring Elements STRUCTURING ELEMENTS are physical forms that define space,
create units, articulate circulation, suggest movement, or develop
composition
Public vs. Private Spaces

The Borrowed View BORROWED VIEW describes scenery or elements beyond the actual
design that become an important or integral part of the composition.
In Chinese gardens it is described as jie jing,
in Japanese landscapes shakkei, and
in Italian design as integrazione scenica.
Figure and Ground A FIGURE AND GROUND diagram enables the designer to reveal the
form of the ground plane by darkening the figures or 3-D elements of
the design.
Step 4: CREATING A DESIGN VOCABULARY

ELEMENTS OF THE GARDEN

THE FORM AND FUNCTION OF PLANTS

1. Plants create an architectural framework
2. Plants produce aesthetic effects
3. Plants modify the microclimate
4. Plants provide solutions to engineering
problems
 Step 4: CREATING A DESIGN VOCABULARY

THE FORM AND FUNCTION OF PLANTS

1. Plants create an architectural framework

LANDSCAPE ARCHITECT SIMILAR TO A BUILDING ARCHITECT

1. THE GARDEN FLOOR

2. THE CEILING
3. GARDEN WALLS
4. OPENINGS
5. THE GARDEN HALLWAY
 Step 4: CREATING A DESIGN VOCABULARY

THE GARDEN FLOOR : THE GARDEN FLOOR :

Carpet Bedding Lawn
The practice of forming beds of A land area covered by grass,
low-growing foliage plants, all usually mown. It creates a
of an even height, in patterns green ground plane whose
that resemble a carpet both in shape and design
intricacy of design and in complements or contrasts with
uniformity of surface. Designs other features. Lawns form
can vary from geometrical recreational rooms for
shapes to images and lettered croquet, volleyball, baseball,
inscriptions. lawn tennis, etc.

THE GARDEN FLOOR : Terrace

A raised level of earth, sometimes retained by stone or concrete, with a surface
of stone, brick, turf, pea gravel, ground cover, or a combination thereof.
 Step 4: CREATING A DESIGN VOCABULARY

THE GARDEN FLOOR : THE GARDEN FLOOR :

Meadow Parterre
A richly grassed area for Originally from the Italian
mowing or pasture. It can verb partire, to divide; later
be composed of open and the French term parterre
undulating grasses, evolved, literally translated
wildflowers, or wild prairie as on the ground. It is a
plants. It functions as a flat terrace, usually
transitional floor between adjacent to or near a
garden and countryside, building, in which foliage
provides a setting for patterns are created from
specimen trees, and plants, flowers, or gravel.
creates the impression of Parterres emphasize the
spaciousness. ground plane or serve as a
picture for viewing,
especially from above.
 Step 4: CREATING A DESIGN VOCABULARY

THE GARDEN FLOOR : THE GARDEN FLOOR :

Pathways Tapis Vert
An ornamental, compositional Literally translates as “green
and functional component of a cloth.” It is a swath of lawn,
garden. Straight, wide, usually rectilinear in shape, used
rectilinear pathways give a to strengthen a visual axis or
garden a controlled and orderly focus attention on an object. It
character. Curved, meandering can define an edge, serve as a
paths suggest mystery, form of contrast between the
discovery, or contemplation. smooth texture of the ground
Narrow paths are likely to cause plane and the surrounding plant
visitors to speed up their pace materials, or function as an
and bring them closer to the element of transition between
plantings; wide paths allow buildings and the natural
them to slow down and admire landscape.
overall views.
 Step 4: CREATING A DESIGN VOCABULARY

THE CEILING : Arbor THE CEILING : Grove

A leafy, shady recess formed by A grouping of trees either planted
tree branches, shrubs, or vines or occurring naturally, usually of
often intertwined on a latticework the same plant species and
or other architectural structure. organic in form. Groves for an
The arbor can announce an enclosure or connection between
entrance, create a change of earth and sky and were often
pace in the garden by providing a considered by the ancients to be
resting place, or indicate a places of mystical and intellectual
transition from one space to power, a sacred place.
another.

THE CEILING : Pergola

An Italian term that means arbor, bower or close wall of boughs. The pergola is
a structuring element that extends the house or wall-like enclosures to the
garden or provides a place for sitting and enjoying a borrowed view. It is a
perfect structure for displaying vines or sculpture or for dining alfresco.
 Step 4: CREATING A DESIGN VOCABULARY

GARDEN WALLS : GARDEN WALLS :

Espalier Hedges
From the Italian word Tall, short, narrow, wide, angular, or
spalle, meaning shoulder serpentine – a hedge can form a wall as the
or to lean on. An espalier backdrop for sculpture or herbaceous
is a line of trees whose plantings, create an edge, or emphasize the
branches are pruned and outline of a design. A single plant may
trained into formal patterns appear as an object on the landscape, while
against a wall, fence or several of the same plant spaced at broad
support structure in order intervals suggest a boundary but permit
to make the most of transparency and many planted closely
sunshine and space. together create a solid hedge or wall.

Palisade Treillage
A row of closely planted trees A French term meaning trelliswork, a traditional
or shrubs clipped into a green garden craft featuring latticework construction. It
wall. It creates an outdoor generally implies a sophisticated lattice that is
architectural feature. architecturally significant.
 Step 4: CREATING A DESIGN VOCABULARY

OPENINGS : Arbor OPENINGS : Arch

An arbor announces an An arch is a curved structure
entrance and indicates a generally surmounting and
transition to another space connecting two uprights.

OPENINGS : Gate OPENINGS : Trellis

A gate is an opening in a wall, A trellis can announce an
fence, or hedge that controls the entrance and provide a
point of transition from inside to window into another realm of
outside. the garden.
 Step 4: CREATING A DESIGN VOCABULARY

GARDEN HALLWAY: GARDEN HALLWAY:

Hedge Allee
A hedge is a row of closely An allee is a walk bordered by
planted shrubs or low-growing trees or clipped hedges in a
trees forming a fence, wall or garden, park or street. The
boundary. As a hallway spacing, scale, and choice of
marker it directs movement plant materials control the
through the garden. visitor’s experience of the
allee. By linking landmarks,
entries, or gathering places,
allees can control the
dynamics of the garden and
the pacing of the procession.
 Step 4: CREATING A DESIGN VOCABULARY

GARDEN HALLWAY: GARDEN HALLWAY:

Border Pleached Walkway
A border is a planting bed, A pleached walkway is a row
usually linear in form, made of closely planted trees trained
up of layers of plant material to form a continuous narrow
that one walks beside. It wall or hedge. The effect is
shapes space, define an accomplished by interlacing
edge, provides direction, or the branches of the trees and
links two or more spaces. keeping their sides tightly
pruned. A pleached walkway
can be used architecturally for
circulation, as a boundary to
define a garden room, or as a
transitional device between
garden areas.
 Step 5: COMPOSING THE PLANTING DESIGN

5 FUNDAMENTAL PRINCIPLES OF
PLANTING DESIGN COMPOSITION
1. LINE – the essence of plant form
2. FORM – the overall outline or silhouette of a plant
3. MASS – 3-dimensional grouping of plants
4. TEXTURE – the surface qualities of plants
5. COLOR – the reflection of the different bands of light
on an object
Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN ELEMENTS RELATED

TO PRINCIPLE DESIGN COMPONENTS
 Balance
 Emphasis
 Proportion ELEMENTS = Physical aspects
 Repetition COMPONENTS = Abstract part
 Rhythm
 Scale
 Sequence
 Simplicity
 Symmetry
 Variety
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Balance results from the placement of an object (plant) or objects
along an imaginary or real axis in a landscape composition. When mass
is distributed equally on both sides of the axis, a composition is said to
be “in balance.”
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Emphasis differentiates the more important from the less important.
It is created by increasing the dominance of certain elements and the
subordination of minor elements.
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Proportion refers to the actual size of an object or its size relative to
another object. Proportion exists the moment two objects are put
together. Absolute proportion is the size or scale of an object.
Relative proportion is an object’s perceived size in relationship to
another object in space.
 Step 5: COMPOSING THE PLANTING DESIGN
PRINCIPLE DESIGN COMPONENTS
 Repetition is the placement of the same or similar form, texture, or
color over and over again. It results from placing like things together,
enabling the mind to comprehend a composition. There are varying
degrees of repetition. Repeating a plant form produces architectural
walls, hallways, or floors. Repeating a line creates movement.
Repeating a color can make a small space appear larger.
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Rhythm is a patterned repetition of a design principle at regular or
irregular intervals. As a design tool, it creates a sequence of
movement or pattern in the garden. Rhythm of form, color, or texture
intensifies the plant composition.
Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Scale is the perception of an object’s size based
on its relation to the human body or relation to
another object. Garden design must have both
absolute or relative scale. Absolute or human
scale refers to the relationship between the viewer
and the landscape. Relative scale establishes the
apparent size of an object or space produced by the
actual size of its parts. The scale of one part to
another and each part to the whole is significant.
 Step 5: COMPOSING THE PLANTING DESIGN
PRINCIPLE DESIGN COMPONENTS
 Sequence arranges the design so that the viewer’s attention moves
in a distinct way. It is uniform change, movement, or transition of
the design leading in some direction or to some desired end. It
connects design principles because movement from one part of the
composition to another can be created through change in form, color,
texture, position, or size of plant.
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Simplicity is restraint, moderation, and fitness of design. These
qualities give permanence to the work of great architects and
landscape architects. The adage: less is more.
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Symmetry is the similarity of size , form, and arrangement of

parts on opposite sides of a plane, line, or point. Symmetrical
design implies order and control and organizes landscape
through the use of balance and repetition.

 Asymmetry is simply when garden features are not

symmetrical or identical on two sides of a plane, line, or point. It
is an organizational tool of composition based on balance and the
sequence of movement about an imaginary axis.
Symmetry

Asymmetry
 Step 5: COMPOSING THE PLANTING DESIGN

PRINCIPLE DESIGN COMPONENTS

 Variety is the diversity of design qualities in a composition. It is the
change or contrast in one or two of the design principles - line, form,
texture, or color - that holds the observer’s attention. Variety is the
opposite of repetition.
 Step 6: DEVELOPING A PLANT PALETTE

CRITERIA FOR SELECTING THE PLANT PALETTE

1. Functional Requirements
• The Plants – Trees; Shrubs; Ground Covers
• Annuals, Biennials, and Perennials
• Bulbs and Climbing Plants
• Seasonal Effects

2. Horticultural Requirements
• Light Requirements
• Soil and Moisture Requirements

3. Maintenance Requirements
 Step 7: PLANTING THE GARDEN

SUCCESSFUL PLANTING DEPENDS

ON SEVERAL FACTORS
1. SITE PREPARATION
2. QUALITY OF PLANTING STOCK
3. TIME OF YEAR PLANTING TAKES PLACE
4. ON-SITE PLANT PLACEMENT
5. PLANTING METHOD
6. INITIAL MAINTENANCE
 Step 8: MAINTAINING THE GARDEN

FIVE MAINTENANCE TASKS

1. WATERING
2. FERTILIZING
3. PRUNING
4. WEEDING
5. MONITORING AND CONTROLING
INSECTS AND DISEASE