Writing through
Sensory Experience
LESSON 3
LEARNING TARGETS
At the end of the lesson, the learners are expected to
• Cull creative ideas from experiences; and
• Use specific experiences in composing literary
ideas.
Written literary pieces greatly serve as
thresholds in entering the world
beyond that which is commonly
perceived.
In order for this to be completely
achieved, stimulating the five basic
human senses is essential to establish
the connection between the imaginative
realms and the mind of the reader.
Creatively-crafted literary
pieces are not just meant to be
read, for like other works of
art, they must entice the basic
senses of people in order to
achieve their very purpose.
These written works can be
much more appreciated when
they can bring out the innate
capacity of people to feel,
imagine, and behold.
Sensory Experience/
Sensory Details
Establishing a clear connection with the
readers is one of the important
objectives that any literary work
must be able to fulfill.
Sensory experience is the literary device
that makes use of imagery to enliven
the five basic human senses.
Together, At Last
John Oliver M. Ramos
I saw you walk towards me.
Your footsteps fell heavy on the hardwood floor.
Your perfume reached me before you did.
We got caught in a tight embrace.
We kissed;
I tasted love.
Observe how each line of the poem uses
sensory words to directly stimulate a
specific sense to aid the readers in
conceptualizing a perceived image
FIRST LINE
I saw you walk towards me.
The use of the word saw directly connects to
the sense of sight, in which one can imagine
seeing someone walking towards the persona.
SECOND LINE
Your footsteps fell heavy on the hardwood floor.
This line describes how the person walks toward
the persona, and the use of the words fell heavy
indicate how the footsteps can be distinctly heard
against the floor.
THIRD LINE
Your perfume reached me before you did.
This appeals to the sense of smell, which makes
one imagine the scent of this person’s perfume.
FOURTH LINE
We got caught in a tight embrace.
The use of the word tight, aids in imagining the
warmth of the person’s embrace.
FIFTH LINE
I tasted love.
Rather than stating an actual taste, the phrase
tasted love gives an implied feeling of being
able to taste love which is often described as
sweet.
Sensory devices are also used to provide
an experiential opportunity to the
readers. Therefore, there is a necessity
to make them feel the same experience
that you intend them to feel so that
the readers may be immersed in your
written work as if it was their own.
I walk down the dark street. I was
alone at first. Then at the end of the
road, a figure appeared. I wan away
from it, scared.
I walked down the long and winding street. It was close
to midnight, and I can feel the cold breeze blowing
around me, I had no one with me as I walked along the
graveled path. I trudged through the cobblestones,
avoiding the pot holes filled with water; it had just
rained. As I approached the middle of the street, I
came to a sudden stop. I stood for a moment as I let
my eyes focus on what was appearing before me. Right
there, at the end of the dark street, I saw her: a
figure of a woman draped in white, with long flowing
black hair, her back turned to me. Slowly, the figure
started to turn. I could not take my eyes off her.
When she finally faced me, I gasped. She had no face. I
screamed, and turned back to run.
Seatwor
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Improve the following statements by adding sensory details. Take
note of the suggested sensory feelings inside the parenthesis. (pages
28-29)
1. It was early morning. The sun was just rising. (sense of sight)
2. The baker was making fresh bread. (sense of smell)
3. The young boy was eating breakfast at the corner store. (sense of taste)
4. The altar boys were beckoning the people to go to mass. (sense of sound)
5. The breeze was blowing softly. (sense of touch)