Tags: band

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Codestin Search App

Saturday, July 19th, 2025

I’m more proud of these 128 kilobytes than anything I’ve built since | by Mike Hall | Jul, 2025 | Medium

I don’t normally link to articles on Medium—I respect you too much—and I do wish this were written on Mike Hall’s own site, but this is just too good not to share.

And don’t dismiss this as a nostalgiac case study from the past:

At no point did the constraints make the product feel compromised. Users on modern devices got a smooth experience and instant feedback, while those on older devices got fast, reliable functionality. Users on feature phones got the same core experience without the bells and whistles.

The constraints forced us to solve problems in ways we wouldn’t have considered otherwise. Without those constraints, we could have just thrown bytes at the problem, but with them every feature had to justify itself. Core functionality had to work everywhere, and without JavaScript crutches proper markup became essential.

This experience changed how I approach design problems. Constraints aren’t a straitjacket, keeping us from doing our best work; they are the foundation that makes innovation possible. When you have to work within severe limitations, you find elegant solutions that scale beyond those limitations.

Monday, June 23rd, 2025

Live

Ever since Salter Cane recorded the songs on Deep Black Water I’ve been itching to play them live. At our album launch gig last Friday, I finally got my chance.

It felt soooo good! It helped that we had the best on-stage sound ever (note to the bands of Brighton, Leon at the Hope and Ruin is fantastic at doing the sound). The band were tight, the songs sounded great live, and I had an absolute blast.

Salter Cane on stage, with Chris in full howl singing into the mic and playing guitar, flanked by Jeremy on slide bouzouki and Jessica on bass (Matt on the drums is hidden behind Chris).

I made a playlist of songs to be played in between bands. It set the tone nicely. As well as some obvious touchstones like 16 Horsepower and Joy Division, I made sure to include some local bands we’re fond of, like The Equitorial Group, Mudlow, Patients, and The Roebucks.

Saturday, February 1st, 2025

Making the new Salter Cane website

With the release of a new Salter Cane album I figured it was high time to update the design of the band’s website.

Here’s the old version for reference. As you can see, there’s a connection there in some of the design language. Even so, I decided to start completely from scratch.

I opened up a text editor and started writing HTML by hand. Same for the CSS. No templates. No build tools. No pipeline. Nothing. It was a blast!

And lest you think that sounds like a wasteful way of working, I pretty much had the website done in half a day.

Partly that’s because you can do so much with so little in CSS these days. Custom properties for colours, spacing, and fluid typography (thanks to Utopia). Logical properties. View transitions. None of this takes much time at all.

Because I was using custom properties, it was a breeze to add a dark mode with prefers-color-scheme. I think I might like the dark version more than the default.

The final stylesheet is pretty short. I didn’t bother with any resets. Browsers are pretty consistent with their default styles nowadays. As long as you’ve got some sensible settings on your body element, the cascade will take care of a lot.

There’s one little CSS trick I think is pretty clever…

The background image is this image. As you can see, it’s a rectangle that’s wider than it is tall. But the web pages are rectangles that are taller than they are wide.

So how I should I position the background image? Centred? Anchored to the top? Anchored to the bottom?

If you open up the website in Chrome (or Safari Technical Preview), you’ll see that the background image is anchored to the top. But if you scroll down you’ll see that the background image is now anchored to the bottom. The background position has changed somehow.

This isn’t just on the home page. On any page, no matter how tall it is, the background image is anchored to the top when the top of the document is in the viewport, and it’s anchored to the bottom when you reach the bottom of the document.

In the past, this kind of thing might’ve been possible with some clever JavaScript that measured the height of the document and updated the background position every time a scroll event is triggered.

But I didn’t need any JavaScript. This is a scroll-driven animation made with just a few lines of CSS.

@keyframes parallax {
    from {
        background-position: top center;
    }
    to {
        background-position: bottom center;
    }
}
@media (prefers-reduced-motion: no-preference) {
        html {
            animation: parallax auto ease;
            animation-timeline: scroll();
        }
    }
}

This works as a nice bit of progressive enhancement: by default the background image stays anchored to the top of the viewport, which is fine.

Once the site was ready, I spent a bit more time sweating some details, like the responsive images on the home page.

But the biggest performance challenge wasn’t something I had direct control over. There’s a Spotify embed on the home page. Ain’t no party like a third party.

I could put loading="lazy" on the iframe but in this case, it’s pretty close to the top of document so it’s still going to start loading at the same time as some of my first-party assets.

I decided to try a little JavaScript library called “lazysizes”. Normally this would ring alarm bells for me: solving a problem with third-party code by adding …more third-party code. But in this case, it really did the trick. The library is loading asynchronously (so it doesn’t interfere with the more important assets) and only then does it start populating the iframe.

This made a huge difference. The core web vitals went from being abysmal to being perfect.

I’m pretty pleased with how the new website turned out.

Thursday, May 23rd, 2024

Speculation rules and fears

After I wrote positively about the speculation rules API I got an email from David Cizek with some legitimate concerns. He said:

I think that this kind of feature is not good, because someone else (web publisher) decides that I (my connection, browser, device) have to do work that very often is not needed. All that blurred by blackbox algorithm in the browser.

That’s fair. My hope is that the user will indeed get more say, whether that’s at the level of the browser or the operating system. I’m thinking of a prefers-reduced-data setting, much like prefers-color-scheme or prefers-reduced-motion.

But this issue isn’t something new with speculation rules. We’ve already got service workers, which allow the site author to unilaterally declare that a bunch of pages should be downloaded.

I’m doing that for Resilient Web Design—when you visit the home page, a service worker downloads the whole site. I can justify that decision to myself because the entire site is still smaller in size than one article from Wired or the New York Times. But still, is it right that I get to make that call?

So I’m very much in favour of browsers acting as true user agents—doing what’s best for the user, even in situations where that conflicts with the wishes of a site owner.

Going back to speculation rules, David asked:

Do we really need this kind of (easily turned to evil) enhancement in the current state of (web) affairs?

That question could be asked of many web technologies.

There’s always going to be a tension with any powerful browser feature. The more power it provides, the more it can be abused. Animations, service workers, speculation rules—these are all things that can be used to improve websites or they can be abused to do things the user never asked for.

Or take the elephant in the room: JavaScript.

Right now, a site owner can link to a JavaScript file that’s tens of megabytes in size, and the browser has no alternative but to download it. I’d love it if users could specify a limit. I’d love it even more if browsers shipped with a default limit, especially if that limit is related to the device and network.

I don’t think speculation rules will be abused nearly as much as client-side JavaScript is already abused.

Wednesday, April 17th, 2024

Faster Connectivity !== Faster Websites - Jim Nielsen’s Blog

The bar to overriding browser defaults should be way higher than it is.

Amen!

Thursday, November 9th, 2023

Wilco Loft Sans – SimpleBits®

How cool is this‽ Dan made a font for Wilco!

Friday, November 18th, 2022

The lost thread

The speed with which Twitter recedes in your mind will shock you. Like a demon from a folktale, the kind that only gains power when you invite it into your home, the platform melts like mist when that invitation is rescinded.

Tuesday, June 1st, 2021

Broad Band

I like to alternate between reading fiction and non-fiction. The fiction is often of the science variety. Actually, so is the non-fiction.

There was a non-fiction book I had queued up for a while and I finally got around to reading. Broad Band by Claire L. Evans. Now I’m kicking myself that I didn’t read it earlier. I think I might’ve been remembering how I found Mar Hicks’s Programmed Inequality to be a bit of a slog—a fascinating topic, but written in a fairly academic style. Broad Band covers some similar ground, but wow, is the writing style in a class of its own!

This book is pretty much the perfect mix. The topic is completely compelling—a history of women in computing. The stories are rivetting—even when I thought I knew the history, this showed me how little I knew. And the voice of the book is pure poetry.

It’s not often that I read a book that I recommend wholeheartedly to everyone. I prefer to tailor my recommendations to individual situations. But in the case of Broad Band, I honesty think that anyone would enjoy it.

I absolutely loved it. So did Cory Doctorow:

Because she is a brilliant and lyrical writer she brings these women to life, turns them into fully formed characters, makes you see and feel their life stories, frustrations and triumphs.

Even the most celebrated women of tech history – Ada Lovelace, Grace Hopper – leap off the page as people, not merely historical personages or pioneers. Again, these are stories I thought I knew, and realized I didn’t.

Yes! That!

Read it for yourself and see what you think.

Saturday, January 16th, 2021

HTML Video Sources Should Be Responsive | Filament Group, Inc.

Removing media support from HTML video was a mistake.

Damn right! It was basically Hixie throwing a strop, trying to sabotage responsive images. Considering how hard it is usually to remove a shipped feature from browsers, it’s bizarre that a good working feature was pulled out of production.

Tuesday, December 8th, 2020

Merch Table

Feel bad because your favourite artists aren’t getting any income from Spotify? Here’s a handy tool from Hype Machine that allows you to import Sportify playlists and see where you can support those artists on Bandcamp.

Wednesday, December 2nd, 2020

Creating websites with prefers-reduced-data | Polypane Browser for Developers

There’s no browser support yet but that doesn’t mean we can’t start adding prefers-reduced-data to our media queries today. I like the idea of switching between web fonts and system fonts.

Monday, September 7th, 2020

Kokorobot — leanerweb

The problem is that most websites will adapt to the ever faster connections, which makes them gradually inaccessible for people with slower connections. Today, most websites are impossible to download with a dial-up connection, because they have become too corpulent.

This speaks to me:

Everything we do to make it harder to create a website or edit a web page, and harder to learn to code by viewing source, promotes that consumerist vision of the web.

Pretending that one needs a team of professionals to put simple articles online will become a self-fulfilling prophecy. Overcomplicating the web means lifting up the ladder that used to make it possible for people to teach themselves and surprise everyone with unexpected new ideas.

There’s a list of links at the end of this piece to help you reach this goal:

It is vital that the web stay participatory. That means not just making sites small enough so the whole world can visit them, but small enough so that people can learn to build their own, by example. Bloat makes the web inaccessible.

Sunday, July 19th, 2020

90s Festival Generator

I spent far too long hitting refresh and then clicking on the names of some of the Irish bands down near the bottom of the line-up.

Monday, June 1st, 2020

The Need for Speed, 23 Years Later

If you’re in a group of people being chased by a bear, you only need to be faster than the slowest person in the group. But that’s not how websites work: being faster than at least one other website, or even faster than the ‘average’ website, is not a great achievement when the average website speed is frustratingly slow.

Sunday, May 3rd, 2020

Fictional Band Trivia | Rob Weychert

Okay, so I didn’t get many of the answers, but nonetheless these are excellent questions!

(Ah, how I long for the day when we can once more engage in quizzo and picklebacks at National Mechanics.)

Tuesday, March 3rd, 2020

Visitors, Developers, or Machines

Garrett’s observation is spot-on here:

I’ve been trying to understand the appeal of these frameworks by giving them an objective chance. I’ve expanded my knowledge of JavaScript and tried to give them the benefit of the doubt. They do have their places, but the only explanation I can come up with is that developers are taking a similar approach as Ruby and focusing on developer convenience and productivity. Only, instead of Ruby’s performance being tied to the CPU level, JavaScript frameworks push the performance burden to the client.

In both cases, the tradeoff happens in the name of developer happiness and productivity, but the strategies have entirely different consequences. With Ruby, the CPU is still (mostly) the responsibility of the development team, and it can be upgraded. With JavaScript, the page weight becomes an externality pushed onto visitors.

Monday, February 24th, 2020

Web bloat

Pages are often designed so that they’re hard or impossible to read if some dependency fails to load. On a slow connection, it’s quite common for at least one depedency to fail.

Fire up Reader Mode and read this excellent article informed by data from using a typically slow connection in rural USA today. Two findings are:

  1. A large fraction of the web is unusable on a bad connection. Even on a good (0% packetloss, no ping spike) dialup connection, some sites won’t load.
  2. Some sites will use a lot of data!

Monday, January 6th, 2020

20/20 Visions Review - Brighton Source

Here’s a write-up (with great photos) from the truly excellent gig that Salter Cane headlined on Saturday night.

The high praise for all the bands is not hyperbole—I was blown away by how good they all were!

Sunday, December 29th, 2019

Move Fast & Don’t Break Things | Filament Group, Inc.

This is the transcript of a brilliant presentation by Scott—read the whole thing! It starts with a much-needed history lesson that gets to where we are now with the dismal state of performance on the web, and then gives a whole truckload of handy tips and tricks for improving performance when it comes to styles, scripts, images, fonts, and just about everything on the front end.

Essential!

Friday, November 1st, 2019

Location, Privilege and Performant Websites

Testing on a <$100 Android device on a 3G network should be an integral part of testing your website. Not everyone is on a brand-new device or upgrades often, especially with the price point of a high-end phones these days.

When we design and build our websites with the outliers in mind, whether it’s for performance or even user experience, we build an experience that can be easy for all to access and use — and that’s what the web is about, access and information for all.