Journal tags: book

Every culture has its myths and legends. Greece has its gods and warriors. England has its stories of Arthur. Ireland has the Tuatha Dé Danann, The Ulster Cycle, and more.

But while the Arthurian legends and the Greek myths have been retold many times, the stories of ancient Ireland have remained largely untouched.

Kim Curran’s book The Morrigan takes on this challenge.

The blurb for the book compares it Madeline Miller’s Circe, which is a bold comparison. The writing in The Morrigan isn’t in the same league as Circe, but then again, very little is.

Structurally, the comparison makes complete sense.

Circe starts with the titular nymph in the world of the gods of Olympus before moving on to more mortal affairs, coming to a head with the events of The Odyssey, when Odysseus’s story dominates.

The Morrigan starts with the titular goddess in the world of the gods of the Túatha Dé before moving on to more mortal affairs, coming to a head with the events of The Táin, when Cú Chulainn’s story dominates.

I took me a little while to adjust to the tone, but once I did, I thoroughly enjoyed this retelling. It manages to simultaneously capture the bloody, over-the-top feeling of The Táin while also having a distinctly modern twist. By the last third, I was completely engrossed.

After finishing Circe I went on a spree of reading many, many modern retellings of Greek myths. Now that I’ve finished The Morrigan I want to do the same for the Irish legends.

But I can’t. Apart from re-reading a translation of The Táin, there’s not much else out there for me.

Kim Curran does have another book that’s just been released; Brigid (the goddess? the saint? both?). If it’s anything like The Morrigan, it’s going to be a must-read.

I hope these books are the first of many.

Towards the end of 2025, I wrote:

I think I might change things up in 2026. Instead of waiting until the end of the year to write all the little reviews at once, I think I should write a review as soon as I finish a book. Instead of holding onto my reckons for months, I can just set them free one at a time.

I’ll get the ball rolling with the first book I read in 2026.

I’ve mentioned before that one interesting lens to apply to modern retellings of the Greek myths is how they treat deities. Are gods and goddesses real in this story? Or is it a non-interventionist tale with a purely human cast? In her book The Shadow Of Perseus, Claire Heywood wrote about Perseus, Medusa, and Andromeda without any supernatural characters. Having been impressed by that, I figured I’d go back to investigate her debut, Daughters Of Sparta.

The framing device is one I hadn’t come across before. It follows the diverging stories of sisters Helen and Clytemnestra, flipping back and forth between the two throughout their lives. I’ve read plenty of takes on the Trojan war, and I’ve read plenty of takes on Clytemnestra’s revenge, but I think this is the first time they’ve been combined like this.

Overall, it works. There are inevitable time jumps. Some time periods are bound to get more attention than others. And at some point, the narrative just has to wrap up, even though we know there’s pleny more that follows afterwards.

All in all, a good addition to the list of modern retellings of classical Greek stories.

I read 28 books in 2025. Looking back over that list, there are a few recurring themes…

I read less of the Greek mythology retellings than last year but I seem to have developed a taste for medieval stories like Matrix, Nobber, and Haven.

I finally got ‘round to reading some classics of post-apocalypse fiction like Earth Abides and I Am Legend.

I read lots of short story collections: Salt Slow, Bloodchild And Other Stories, The Bloody Chamber And Other Stories, Folk, and The End of the World is a Cul de Sac. There’s quite a dollop of horror in some of those.

I’m clearly hankering for the homeland because I read a lot of books set in Ireland: The Country Girls, Haven, Prophet Song, The End of the World is a Cul de Sac, and Nobber.

And there’s the usual smattering of sci-fi from the likes of Nnedi Okorafor, Adrian Tchaikovsky, Arkady Martine, Becky Chambers, and Emily St. John Mandel.

Here’s what I thought of these 28 books, without any star ratings…

Earth Abides by George R. Stewart

I started this one in 2024 and finished it in the first few weeks of 2025. It’s a classic piece of post-apocalypse fiction from 1949. It’s vivid and rich in detail, but there are some odd ideas that flirt with eugenics. There’s a really strange passage where the narrator skirts around describing the skin colour of his new-found love interest. I get the feeling that this was very transgressive at the time, but it’s just a bit weird now.

The Last Song Of Penelope by Claire North

The final book in Claire North’s Songs Of Penelope trilogy is the one that intersects the most with The Odyssey. There’s a looming sense of impending tragedy because of that; we’ve spent the last two books getting to know the handmaids of Ithica and now here comes Odysseus to fuck things up. I enjoyed the whole trilogy immensely.

Short Stories In Irish by Olly Richards

This is a great way to get used to reading in Irish. The stories start very simple and get slightly more complex as throughout the book. None of the stories are going to win any prizes for storytelling, but that’s not the point. If you’re learning Irish, I think this book is a great tool to augment your lessons.

Sea Of Tranquility by Emily St. John Mandel

Nothing will ever top the brilliance of Station Eleven but I still enjoyed this time-travel tale set in the interconnected Emily St. John Mandel cinematic universe.

The Heart In Winter by Kevin Barry

A very Irish western. The language is never dull and the characters are almost mythological in personality.

Matrix by Lauren Groff

One woman’s life in a medieval convent. What’s really engrossing is not just the changes to the protaganist over her lifetime but the changes she makes to the community.

Hera by Jennifer Saint

I didn’t enjoy this quite as much as Jennifer Saint’s previous books. Maybe that’s because this is set almost entirely in the milieu of gods rather than mortals.

A Psalm For The Wild-Built by Becky Chambers

A short book about a tea-making monk meeting a long-lost robot and going on a road trip together. It’s all quite lovely.

Bloodchild And Other Stories by Octavia Butler

A superb collection of short stories. Bloodchild itself is a classic, but every one of the stories in this collection is top notch. Some genuinely shudder-inducing moments.

Salt Slow by Julia Armfield

Staying with short story collections, this one is all killer, no filler. Julia Armfield knows how to grab you with a perfect opening line. Any one of these stories could be the basis for a whole novel. Or a David Cronenberg film.

The Voyage Home by Pat Barker

The third book in Pat Barker’s retelling of the aftermath of the Trojan war is just as gritty as the first two, but this one has more overt supernatural elements. A grimly satisfying conclusion.

Folk by Zoe Gilbert

A collection of loosely-connected short stories dripping with English supernatural folk horror. The world-building is impressive and the cumulative effect really gets under your skin.

Death of the Author by Nnedi Okorafor

The description of the Nigerian diaspora in America is the strongest part of this book. But I found it hard to get very involved with the main character’s narrative.

Bear Head by Adrian Tchaikovsky

The sequel to Dogs Of War and just as good. On the one hand, it’s a rip-roaring action story. On the other hand, it’s a genuinely thought-provoking examination of free will.

A History Of Ireland in 100 Words by Sharon Arbuthnot, Máire Ní Mhaonaigh, and Gregory Toner

Every attendee at Oideas Gael in Glencolmcille received a free copy of this book. I kept it on the coffee table and dipped into it every now and then over the course of the year. There are plenty of fascinating tidbits in here about old Irish.

Haven by Emma Donoghue

Medieval monks travel to the most inhospitable rock off the coast of Kerry and start building the beehive huts you can still see on Skellig Michael today. Strong on atmosphere but quite light on plot.

Doggerland by Ben Smith

Fairly dripping with damp atmosphere, this book has three characters off the coast of a near-future Britain. The world-building is vivid and bleak. Like The Sunken Land Begins to Rise Again by M. John Harrison, it’s got a brexity vibe to the climate crisis.

Bee Speaker by Adrian Tchaikovsky

I found this third book in the Dogs Of War series to be pretty disappointing. Plenty of action, but not much in the way of subtext this time.

Yellowface by Rebecca F Kuang

Surprisingly schlocky. Kind of good fun for a while but it overstays its welcome.

Nobber by Oisín Fagan

Gory goings-on in a medieval village in county Meath. For once, this is a medieval tale set in harsh sunlight rather than mist-covered moors. By the end, it’s almost Tarantino-like in its body count.

Orbital by Samantha Harvey

A fairly light book where nothing much happens, but that nothing much is happening on the International Space Station. I liked the way it managed to balance the mundane details of day-to-day life with the utterly mind-blowing perspective of being in low Earth orbit. Pairs nicely with side two of Hounds Of Love.

The End of the World is a Cul de Sac by Louise Kennedy

Louise Kennedy is rightly getting a lot of praise for her novel Trespasses, but her first book of short stories is equally impressive. Every one feels rooted in reality and the writing is never less than brilliant.

A Prayer for the Crown-Shy by Becky Chambers

The second short book in the Monk and Robot solarpunk series. It’s all quite cozy and pleasant.

Our Wives Under The Sea by Julia Armfield

I said that each short story in Julia Armfield’s Salt Slow could be a full-length novel, but reading her full-length novel I thought it would’ve been better as a short story. It’s strong on atmosphere, but it’s dragged out for too long.

I Am Legend by Richard Matheson

Another classic of post-apocalyptic fiction that looks for a scientific basis for vampirism. It’s a grim story that Richard Matheson tells in his typically excellent style.

The Country Girls by Edna O’Brien

Reading this book today it’s hard to understand how it caused such a stir when it was first published. But leaving that aside, it’s a superb piece of writing where every character feels real and whole.

The Bloody Chamber And Other Stories by Angela Carter

If I’m going to read classic short horror stories, then I’ve got to read this. Twisted fairy tales told in florid gothic style.

Rose/House by Arkady Martine

An entertaining novella that’s a whodunnit in a haunted house, except the haunting is by an Artificial Intelligence. The setting feels like a character, and I don’t just mean the house—this near-future New Mexico is tactile and real.

Prophet Song by Paul Lynch

I haven’t finished this just yet, but I think I can confidentally pass judgement. And my judgement is: wow! Just an astonishing piece of work. An incredible depiction of life under an increasing totalitarian regime. The fact that it’s set in Ireland makes it feel even more urgent. George Orwell meets Roddy Doyle. And the centre of it all is a central character who could step right off the page.

There you have it. A year of books. I didn’t make a concious decision to avoid non-fiction, but perhaps in 2026 I should redress the imbalance.

If I had to pick a favourite novel from the year, it would probably be Prophet Song. But that might just be the recency bias speaking.

If you’re looking for some excellent short stories, I highly recommend Salt Slow and The End of the World is a Cul de Sac.

About half of the 28 books I read this year came from the local library. What an incredible place! I aim to continue making full use of it in 2026. You should do the same.

As part of their on-stage banter, The Dubliners used to quip that “All the books that are banned in Ireland should be published in Irish, to encourage more people to learn their native tongue.”

There was no shortage of banned books back in the day. I’m reading one of them now. The Country Girls by Edna O’Brien.

About halfway through the book, I read this passage:

The parcels for the Halloween party were coming every day. I couldn’t ask my father for one because a man is not able to do these things, so I wrote to him for money instead and a day girl brought me a barmbrack, apples, and monkey-nuts.

Emphasis mine, because that little list sounded so familiar to me.

Back in 2011, I wrote a candygram for Jason. It was called Monkey nuts, barmbrack and apples.

It’s not exactly Edna O’Brien, but looking back at it fifteen years on, I think it turned out okay.

While I’ve been listening to Hounds Of Love, I’ve also been reading Orbital by Samantha Harvey.

Here’s a passage from an early chapter as the crew of the International Space Station watch a typhoon forming:

How wired and wakeful the earth seems suddenly. It’s not one of the regular typhoons that haphazardly assault these parts of the world, they agree. They can’t see it all, but it’s bigger than projections had previously thought, and moving faster. They send their images, the latitudes and longitudes. They are like fortune tellers, the crew. Fortune tellers who can see and tell the future but do nothing to change or stop it. Soon their orbit will descend away to the east and south and no matter how they crane their necks backward at the earth-viewing windows the typhoon will roll out of sight and their vigil will end and darkness will hit them at speed.

They have no power – they have only their cameras and a privileged anxious view of its building magnificence. They watch it come.

The penultimate track on Hounds Of Love is the magnificent Hello Earth with its eerie Georgian chant for a chorus, and magnificent uilleann piping from the late great Liam Óg O’Flynn on the bridge. It too features a narrator watching from space:

Watching storms

Start to form

Over America.

Can’t do anything.

Just watch them swing

With the wind

Out to sea.

All you sailors, (“Get out of the waves! Get out of the water!”)

All life-savers, (“Get out of the waves! Get out of the water!”)

All you cruisers, (“Get out of the waves! Get out of the water!”)

All you fishermen,

Head for home.

Matching the song to the book feels like pairing a fine wine with a delicious morsel.

I read recently read two books that had writers as their main protagonists:

• Death Of The Author by Nnedi Okorafor, and
• Yellowface by Rebecca F Kuang.

They were both perfectly fine. But I found it hard to get really involved in either narrative. The stakes just never felt that high.

Not that high stakes a pre-requisite for a gripping narrative. I enjoyed the films The Social Network and Like A Complete Unknown. Those stakes couldn’t be lower. One is about a website that might’ve ripped off its idea from another website. The other is about someone who’d like to play different kinds of music but other people would rather he played the same music. It’s a credit to the writers and directors of both films that they could create compelling stories from such objectively unimportant subjects.

Getting back to those two books, maybe there’s something navel-gazey when writers write about writing. Then again, I really like non-fiction books about writing from Ann Lamott, Stephen King, and more.

Perhaps it’s not the writing part, but the milieu of publishing.

I’m trying to think if there are any great films about film-making (Inception doesn’t count). Living In Oblivion is pretty great. But a lot of its appeal is that it’s not taking itself too seriously.

All too often when a story is set in its own medium (a book about publishing; a film about film-making) it runs the risk of over-estimating its own importance.

The most eye-rolling example of this is The Morning Show, a television show about a television show. It genuinely tries to make the case for the super-important work being done by vacuous morning chat shows.

I’ve been keeping track of the books I’m reading for about seven years now. I do that here on my own website, as well as on bookshop.org.

It has become something of a tradition for me to post an end-of-year summary of the books I’ve read in the previous twelve months. Maybe I should be posting my thoughts on each book right after I finish it instead. Then again, I quite like the act of thinking about a book again after letting it sit and stew for a while.

I should probably stop including stars with these little reviews. They’re fairly pointless—pretty much everything I read is right down the middle in the “good” category. But to recap, here’s how I allocate my scores:

• One star means a book is meh.
• Two stars means a book is perfectly fine.
• Three stars means a book is a good—consider it recommended.
• Four stars means a book is exceptional.
• Five stars is pretty much unheard of.

No five-star books this year, but also no one-star books.

This year I read about 29 books. A bit of an increase on previous years, but the numbers can be deceptive—not every book is equal in length.

Fiction outnumbered non-fiction by quite a margin. I’m okay with that.

The Wager by David Grann

“A tale of shipwreck, mutiny and murder” is promised on the cover and this book delivers. What’s astonishing is that it’s a true story. If it were fiction it would be dismissed as too far-fetched. It’s well told, and it’s surely only a matter of time before an ambitious film-maker takes on its Rashomon-like narrative.

★★★☆☆

Bridge by Lauren Beukes

I think this might be Lauren’s best book since Zoo City. The many-worlds hypothesis has been mined to depletion in recent years but Bridge still manages to have a fresh take on it. The well-rounded characters ensure that you’re invested in the outcome.

★★★☆☆

The Penelopiad by Margaret Atwood

Part of my ongoing kick of reading retellings of Greek myths, this one focuses on a particularly cruel detail of Odysseus’s return.

★★★☆☆

Elektra by Jennifer Saint

Keeping with the Greek retellings, this was the year that I read most of Jennifer Saint’s books. All good stuff, though I must admit that in my memory it’s all starting to blend together with other books like Costanza Casati’s Clytemnestra.

★★★☆☆

Children Of Memory by Adrian Tchaikovsky

The final book in the trilogy, this doesn’t have the same wham-bam page-turning breathlessness as Children Of Time, but I have to say it’s really stuck with me. Whereas the previous books looked at the possibilities of biological intelligence (in spiders and octopuses), this one focuses inwards.

I don’t want to say anymore because I don’t want to spoil the culmination. I’ll just say that I think that by the end it posits a proposition that I don’t recall any other sci-fi work doing before.

Y’know what? Just because of how this one has lodged in my mind I’m going to give it an extra star.

★★★★☆

Stone Blind by Natalie Haynes

I think this is my favourite Natalie Haynes book so far. It also makes a great companion piece to another book I read later in the year…

★★★☆☆

The Great Hunger by Patrick Kavanagh

I picked up this little volume of poems when I was in Amsterdam—they go down surprisingly well with some strong beer and bitterballen. I was kind of blown away by how funny some of these vignettes were. There’s plenty of hardship too, but that’s the human condition for you.

★★★★☆

Europe In Autumn, Europe At Midnight, Europe In Winter, and Europe At Dawn by Dave Hutchinson

I read the Fractured Europe series throughout the year and thoroughly enjoyed it. I’ll readily admit that I didn’t always follow what was going on but that’s part of the appeal. The world-building is terrific. It’s an alternative version of a Brexity Europe that by the end of the first book starts to go in an unexpected direction. Jonathan Strange meets George Smiley.

★★★☆☆

The Odyssey by Homer translated by Robert Fagles

Seeing as I’m reading all the modern retellings, it’s only fair that I have the source material to hand. This is my coffee table book that I dip into sporadically. I’ve got a copy of the prequel too.

I am not going to assign stars to this.

Faith, Hope and Carnage by Nick Cave and Seán O’Hagan

Fairly navel-gazing stuff, and you get the impression that Nick Cave thinks so too. Just as Neil Young would rather talk about his model trains, Nick Cave would rather discuss his pottery. The music stands on its own, but this is still better than most books about music.

★★☆☆☆

Julia by Sandra Newman

Now this is an audacious move! Retelling 1984 from Julia’s perspective. Not only does it work, it also shines a light on some flaws in Orwell’s original (and I say that as someone who’s read everything Orwell ever wrote). I’m happy to say that the execution of this book matches its ambition.

★★★☆☆

Hamnet by Maggie O’Farrell

So if I’ve been reading alternative perspectives on Homer and Orwell, why not Shakespeare too? This is beautifully evocative and rich in detail. It’s also heartbreaking. A gorgeous work.

★★★★☆

Pandora’s Jar: Women in the Greek Myths by Natalie Haynes

I didn’t enjoy this as much as I enjoyed Natalie Hayne’s novels. It’s all good informative stuff, but it feels a bit like a collection of separate essays rather than a coherent piece.

★★☆☆☆

Best Of British Science Fiction 2023 edited by Donna Scott

I was lucky enough to get a pre-release copy of this from one of the authors. I love a good short story collection and this one is very good indeed.

★★★☆☆

Ithaca and House Of Odysseus by Claire North

Remember how I said that some of the Greek retellings started to blend together? Well, no fear of that with this terrific series. Like Margaret Atwood’s retelling, Penelope is the main character here. Each book is narrated by a different deity, and yet there is little to no supernatural intervention. I’m really looking forward to reading the third and final book in the series.

★★★☆☆

The Shadow Of Perseus by Claire Heywood

This is the one I was hinting at above that makes a great companion piece to Natalie Hayne’s Stone Blind. Two different—but equally sympathetic—takes on Medusa. This one is grittily earthbound—no gods here—and it’s a horrifying examination of toxic masculinity. And don’t expect any natural justice here.

★★★☆☆

Dogs Of War by Adrian Tchaikovsky

Adrian Tchaikovsky has a real knack for getting inside the animal mind. This story is smaller in scale than his Children Of Time series but it succeeds in telling its provocative tale snappily.

★★★☆☆

Reading 84K by Claire North

I described Dave Hutchinson’s Fractured Europe series as Brexity, but this Claire North’s book is one that pushes Tory austerity to its dystopian logical conclusion. It’s all-too believable, if maybe a little over-long. Grim’n’good.

★★★☆☆

Ariadne by Jennifer Saint

The first of Jennifer Saint’s books is also my favourite. There’s a fantasically vivid description of the arrival of Dionysus into the narrative.

★★★☆☆

The Female Man by Joanna Russ

I’ve been meaning to read this one for years, but in the end I didn’t end up finishing it. That’s no slight on the book; I just wasn’t in the right frame of mind for it. I’m actually kind of proud of myself for putting a book down—I’m usually stubbornly completionist, which is stupid because life is too short. I hope to return to this at some future time.

Atalanta by Jennifer Saint

Another vividly-written tale by Jennifer Saint, but maybe suffers from trying to cram in all the varied accounts of Atalanta’s deeds and trials—the character’s motivations are hard to reconcile at different points.

★★★☆☆

Polostan by Neal Stephenson

This was …fine. It’s the first in a series called Bomb Light. Maybe I’ll appreciate it more in its final context. As a standalone work, there’s not quite enough there to carry it (including the cutesiness of making a young Richard Feynman a side character).

★★☆☆☆

Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

This too was …fine. I know some people really love this, and maybe that raised my expectations, but in the end it was a perfectly good if unremarkable novel.

★★★☆☆

The Fates by Rosie Garland

Pairs nicely with Jennifer Saint’s Atalanta. A decent yarn.

★★★☆☆

Earth Abides by George R. Stewart

I’ve just started this post-apocalyptic classic from 1949. Tune in next year to find out if I end up enjoying it.

Okay, so that was my reading for 2024. Nothing that completely blew me away but nothing that thoroughly disappointed me either. Plenty of good solid books. If I had to pick a favourite it would probably be Maggie Farrell’s Hamnet. And that Patrick Kavanagh collection of poems.

If you fancy going back in time, here are my previous round-ups:

• Books I read in 2023,
• Books I read in 2022,
• Books I read in 2021,
• Books I read in 2020,
• Books I read in 2019,
• Books I read in 2018, and
• Books I read in 2017.

I wrote a book about service workers. It’s called Going Offline. It was first published by A Book Apart in 2018. Now it’s available to read for free online.

If you want you can read the book as a PDF, an ePub, or .mobi, but I recommend reading it in your browser.

Needless to say the web book works offline. Once you go to goingoffline.adactio.com you can add it to the homescreen of your mobile device or add it to the dock on your Mac. After that, you won’t need a network connection.

The book is free to read. Properly free. Not the kind of “free” where you have to supply an email address first. Why would I make you go to the trouble of generating a burner email account?

The site has no analytics. No tracking. No third-party scripts of any kind whatsover. By complete coincidence, the site is fast. Funny that.

For the styling of this web book, I tweaked the stylesheet I used for HTML5 For Web Designers. I updated it a little bit to use logical properties, some fluid typography and view transitions.

In the process of converting the book to HTML, I got reaquainted with what I had written almost seven years ago. It was kind of fun to approach it afresh. I think it stands up pretty darn well.

Ethan wrote about his feelings when he put two of his books online, illustrated by that amazing photo that always gives me the feels:

I’ll miss those days, but I’m just glad these books are still here. They’re just different than they used to be. I suppose I am too.

Anyway, if you’re interested in making your website work offline, have a read of Going Offline. Enjoy!

I read Madeline Miller’s Circe last year. I loved it. It was my favourite fiction book I read that year.

Reading Circe kicked off a bit of a reading spree for me. I sought out other retellings of Greek myths. There’s no shortage of good books out there from Pat Barker, Natalie Haynes, Jennifer Saint, Claire Heywood, Claire North, and more.

The obvious difference between these retellings and the older accounts by Homer, Ovid and the lads is to re-centre the women in these stories. There’s a rich seam of narratives to be mined between the lines of the Greek myths.

But what’s fascinating to me is to see how these modern interpretations differ from one another. Sometimes I’ll finish one book, then pick up another that tells the same story from a very different angle.

The biggest difference I’ve noticed is the presence or absence of supernatural intervention. Some of these writers tell their stories with gods and goddesses front and centre. Others tell the very same stories as realistic accounts without any magic.

Take Perseus. Please.

The excellent Stone Blind by Natalie Haynes tells the story of Medusa. There’s magic a-plenty. In fact, Perseus himself is little more than a clueless bumbler who wouldn’t last a minute without divine interventation.

The Shadow Of Perseus by Claire Heywood also tells Medusa’s story. But this time there’s no magic whatsoever. The narrative is driven not by gods and goddesses, but by the force of toxic masculinity.

Pat Barker tells the story of the Trojan war in her Women Of Troy series. She keeps it grounded and gritty. When Natalie Haynes tells the same story in A Thousand Ships, the people in it are little more than playthings of the gods.

Then there are the books with just a light touch of the supernatural. While Madeline Miller’s Circe was necessarily imbued with magic, her first novel The Song Of Achilles keeps it mostly under wraps. The supernatural is there, but it doesn’t propel the narrative.

Claire North has a trilogy of books called the Songs of Penelope, retelling the Odyssey from Penelope’s perspective (like Margaret Atwood did in The Penelopiad). On the face of it, these seem to fall on the supernatural side; each book is narrated by a different deity. But the gods are strangely powerless. Everyone believes in them, but they themselves behave in a non-interventionist way. As though they didn’t exist at all.

It makes me wonder what it would be like to have other shared myths retold with or without magic.

How would the Marvel universe look if it were grounded in reality? Can you retell Harry Potter as the goings-on at a cult school for the delusional? What would Star Wars be like without the Force? (although I guess Andor already answers that one)

Anyway, if you’re interested in reading some modern takes on Greek myths, here’s a list of books for you:

• Madeline Miller
  1. The Song Of Achilles
  2. Circe
• Natalie Haynes
  1. A Thousand Ships
  2. Stone Blind
• Pat Barker
  1. The Silence Of The Girls
  2. The Women Of Troy
  3. The Voyage Home
• Claire North
  1. Ithica
  2. House Of Odysseus
  3. The Last Song Of Penelope
• Jennifer Saint
  1. Ariadne
  2. Elektra
  3. Atalanta
• Claire Heywood
  1. The Shadow Of Perseus
  2. Daughters Of Sparta
• Costanza Casati
  1. Clytemnestra
• Margaret Atwood
  1. The Penelopiad

My phone rang today. I didn’t recognise the number so although I pressed the big button to answer the call, I didn’t say anything.

I didn’t say anything because usually when I get a call from a number I don’t know, it’s some automated spam. If I say nothing, the spam voice doesn’t activate.

But sometimes it’s not a spam call. Sometimes after a few seconds of silence a human at the other end of the call will say “Hello?” in an uncertain tone. That’s the point when I respond with a cheery “Hello!” of my own and feel bad for making this person endure those awkward seconds of silence.

Those spam calls have made me so suspicious that real people end up paying the price. False positives caught in my spam-detection filter.

Now it’s happening on the web.

I wrote about how Google search, Bing, and Mozilla Developer network are squandering trust:

Trust is a precious commodity. It takes a long time to build trust. It takes a short time to destroy it.

But it’s not just limited to specific companies. I’ve noticed more and more suspicion related to any online activity.

I’ve seen members of a community site jump to the conclusion that a new member’s pattern of behaviour was a sure sign that this was a spambot. But it could just as easily have been the behaviour of someone who isn’t neurotypical or who doesn’t speak English as their first language.

Jessica was looking at some pictures on an AirBnB listing recently and found herself examining some photos that seemed a little too good to be true, questioning whether they were in fact output by some generative tool.

Every email that lands in my inbox is like a little mini Turing test. Did a human write this?

Our guard is up. Our filters are activated. Our default mode is suspicion.

This is most apparent with web search. We’ve always needed to filter search results through our own personal lenses, but now it’s like playing whack-a-mole. First we have to find workarounds for avoiding slop, and then when we click through to a web page, we have to evaluate whether’s it’s been generated by some SEO spammer making full use of the new breed of content-production tools.

There’s been a lot of hand-wringing about how this could spell doom for the web. I don’t think that’s necessarily true. It might well spell doom for web search, but I’m okay with that.

Back before its enshittification—an enshittification that started even before all the recent AI slop—Google solved the problem of accurate web searching with its PageRank algorithm. Before that, the only way to get to trusted information was to rely on humans.

Humans made directories like Yahoo! or DMOZ where they categorised links. Humans wrote blog posts where they linked to something that they, a human, vouched for as being genuinely interesting.

There was life before Google search. There will be life after Google search.

Look, there’s even a new directory devoted to cataloging blogs: websites made by humans. Life finds a way.

All of the spam and slop that’s making us so suspicious may end up giving us a new appreciation for human curation.

It wouldn’t be a straightforward transition to move away from search. It would be uncomfortable. It would require behaviour change. People don’t like change. But when needs must, people adapt.

The first bit of behaviour change might be a rediscovery of bookmarks. It used to be that when you found a source you trusted, you bookmarked it. Browsers still have bookmarking functionality but most people rely on search. Maybe it’s time for a bookmarking revival.

A step up from that would be using a feed reader. In many ways, a feed reader is a collection of bookmarks, but all of the bookmarks get polled regularly to see if there are any updates. I love using my feed reader. Everything I’ve subscribed to in there is made by humans.

The ultimate bookmark is an icon on the homescreen of your phone or in the dock of your desktop device. A human source you trust so much that you want it to be as accessible as any app.

Right now the discovery mechanism for that is woeful. I really want that to change. I want a web that empowers people to connect with other people they trust, without any intermediary gatekeepers.

The evangelists of large language models (who may coincidentally have invested heavily in the technology) like to proclaim that a slop-filled future is inevitable, as though we have no choice, as though we must simply accept enshittification as though it were a force of nature.

But we can always walk away.

I can’t resist bookshelves.

If I’m shown into someone’s home and left alone while the host goes and does something, you can bet I’m going to peruse their bookshelves.

I don’t know why. Maybe I’m looking for points of commonality. “Oh, you read this book too?” Or maybe it’s the opposite, and I’m looking for something new and—pardon the pun—novel. “Oh, that book sounds interesting!”

I like it when people have a kind of bookshelf on their website.

• Mandy’s reading list is always worth browsing.
• Remy has a comprehensive record of his reading history.
• Maggie has her library and her anti-library.
• Molly White has one shelf for fiction and another shelf for non-fiction.

Here’s my ad-hoc bookshelf, which is manually mirrored on Bookshop.org.

I like having an overview of what I’ve been reading. One of the reasons I started keeping track was so that I could try to have a nice balance of fiction and non-fiction.

I always get a little sad when I see someone’s online reading list and it only consists of non-fiction books that are deemed somehow useful, rather than simply pleasurable. Cameron wrote about when he used to do this:

I felt like reading needed to have some clear purpose. The topic of any book I read needed to directly contribute to being an “adult”. So I started to read non-fiction – stuff that reflected what was happening in my career. Books on management, books on finance, books on economics, books on the creative process. And for many years this diet of dry, literary roughage felt wholesome … but joyless. Each passage I highlited in yellow marker was a point for the scoreboard, not a memory to be treasured.

Now he’s redressing the imbalance and rediscovering the unique joy of entering other worlds by reading fiction.

For a while, I forced myself to have perfect balance. I didn’t allow myself to read two non-fiction books in a row or two fiction books in a row. I made myself alternate between the two.

I’ve let that lapse now. I’m reading more fiction than non-fiction, and I’m okay with that.

But I still like looking back on what I’ve been reading and seeing patterns emerge. Like there’s a clear boom in the last year of reading retellings of the Homeric epics (all kicked off by reading the brilliant Circe by Madeline Miller).

I also keep an eye out for a different kind of imbalance. I want to make sure that I’m not just reading books by people like me—middle-aged heterosexual white dudes.

You may think that a balanced reading diet would emerge naturally, but I’m not so sure. Here’s an online bookshelf. Here’s another online bookshelf. Plenty of good stuff in both. But do either of those men realise that they’ve gone more than a year without reading a book written by a woman?

It’s almost certainly not a conscious decision. It’s just that in the society we live in, the default mode tends towards what’s been historically privileged (see also films, music, and painting).

It’s like driving in a car that subtly pulls to one side. Unless you compensate for it, you’ll end up in the ditch without even realising.

I feel bad for calling attention to those two reading lists. It feels very judgy of me. And reading is something that doesn’t deserve judgement. Any reading is good reading.

Mind you, maybe being judgemental is exactly why I’m drawn to people’s bookshelves in the first place. It might be that I’m subsconsciously looking for compatibility signals. If I see a bookshelf filled with books I like, I’m bound to feel predisposed to like that person. And if I see a bookshelf dominated by Jordan Peterson and Ayn Rand, I’m probably going to pass judgement on the reader, even if I know I shouldn’t.

It’s been dispiriting but unsurprising to see American commentators weigh in on the EU’s Digital Markets Act. I really wish they’d read Baldur’s excellent explainer first.

John has been doing his predictable “leave Britney alone!” schtick with regards to Apple (and in this case, Google and Facebook too). Ian Betteridge does an excellent job of setting him straight:

A lot of commentators seem to have the same issue as John: that it’s weird that a governmental body can or should define how products should be designed.

But governments mandate how products are designed all the time, and not just in the EU. Take another market which is pretty big: cars. All cars have to feature safety equipment, which varies from region to region but will broadly include everything from seatbelts to crumple zones. Cars have rules for emissions, for fuel efficiency, all of which are designing how a car should work.

But there’s one assumption in John’s post that Ian didn’t push back on. John said:

It’s certainly possible that Meta can devise ways to serve non-personalized contextual ads that generate sufficient revenue per user.

That comes with a footnote:

One obvious solution would be to show more ads — a lot more ads — to make up for the difference in revenue. So if contextual ads generate, say, one-tenth the revenue of targeted ads, Meta could show 10 times as many ads to users who opt out of targeting. I don’t think 10× is an outlandish multiplier there — given how remarkably profitable Meta’s advertising business is, it might even need to be higher than that.

It’s almost like an article of faith that behavioural advertising is more effective than contextual advertising. But there’s no data to support this. Quite the opposite. I wrote about this four years ago.

Once again, I urge you to read the excellent analysis by Jesse Frederik and Maurits Martijn.

There’s also Tim Hwang’s book, Subprime Attention Crisis:

From the unreliability of advertising numbers and the unregulated automation of advertising bidding wars, to the simple fact that online ads mostly fail to work, Hwang demonstrates that while consumers’ attention has never been more prized, the true value of that attention itself—much like subprime mortgages—is wildly misrepresented.

More recently Dave Karpf said what we’re all thinking:

The thing I want to stress about microtargeted ads is that the current version is perpetually trash, and we’re always just a few years away from the bugs getting worked out.

The EFF are calling for a ban. Should that happen, the sky would not fall. Contrary to what John thinks, revenue would not plummet. Contextual advertising works just fine …without the need for invasive surveillance and tracking.

Like I said:

Tracker-driven behavioural advertising is bad for users. The advertisements are irrelevant most of the time, and on the few occasions where the advertising hits the mark, it just feels creepy.

Tracker-driven behavioural advertising is bad for advertisers. They spend their hard-earned money on invasive ad tech that results in no more sales or brand recognition than if they had relied on good ol’ contextual advertising.

Tracker-driven behavioural advertising is very bad for the web. Megabytes of third-party JavaScript are injected at exactly the wrong moment to make for the worst possible performance. And if that doesn’t ruin the user experience enough, there are still invasive overlays and consent forms to click through (which, ironically, gets people mad at the legislation—like GDPR—instead of the underlying reason for these annoying overlays: unnecessary surveillance and tracking by the site you’re visiting).

I’m at day two of Indie Web Camp Brighton.

Day one was excellent. It was really hard to choose which sessions to go to because they all sounded interesting. That’s a good problem to have.

I ended up participating in:

• a session on POSSE,
• a session on NFC tags,
• a session on writing, and
• a session on testing your website that was hosted by Ros

In that testing session I shared some of the bookmarklets I use regularly.

Bookmarklets? They’re bookmarks that sit in the toolbar of your desktop browser. Just like any other bookmark, they’re links. The difference is that these links begin with javascript: rather than http. That means you can put programmatic instructions inside the link. Click the bookmark and the JavaScript gets executed.

In my mind, there are two different approaches to making a bookmarklet. One kind of bookmarklet contains lots of clever JavaScript—that’s where the smart stuff happens. The other kind of bookmarklet is deliberately dumb. All they do is take the URL of the current page and pass it to another service—that’s where the smart stuff happens.

I like that second kind of bookmarklet.

Here are some bookmarklets I’ve made. You can drag any of them up to the toolbar of your browser. Or you could create a folder called, say, “bookmarklets”, and drag these links up there.

Validation: This bookmarklet will validate the HTML of whatever page you’re on.

Validate HTML

Carbon: This bookmarklet will run the domain through the website carbon calculator.

Calculate carbon

Accessibility: This bookmarklet will run the current page through the Website Accessibility Evaluation Tools.

WAVE

Performance: This bookmarklet will take the current page and it run it through PageSpeed Insights, which includes a Lighthouse test.

PageSpeed

HTTPS: This bookmarklet will run your site through the SSL checker from SSL Labs.

SSL Report

Headers: This bookmarklet will test the security headers on your website.

Security Headers

Drag any of those links to your browser’s toolbar to “install” them. If you don’t like one, you can delete it the same way you can delete any other bookmark.

2010 was a good year for me. I moved into a new home. Salter Cane released an album. We had a really good dConstruct. And I wrote a book.

It was HTML5 For Web Designers, the very first title from a new indie publisher called A Book Apart.

Back then, I wrote about the writing process, Jason wrote about the design, Mandy wrote about editing, and Jeffrey wrote a lovely foreword. What a dream team!

From there, A Book Apart went from strength to strength. Under Katel’s stewardship, they released the must-have books for web design and development.

One of the perks of being an author for A Book Apart is that I get a copy of every book published. I have a shelf of slim but colourful book spines.

Now, after 14 years and 60 titles, the collection is complete. A Book Apart won’t be publishing any more new books. Don’t worry—you can still buy the existing titles at all good bookshops, like bookshop.org. They made sure to prepare the way for this decision.

I don’t know if I’ll ever be able to express how grateful I am to everyone at A Book Apart. They treated me very, very well. Heck, they even let me publish a second book.

Thank you, team—it was a pleasure and honour to collaborate with you.

I’m a little obsessed with web performance. I like being able to check a page’s core web vitals quickly and easily.

Four years ago, I made a Lighthouse bookmarklet. Whatever web page you were on, when you clicked on the bookmarklet you’d get the Lighthouse results for that page. Handy!

It doesn’t work anymore. This is probably because Google are in the loop. Four years is pretty good innings for anything involving that company.

I kid (mostly). Lighthouse itself is still going strong, despite being a Google product. But the bookmarklet needs updating.

Rather than just get Lighthouse results, I figured that the full PageSpeed Insights results would be even better. If your website is in the Chrome UX report, you get to see those CrUX details too.

So here’s the updated bookmarklet:

PageSpeed Insights

Drag that up to your desktop browser’s bookmarks toolbar. Press it whenever you want to test the page you’re on.

I read 25 books in 2023. That’s exactly the same amount that I read in 2022.

15 of the 25 books were written by women—a bit of a dip from last year.

I read a lot more fiction than non-fiction this year. I’m okay with that.

There was plenty of sci-fi as usual, but 2023 was also the year I went down a rabbit hole of reading retellings of the Homeric epics. I’ve had a copy of The Odyssey on my coffee table while I’ve been diving into the works of Madeline Miller, Natalie Haynes, Pat Barker, and more. I’m really enjoying this deep dive and I don’t intend to stop anytime soon.

It’s funny; reading different takes on the same characters and interweaving storylines is kind of like dipping into the Marvel Cinematic Universe, just a few millennia older. In some ways, it feels like reading fantasy, but as Ursula Le Guin points out, things aren’t so black and white:

The Trojan war is not and you cannot make it be the War of Good vs. Evil. It’s just a war, a wasteful, useless, needless, stupid, protracted, cruel mess full of individual acts of courage, cowardice, nobility, betrayal, limb-hacking-off, and disembowelment. Homer was a Greek and might have been partial to the Greek side, but he had a sense of justice or balance that seems characteristically Greek—maybe his people learned a good deal of it from him? His impartiality is far from dispassionate; the story is a torrent of passionate actions, generous, despicable, magnificent, trivial. But it is unprejudiced. It isn’t Satan vs. Angels. It isn’t Holy Warriors vs. Infidels. It isn’t hobbits vs. orcs. It’s just people vs. people.

I’ve been reading some Ursula Le Guin this year too, and that’s something else I intend to keep on doing. Like the retellings of Troy, her work just keeps on giving.

Anyway, in my usual manner, here’s my end-of-year summary of what I’ve read, along with a pointless rating out of five.

To recap, here’s my scoring system:

• One star means a book is meh.
• Two stars means a book is perfectly fine.
• Three stars means a book is a good—consider it recommended.
• Four stars means a book is exceptional.
• Five stars is pretty much unheard of.

The Star Of The Sea by Joseph O’Connor

A nautical tale of The Great Hunger. It’s a tricky subject but this book mostly tackles it well. It’s fairly dripping in atmosphere.

★★★☆☆

Who Fears Death by Nnedi Okorafor

Another rivetting tale from Nnedi Okorafor, this one set in a world that seems quite different from ours, where magic is a powerful force.

★★★☆☆

The Rosewater Insurrection by Tade Thompson

The second book in the trilogy—this time it’s war. Once again, the setting and the vibe are unlike any other alien invasion story. I’m looking forward to reading the final installment.

★★★☆☆

Understanding Privacy by Heather Burns

On the one hand, this book feels like homework because it really is required reading for any web designer or developer. On the other hand, Heather does an excellent job in making what could be a very dry topic as interesting as possible. The contrasts between the US and Europe are particulary eye-opening.

★★★☆☆

Children Of Time by Adrian Tschaikovsky

Absolutely top-notch hard sci-fi! It feels like two of the biggest characters in the book are time and evolution. For a tale that’s told over thousands of years, the pace never lets up. Now I get why this book won so many awards. It’s quite a feat of story-telling. I loved it!

★★★★☆

The Hacker Crackdown: Law and Disorder on the Electronic Frontier by Bruce Sterling

A fairly by-the-numbers retelling of the early days of computer hackers. To be honest, I found the pre-computer part (detailing telephone hacks) to be the most interesting bit.

★★☆☆☆

Circe by Madeline Miller

Everyone was going on about how great this book was so my expectations were high. They were exceeded. This book is just wonderful. When I finished it, I found myself craving more. That set me on the path of reading other retellings of Homeric characters, but none of them could quite match the brilliance of Circe.

★★★★☆

Make Something Wonderful: Steve Jobs in his own words by The Steve Jobs Archive

An assembly of speeches, memos, and emails. It’s refreshingly un-hagiographic, given the publisher. And of course it’s beautifully typeset.

★★★☆☆

The Song Of Achilles by Madeline Miller

After reading and loving Circe, I went back to Madeline Miller’s previous story of the Trojan War. The Song Of Achilles didn’t quite match Circe for me, but it came very close. Once again, everything is described vividly and once again, it stayed with me long after I finished reading it.

★★★★☆

A Thousand Ships by Natalie Haynes

Another retelling of the Trojan war. This is an episodic book that weaves its threads together nicely. Sometimes it’s a little on-the-nose about its intentions but it mostly works very well.

★★★☆☆

Rocannon’s World by Ursula K. Le Guin

Le Guin’s first novel is far from her best work but it’s still better than most sci-fi. A good planetary romance.

★★★☆☆

The Intelligence Illusion by Baldur Bjarnason

Refreshingly level-headed and practical. If you work somewhere that’s considering using generative tools built on large language models, read this before doing anything.

★★★☆☆

Planet Of Exile by Ursula K. Le Guin

The second of Le Guin’s Hainish books. Another planetary romance that’s perfectly fine but not in the same league as her later work.

★★★☆☆

City Of Illusions by Ursula K. Le Guin

The third of the Hainish novels, this one gets pretty trippy. I enjoyed the sensation of not knowing what was going on (much like the protaganist).

★★★☆☆

Babel by R.F. Kuang

This was such a frustrating read! On the one hand, the world-building as absolutely superb. The idea of magic being driven translation is brilliant. So is the depiction of a British empire that exploits and colonises foreign languages. But then the characters in this world are not well realised. The more the book went on, the less believable they seemed.

There’s also a really strange disconnect in the moods of the book; one minute it’s gritty revolutionary fare, the next it’s like Harry Potter goes to Oxford.

It didn’t work for me. And I know that my opinion can be easily dismissed as that of a mediocre middle-aged white man, but I really wanted to like this. I was totally on board with the politics of the book, but the way it hammered me over the head constantly didn’t do it any favours.

A message like “racism is bad” or “colonialism is bad” might work as subtext, but here, where it’s very much the text-text, it doesn’t succeed.

★★☆☆☆

That Old Country Music by Kevin Barry

A collection of short stories set in the west of Ireland. Good stuff.

★★★☆☆

The Silence Of The Girls by Pat Barker

Back to the Trojan war in the first of a series by Pat Barker. She takes a naturalistic tone with the dialogue, modernising it. It works quite well. By this time, having read Madeline Miller’s The Song Of Achilles and Natalie Hayne’s A Thousand Ships, I really felt like I was looking at the same series of events from different angles.

★★★☆☆

An Immense World by Ed Yong

Another great accessible science book from Ed Yong, this time about senses in the animal world. It sometimes feels a bit like a series of articles rather than a single book, but when the articles are this good, that’s absolutely fine.

★★★☆☆

The Water Knife by Paolo Bacigalupi

Okay, this might get a bit ranty…

The plot and the writing style in this book are perfectly fine, gripping even. It’s got that Gibsonesque structure of having two or three different characters in very different settings being propelled towards an inevitable meeting point (it happens pretty much exactly at the half-way point in this book).

But this is a cli-fi book that fails. It will not encourage anyone to take action other than turn into a doomer. Instead of asking what the future might actually be like, it instead asks “what’s the absolute worst that could happen?” Frankly, it’s a cop-out.

The book takes a similar tack with its characters. It assumes everyone’s terrible and will do terrible things. It’s lazy.

So you’ve got an unrelenting series of people behaving terribly in a horrific setting. It gets boring.

I was trying to cut the book some slack, but when there was a rare scene of actual consensual sex, it quickly turned into an adolescent male fantasy.

Reading this was like reading the opposite of Kim Stanley Robinson. Avoid.

★★☆☆☆

The Women Of Troy by Pat Barker

Back to Troy we go for the second in Pat Barker’s series. More good stuff.

★★★☆☆

How to Make the World Add Up: Ten Rules for Thinking Differently About Numbers by Tim Harford

A recommendation from Chris. He thought I’d enjoy this and he was not wrong. Tim Harford strikes just the right tone as he relays stories of statistics gone wrong as well as statistics done right.

★★★☆☆

Translation State by Ann Leckie

I’ll read anything by Ann Leckie. I loved her Imperial Radch series and this book is set in the same universe. There’s a strange juxtaposition of body horror in places with a Becky Chambers style cosiness. It’s partly a courtroom drama, but one where the courtroom gets very dramatic indeed. And there are lots of questions around identity and belonging. I liked it.

★★★☆☆

Trespasses by Louise Kennedy

Full disclosure: the author is a cousin of a friend of mine. She told me how much of this book was based on actual family history. It’s set in Belfast in the 70s and it is very vivid in a very kitchen-sink kind of way. It feels all-too real. Recommended.

★★★☆☆

Children Of Ruin by Adrian Tchaikovsky

The sequel to Children Of Time doesn’t quite hit the same high bar, but it’s still an excellent rip-roaring space adventure that continues the themes of evolution and time. Thoroughly enjoyable.

★★★☆☆

Clytemnestra by Costanza Casati

My final foray to ancient Greece for the year. This is a debut novel that’s absolutely on par with the other Homeric writers I’ve been reading. Even though you know where things are headed, you can’t turn away. In other words, it’s a classic Greek tragedy.

★★★☆☆

Extra(ordinary) People by Joanna Russ

I had’t read any Joanna Russ before, which was something I’ve been meaning to rectify. I picked up a second-hand copy of this slim volume of short stories that was published by The Women’s Press back in the 80s but which is now out of print. Stories are vaguely connected and they all explore identity, gender, disguises and passing. But it’s the opening award-winning story Souls that’s the real stand-out. Well worth reading.

★★★☆☆

So that was my reading year. There were some disappointments in the sci-fi category, with both Babel and The Water Knife, but generally the quality was high.

I didn’t really read enough non-fiction to choose a best one of the year.

When it came to fiction, there was a clear winner: Circe by Madeline Miller.

If you fancy reading any of the books I’ve reviewed here, there’s a list of them on bookshop.org. Or go to your local library.

If you’re interested in my round-ups from previous years, here they are:

• Books I read in 2022,
• Books I read in 2021,
• Books I read in 2020,
• Books I read in 2019,
• Books I read in 2018, and
• Books I read in 2017.

I was doing some housekeeping on my website recently, tidying up some broken links, that kind of thing. I happened on the transcript and video for the talk I gave two years ago called “Sci-fi and Me.”

I really enjoyed preparing and giving that talk. It’s the kind of topic I’d love to speak/podcast about more.

Part of the structure of the talk involved me describing ten topics that might be encountered in the literature of science fiction. I describe the topic, mention some examples, and then choose one book as my pick for that topic.

For the topic of post-apocalypse stories, I chose Emily St. John Mandell’s Station Eleven. I love that book, and the equally excellent—though different—television series.

I’ve written in the past about why I love it:

Station Eleven describes a group of people in a post-pandemic world travelling around performing Shakespeare plays. At first I thought this was a ridiculous conceit. Then I realised that this was the whole point. We don’t have to watch Shakespeare to survive. But there’s a difference between surviving and living.

You’ve got a post-apocalyptic scenario where the pursuit of art helps giving meaning to life. That’s Station Eleven, but it also describes a film currently streaming on Netflix called Apocalypse Clown. Shakespeare’s been swapped for clowning, the apocalypse is set in Ireland, and the film is a comedy, but in a strange way, it tackles the same issue at the heart of Station Eleven: survival is insufficent.

I really enjoyed Apocalypse Clown, mostly down to Natalie Palamides’s scene-stealing performance. It very much slipped by under the radar, unlike the recent Netflix production Leave The World Behind

If you haven’t watched Leave The World Behind yet, stop reading please. Because I want to talk about the ending of the film.

SPOILERS

I never read the Rumaan Alam novel, but I thoroughly enjoyed this film. The mounting dread, the slow trickle of information, all good vibey stuff.

What I really liked was the way you can read the ending in two different ways.

On the large scale, we hear how everything that has unfolded is leading to the country tearing itself apart—something we see beginning to happen in the distance.

But on the smaller scale, we see people come together. When the final act was introduced as “The Last One” I thought we might be in for the typical trope of people turning on one another until there’s a final survivor. But instead we see people who have been mistrustful of one another come to help each other. It felt very true to the reality described in Rebecca Solnit’s excellent A Paradise Built In Hell.

The dichotomy between the large-scale pessimism and the smale-scale optimism rang true. It reminded me of The Situation. The COVID-19 pandemic was like a Rorscharch test that changed as you zoomed in and out:

I’ve noticed concentric circles of feelings tied to geography—positive in the centre, and very negative at the edges. What I mean is, if you look at what’s happening in your building and your street, it’s quite amazing how people are pulling together.

But once you look further than that, things turn increasingly sour. At the country level, incompetence and mismanagement seem to be the order of the day. And once you expand out to the whole world, who can blame you for feeling overwhelmed with despair?

But the world is made up of countries, and countries are made up of communities, and these communities are made up of people who are pulling together and helping one another.

Quite a few people have been linking to this list on The Verge of what they consider the greatest tech books of all time.

To be clear, this is a fairly narrow definition of technology. It’s really a list of books about the history of computing. But there’s some great stuff in there.

I’ve been thinking the books about computing and technology that I’ve managed to get around to reading, and which ones made an impact on me. Some of these made it on The Verge’s list too, which is nice to see.

Broad Band by Clare L. Evans

I was blown away by the writing and the stories uncovered in “the untold story of the women who made the internet.” Here’s what I wrote when I read the book:

This book is pretty much the perfect mix. The topic is completely compelling—a history of women in computing. The stories are rivetting—even when I thought I knew the history, this showed me how little I knew. And the voice of the book is pure poetry.

It’s not often that I read a book that I recommend wholeheartedly to everyone. I prefer to tailor my recommendations to individual situations. But in the case of Broad Band, I honesty think that anyone would enjoy it.

Uncanny Valley by Anna Wiener

I read this one in 2020, not too long after it came out. In my end of year round-up, I described it like this:

A terrific memoir. It’s open and honest, and just snarky enough when it needs to be.

Close to the Machine by Ellen Ullman

I read this in 2018, many years after it first came out. Here’s how it came across to me:

Lots of ’90s feels in this memoir. A lot of this still resonates today. It’s kind of fascinating to read it now with the knowledge of how this whole internet thing would end up going.

Abolish Silicon Valley by Wendy Liu

This book is mostly excellent. But as I wrote when I got my hands on an advance copy, the juxtaposition of memoir and manifesto didn’t work for me:

Abolish Silicon Valley is 80% memoir and 20% manifesto. I worry that the marketing isn’t making that clear. It would be a shame if this great book didn’t find its audience.

The Victorian Internet by Tom Standage

Okay, this isn’t technically about computing, it’s about the telegraph. But it’s got the word “internet” in the title, and it’s a terrific read. Here’s what I wrote when I put it in Matt’s book-vending machine:

A book about the history of telegraphy might not sound like the most riveting read, but The Victorian Internet is both fascinating and entertaining. Techno-utopianism, moral panic, entirely new ways of working, and a world that has been utterly transformed: the parallels between the telegraph and the internet are laid bare. In fact, this book made me realise that while the internet has been a great accelerator, the telegraph was one of the few instances where a technology could truly be described as “disruptive.”

When Jason linked to the list of books on The Verge he said:

I’m baffled that Tracy Kidder’s amazing The Soul of a New Machine didn’t make the top 5 or even 10.

I’m more surprised that this book is held in such high esteem. It has not aged well. I read it in 2019 and had this to say:

This is a well-regarded book amongst people whose opinion I value. It’s also a Pulitzer prize winner. Strange, then, that I found it so unengaging. The prose is certainly written with gusto, but it all seems so very superficial to me. No matter how you dress it up, it’s a chronicle of a bunch of guys—and oh, boy, are they guys—making a commercial computer. Testosterone and solder—not my cup of tea.

I’ve been banging the drum for a button type="share" for a while now.

I’ve also written about other potential button types. The pattern I noticed was that, if a JavaScript API first requires a user interaction—like the Web Share API—then that’s a good hint that a declarative option would be useful:

The Fullscreen API has the same restriction. You can’t make the browser go fullscreen unless you’re responding to user gesture, like a click. So why not have button type=”fullscreen” in HTML to encapsulate that? And again, the fallback in non-supporting browsers is predictable—it behaves like a regular button—so this is trivial to polyfill.

There’s another “smell” that points to some potential button types: what functionality do browsers provide in their interfaces?

Some browsers provide a print button. So how about button type="print"? The functionality is currently doable with button onclick="window.print()" so this would be a nicer, more declarative way of doing something that’s already possible.

It’s the same with back buttons, forward buttons, and refresh buttons. The functionality is available through a browser interface, and it’s also scriptable, so why not have a declarative equivalent?

How about bookmarking?

And remember, the browser interface isn’t always visible: progressive web apps that launch with minimal browser UI need to provide this functionality.

Šime Vidas was wondering about button type="copy” for copying to clipboard. Again, it’s something that’s currently scriptable and requires a user gesture. It’s a little more complex than the other actions because there needs to be some way of providing the text to be copied, but it’s definitely a valid use case.

• button type="share"
• button type="fullscreen"
• button type="print"
• button type="bookmark"
• button type="back"
• button type="forward"
• button type="refresh"
• button type="copy"

Any more?

There are two kinds of time-travel stories.

There are time-travel stories that explore the many-worlds hypothesis. Going back in time and making a change forks the universe. But the universe is constantly forking anyway. So effectively the time travel is a kind of universe-hopping (there’s a big crossover here with the alternative history subgenre).

The problem with multiverse stories is that there’s always a reset available. No matter how bad things get, there’s a parallel universe where everything is hunky dory.

The other kind of time travel story explores the idea of a block universe. There is one single timeline.

This is what you’ll find in Tenet, for example, or for a beautiful reduced test case, the Ted Chiang short story What’s Expected Of Us. That gets straight to the heart of the biggest implication of a block universe—the lack of free will.

There’s no changing what has happened or what will happen. In fact, the very act of trying to change the past often turns out to be the cause of what you’re trying to prevent in the present (like in Twelve Monkeys).

I’ve often referred to these single-timeline stories as being like Greek tragedies. But only recently—as I’ve been reading quite a bit of Greek mythology—have I realised that the reverse is also true:

Greek tragedies are time-travel stories.

Hear me out…

Time-travel stories aren’t actually about physically travelling in time. That’s just a convenience for the important part—information travelling in time. That’s at the heart of most time-travel stories; informaton from the future travelling back to the past.

William Gibson’s The Peripheral—very much a many-worlds story with its alternate universe “stubs”—takes this to its extreme. Nothing phyiscal ever travels in time. But in an age of telecommuting, nothing has to. Our time travellers are remote workers.

That book also highlights the power dynamics inherent in information wealth. Knowledge of the future gives you an advantage that you can exploit in the past. This is what Mark Twain’s Connecticut yankee does in King Arthur’s court.

This power dynamic is brilliantly inverted in Octavia Butler’s brilliant Kindred. No amount of information can help you if your place in society is determined by the colour of your skin.

Anyway, the point is that information flow is what matters in time-travel stories. Therefore any story where information travels backwards in time is a time-travel story.

That includes any story with a prophecy. A prophecy is information about the future, like:

Oedipus will kill his father and marry his mother.

You can try to change your fate, but you’ll just end up triggering it instead.

Greek tragedies are time-travel stories.