Now we have this collision of those who, with the specific intent of creative expression, make things that are wholly the product of their unique experience and skills and offer them in the marketplace. Then there are those who use machines to produce derivatives of other’s creative work to offer as products in the marketplace. Both are seeking an audience and financial benefit for their offering.
Those who wholly manufacture creative works are asking the same value be put on their imitation of creative expression as the value inherent with sentient creation. They are saying they deserve the same recognition—be that in respect, attention, acknowledgement or compensation—that works created by a person might receive. But they haven’t earned it.
Using generative AI is to ask What If but then hand off not only the responsibility and effort of answering the question but also accountability for the answer. When the machine creates something pleasing or marketable, it’s “look at what I did”. When the machine creates something terrible or wrong, it’s “not my fault, the machine did it”. The claim of ownership is conditional and only maintained if the output can generate value.
There’s so much to love here, like this:
My art is the story of how I have spent the time in my life.
And this:
The value of an idea comes from the execution of the idea.
The short version of what I want to say is: vibe coding seems to live very squarely in the land of prototypes and toys. Promoting software that’s been built entirely using this method would be akin to sending a hacked weekend prototype to production and expecting it to be stable.
Remy is taking a very sensible approach here:
I’ve used it myself to solve really bespoke problems where the user count is one.
Would I put this out to production: absolutely not.
Looking at LLM usage and promotion as a cultural phenomenon, it has all of the markings of a status game. The material gains from the LLM (which are usually quite marginal) really aren’t why people are doing it: they’re doing it because in many spaces, using ChatGPT and being very optimistic about AI being the “future” raises their social status. It’s important not only to be using it, but to be seen using it and be seen supporting it and telling people who don’t use it that they’re stupid luddites who’ll inevitably be left behind by technology.
My main problem with AI is not that that it creates ugly, immoral, boring slop (which it does). Nor even that it disenfranchises artists and impoverishes workers, (though it does that too).
No, my main problem with AI is that its current pitch to the public is suffused with so much unsubstantiated bullshit, that I cannot banish from my thoughts the sight of a well-dressed man peddling a miraculous talking dog.
They’ve also managed to muddy the waters of online information gathering to the point that that even if we scrubbed every trace of those hallucinations from the internet – a likely impossible task - the resulting lack of trust could never quite be purged. Imagine, if you will, the release of a car which was not only dangerous and unusable in and of itself, but which made people think twice before ever entering any car again, by any manufacturer, so long as they lived. How certain were you, five years ago, that an odd ingredient in an online recipe was merely an idiosyncratic choice by a quirky, or incompetent, chef, rather than a fatal addition by a robot? How certain are you now?