Link tags: culture

JavaScript broke the web (and called it progress) - Jono Alderson

Semantic HTML? Optional. Server-side rendering? Rebuilt from scratch. Accessibility? Maybe, if there’s time. Performance? Who cares, when you can save costs by putting loading burdens onto the user’s device, instead of your server?

So gradually, the web became something you had to compile before you could publish. Not because users needed it. But because developers wanted it to feel modern.

Everything’s optimised for developers – and hostile to everyone else.

This isn’t accidental. It’s cultural. We’ve created an industry where complexity is celebrated. Where cleverness is rewarded. Where engineering sophistication is valued more than clarity, usability, or commercial effectiveness.

Ensloppification – David Bushell – Web Dev (UK)

Frankly, I’d rather quit my career than live in the future they’re selling. It’s the sheer dystopian drabness of it. Mediocrity as a service.

I tried the tab-completion slot machines; not my cup of tea. I tried image generation and was overcome with literal depression. I don’t want a future as a “prompt artist”.

I’m mostly linking this for what it says, but oh boy, do I love the way it says it with this wonderful HTML web compenent.

The Who Cares Era | dansinker.com

AI is, of course, at the center of this moment. It’s a mediocrity machine by default, attempting to bend everything it touches toward a mathematical average. Using extraordinary amounts of resources, it has the ability to create something good enough, a squint-and-it-looks-right simulacrum of normality. If you don’t care, it’s miraculous.

In the Who Cares Era, the most radical thing you can do is care.

In a moment where machines churn out mediocrity, make something yourself. Make it imperfect. Make it rough. Just make it.

Keeping up appearances | deadSimpleTech

Looking at LLM usage and promotion as a cultural phenomenon, it has all of the markings of a status game. The material gains from the LLM (which are usually quite marginal) really aren’t why people are doing it: they’re doing it because in many spaces, using ChatGPT and being very optimistic about AI being the “future” raises their social status. It’s important not only to be using it, but to be seen using it and be seen supporting it and telling people who don’t use it that they’re stupid luddites who’ll inevitably be left behind by technology.

Petition · Defend the Internet Archive - United States · Change.org

Signed!

We, the undersigned, call on the record labels and members of the Recording Industry Association of America (RIAA)—including UMG, Capitol Records, Concord Bicycle Assets, CMGI Recorded Music Assets, Sony Music Entertainment, and Arista Music—to drop your lawsuit against the Internet Archive.

Beach daydreams, lost at sea (Interconnected)

Matt’s beach thoughts are like a satisfying susurrus in my RSS reader.

Severance Is the Future Tech Bros Want - Reactor

The tech bros advocating for generative AI to take over art are at the same level of cultural refinement as the characters in Severance. They’re creating apps to summarize books to people, tweeting from accounts with Greek statue profile pictures.

GenAI would automate Lumon’s cultural mission, allowing humans to sever themselves from the production of art and culture.

The web on mobile (a response) | Clagnut by Richard Rutter

Rich suggests another reason why the UX of websites on mobile is so shit these days:

The path to installing a native app is well trodden. We search the App Store (or ironically follow a link from a website), hit ‘Get’ and the app is downloaded to our phone’s home screen, ready to use any time with a simple tap.

A PWA can also live on your home screen, nicely indistinguishable from a native app. But the journey to getting a PWA – or indeed any web app – onto your home screen remains convoluted to say the least. This is the lack of equivalence I’m driving at. I wonder if the mobile web experience would suck as badly if web apps could be installed just as easily as native apps?

If Not React, Then What? - Infrequently Noted

Put the kettle on; it’s another epic data-driven screed from Alex. The footnotes on this would be a regular post on any other blog (and yes, even the footnotes have footnotes).

This is a spot-on description of the difference between back-end development and front-end development:

Code that runs on the server can be fully costed. Performance and availability of server-side systems are under the control of the provisioning organisation, and latency can be actively managed by developers and DevOps engineers.

Code that runs on the client, by contrast, is running on The Devil’s Computer. Nothing about the experienced latency, client resources, or even available APIs are under the developer’s control.

Client-side web development is perhaps best conceived of as influence-oriented programming. Once code has left the datacenter, all a web developer can do is send thoughts and prayers.

As a result, an unreasonably effective strategy is to send less code. In practice, this means favouring HTML and CSS over JavaScript, as they degrade gracefully and feature higher compression ratios. Declarative forms generate more functional UI per byte sent. These improvements in resilience and reductions in costs are beneficial in compounding ways over a site’s lifetime.

2004 was the first year of the future

I enjoyed reading through these essays about the web of twenty years ago: music, photos, email, games, television, iPods, phones…

Much as I love the art direction, you’d never know that we actually had some very nice-looking websites back in 2004!

The mainstreaming of ‘AI’ scepticism – Baldur Bjarnason

1. Tech is dominated by “true believers” and those who tag along to make money.
2. Politicians seem to be forever gullible to the promises of tech.
3. Management loves promises of automation and profitable layoffs.

But it seems that the sentiment might be shifting, even among those predisposed to believe in “AI”, at least in part.

Rise of the Ghost Machines - The Millions

This thing that we’ve been doing collectively with our relentless blog posts and pokes and tweets and uploads and news story shares, all 30-odd years of fuck-all pointless human chatterboo, it’s their tuning fork. Like when a guitarist plays a chord on a guitar and compares the sound to a tuner, adjusts the pegs, plays the chord again; that’s what has happened here, that’s what all my words are, what all our words are, a thing to mimic, a mockingbird’s feast.

Every time you ask AI to create words, to generate an answer, it analyzes the words you input and compare those words to the trillions of relations and concepts it has already categorized and then respond with words that match the most likely response. The chatbot is not thinking, but that doesn’t matter: in the moment, it feels like it’s responding to you. It feels like you’re not alone. But you are.

The Danger Of Superhuman AI Is Not What You Think - NOEMA

Once you have reduced the concept of human intelligence to what the markets will pay for, then suddenly, all it takes to build an intelligent machine — even a superhuman one — is to make something that generates economically valuable outputs at a rate and average quality that exceeds your own economic output. Anything else is irrelevant.

By describing as superhuman a thing that is entirely insensible and unthinking, an object without desire or hope but relentlessly productive and adaptable to its assigned economically valuable tasks, we implicitly erase or devalue the concept of a “human” and all that a human can do and strive to become. Of course, attempts to erase and devalue the most humane parts of our existence are nothing new; AI is just a new excuse to do it.

Muscular imagination

Robin Sloan on The Culture:

The Culture is a utopia: a future you might actually want to live in. It offers a coherent political vision. This isn’t subtle or allegorical; on the page, citizens of the Culture very frequently artic­u­late and defend their values. (Their enthu­siasm for their own politics is consid­ered annoying by most other civilizations.)

Coherent political vision doesn’t require a lot, just some sense of “this is what we ought to do”, yet it is absent from plenty of science fiction that dwells only in the realm of the cautionary tale.

I don’t have much patience left for that genre. I mean … we have been, at this point, amply cautioned.

Vision, on the other hand: I can’t get enough.

a view source web

As a self-initiated learner, being able to view source brought to mind the experience of a slow walk through someone else’s map.

This ability to “observe” software makes HTML special to work with.

Deplatforming Myself: A Tech Manifesto – Haste Makes Waste

The modern web is constantly, endlessly hoovering up massive amounts of data about you, only some of which is correct, and then feeding you its best guess of what will glue your eyeballs to the screen just a little bit longer, no matter what that is, whether it’s actually good for you or not.

To Own the Future, Read Shakespeare | WIRED

I see what you nerds have done with AI image-creation software so far. Look at Midjourney’s “Best of” page. If you don’t know a lot about art but you know what you like, and what you like is large-breasted elf maidens, you are entering the best possible future.

Hixie’s Natural Log: Reflecting on 18 years at Google

On leaving the company, Hixie compares the Google of old to what it has become today:

Google’s culture eroded. Decisions went from being made for the benefit of users, to the benefit of Google, to the benefit of whoever was making the decision. Transparency evaporated. Where previously I would eagerly attend every company-wide meeting to learn what was happening, I found myself now able to predict the answers executives would give word for word. Today, I don’t know anyone at Google who could explain what Google’s vision is. Morale is at an all-time low. If you talk to therapists in the bay area, they will tell you all their Google clients are unhappy with Google.

Electric mountain: the power station that shows the beauty of infrastructure | Wales | The Guardian

This extract from Deb Chachra’s new book confirms that it’s a must-read. The writing fairly sings with infectious enthusiasm!

Emily F. Gorcenski: How I Read 40 Books and Extinguished the World on Fire

I’ve found that there’s way more good people than bad. There’s way more people willing to help than willing to hurt. Some things are really scary but there’s way more people out there willing to guide us through the darkness than we think. The cynic in me wants to say that the “powers that be” want us to be endlessly doomscrolling and losing hope and snuffing out optimism. We shouldn’t give them what they want. There’s a lot of beauty in the world still within our grasp. We’re better when we’re poets, when we’re learners and listeners, when we’re builders and not breakers.