Link tags: lice

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“Wait, not like that”: Free and open access in the age of generative AI

Anyone at an AI company who stops to think for half a second should be able to recognize they have a vampiric relationship with the commons. While they rely on these repositories for their sustenance, their adversarial and disrespectful relationships with creators reduce the incentives for anyone to make their work publicly available going forward (freely licensed or otherwise). They drain resources from maintainers of those common repositories often without any compensation.

Even if AI companies don’t care about the benefit to the common good, it shouldn’t be hard for them to understand that by bleeding these projects dry, they are destroying their own food supply.

And yet many AI companies seem to give very little thought to this, seemingly looking only at the months in front of them rather than operating on years-long timescales. (Though perhaps anyone who has observed AI companies’ activities more generally will be unsurprised to see that they do not act as though they believe their businesses will be sustainable on the order of years.)

It would be very wise for these companies to immediately begin prioritizing the ongoing health of the commons, so that they do not wind up strangling their golden goose. It would also be very wise for the rest of us to not rely on AI companies to suddenly, miraculously come to their senses or develop a conscience en masse.

Instead, we must ensure that mechanisms are in place to force AI companies to engage with these repositories on their creators’ terms.

Public Domain Image Archive

Explore our hand-picked collection of 10,046 out-of-copyright works, free for all to browse, download, and reuse. This is a living database with new images added every week.

Openly Licensed Images, Audio and More | Openverse

A library of CC-licensed photos.

Next time you’re tempted to use a generative “AI” tool to make an image for a slide deck, use this instead.

A principled approach to evolving choice and control for web content

This would mean a lot more if it happened before the wholesale harvesting of everyone’s work.

But I’m sure Google will put a mighty fine lock on that stable door that the horse bolted from.

A History Of The World According To Getty Images

A short documentary that you can dowload or watch online:

The film explores how image banks including Getty gain control over, and then restrict access to, archive images – even when these images are legally in the public domain. It also forms a small act of resistance against this practice: the film includes six legally licensed clips, and is downloadable as an HD ProRes file. In this way, it aims to liberate these few short clips from corporate control, and make them freely available for viewing and artistic use.

Licensed under aCreative Commons 0: “No rights reserved” license.

Openly Licensed Images, Audio and More | Openverse

A search engine for images and audio that’s either under a Creative Commons license or is in the public domain.

Гибкий веб-дизайн

Well, this is just wonderful! Students from Moscow Coding School are translating Resilient Web Design into Russian. Three chapters done so far!

This is literally the reason why I licensed the book with a Creative Commons Attribution‐ShareAlike license.

Employee-surveillance software is not welcome to integrate with Basecamp - Signal v. Noise

Look, employers are always free to – and should! – evaluate the work product produced by employees. But they don’t have to surveil someone’s every move or screenshot their computer every five minutes to do so. That’s monitoring the inputs. Monitor the outputs instead, and you’ll have a much healthier, saner relationship.

If you hire smart, capable people and trust them to do good work – surprise-surprise – people will return the sentiment deliver just that! The irony of setting up these invasive surveillance regimes is that they end up causing the motivation to goof off to beat the very systems that were setup to catch such behavior.

Open source beyond the market - Signal v. Noise

The transcript of David Heinemeier Hansson keynote from last year’s RailsConf is well worth reading. It’s ostensibily about open source software but it delves into much larger questions.

A Walk In Hong Kong (Idle Words)

Maciej goes marching.

The protests are intentionally decentralized, using a jury-rigged combination of a popular message board, the group chat app Telegram, and in-person huddles at the protests.

This sounds like it shouldn’t possibly work, but the protesters are too young to know that it can’t work, so it works.

Design’s Lost Generation – Mike Monteiro – Medium

Mike pours his heart out on Ev’s blog.

I’m not entirely sure if I agree with him about licensing or certification for designers (and developers?), but I absolutely 100% agree on the need for unionisation.

We need to be held accountable for our actions. We’ve been moving fast. We’ve been breaking things. Sometimes on purpose. Sometimes out of ignorance. The effects are the same. The things we’re building are bigger than they used to be, and have more reach. The moment to slow down is here. Because what we’re breaking is too important and too precious. Much of it is irreplaceable.

[this is aaronland] fault lines — a cultural heritage of misaligned expectations

When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.

It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.

It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.

Open Access at ESA

Images, videos, sounds, and 3D models are now available from the European Space Agency under a Creative Commons Attribution Share-alike license.

The Long, Remarkable History of the GIF

The history of the GIF—a tale of licensing, compression, and standards.

Introducing Soundslice offline mode | The Soundslice Blog

Adrian documents how he’s using Service Workers on Soundslice. I could imagine doing something similar for The Session.

Flickr: Official SpaceX Photos’ Photostream

SpaceX has a Flickr account, and you have permission to use these photos.

The Spirit of Flickr and the Problem of Intent - mor10.com

This is a superbly-written, empathetic, nuanced look at the issues around Creative Commons licensing, particularly the danger of inferring a “spirit” in a legal agreement.

“Spirit” as it’s being used in this conversation is a relative term. You have the spirit of the user, the spirit of the license, the spirit of the community, the spirit of the service, and the spirit of the law. All these can align and all these can diverge and that’s OK. It is also the reason we have a legal system that sets clear parameters for how things can be interpreted: Spirit is relative, legal decisions and documents are not (at least in theory). The whole idea of a legal contract (under which we can find CC licenses) is that there is no room for interpretation. The meaning of the document is singular, unambiguous, and not up for debate. Of course this is purely theoretical, but that’s the idea anyway.

The problem arises when the spirit – or intent – of the user when applying a license differs from the actual legal interpretation of that same license.

Flickr Users Are Wrong by Tom Lee

The title is harsh, but this is a good summation of the issues involved in choosing a Creative Commons licence.

Open licensing is about giving up control so that other people can benefit. That’s all it will cost you: control. Having control feels nice. But you should ask yourself what it really gets you. And you should think about what others might gain if you were able to let go.

Think carefully and decide what you need. No one is going to make you tick that Creative Commons box. But when you do, it’s a promise.

Flickr: The British Library’s Photostream

This is a wonderful addition to the already-wonderful Flickr Commons: over one million pictures from the British Library, available with liberal licensing.

Y’know, I’m worried about what will happen to my own photos when Flickr inevitably goes down the tubes (there are still some good people there fighting the good fight, but they’re in the minority and they’re battling against the douchiest of Silicon Valley managerial types who have been brought in to increase “engagement” by stripping away everything that makes Flickr special) …but what really worries me is what’s going to happen to Flickr Commons. It’s an unbelievably important and valuable resource.

Where are British Library images

The document that officially put the World Wide Web into the public domain on 30 April 1993. - CERN Document Server

Earlier today, thanks to Robert Cailliau, I held the only notarised copy of this document. That was quite a feeling.