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Kojika Monogatari

Anime: Kojika Monogatari

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Kojika Monogatari
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Main Title Kojika Monogatari (a3664)
Official Title javerified
Official Title deverified
Official Title etverified
Official Title nlverified
Synonym Il cucciolo, Story of a Fawn, The Yearling
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main cast

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Toda Keiko as Fodder-wing
Oota Yoshiko as Jody Baxter
Takada Yumi as Ellery Boyles
Kitamura Kouichi as Forrester
Nunami Terue as Forrester no Tsuma
Keaton Yamada as Gabby
Koumura Toshiko as Hatto-obasan
Tatsuta Naoki as Lem
Katou Osamu as Mill-Wheel
Mutou Reiko as Ory

main staff

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Original Work: Marjorie Kinnan Rawlings
Direction: Oosumi Masaaki
Series Composition: Yukimuro Shun`ichi
Character Design: Seki Shuuichi
Music: Kamiyama Jun`ichi Sugiyama Kouichi
* Based on The Yearling (1938) by Marjorie Kinnan Rawlings.

A young boy discovers a fawn whose mother has been hit by a car and attempts to raise it himself.

Statistics

Score/Rank by

3.69 (31)
#11307 (#57)
#12212 (#62)

Running Time

approx. 21h 40m

Completed

46 (38.7%)

Watching

1 (0.8%)

Plan to Watch

59 (49.6%)

Dropped

13 (10.9%)
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Posts: 63
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· plot continuityConsistency of the characteristics of persons, plot, objects, places and events seen by the viewer. A single linear focused plot is highly continuous. A truly random plot is highly discontinuous. **
· tragedyTragedy is a form of drama characterized by seriousness and dignity, usually involving a conflict between a character and some higher power, such as the law, the gods, fate, or society. *+
· Japanese productionno description set weightless
· novelA novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. Manga, comics, or visual novels do not fit this description and are not considered novels; including a small number of illustrations, however, is still permissible, which means that light novels are considered novels. weightless
· placeThe places the anime can take place in. Includes more specific places such as a country on Earth, as well as more general places such as a dystopia or a mirror world.
· · EarthThe Earth is the third planet from the Sun. It is a ball of hot mud, but on the surface it`s cold enough, so most of us live on it (or are supposed to). To its inhabitants, our planet is their home, so, as a species, we cherish it to the point many cultures even to this day deify it. The Earth is the main setting of most fiction, but many titles are set in other places, such as unrelated fantasy worlds, and in a considerable number of fictional titles the Earth is actually destroyed by invaders. +
· · · AmericasThe Americas, also collectively called America, encompass the totality of the continents of North America and South America. Together they make up most of Earth`s western hemisphere and comprise the New World. *+
· · · · United StatesThe United States of America (commonly referred to as the United States, the U.S., the USA, or America) is a federal constitutional republic comprising fifty states and a federal district. **+
· timeThis placeholder lists different epochs in human history and more vague but important timelines such as the future, the present and the past.
· · pastAnime that takes place in the past or clearly seems to take place in the past in case of an alternative universe. This category should almost always go together with one of its sub-categories, because the past can either be a depiction of a historical event(s) or not, in which case it would be alternative past. *
· · · historicalHistorical anime have clear ties to our history and usually occur in a particular epoch. *+
· minaIn the context of manga and associated media, the word mina refers to a broad audience, which can be said to be "the entire family", from the grumpy grandpa to the newborn baby. In Japanese, the word means simply "everyone", and has no anime/manga-related connotations at all. weightless
· coming of ageIn the strict sense the Coming of age describes a young person`s transition from adolescence to adulthood. In anime the term is used in a more general sense where the protagonists have to face a challenge, make an important decision in their life, take on responsibility, or learn a lesson, and by overcoming these obstacles they reach a higher level of maturity. ***
· daily lifeThe antics of the protagonists do not take place in some exotic setting or time, but in everyday life. Daily Life is basically a synonym for everything normal, repetitive, and trivial happening to your average person. *+

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accessoriesAccessories are objects characters use or sometimes simply carry around.

glasses (1)Glasses (also called eyeglasses or spectacles) are frames bearing lenses worn in front of the eyes, normally for vision correction, eye protection, or for protection from UV rays. For practical tagging purposes, sunglasses should not be considered glasses; the "glasses" tag is specifically about the type that doesn`t block light. However, a character who wears prescription glasses with dark lenses or who wears both eyewear types should take both tags.

entityno description set

deer (1)no description setdog (1)The dog is carnivorous mammal and a subspecies of the gray wolf. Dogs were the first domesticated animal and have been the most widely kept working, hunting, and pet animal in human history. Their value to early human hunter-gatherers quickly made them ubiquitous. They perform many roles for people, and their impact on human society nicknamed them "man`s best friend" in the Western world. Most dog breeds have been developed through selective breeding for particular morphologies and behaviours.

fashion accessoriesno description set

hair ribbon (1)Hair ribbons are ribbons used both as hair decorations and as hair ties. Hair ribbons are often tied into bows. They may also be present as part of a hairband. In older anthropomorphic series, where the gender of characters was sometimes hard to tell at first glance, ribbon bows were used to indicate a female character.

looksThe looks are a person`s physical appearance. They are commonly used to describe people. Specific parts of one`s looks are most often referred to when especially pleasing or attractive, and sometimes also when particularly jarring.

drill hair (1)An easy way to tell if a female character in Japanese media is of high social standing is to not look for a crown or an Ermine Cape, but to look at the front of her head. Specifically, look for two long, curled locks of hair, framing the face. If she has them, she either is high class or acts like it. Needless to say, this is pretty much mandatory for the Ojou. Some Elegant Gothic Lolitas also sport this hairstyle.twin braid tails (1)Hair braids can be tied as a pair of twin braid tails.

traitsTraits are characteristics, habits, or trends that can be associated to and may be used to identify individuals.

child (1)A child is any person 3 to 12 years old. In everyday usage, babies (younger than 3 years old) are also children, but they are tagged separately; they should not be tagged child as well. Once a person becomes 13, they are an adolescent instead.
  • Cast
  • Staff
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  • Discography
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Cast

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main character
Fodder-wing
episode appearance appears in ep: 1-25, 27, 29-31, 33-50
male
voiced by:
Jody Baxter
male
voiced by:
secondary cast
Arch
male
Forrester
male
voiced by:
Gabby
male
voiced by:
Lem
male
voiced by:
Mill-Wheel
male
voiced by:
Oliver
episode appearance appears in ep: 19, 21, 31
male
Ory
female
voiced by:
Pack
male
voiced by:
Penny
male
voiced by:
Twink
episode appearance appears in ep: 2-14, 17-21, 31, 44-45
female
voiced by:
Wilson
episode appearance appears in ep: 2-3
male
voiced by:

staff

add/edit staff credits
Credit Name in Episodes Comment
Original Work (原作) Marjorie Kinnan Rawlings
Direction (監督) Oosumi Masaaki
Series Composition (シリーズ構成) Yukimuro Shun`ichi
Character Design (キャラクターデザイン) Seki Shuuichi
Setting (設定) Kobayashi Shichirou
Music (音楽) Kamiyama Jun`ichi
Sugiyama Kouichi
Sound Direction (音響監督) Yamada Etsuji
Editing (編集) Ogata Harutoshi
Photographic Direction (撮影監督) Yoshizaka Ken`ichi
Production Manager (制作管理) Miyashita Yuuji 28
立津義三 28
Producer (プロデューサー) Ishiguro Kouichi
Watanabe Tadami
広田義朗
Planning (企画) Kaneko Mitsuru
伊藤章彦
Script/Screenplay (脚本) Yukimuro Shun`ichi 1-8, 11-15, 22, 25, 27-35, 37, 40-41, 43-46, 49-52
Taji Eiichi 9-10, 23-24, 26, 36, 48
Yoshikawa Souji 38, 42, 47
Majima Mitsuru 39
Storyboard (絵コンテ) Okuda Seiji 1-2
Kurokawa Fumio 1, 5, 10, 15, 20, 29-30, 33
Kageyama Yasuo 2, 6, 11, 22, 35, 37, 43-44, 49
浦井恭 3
千葉住子 4
Iwasaki Hiroshi 7, 11-12
Kojima Tamiko 8
Kohanawa Tameo 9
Ikeno Fumio 13
Yamada Katsuhisa 14, 21
高橋唯貴雄 17
Yoshikawa Souji 18
Morita Hiromitsu 19, 24-25, 27, 31, 38, 46, 48, 50-52
Hirata Toshio 28, 40, 47
Ooseki Masayuki 34
Koshi Shigeo 39, 45
Assistant Episode Direction (演出助手) Tanazawa Takashi 14
Miyoshi Masaru 28
Assistant Episode Direction (演出補) Kageyama Yasuo 1-3, 6, 8, 10, 15-16, 18, 21-22, 25, 32, 35, 37-38, 42-43, 47-48, 50, 52
Tsuji Shin`ichi 4, 11-12, 23, 29
Koshi Shigeo 5, 7, 9, 13, 17, 19-20, 28, 33, 36, 40-41, 45, 49
Yamada Katsuhisa 14
Morita Hiromitsu 24, 27, 31, 46, 51
Hirata Toshio 25
Oomachi Shigeru 30
Ooseki Masayuki 34
真砂智康 39, 44
Animation Direction (作画監督) Kosako Yoshishige 2-11, 13, 25-26, 32, 37, 40-41, 45, 47, 49, 52
Momose Yoshiyuki 2-11, 13, 25, 28, 33, 35, 38, 43, 48, 50, 52
Tsuji Shin`ichi 12, 23
Ohara Hidekazu 14
Kitajima Nobuyuki 15, 20, 22, 36, 42
Morita Hiromitsu 24
Yoshida Toshiki 27, 31, 46, 51
津田典和 29
高橋達夫 30
Yanase Jouji 34
Fukuyama Masatoshi 39, 44
Character Check (キャラクターチェック) Kosako Yoshishige 1
Momose Yoshiyuki 1
Seki Shuuichi 1
Key Animation (原画) Sakai Akio 1
Okuyama Reiko 1, 7, 16, 19, 40
Kotabe Youichi 1, 7, 16, 19, 40, 52
Hane Yukiyoshi 1, 8
Yoshida Toshiki 1, 8
Sugawara Hiroki 2, 5, 9, 15 Studio 8x10 (エイトバイテン)
Izawa Harumi 2, 5, 9, 15, 20-21, 32-33, 36, 45, 49 Studio 8x10 (エイトバイテン)
Kominato Noboru 2, 5, 9, 15, 20-21, 32-33, 36, 45, 49 Studio 8x10 (エイトバイテン)
Kitajima Nobuyuki 2, 5, 9, 15, 20, 22, 36, 42 Studio 8x10 (エイトバイテン)
茂木継雄 3
Arihara Seiji 4, 12
Koyama Yoshitaka 4, 12
Okada Seiji 4, 12
津田典和 4, 12
Hamano Kuniko 10
成川裕子 10
町井久美子 10
Hosoya Mitsuru 11, 14
Sasaki Yoshiko 11, 14
Yoshida Tadakatsu 11, 14
三木裕司 13, 17, 30, 39, 44
津村昌貴 13, 17, 30, 39, 44
浅野円 13, 17, 30, 39, 44
久保寺弘 13, 30, 39, 44
石田義秋 17, 30, 39, 44
Studio 8x10 20-22, 36, 42
Utsunomiya Satoru 20-21, 32-33, 36, 45, 49
Gogami Yoshitaka 28
Hirata Toshio 28
Momose Yoshiyuki 28
Takano Noboru 28
In-Between Animation Inspection (動画検査) Hamano Kuniko 1-3, 5-10, 13, 15-16
成川裕子 1-3, 5-10, 13, 15-16
町井久美子 1-3, 5-10, 13, 15-16
In-Between Animation Check (動画チェック) Hamano Kuniko 28
成川裕子 28
町井久美子 28
In-Between Animation (動画) 林あい子 4, 12
白井桂子 4, 12
Horiuchi Hiroyuki 11
Ookubo Tomihiko 11
Yoshida Hajime 11
千田尾秀一 11
Haraguchi Chiharu 12
Houri Kouji 14
Watanabe Keiko 14
水谷キヨ 14
清水千恵子 14
矢野順子 14
Miyazawa Yasunori 30, 39, 44
中西ちづ子 30, 39, 44
小林研二 30, 39, 44
森下昌彦 30, 39, 44
Colour Specification (色指定) Yoshikawa Shin`ichi 28
Colouring (彩色) Iwakiri Norichika 28
Studio Killy 28
新井強 28
Cel Work (セルワーク) 浜下栄 28
Art (美術) Nishi Yoshikuni 28
Background Art (背景) Itou Kouyou 1
Nonomiya Tsunehito 28
Photography (撮影) Fujita Masaaki 28
Isakawa Hiroshi 28
Satou Toshihiko 28
Animation Technician (動画技術) Okuda Seiji 2
林美由樹 2
矢沢勤 2
Background Art Technician (背景技術) Yoshihara Kazusuke 2
重松政春 2
長谷川圭子 2
高橋文昭 2
Sound Adjustment (整音) Ono Atsushi
Production Desk (制作デスク) Suzuki Shigehiro
Assistant Production Manager (制作進行) Takae Yuuji

Group status

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