Episode: Ginga Tetsudou 999 - 32 - Bitten Planet of Stopped Space-Time
Info
The gang encounters the space warrior Edmond inside of the 999. His hometown, "Sweet, Sweet Planet" is shaped like an apple that has hadbites taken out of it. Because the ground tastes very sweet and delicious, the government has sold the land and it's taken on a very ugly appearance. Upset by this, Edmond tried to battle the government, but...
Source: crunchyroll
Source: crunchyroll
Airing Schedule
- Staff
- assign existing Cast
- add Cast
- collapse pane
staff
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Chief Designer (チーフデザイナー) | Urata Mataji | 19-113 | |
| Chief Animation Supervision (総作画監修) | Kogawa Tomonori | 31-63, 74-88 | |
| Music Selection (選曲) | Miyashita Shigeru | ||
| Sound Effects (効果) | Matsuda Akihiko | ||
| Editing (編集) | Yoshikawa Yasuhiro | 18-113 | Tavac (タバック) |
| Production Manager (製作担当) | Saeki Masahisa | ||
| Planning (企画) | Bessho Takaharu | 1-61 | Fuji TV (フジテレビ) |
| Script/Screenplay (脚本) | Yoshida Yoshiaki | 3, 9-10, 15, 18, 20, 23, 29, 32, 36, 58 | |
| Storyboard (絵コンテ) | Hisaoka Takashi | 32 | |
| Minoguchi Katsumi | 32, 54, 88, 93 | ||
| Episode Direction (演出) | Hisaoka Takashi | 32 | |
| Minoguchi Katsumi | 32, 54, 77, 88, 93 | ||
| Animation Direction (作画監督) | Kanemori Yoshinori | 1, 7, 12, 16, 22, 29, 32, 49, 52, 56, 62, 67, 70, 80, 86, 89, 106, 109 | |
| Animation (作画) | Saitou Kumiko | 1, 7-8, 12, 16, 22, 29, 32, 35, 41 | |
| 佐藤啓一 | 1, 7, 12, 16, 22, 29, 32, 35, 41, 49, 52, 54, 56, 62, 65, 70, 80, 86, 89, 106, 109 | ||
| 松本美代子 | 1, 7, 12, 16, 22, 29, 32, 35, 41, 49, 52, 54, 62, 65, 70, 72, 76, 80, 86, 89, 106, 109 | ||
| Inano Yoshinobu | 1, 7, 12, 16, 22, 29, 32, 49, 52, 56, 62, 67, 70, 80, 86, 89, 106, 109 | ||
| Oikawa Hiroshi | 1, 7, 12, 16, 22, 29, 32, 49, 52, 56, 62, 67, 70, 80, 86, 89, 106, 109 | ||
| Kanazawa Katsuma | 32, 52, 62, 67, 70 | ||
| Finishing/Clean-up (仕上) | Matsubara Akinori | 1-2, 5, 7-9, 11-14, 16-32, 34-36, 38-39, 41-43, 45-47, 49-52, 54-57, 59, 61-65, 67-72, 74, 76-81, 83-97, 100, 102, 104-113 | |
| 安永陽子 | 1, 5, 7-9, 12-14, 16-32, 34-36, 38-39, 41-43, 45-47, 49-52, 54-57, 59, 61-65, 67-72, 74, 76-81, 83-113 | ||
| 宮沢妙子 | 23, 32, 45, 57 | ||
| Art (美術) | Tsuchida Isamu | 32, 36, 40-41, 43, 45, 47-48, 51, 101 | |
| Background Art (背景) | アトリエロビン | 22, 32, 36, 41, 43, 45 | |
| Ebisawa Kazuo | 32, 41, 45 | ||
| Special Effects (特殊効果) | Sekiai Noboru | 2, 8, 11, 14, 18, 20, 23, 26, 29, 32, 35 | |
| Photography (撮影) | Shirai Hisao | 1, 17, 24, 26, 28, 30, 32, 34, 36, 38, 40, 43, 45, 48-49, 51, 54, 56, 58, 60, 62, 64, 66, 68, 70, 72, 74, 77, 80, 83, 86, 90, 92, 95, 98, 101, 104, 107, 111 | |
| Film Processing (現像) | Toei Kagaku Kougyou | 1-113 | |
| Conducting (指揮) | Nakatani Katsuaki | 1-113 | |
| Musical Performance (演奏) | コロムビア・シンフォニック・オーケストラ | 1-113 | |
| Recording (記録) | Ikeda Kiyoko | 1-32 | |
| Recording (録音) | Ikegami Nobuteru | 1-113 | Tavac (タバック) |
| Assistant Production Manager (製作進行) | 桐野俊介 | 32 | |
| Assistance/Cooperation (協力) | Aoni Production | 1-113 |