| Main Title | The Power of Protection (e305063) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
| Official Title | es |
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Art Supervision (美術統括) | Uchida Tsutomu |
| Script/Screenplay (脚本) | Seko Hiroshi | 1-24 | |
| Storyboard (絵コンテ) | Heo Jong | 3, 5-6, 9, 11, 15, 19, 22 | |
| Igarashi Takuya | 8, 12, 18, 22-23, OP2 | ||
| Episode Direction (演出) | Chikushi Daisuke | 16, 22 | |
| Animation Direction (作画監督) | Oonuki Ken`ichi | 2, 7, 10, 13, 16, 18, 22-24, OP1 | |
| Kani Satomi | 2, 8, 13, 16, 18, 21-24 | ||
| Mizuhata Kenji | 3, 8, 15, 20, 22, 24 | ||
| Nakayama Tomoyo | 4, 9, 11, 15, 17, 19, 22, 24 | ||
| Kitamura Yuuka | 5, 10, 13, 16, 18, 22, 24 | ||
| Imoto Kazuaki | 5, 10, 15, 17-18, 22, 24 | ||
| Yokoya Kenta | 16, 22, OP1 | ||
| Nishimura Motohide | 17, 19, 22, 24 | ||
| Hosoda Saori | 22 | ||
| Yamagata Haruka | 22 | ||
| Yuuki | 22 | ||
| Effects Animation Direction (エフェクト作画監督) | Kuramoto Kazuki | 2, 4-5, 7, 10-13, 15-16, 18-22 | |
| Assistant Animation Direction (作画監督協力) | Mizutani Madoka | 7, 13, 19, 22, 24 | |
| Arai Mei | 22 | ||
| Ishikawa Ryuusuke | 22, 24 | ||
| Guest Character Design (ゲストキャラクターデザイン) | Mizuhata Kenji | 13, 17, 22 | |
| Nakayama Tomoyo | 17, 22, 24 | ||
| Yamamori Eiji | 22 | ||
| Key Animation (原画) | Mizutani Madoka | 1-5, 8, 10-11, 13, 18, 21-22, OP2 | |
| Arai Mei | 1-3, 5, 9-11, 15, 17, 20, 22-24, OP1 | Bones Film Sakugabu (ボンズフィルム作画部) | |
| Honda Yasuaki | 1-2, 4, 7, 10, 13, 15, 18, 21-23, OP1 | ||
| Yamagata Haruka | 1, 3, 5, 9, 13, 16, 18, 22, 24, OP1 | ||
| Arahari Asuka | 1, 3, 5, 11, 15-17, 19, 21-22, 24, OP1 | ||
| Satou Tomoko | 2-4, 7, 9, 11, 15, 17, 20, 22, 24 | ||
| Liu Meitong | 3-5, 10, 13, 17-18, 22, 24 | ||
| Kakoi Kumiko | 4, 9-10, 17, 22 | ||
| Fujiki Hideto | 4, 10, 17, 22 | ||
| Nakanishi Mamiko | 4, 10, 17, 22 | ||
| Satou Shigeki | 4, 10, 17, 22 | ||
| Muraki Yasushi | 4, 10, 19, 22 | ||
| 佐藤春風 | 5, 8, 11, 15-16, 22, OP1-OP2 | ||
| Imoto Kazuaki | 5, 13, 22 | ||
| Yokoya Kenta | 5, 16, 22, OP1 | ||
| Yamai Yuito | 7, 9-10, 13, 16-18, 21-22, 24, OP1 | ||
| Ishikawa Ryuusuke | 10, 13-15, 17-18, 21-22, 24, OP1 | ||
| Studio Massket | 11, 22 | ||
| Bones Film | 14-24, OP2 | ||
| Ookubo Miyuu | 17, 22, 24 | ||
| ザモン | 19, 22 | ||
| Iwamoto Akira | 22 | ||
| Matsumoto Tetsuya | 22 | ||
| Waters | 22 | ||
| Ino Marie | 22, ED2 | ||
| 2nd Key Animation (第二原画) | Nakamura Takuma | 1-5, 7-24, OP1 | |
| Takahashi Narumi | 1-4, 6-9, 11, 13, 15-24 | ||
| Nishimura Kyouko | 3, 13, 15, 17, 19, 21-22, 24 | ||
| Nakatsu Kazumi | 4, 8, 10-11, 15, 22 | ||
| 西美沙音 | 8-12, 14, 21-22 | Bones Film Sakugabu (ボンズフィルム作画部) | |
| 橋本愛奈 | 8, 14-15, 17-18, 22 | Bones Film Sakugabu (ボンズフィルム作画部) | |
| 柴田萌花 | 10-11, 13-15, 22 | Bones Film Sakugabu (ボンズフィルム作画部) | |
| Bones Film | 14-15, 17-18, 20-24 | ||
| 大塚夢乃 | 15-16, 19-22, 24, OP2 | ||
| Hikari no Sono Animation | 16-18, 20-22, 24 | ||
| Ningbo Mindo Yinghua | 18-24 | ||
| Tomiyoshi Kouki | 19, 22-24 | ||
| Studio ArcLine | 21-22, 24 | ||
| Fujii Yuuga | 22 | ||
| RadPlus | 22 | ||
| Trash Beast Animation Director (斑獣作画監督) | Kuramoto Kazuki | 2, 4-5, 10, 19-22 | |
| In-Between Animation Inspection (動画検査) | Haneda Chiori | 1, 3, 5, 9-10, 13, 16, 18, 20, 22, 24, ED2, OP1-OP2 | |
| In-Between Animation (動画) | Studio Massket | 1-5, 7-11, 13-24, ED2, OP1-OP2 | |
| Haneda Chiori | 1-4, 9-10, 12-16, 18-19, 21-22, 24 | ||
| Arahari Asuka | 1, 3, 15, 19, 22, 24 | ||
| Nakamura Sara | 2, 7-8, 11, 19, 21-22, 24 | ||
| C2C | 4-5, 21-22, 24 | ||
| 笠岡新 | 4, 21-22, 24 | C2C | |
| Grain | 5-8, 10-13, 21-22, 24 | ||
| RadPlus | 5, 11-12, 22 | ||
| 01 | 5, 22 | ||
| Hikari no Sono Animation | 16, 18, 20-24 | ||
| Ningbo Mindo Yinghua | 20-24 | ||
| 岡本隼 | 21-22 | C2C | |
| Studio ArcLine | 21-22, 24 | ||
| Yamaguchi Misaki | 22, 24 | C2C | |
| Colour Specification (色指定) | Kumada Mako | 19, 22 | |
| Finishing/Clean-up Inspection (検査) | Kumada Mako | 19, 22 | |
| Finishing/Clean-up (仕上げ) | Wish | 1-22, ED2, OP1-OP2 | |
| Animesh | 1-19, 21-24 | ||
| Niigata Animation | 1, 4, 6, 9, 12-14, 18, 20-24 | ||
| Tanaka Erika | 1, 8-9, 16, 22 | Wish | |
| 荻原ゆり愛 | 1, 9, 14, 20, 22 | Wish | |
| 森田わか | 2, 9, 15, 18, 22 | Wish | |
| 越智菜摘 | 2, 10, 15, 18, 22 | Wish | |
| Okui Emiko | 2, 10, 15, 22 | Wish | |
| 小山裕子 | 2, 10, 16, 22 | Wish | |
| Taikan Anime | 3-4, 6, 10, 15, 17-22 | ||
| Ogyuu Ayaka | 3, 10, 15, 22 | Wish | |
| Izumi Takaaki | 3, 10, 16, 22 | Wish | |
| 小山美奈 | 3, 11, 17, 22 | Wish | |
| 高橋春奈 | 4, 22 | Wish | |
| Seino Satoshi | 5, 11, 15, 22 | Wish | |
| Geshi Arisa | 6, 12, 15, 22 | Wish | |
| Ningbo Mindo Yinghua | 20, 22, 24 | ||
| Studio Massket | 20, 22, 24 | ||
| 01 | 22 | ||
| Grain | 22 | ||
| RadPlus | 22 | ||
| Hikari no Sono Animation | 22, 24 | ||
| Studio ArcLine | 22, 24 | ||
| Finishing/Clean-up Manager (仕上げ管理) | Kobashi Kousuke | 1-24 | |
| Art Board (背景ボード) | Itou Yusa | 5-24 | |
| Background Art (背景) | Kusanagi | 1-24 | |
| Background Art (背景美術) | Itou Yusa | 1-24, OP1-OP2 | Kusanagi (草薙) |
| Uchida Tsutomu | 2-24 | ||
| Suzuki Ayano | 4, 6-24, OP1 | Kusanagi (草薙) | |
| Background Art Assistance (背景協力) | Vu Quang Anh | 1-2, 4-24, OP2 | FSE |
| THU HUONG | 1, 4-5, 7-8, 10, 17-18, 20, 22, 24 | FSE | |
| THANH DIEU | 1, 4-5, 9-10, 17-20, 22 | FSE | |
| Tajima Yuu | 2-5, 7-12, 14-24, OP1 | ||
| NGOC TRAM | 3-8, 11-12, 14-15, 17, 20-22, 24 | FSE | |
| THI HUONG | 3, 6-10, 13, 18, 20-22 | FSE | |
| PHUOC HUNG | 5-7, 10, 13-14, 19, 22 | NAM HAI ART | |
| Nam Hai Art Company | 5-6, 10, 12-24, OP2 | ||
| THANH TRUC | 13-14, 17-19, 22, 24 | ||
| NHU NGOC | 14-15, 18-22, 24 | ||
| THAO VI | 14-15, 20, 22 | ||
| HA VY | 20-22, 24 | ||
| THUY VY | 20-22, 24 | ||
| Background Art Manager (背景制作) | Hirata Hiroaki | 1-24 | |
| Background Art Manager (背景進行) | Maeda Saki | 1-23, OP2 | |
| Takemura Mion | 1-23, OP2 | ||
| Ho Phuong | 1-2, 4, 13-24 | ||
| CONG TRI | 1-2, 4, 14-24 | ||
| KHANH MY | 3, 5-24 | ||
| NGUYEN TRINH | 13-24 | ||
| Special Effects (特殊効果) | Bones Film Satsueibu | 1-24 | |
| Ryuukaku Satomi | 1-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Hayashi Akio | 2-24 | 林撮影舎 | |
| 林撮影舎 | 2-24 | ||
| Hatakeyama Yuuka | 3-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Modelling (3Dモデル) | Aihara Makoto | 1-24 | |
| Kakinoki Ayaka | 1-24 | ||
| Nishitani Kousuke | 1-24 | ||
| Ogiso Nobuhisa | 1-24 | ||
| Shinada Risa | 1-24 | ||
| Shinonome Haruna | 1-24 | ||
| Photography (撮影) | Bones Film Satsueibu | 1-24 | |
| Fukuchi Kyouka | 1-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Sasaki Kouta | 1-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Sasakura Akari | 1-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Shinjou Haruna | 1-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Takagi Fuuma | 1-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| Furumoto Mayuko | 2-24 | Bones Film Satsueibu (ボンズフィルム撮影部) | |
| CG Layout (3DCGレイアウト) | Tanimoto Kouki | 1-24 | |
| 山吉智也 | 11, 15-24 | ||
| Chief Engineer (チーフエンジニア) | Saruwatari Shintarou | 1-24 | |
| 3DCG | Hirai Kanaho | 1-4, 6-7, 9, 11-14, 18, 20-23 | Bones Film Satsueibu 3DCG-han (ボンズフィルム撮影部3DCG班) |
| ボンズフィルム撮影部3DCG班 | 1, 3, 5-10, 14-24, OP1 | ||
| Yamaguchi Manami | 7, 9-10, 12, 14, 16, 19-23 | Bones Film Satsueibu 3DCG-han (ボンズフィルム撮影部3DCG班) | |
| Kondou Riku | 15-17, 19-22, 24 | Bones Film Satsueibu 3DCG-han (ボンズフィルム撮影部3DCG班) | |
| 荒井春花 | 15-17, 20-23 | Bones Film Satsueibu 3DCG-han (ボンズフィルム撮影部3DCG班) | |
| Kawai Daiki | 15, 17, 20-23 | Bones Film Satsueibu 3DCG-han (ボンズフィルム撮影部3DCG班) | |
| System Engineer (システムエンジニア) | Minami Tatsuya | 1-24 | |
| Nagoya Genki | 1-24 | ||
| Assistant Production Manager (制作進行) | 大藤凪紗 | 4, 10, 17, 22 |
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