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    Get ready for too many books by right-wing Justices.

    James Folta

    August 5, 2025, 2:07pm

    If you’re curious about what’s going on in the heads of our Supreme Court’s most regressive and Trump-loving minds, publishing has got you covered. Three books by conservative robesters are on the docket: Basic Books has a book slated for next year by Samuel Alito, Hachette has Brett Kavanaugh under contract, and Amy Coney Barrett has a book out next month from Sentinel.

    Political memoirs are never as revealing as you’d like them to be, so I’m not expecting much in terms of explanation or enlightenment from these books. And as politicians, these Supreme Court Justices are especially bristling, equivocating, and entitled, which doesn’t make for trustworthy narration. What does it feel like to be a person who took an active role in swinging our country away from democracy, care, and freedom? There are probably more interesting insights in this Amie Barrodale short story about the Court getting high together.

    It’s odd timing to publish all of these, since the Trump publishing boost seems to have run its course. Books about the regime and its hogmen no longer sell as well as they did. One illustrative statistic from Politico: Michael Wolff’s 2018 Trump book sold over 25,000 copies in its first week, while his 2025 Trump book only sold around 3,000 copies in the corresponding interval.

    The sales exceptions seem to be backlist dystopian fiction and books by and for the fascists, that is, right-wing memoir and culture war whining. A flush conservative media infrastructure will probably keep these SCOTUS books profitable and on the bestseller lists. Right-wing slop typically gets a boost in sales from bulk purchases by friendly organizations and supportive, big money goons. This isn’t just a friendly review here and there; they pour money into book projects.

    To a publisher, it might be enough to know that regardless of merit, the Heritage Foundation is going to drop a half million on something like “The War on Me: How Woke Is Trying To Make You Say Sorry.”

    Most of all, publishers seem eager to recreate the post-2016 world. “Everyone is desperately looking for the next Michael Wolff or James Comey for next year, but it’s not clear there could ever be one again,” one anonymous publisher told Politico. Who “everyone” encompasses in this formulation is giving the game away.

    Another anon said, “Part of it is that we were just actually tired of this, and we’re exhausted, and we don’t want to spend 30 bucks and six or eight hours of our time feeling worse.” The exhaustion and boredom is certainly a factor, but these books just aren’t making a strong case for themselves anymore. What else is there to be gleaned from going behind the curtain? What more is there to know about these people? What needs clarifying? At this point all these access books can offer are anecdotes for the sickos and the privileged who are at a safe distance from the regime’s crumple zone.

    Maybe in time it will be interesting to know who was getting yelled at and who was getting drunk, but for now, we know everything we need to.

    One small thing to do today: Pressure mainstream media to cover the Gaza famine.

    Brittany Allen

    August 5, 2025, 12:38pm

    As we’ve covered here, The New York Times has been among the most egregious when it comes to promulgating right-wing Israeli propaganda about the ongoing genocide.

    As James North reported in Mondoweiss last week, just days after publishing its first meaningful feature acknowledging famine in Gaza, the paper reversed course. Editors issued an equivocation to contextualize an image of a starving child, implying that “pre-existing health conditions” were to blame for his state.

    There are lots of good rebuttals to this craven move. (Like this one about the eugenic point, from writer Nathan Robinson.) But both the instant public outcry and the initial (if wildly overdue) story suggest a shift. Outlets that have long been complicit in the genocide are now facing unavoidable facts.

    One small thing we can do as readers is keep them pointed in that direction.

    The FLOOD THE NEWSROOMS campaign, created by Writers Against the War on Gaza, has a clear aim: to “pressure mainstream media to cover the fact that Israel is starving Gazans, which should be headline news everywhere in the world.”

    An easy-to-use landing page on the WAWOG website directs readers to a template email, pre-programmed with addresses at many major papers that have failed to cover Palestine accurately. You’ll find mastheads from The New York Times, The Atlantic, Los Angeles Times, Wall Street Journal, The Chicago Tribune, The Globe and Mail, and more on the page. And can choose per your subscriptions which editors to write to.

    I’ve excerpted some of the template letter below.

    Dear X,

    It is long past time to make the forced starvation of two million people in Gaza a front-page story. For more than a year, the Israeli Occupation Forces, supported by the United States, have imposed a complete siege on Gaza from air, land, and sea. They have blocked humanitarian aid from reaching a starving population while targeting water wells and desalination plants across the Strip. Palestinians are collapsing from hunger and thirst…

    This email is not an appeal, it is a demand: Report truthfully on the Israeli-imposed starvation campaign in Gaza. Give this story the resources and space it deserves. Outline for your readers the perpetrators of this policy of mass death. Explain that between 25% and 90% of Gaza’s population, depending on the source and the estimate, has entered the “fifth stage” of malnutrition—the most critical and dangerous phase, which can cause irreversible organ damage. This means that even if food becomes available in the future, health cannot be restored.

    As a leading English-language news platform, choosing to omit this story from the front pages of your publication implicates you in the mass deaths of Palestinians in Gaza, who are now entering their 22nd month of unrelenting attacks. Do your jobs.

    Bugging your papers for accurate coverage is one small thing you can do today. Evergreen thanks to the organizers!

    Jamaica Kincaid! The invention of a Brontë! Bruce Springsteen! 27 new books out today!

    Gabrielle Bellot

    August 5, 2025, 4:55am

    August is here, and with this new month comes new books to look forward to—and we certainly need things to look forward to. Below, you’ll find a whopping twenty-seven new books to consider in fiction, poetry, and nonfiction, spanning everything from the lives of Charlotte Brontë and James Schuyler to Bruce Springsteen albums; poetic odes to Black musicians; infertility; the revealing lives of birds; a sequel to the celebrated Korean American sci-fi novel Ocean’s Godori; a new career-spanning collection from Jamaica Kincaid; and much, much more.

    Find some sun (unless it’s one of those by-now-common heatwave days), curl up with one of these, and enjoy. I hope these bring you something you need. Stay safe, everyone.

    *

    Extinction Capital of the World bookcover

    Mariah Rigg, Extinction Capital of the World: Stories
    (Ecco)

    “These ten stories expertly explore desire, loss, displacement, and environmental fragility across characters throughout Hawai’i….Electric and lyrical. Rigg’s a master short story writer with unbelievable skill.”
    Debutiful

    Moderation bookcover

    Elaine Castillo, Moderation
    (Viking)

    “Tender and cutting, engrossing and immediate—Elaine Castillo’s Moderation is a moving meditation on connection, growth, and how, in a world that’s constantly on the verge of ending, one way we move forward is cultivating our own. Castillo’s prose is luminous and lucid, balancing humor and emotion with wicked aplomb. Castillo expertly stretches the possibilities of language; Moderation is infinite.”
    –Bryan Washington

    Dwelling bookcover

    Emily Hunt Kivel, Dwelling
    (FSG)

    “Festooned with razor-sharp observations and style, Emily Hunt Kivel’s debut is a tale for our precarious moment, treating the melancholy facets of social decay, austerity, and gentrification with dazzling wit and originality. Dwelling announces the arrival of a new voice in literature who is exhilaratingly up to the task.”
    –Alexandra Kleeman

    Putting Myself Together bookcover

    Jamaica Kincaid, Putting Myself Together: Writing 1974–
    (FSG)

    “Kincaid’s cutting prose shines, and the collection makes for a marvelous account of the author’s life and career. This is a triumph.”
    Publishers Weekly

    We Should All Be Birds bookcover

    Brian Buckbee, Carol Ann Fitzgerald, We Should All Be Birds: A Memoir
    (Tin House)

    “I loved every page of this book: Funny, sad, romantic, and full of pigeons—glorious but under-appreciated, mysterious yet near-at-hand, each an individual, their dramas unseen right under our noses. Yet for Buckbee, suffering from a broken heart and broken body, birds like the injured Two-Step fling open doors of enchantment, healing, and communion. He’s right: We really should all be birds-but since we can’t, the best remedy I can think of is this book.”
    –Sy Montgomery

    The Invention of Charlotte Brontë bookcover

    Graham Watson, The Invention of Charlotte Brontë: A New Life
    (Pegasus Books)

    “Literary scholar Watson explores in his vivid debut biography the mystery and sensation that surrounded Charlotte Brontë. Piecing together letters collected from Brontë’s friends, family, and publishers, Watson deftly shows how the painfully introverted Brontë manipulated anecdotes from her ‘comfortless childhood’ into ‘a story of self-justification and self-glorification honed over years.’ This fast-moving account of literary fame satisfies.”
    Publishers Weekly

    Dead Girl Cameo bookcover

    m. mick powell, Dead Girl Cameo: A Love Song in Poems
    (One World)

    “In poet m. mick powell’s debut collection, Dead Girl Cameo, the deaths of iconic Black female singers and musicians—Whitney Houston, Aaliyah, Lisa ‘Left Eye’ Lopes, Billie Holiday and Phyllis Hyman—go beyond the headlines. Powell resurrects their vivid lives and artistry to paint a more humanizing picture of their legacy while exploring themes of sexuality, survival, grief and stardom.”
    USA Today

    Joy Is My Middle Name bookcover

    Sasha Debevec-McKenney, Joy Is My Middle Name: Poems
    (Norton)

    Joy Is My Middle Name is a mantra, motto, and winking forewarning in this magnificent debut….A poet with the capacious charms and chops of Sasha Debevec-McKenney comes around once a generation or so: Morgan Parker, Wanda Coleman, Frank O’Hara. Joy Is My Middle Name is bold as hell. It’s revitalizing.”
    –Terrence Hayes

    Regaining Unconsciousness bookcover

    Harryette Mullen, Regaining Unconsciousness: Poems
    (Graywolf)

    Regaining Unconsciousness unfolds like wisdoms written on the walls of a maze of mirrors. Straightforward passages turn into figurative reflections and allusive pathways….No poet is more mercurial while frank, more understated while exacting, or more enlightened while inquisitive. Regaining Unconsciousness is every bit as virtuosic and singular as the great Harryette Mullen.”
    –Terrance Hayes

    Teo's Durumi bookcover

    Elaine U. Cho, Teo’s Durumi
    (Zando/Hillman Grad Books)

    “Without a moment to catch our breath, Teo’s Durumi picks up right where Ocean’s Godori left off. The thrills and chills of nonstop action belie the profound questions on capitalism, colonialism, caste, family loyalty, and identity formation upon which the wildly inventive, cinematic plot is built. All this, and two achingly steamy love stories, make for a delicious, thought-provoking, can’t-put-it-down read.”
    –Alice Stephens

    Atomic Hearts bookcover

    Megan Cummins, Atomic Hearts
    (Ballantine Books)

    “An exquisite first novel about the body’s fragility, the spirit’s opacity, and the elastic absolution of narrative. Megan Cummins’s restless, devoted protagonist—a young writer working toward something like truth in the shadows of her father’s addiction, and in friendship’s frank light—is the kind of protagonist I’ll find myself thinking of years later, as of a good friend: ‘I should call Gertie.'”
    –Rachel Lyon

    People Like Us bookcover

    Jason Mott, People Like Us
    (Dutton)

    “The follow-up to Mott’s National Book Award-winning Hell of a Book weaves the stories of two Black authors—one on an international book tour, the other confronting a deadly school shooting—into a comedic, surreal exploration of love and loss.”
    The New York Times

    A Day Like Any Other bookcover

    Nathan Kernan, A Day Like Any Other: The Life of James Schuyler
    (FSG)

    “I discovered James Schuyler’s poems fifty years ago and the charm and the mystery of his poems has made him always my Number One. Now Jimmy’s life, so warmly and astutely told by Nathan Kernan, is here for us, a page-turner and a queer and passionate, glittering literary gem.”
    –Eileen Myles

    Tonight in Jungleland bookcover

    Peter Ames Carlin, Tonight in Jungleland: The Making of Born to Run
    (Doubleday)

    “Carlin, who has published biographies of R.E.M., Paul Simon and the Boss himself, pulls back the curtain on the making of Springsteen’s Born to Run album fifty years after its release. Drawing on interviews with the artist and his inner circle, Carlin revisits how each song was written and recorded while shedding light on the arduous studio sessions and their parallels to Springsteen’s career.”
    The New York Times

    Trying bookcover

    Chloe Caldwell, Trying
    (Graywolf)

    “In this sharply honest memoir, Women author Chloe Caldwell sets out to write about infertility—but ends up charting a far messier, more unexpected transformation. What begins as a chronicle of trying to conceive becomes a reckoning with betrayal, queer desire, and the question of what it actually means to build a life.”
    Electric Literature

    This Kind of Trouble bookcover

    Tochi Eze, This Kind of Trouble
    (Tiny Reparations Books)

    “THIS KIND OF TROUBLE is an incandescent and moving portrait of star-crossed lovers caught between the weight of tradition and secrets carried across generations. In turns tender and unflinchingly honest, Tochi Eze explores a world where duty and desire are often at odds. I thoroughly enjoyed reading this intimate, emotionally resonant, and profoundly human story.”
    –Francesca Ekwuyasi

    L.A. Women bookcover

    Ella Berman, L.A. Women
    (Berkley)

    “Ella Berman’s writing is transportive, hypnotic, and addictive. I fell wholeheartedly in love with the intensity of these L.A. Women and the way Berman unabashedly explores the deep, glimmering, and turbulent waters of artistic ambition amid the alluring backdrop of 1960’s Los Angeles. This novel reads like a spell, a California fever dream, and a risk taking excavation of the moments that most define us. L.A. Women is phenomenal.”
    –Chelsea Bieker

    This Here Is Love bookcover

    Princess Joy L. Perry, This Here Is Love
    (Norton)

    “In the manner of Edward P. Jones’s The Known World, this sweeping and greathearted novel presents a cast of unforgettable characters driven by their hopes and yearnings, men and women who in the face of the suffering and loss and violence of bondage manage to go about the ‘brave business of love.’ This is a beautiful book.”
    –Janeet Perry

    Between the Devil and the Deep Blue Sea bookcover

    Khadijah Queen, Between the Devil and the Deep Blue Sea: A Veteran’s Memoir
    (Legacy Lit)

    “[Y]et another extension of the brilliant universe of Khadijah Queen, one where the pages are richly populated. With people, with places, with rich, granular details. And, with all of that population, still, an attention to and affection for each single part of the larger machine, which makes Queen’s narrative world-building feel like it is reaching for you, demanding you to enter, and be walked through each place, each life, each passage of time. This book is a gift.”
    –Hanif Abdurraqib

    Nagasaki bookcover

    M. G. Sheftall, Nagasaki: The Last Witnesses
    (Dutton)

    “There are more than 100,000 still-living hibakusha—survivors of the bombings of Hiroshima and Nagasaki. Sheftall’s book recounts the survivor memories of Aug. 9, 1945, when the world’s first plutonium bomb was dropped on Nagasaki, three days after the world’s first atomic weapon was dropped on Hiroshima….A definitive account of a watershed moment in history.”
    Kirkus Reviews

    What Is Free Speech? bookcover

    Fara Dabhoiwala, What Is Free Spech? The History of a Dangerous Idea
    (Belknap Press)

    “[A] global history of free speech…written with wit, fluency, and dazzling erudition. Constantly surprising, and full of subtlety and nuance, it reveals what a new and innovative idea free speech was when it was first upheld as a civilized goal in the eighteenth century—and how many extraordinary twists and turns it has taken ever since….Examining who in history could speak and who was silenced, Dabhoiwala reminds us of the crucial relationship between speech and power…a work of great profundity and brilliance.”
    –William Dalrymple

    When the Cranes Fly South bookcover

    Lisa Ridzén, When the Cranes Fly South
    (Vintage)

    “A simple yet effective meditation on mortality, love and care….Anyone anywhere who has worried for a crumbling parent, or worried about the crumble in themselves, or simply worried that their dog understood them better than their family, will identify with Ridzén’s novel and take it to heart.”
    The Guardian

    Crocosmia bookcover

    Miranda Mellis, Crocosmia
    (Nightboat)

    “Two women, mother and daughter, move to the woods to escape dark forces that plague the mother’s dreams. What follows is an incisive and beautiful meditation on imagination and intention in the Anthropocene. An apocalypse narrative infused with hope and a domestic story that shines a light on our collective power, Crocosmia functions in conversation with Jenny Offill’s Weather and Debbie Urbanski’s After World while existing in a universe all its own…a revelation.”
    –Sarah LaBrie

    The Afghans bookcover

    Åsne Seierstad, The Afghans: Three Lives Through War, Love, and Revolt
    (Bloomsbury)

    “Åsne Seierstad is one of the greatest, most courageous journalists of our time. While others were desperately fleeing Afghanistan, Seierstad traveled there alone to see the impact of the Taliban victory. This is an important, heartbreaking book about the limits of military power, religious fundamentalism, America’s broken promises and the profound betrayal of Afghan women.”
    –Eric Schlosser

    The Things She Carried bookcover

    Kathleen B. Casey, The Things She Carried: A Cultural History of the Purse in America
    (Oxford University Press)

    “[E]xamines purses, pocketbooks, and handbags not through a fashion lens, but as ‘fraught but vital object[s]’ with fascinating histories. The book’s evocative case studies and contemporary images focus on working- and middle-class women and their pouches of personal items from the antebellum South through the twentieth century, uncovering how purses functioned as emblems of identity, protection, and status….A common theme is that purses have served as intimate spaces of women’s privacy and power…an impressive study.”
    Foreword Reviews

    The Man No One Believed bookcover

    Joshua Sharpe, The Man No One Believed: The Untold Story of the Georgia Church Murders
    (Norton)

    “A riveting page-turner about miscarried justice, an insightful journey to a fascinating time and place, and a triumphant tale about the search for truth in our tangled legal system. With his tireless reporting, Joshua Sharpe shines a light that not even the dark waters of the Okefenokee can obscure.”
    –Thomas Mullen

    King of Kings bookcover

    Scott Anderson, King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation
    (Doubleday)

    “In his masterful and gripping account of the Iranian revolution, Scott Anderson gives us a page-turning history lesson that is more relevant than ever: A story of American diplomatic blunders and miscalculations that led to the loss of a vital ally and the commencement of hostilities that have roiled the world for nearly four decades…lays bare the folly and hubris that led to the shah’s demise, the hostage crisis and a radical theocracy that would reshape the Middle East.”
    –Rajiv Chandrasekaran

    Israel’s most famous novelist says his country is committing genocide.

    Dan Sheehan

    August 1, 2025, 1:18pm

    David Grossman, widely considered to be Israel’s most prominent novelist, has described his country’s campaign in Gaza as a genocide.

    Speaking to Italian daily La Repubblica, in an interview published earlier today, the award-winning author and recipient of the 2018 Israel Prize for literature said that, after years of resistance to the term, he now “can’t help” but use it:

    But now I can’t help myself—not after what I’ve read in the papers, not after the images I’ve seen, not after speaking with people who’ve been there.

    Grossman’s comments come just days after two major Israeli rights groups—B’Tselem and Physicians for Human Rights—said Israel was committing genocide in Gaza, amid growing global condemnation of the enforced starvation that has brought the strip to the brink of famine. Israel’s 22-month assault on the besieged enclave has claimed the lives of more than 60,000 people, at least 18,500 of them children (though leading authorities such as The Lancet consider these figures to be a significant undercount). B’Tselem and Physicians for Human Rights join Amnesty International, Doctors Without Borders, Human Rights Watch, and dozens of other human rights organizations in classifying Israel’s actions in Gaza as genocide.

    “The occupation has corrupted us,” Grossman—an outspoken peace activist who was awarded the Man Booker International Prize in 2017 for his novel A Horse Walks Into a Bar—went on to say. “I am absolutely convinced that Israel’s curse began with the occupation of the Palestinian territories in 1967. Maybe people are tired of hearing about it, but that’s the truth. We’ve become militarily powerful, and we’ve fallen into the temptation born of our absolute power, and the idea that we can do anything.”

    Grossman’s comments are welcome, and will hopefully encourage other prominent cultural figures to finally speak up, but one wonders what took him so long. As is the case with the dozens of western politicians, journalists, and assorted public figures who have concluded that this is the opportune week to become a vertebrate, I can’t help but think about the thousands—the tens of thousands—of innocent lives that would have been saved had those with clout decided, at any point during the last year and a half, that stopping the indiscriminate slaughter of caged civilians was more important than protecting Israeli and American Zionists from terminology they find distasteful.

     

     

    [h/t The Guardian]

    This week’s news in Venn diagrams.

    James Folta

    August 1, 2025, 1:10pm

    Welcome to August! The last third of summer begins, but there’s still plenty of time to finish reading that long book you’ve been working through and plenty of time to squeeze in one last trip to the ocean/lake/river/creek/body of water of your choice. Did you catch all the long list and political memoir announcements this week? Let’s Venn about it.

    Hope your month gets off to an appropriately majestic start this weekend!

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