| dbo:description
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- آلبومی از باب دیلن (fa)
- 밥 딜런의 음반 (ko)
- album muzyczny (pl)
- album de Bob Dylan (fr)
- álbum de estudio del músico estadounidense Bob Dylan (es)
- Bob Dylan-album (hu)
- 1966 studio album by Bob Dylan (en)
- אלבום האולפן השביעי של בוב דילן (iw)
- Album studio ganda 1966 oleh Bob Dylan (in)
- Bob Dylan (nl)
- Bob Dylanin seitsemäs albumi vuodelta 1966 (fi)
- Studioalbum von Bob Dylan (1966) (de)
- album di Bob Dylan del 1966 (it)
- ألبوم من أداء بوب ديلن وآخرون (ar)
- studioalbum från år 1966 av Bob Dylan (sv)
- ১৯৬৬ বব ডিলানের স্টুডিও অ্যালবাম (bn)
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| dbo:soundRecording
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| dbo:thumbnail
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| dbp:allWriting
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| dbp:alt
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- A blurry photograph of Dylan (en)
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| dbp:artist
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| dbp:award
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| dbp:border
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| dbp:certyear
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- 2003 (xsd:integer)
- 2013 (xsd:integer)
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| dbp:cover
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- Bob Dylan - Blonde on Blonde.jpg (en)
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| dbp:description
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- Critic Andy Gill describes this blues song as steaming along like "a basic love moan", except for its apparently arbitrary references to 15 jugglers and five believers. Heylin notes that every song Dylan recorded in Nashville relied the caliber of the backing musicians, but this song was "entirely dependent on them." (en)
- Wilfrid Mellers describes "Visions of Johanna" as one of Dylan's finest songs poetically. For Mellers, "The blurring of time and consciousness is marvelously realized ... when Johanna becomes a mythic femme fatale as well as a real woman, floating in and out of the 'museums where infinity goes up on trial'." (en)
- Robert Shelton described the opening song on Blonde on Blonde as "Dylan at his most truculent—toying with the title, the raggle-taggle ensemble singing, the giggling, the manic instrumentation, and a variety of implied games about liquor or dope." (en)
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| dbp:filename
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- Obviously 5 Believers.ogg (en)
- Rainy Day Women -12 & 35.ogg (en)
- Visions_Of_Johanna.ogg (en)
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| dbp:genre
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| dbp:headline
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- Side four (en)
- Side one (en)
- Side three (en)
- Side two (en)
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- 210.0 (dbd:second)
- 230.0 (dbd:second)
- 238.0 (dbd:second)
- 275.0 (dbd:second)
- 276.0 (dbd:second)
- 294.0 (dbd:second)
- 302.0 (dbd:second)
- 292.0 (dbd:second)
- 453.0 (dbd:second)
- 187.0 (dbd:second)
- 215.0 (dbd:second)
- 297.0 (dbd:second)
- 425.0 (dbd:second)
- 683.0 (dbd:second)
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| dbp:misc
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- 0001-02-14 (xsd:gMonthDay)
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| dbp:name
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- 0001-01-25 (xsd:gMonthDay)
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| dbp:region
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- United Kingdom (en)
- United States (en)
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| dbp:released
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| dbp:relyear
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- 1966 (xsd:integer)
- 2004 (xsd:integer)
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| dbp:rev
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- dbr:AllMusic
- dbr:Tom_Hull_(critic)
- Entertainment Weekly (en)
- The Rolling Stone Album Guide (en)
- MusicHound Rock (en)
- The Encyclopedia of Popular Music (en)
- The Great Rock Discography (en)
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| dbp:rev7score
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| dbp:show
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| dbp:studio
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- *Columbia 7th Ave, New York City
*Columbia, Nashville (en)
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| dbp:title
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| dbp:titlestyle
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| dbp:totalLength
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- 11 (xsd:integer)
- 1142.0 (dbd:second)
- 1279.0 (dbd:second)
- 1253.0 (dbd:second)
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| gold:hypernym
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| rdf:type
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| rdfs:label
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- Blonde on Blonde (en)
- Blonde on Blonde (ca)
- Blonde on Blonde (cs)
- Blonde on Blonde (de)
- Blonde on Blonde (es)
- Blonde on Blonde (in)
- Blonde on Blonde (fr)
- Blonde on Blonde (it)
- ブロンド・オン・ブロンド (ja)
- Blonde on Blonde (ko)
- Blonde on Blonde (Bob Dylan) (nl)
- Blonde on Blonde (pl)
- Blonde on Blonde (pt)
- Blonde on Blonde (ru)
- Blonde on Blonde (sv)
- Blonde on Blonde (uk)
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