Euphonia

The Narco-Image on Do Not Research

A new essay on addiction and images

Oct 9, 2023 • John Menick

2

An Air of Vengeance

On invention of photography and generative AI

Oct 4, 2023 • John Menick

September 2023

The Last (AI) Picture Show

The first in a series of short pieces on artificial intelligence and visual culture

Sep 6, 2023 • John Menick

3

June 2023

Return to Mondo Kim’s

On Kim's Video and a recent screening of Mondo New York

Jun 28, 2023 • John Menick

3

April 2023

The Diaries of Raúl Ruiz

On the diaries of the Chilean filmmaker as translated by Jaime Grijalba Gomez

Apr 5, 2023 • John Menick

2

March 2023

The End Is Never the End, Part Two

On haunted house films

Mar 29, 2023 • John Menick

The End Is Never the End, Part One

On haunted house films, part one of two

Mar 22, 2023 • John Menick

November 2022

The Afterlives of The Shining

On simulating Stanley Kubrick's film in Doctor Sleep and Ready Player One

Nov 29, 2022 • John Menick

6

1

The Premises exhibition, Camel Collective, and Adorno's infamous phone call

This week’s newsletter stitches together two texts: one short and one long; one published in 2019, the other published this month.

Nov 16, 2022 • John Menick

4

September 2022

JLG

On the mad master of the French New Wave

Sep 20, 2022 • John Menick

3

August 2022

Albedo Features

Two new excerpts from the Mars Project

Aug 30, 2022 • John Menick

1

July 2022

Escape from New York

On "Escape from New York" ripoffs, forgotten film genres, bad acting, and rise of the carceral state

Jul 25, 2022 • John Menick

1