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Cake day: June 30th, 2025

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  • I hate that the MAGAs will take this as a win, as they should.

    I like Walz, I wouldn’t mind him as president at all, but right now we need warriors who will stand up to MAGA, and if he doesn’t have it in him, then he needs to get out of the way, which is apparently what he’s doing. I can respect that. At least he’s not sticking around, and trying to talk the rest of us into backing down.

    At least some part of me hopes that perhaps this is a strategy, and he intends to fill out his term for governor, and then run for president. It would be like him to feel that it is irresponsible to claim to be governor, while he is spending 99% of his time campaigning for president.

    But I want to vote for a serious Democratic Warrior, and this event takes Walz off my list, at least for the time being.


  • As I said on another post, I’ve never heard of that sort of programming in over 30 years in the record industry.

    During the vinyl days, albums were the art form, and artists and producers made great effort to program their tracks listings for the best listener experience. So it would usually start with a big banger to kick off the album, followed by a few fun songs, and ending the side with another banger, just maybe not as big as the opening track, but not always. The idea that it would have less bass, have less fidelity, or was a throwaway song that didn’t require decent sound quality is dumb.

    Often the first side ending song was a big number, that would have required the best sound available. Perhaps the best example is Stairway to Heaven, which closes the first side of Led Zeppelin IV, and I defy anyone to call that a second rate track with poor fidelity, and that’s why it was relegated to the inner ring.

    The second side is a restart, and often has an interesting opening track, like Within You Without You on Sgt Pepper. ELP’s Karn Evil #9, Part 2. (Part 1 closes the first side) Is probably the all-time best second side opener, with its Carnival Barker call: “Welcome back my friends, to the show that never ends…”

    But the biggest clue that the idea of the worst songs being relegated to the inner rings is nonsense is the fact that most albums try to have big finish. Again, Led Zeppelin IV perfectly illustrates the issue. It closes with When The Levee Breaks, featuring John Bonham’s thunderous drums, which have since become iconic. It certainly wasn’t a low fidelity track with Plant’s wailing keen, the screaming harmonica, and those monster drums giving it one of the widest dynamic ranges of any rock classic.

    Without the side break, the side 1 closer, and the side 2 opener end up side-by-side. The fact that there is a big blast of “busy music” in the middle of the CD, contradicts the assertion that the side closers are lower quality tracks.

    In the vinyl days, the programming of album tracks was a major artistic decision, and the fidelity of the track was never a factor. If a song wasn’t good enough that it required being put in a “second-rate” position on the album, why would they be putting it on the album at all?







  • BarneyPiccolo@lemmy.todayto196@lemmy.blahaj.zonehidden rule
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    23 hours ago

    A fish store near me had a big puffer in a big tank in the middle of the store. They would hand feed it, and if he put his hand in the water, it would position itself to get his tummy scratched. He was the owner’s personal.pet, and wasn’t for sale.

    One day, the owner was in the back, and he heard the bell at the front door ring twice in quick succession, as someone came in, and quickly left. When he came back up front, the puffer was missing. Someone had stolen him, and he was never found.