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My Greatest Fear is Atrophy
On change and the will to create motion.
Oct 27, 2025
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smitch
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May 2025
The Gloves Come Off: Lorraine O’Grady’s Mlle Bourgeoise Noire
The Perennial Performance of Respectability & The Performance of Critique in the Age of Erasure
May 27, 2025
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smitch
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Sharp Edges, Soft Rebellion: The Black Woman Dandy
On the Quiet Noise of Suits, both Tailored and Exaggerated
May 7, 2025
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smitch
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April 2025
Encylopedic Romance & Dial-Up Dreams
On being a Discovery Channel kid and the late 90s-early 2000s aesthetic of edutainment maximalism
Apr 13, 2025
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smitch
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The Gates Were Real
On Spelman College, shortly after Founders Day
Apr 12, 2025
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smitch
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March 2025
In Search of New Voids, Tumblr and Pinterest Rise Again
In the pursuit of digital vacuousity, some .com homes remain safe and sound
Mar 10, 2025
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smitch
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July 2024
a year and a half off is crazy...
well well well, look who came crawling back to the blogosphere ☁️ 🌳 🪺
Jul 3, 2024
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December 2022
Hot White Woman Feminism™
resonating w/ the vague gender politics of women I literally do not know
Dec 1, 2022
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smitch
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November 2022
Damn, this Frontal Lobeing / Is this joy?
Being careful what I resonate with
Nov 21, 2022
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smitch
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Death of Precarity: On Watching and Rewatching 'Girls' (HBO)
by Nia-Simone Woods
Nov 17, 2022
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October 2022
Emotional Relapse and Next Steps
Journal entries from Summer 2022 to the end of September retrograde
Oct 12, 2022
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smitch
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The passion-forward approach to casting at Offshore Agency
Alizée Jean Jacques interviews founder and talent of the agency that celebrates being "more than a face®"
Oct 3, 2022
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