smitch + co.

My Greatest Fear is Atrophy

On change and the will to create motion.

Oct 27, 2025 • smitch

12

3

May 2025

The Gloves Come Off: Lorraine O’Grady’s Mlle Bourgeoise Noire

The Perennial Performance of Respectability & The Performance of Critique in the Age of Erasure

May 27, 2025 • smitch

1

1

Sharp Edges, Soft Rebellion: The Black Woman Dandy

On the Quiet Noise of Suits, both Tailored and Exaggerated

May 7, 2025 • smitch

14

1

9

April 2025

Encylopedic Romance & Dial-Up Dreams

On being a Discovery Channel kid and the late 90s-early 2000s aesthetic of edutainment maximalism

Apr 13, 2025 • smitch

12

6

The Gates Were Real

On Spelman College, shortly after Founders Day

Apr 12, 2025 • smitch

3

1

March 2025

In Search of New Voids, Tumblr and Pinterest Rise Again

In the pursuit of digital vacuousity, some .com homes remain safe and sound

Mar 10, 2025 • smitch

5

2

July 2024

a year and a half off is crazy...

well well well, look who came crawling back to the blogosphere ☁️ 🌳 🪺

Jul 3, 2024

10

2

December 2022

Hot White Woman Feminism™

resonating w/ the vague gender politics of women I literally do not know

Dec 1, 2022 • smitch

10

November 2022

Damn, this Frontal Lobeing / Is this joy?

Being careful what I resonate with

Nov 21, 2022 • smitch

7

2

Death of Precarity: On Watching and Rewatching 'Girls' (HBO)

by Nia-Simone Woods

Nov 17, 2022

9

1

1

October 2022

Emotional Relapse and Next Steps

Journal entries from Summer 2022 to the end of September retrograde

Oct 12, 2022 • smitch

13

The passion-forward approach to casting at Offshore Agency

Alizée Jean Jacques interviews founder and talent of the agency that celebrates being "more than a face®"

Oct 3, 2022

4