ATTACK 5 s2 ms
At higher settings some percussive
attack will be heard. Set low, your
drums will know your wrath. And yes,
that says microseconds!
he Rocket is a character audio
compressor, singular in its
extraordinary speed, responding in
mere microseconds to variations in
program level. Being in the order of
several thousand times faster than most
ordinary compressors, we respectfully
submit that The Rocket kicks like a mf.
iolation of the laws of physics
and digital signal processing
remain beyond us at this time, and a
single sample at 44.1kHz has a span of
22.6 microseconds. The Rocket's attack
time can be below this level, for
absolute certainty that even the very
first sample understands that you are
its master. Placed on the master bus,
The Rocket will effortlessly tame
transients almost in the manner of a
brickwall limiter.
iscussions of Science and Art are
played out within The Rocket 's
'Impetus' circuits, where warmth and
aggression exist as DSP, able to take the
delicate, musical gain reduction to the
extremes of dirty, heavy and slamming
rock'n'roll misbehaviour. Aw hell, The
Rocket can rock so crank it up!
RELEASE 1 ms1 s
Use a longer setting to make your audio
pump musically (let the GR meter be
your guide.) Lower settings will
radically increase room tone, and the
aggression of low frequencies.
IMPETUS 0%-100%
For the application of even- and oddorder harmonic distortion to the
compressed signal. Even at very low
levels, soft clipping of the compressed
signal around 0dBFS will occur, so use
in conjunction with abuse of the
control can result in
some very, very naughty sounds.
DECADENCE on/off
Raises the internal sample rate to
reduce aliasing artefacts. A luxury suited
to those with expansive CPU resources.
DETECTOR HPF 10-200 Hz
High-pass filters the level detector to
restrain the pumping of bass-heavy
material. Is disengaged at its lowest setting.
PARALLEL
COMPRESSION 0%-100%
Mixes the dry signal,(untouched by the
attentions of compression,
compensation or impetus) with the
effected signal for the easy application
of the so-called 'New York Compression'
technique.
RATIO 4:1. 8:1, 12:1, 20:1, all
Selects the ratio of compression. The
special and characteristic 'All' mode
results in a high variable ratio that will
work wonders on your drum bus.
THRESHOLD -60-0dB
The peak level at which compression
will be triggered. Heavy hitters aim low.
SIDECHAIN on/off
Switches The Rocket's detection circuit
to inputs 3&4, if your host allows, so
one signal (your bass guitar track, for
example) may be compressed by
another (your drums, perhaps)
VU MODE out/GR
Enables the lower VU meter to be
switched between Output level (out)
and Gain Reduction (GR).
COMPENSATION +/-20dB
Applies a make-up gain to compensate
for signal level loss due to compression.
Uncouth use while
is high may
incur rebellious thought.
AUTO on/off
Instructs The Rocket to automatically
apply an additional compensating makeup gain based on the current ratio and
threshold settings.
2008 Thomas Scott Stillwell. Design by White Tie. If you have any support
needs,
or questions on usage or anything else regarding this plugin, please
visit the forums at www.stillwellaudio.com
