SVCC 2020 Virtual Christmas Concert
SVCC 2020 Virtual Christmas Concert
2020 Christmas
Virtual Concert
Janet Hostetter
artistic director
Joy Anderson
assistant director
Brook Gonzalez
SATURDAY Prep & Treble Choir
bilingual instructor
DECEMBER 19 Valeria Eshleman-Robles
Concert Choir
7 PM movement instructor
Christopher Clymer Kurtz
svcc.org/virtual-concert guitarist
Tara Davis
violinist
Sponsored by:
DEAN
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DEANSTEEL
STEEL
STEEL P.O.
P.O.
5366
5366
Box
P.O.Box
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5366N.
1164
Box1164
1164Harrisonburg,
Valley
N.Valley
Harrisonburg,
Harrisonburg,VA
Pike
ValleyPike
Pike
VA
VA
Steel
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SteelErection
Erection
Erection Harrisonburg,
Harrisonburg, VA
Harrisonburg,VA 22802
VA22802
22802
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Rentals Office:
Office: (540)
Office:(540) 434-74
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434-74
Shenandoah Valley Children’s Choir
presents
1
Please note:
Directors’ and composers’ remarks as well as video footage from SVCC’s in-person
fall 2020 rehearsals will be interspersed throughout the concert.
2
Concert Choir
A Very Merry Fa La La……………………………………………………….Sally K. Albrecht (b. 1954)
Have a very merry, very merry holiday.
May your days be happy and bright.
Have a very merry, very merry holiday,
filled with gladness, joy, and delight.
Fa la la la la!
3
The following words were shared by composer Jude Roldan during Concert Choir’s Zoom rehearsal,
November 16, 2020:
The text of "Lumen Fidei" (Light of Faith) came from an encyclical (circulated letter to churches) written by
Pope Francis. I gave the encyclical to a member of one of my choirs, Kantabella, and asked if she could write
a poem from the encyclical. I told her that the purpose of the poem was to give hope to people during these
trying times. She told me that while writing the poetry, she had sleepless nights trying to find the right
words. She started writing the lyrics during the fifth month of our (Filipino) lockdown and was trying to
keep her worries of tomorrow at bay. Her desire was to make the words inspirational for people to hear. It
seems to me that the pandemic is like a long tunnel where there is no light. Because of these trying times,
sometimes we get lost or afraid or sad. But deep inside, we have faith that we will see light again. I realized
as I was writing this composition that we ourselves hold our own light that is the light given to us by God.
We share our light with people as we help each other get through the dark tunnel. In the Philippines, there
is a term, bayanihan. Bayan means town or nation. Bayanihan is about the spirit of a community. In the
Philippines there is so much bayanihan in action right now and it gives me hope for the future. As "Lumen
Fidei" inspires unity and social action with the Lord's guidance, it fits perfectly with the theme of SVCC's
virtual concert. And within the music, the choir's role, as God's light, is to (undoubtedly) draw people
together in hope and in love.
Once I had the text, the process of writing the composition was already half done. My job as composer is
to let the melody reveal the message of the song. I do not usually start writing at the beginning of the song
but at the peak or chorus of the composition. In the music of "Lumen Fidei" there are dissonances which
manifest the theme of light. The major and minor seconds give sparkle to the music. I like to use word
painting: soaring melodies for words like light and heaven with smaller more dissonant intervals for words
like darkness. I used minor and major second harmonies on words such as light, illuminate or lumen among
various voice parts as a symbol of light being passed from person to person and finally, around the world.
4
Hope rises up, hope gathers strength.
Hope rises when we sing.
Hope gathers strength when we join
our voices as one.
Hope reaches and it calls out to all
who will listen.
Hope rises when we sing.
Gather close and listen.
Be the voice that begins the song
and hope will rise up,
Hope will rise!
I want a house with a crowded table, and a place by the fire for everyone.
Let us take on the world while we’re young and able,
and bring us back together when the day is done.
5
Yeah, I want a house with a crowded table, and a place by the fire for everyone.
Let us take on the world while we’re young and able,
and bring us back together when the day is done.
Andrea Ramsey arranged “Crowded Table” before the pandemic began. In her words, “[The song] has
only gotten more relevant since the pandemic.”
The story behind the “Crowded Table” arrangement as told by Andrea Ramsey to SVCC choristers in
Zoom, November 23, 2020:
“Crowded Table” was inspired by my brother. My brother is two years younger than me [and] is a really
fantastic guitarist. He’s more of a studio musician. He has a professional-level studio in his basement, and
even though he is a professor of communication, his hobby is to master and mix recordings for people. He
actually sent me the title track from the album by The Highwomen which is a pop-country supergroup that
came together to create an album. [My brother] said, “I want you to hear this song. It’s so powerful!” And
[the song] he sent wasn’t “Crowded Table.” He sent me the song “Highwomen” which is a really powerful
song. When I listened to it, I was like, “This is amazing! I want to listen to the rest of the album.” And then
when I heard “Crowded Table,” I immediately thought, “Oh, this could be translated [into a choral piece]!”
Not every pop song translates into the choral realm well but some pop songs do, and this was one that I
thought could be really cool!
Immediately I wrote to Scott Foss, who is my editor at Hal Leonard, and I said, “Can I have dibs on this
song?” There aren’t protocols but I was scared [of losing it to another arranger.] I said, “I really like this,
and I want to arrange it! When can we get the rights to it? And too, if Hal Leonard has [the rights] can I do
this first before someone else does?” He said, “We can do this song. You’ve got dibs!” I’m like, “Okay!
Great!”
So that’s what happened! [Foss] sent me the solo sheet music they had on file. That way I didn’t have to
completely start from scratch with the notation. Then I just tried to make it interesting and add some things,
like those little countermelodies in the alto. I think that’s the tension you always feel when you are
arranging something. When I’m writing my own song, I can just do whatever. But if I’m arranging
somebody else’s piece, and it’s already an existing song, then I have to think about how true I want to stay
to the original composition and how much I want to adjust it.
[“Crowded Table”] was supposed to be performed in Carnegie Hall by this big youth festival chorus [in
June 2020] and we were all excited! And then, it didn’t happen. They cancelled [the festival]. Hal Leonard
had been so generous. They were like, “We’ll print these [scores] and get them to the choristers so that they
have a souvenir score to take home” which was going to be so nice! Then, when [the festival] didn’t happen,
we asked, “Can we stop [the production of the music]?” And they said, “No, it’s too far gone!” And so, at
that point, we lost the premiere. It’s out in the universe, a double-edge sword. You [SVCC] get to sing it
now though!
Andrea Ramsey’s response after hearing SVCC’s audio mix of “Crowded Table” in Zoom
Oh my gosh! That was so great! I’m getting a little weepy here! I realized as I started listening to [“Crowded
Table”], that this was the first time I have heard it apart from those [promotional] studio recordings they
always do. But that’s not the same as hearing real instruments and real [choir]. And also, I just miss live
music. I miss people being together! Thank you, singers! That was such a gift! Thank you for giving me
that and letting me hear it! It was really beautiful!
6
Meet the composers!
Dan Davison is an educator, composer, adjudicator, clinician, and singer from the
Pacific Northwest. Davison's 40-year career as choir director at Ballou Junior High in
Puyallup, Washington, acquainted him well with the complexities of the adolescent
voice. Dan is experienced as a church choir director and has directed choirs at Western
Washington University and Pacific Lutheran University. Dan also directed the
Northwest ACDA Youth Choir (grades 7-9) for the 2014 ACDA Northwest
Convention. Mr. Davison has received numerous awards for his role in music
education, including the 1996 State of Washington Christa McAuliffe Educator of the
Year, The Educator Citizen of the Year for 2010 for Communities in Schools in
Puyallup, Washington, and also the "Outstanding Choral Director Award" for 2010 from the Washington
chapter of The American Choral Director's Association.
Jude B. Roldan and his wife Dr. Maria Theresa Vizconde-Roldan are front runners in
the children's choral movement in the Philippines. Together they founded the Young
Voices of the Philippines where Jude holds the multifaceted position of music director,
pianist, composer and arranger. Their former treble choir, The Hail Mary the Queen
Children's Choir, became the first-ever Children's Choir of the World winner at the
Llangollen International Musical Eisteddfod in North Wales, United Kingdom,
and Choir Olympic Champions at 3rd World Choir Games in Bremen, Germany. Jude
gives composition, arranging, and choral workshops around the Philippines,
Singapore, Malaysia, Indonesia, South Korea and the United States. His compositions
have been recorded, premiered, and performed in festivals and competitions around the world.
7
Now celebrating its 29th year, Shenandoah Valley Children’s Choir includes nearly 90 children of
diverse backgrounds ages 5-18 in three auditioned choirs and one music class with a staff of ten under the
artistic and executive direction of Dr. Janet M. Hostetter.
During the fall of 2020, COVID-19 forced SVCC staff members to consider alternative strategies for running
rehearsals. In September and October, the Preparatory and Treble Choirs rehearsed on the campus of
Eastern Mennonite Elementary School in three distinct groups: "Choir singing and musicianship training"
with Joy Anderson, "Spanish songs and dance" with Brook Gonzalez, and "Orff instruction" (think
"marimba band") with Janet Hostetter. The Concert Choir rehearsed in downtown Harrisonburg’s Turner
Pavilion. Heidi King led warm-ups; Janet Hostetter and Joy Anderson provided choral and musicianship
training; Valeria Eshleman-Robles provided Guatemalan dance instruction. Choristers had the option to
meet in person or online every Monday. All choristers transitioned to Zoom rehearsals during the month
of November. Zoom activities included musicianship instruction, experimental singing, conversations
with prominent composers, and engaging polls designed as social activities for students to enjoy.
Music Explorers classes for children ages 5-8, taught by Anderson and Gonzalez, met outdoors on the
campus of Eastern Mennonite Elementary School for ten weeks during the fall 2020 semester. Explorers
classes are based on the Kodály approach to music education. This program develops music reading and
listening skills and teaches music fundamentals through singing, movement, games, improvisation,
instruments and story books.
Committed to community outreach, SVCC has participated in relief concerts, organized choral workshops
in local school systems, and offered five-week non-auditioned spring choir experiences for children who
love to sing.
The beauty and reputation of SVCC have afforded Concert Choir the honor of performing for Archbishop
Emeritus Desmond Tutu, then-President Bill and Hillary Clinton, and former President Jimmy Carter.
Performing choirs frequently collaborate with professional musicians and have presented at conferences of
the American Choral Directors Association ('00, '02, '06, '12, ‘18), Virginia Music Educators Association ('96,
'98, '04, '08), and Organization of American Kodály Educators ('01, '09), and have performed with the
American Boychoir (’94, ’01, ’03, ’07, ’10, ’17). Enriching the regular season are collaborative trips, most
recently for children’s choral festivals at Strathmore in Bethesda, Maryland, and for the Sing A Mile High
Children’s Choral Festival in Denver, Colorado; joint concerts with Virginia Children’s Chorus in Norfolk,
One Voice Chorus in Richmond, The Maryland State Boychoir in Baltimore; and the Crescent City Choral
Festival in New Orleans. Under the leadership of Dr. Hostetter, SVCC choristers have participated in music
video projects. Among them are a "signature" video of choir members singing "Shenandoah" in the
Shenandoah National Park; a collaborative video with the Cusco-based Children's choir Los K'ana
Wawakuna in Peru; a video featuring Hostetter's arrangement of "America the Beautiful" on windy Pikes
Peak; and a special holiday video entitled "A Christmas Blessing."
Artistic and executive director Dr. Janet M. Hostetter has led the organization since 2014, and assistant
director Joy Anderson has worked with the choir since 2002. Dr. Jo-Anne van der Vat-Chromy served as
interim director from 2012-2014. The Shenandoah Valley Children’s Choir was founded in 1991 at Eastern
Mennonite University by Julia J. White.
8
Biographies
Janet M. Hostetter, artistic and executive director, received her doctorate and master’s in choral
conducting from James Madison University and her bachelor’s in music education from Eastern Mennonite
University. Her published research project, “Tone Production, Musicianship Training, Repertoire
Development, Performance Practice: A Pedagogical Overview of Selected International Children’s Choirs,”
provided her the joy of interacting with respected children’s choirs in Australia, the Czech Republic,
Canada, and the Philippines. In the years since Dr. Hostetter came to SVCC in 2014, SVCC choirs have
performed nationally and internationally, collaborated with renowned children’s choirs, and also
produced several music videos. A passionate educator of the choral art and of future music educators, Dr.
Hostetter frequently mentors as clinician, collegiate instructor, and honor choir director. She served as
repertoire and standards chair for elementary music in the state of Virginia for five years and for eight
years provided oversight and direction for a thriving music ministry at Harrisonburg Mennonite Church.
Joy Anderson, assistant director, holds a bachelor of music in music education from the University of
Richmond, a master of music in music education and Level I Orff certification from James Madison
University, and Kodály certification from Capital University in Columbus, Ohio, including study at the
Kodály Institute in Kecskemet, Hungary. Mrs. Anderson teaches in JMU’s summer Kodály courses and is
a frequent presenter and guest conductor for music education and choral organizations and school systems.
Her writing has appeared in several music educators’ publications, and she was a contributing author
to Winding It Back: Teaching to Individual Differences in Music Classroom and Ensemble Settings published by
Oxford University Press. A 35-year veteran music teacher and conductor, Mrs. Anderson also currently
teaches and directs K-5 music and choir, middle school plays, and high school musicals at Eastern
Mennonite School.
Valeria Eshleman-Robles , Concert Choir movement instructor, born and raised in Guatemala
City, currently teaches Spanish at Eastern Mennonite School and modern dance at the Elkton Dance
and Recreation Program. She earned a degree in contemporary dance and choreography from the
Universidad de San Carlos de Guatemala, which led to teaching at the Universidad Galileo de
Guatemala and in various dance studios. Her original pieces have been presented in El Salvador,
Honduras, Costa Rica, and México. In November 2016, United Nations Women commissioned Valeria
to create and perform a choreography titled "Tejido de Mujer" for the recognition of the oppression
of women in Guatemala throughout its history. Valeria believes that the most significant aspect of
dance is communication - the creation of bonds between people regardless of age, gender or culture.
She's excited to share her dance experiences and passion while connecting with people from
Harrisonburg, which she is happy to now call home.
Brook H. Gonzalez , bilingual instructor for Prep, Treble, and Explorers, received her bachelor’s
degree in vocal music education from Goshen College. Her passion for intercultural experiences and
relationships then led her to Cusco, Peru, where she taught K-12 music and English for two years.
Since then she has given private voice lessons, taught Spanish, coordinated intercultural trips and
experiences, provided Spanish/English interpreting services, and led bilingual Music Together
classes for babies and their caretakers. Señora Gonzalez is excited to provide leadership for SVCC’s
first bilingual music class and is ready to practice creativity in designi ng virtual musical experiences.
Outside of SVCC Señora Gonzalez enjoys leading music at her church, staying active, and spending
time with friends and family. She is also pursuing a master’s of counseling and school counseling at
Eastern Mennonite University.
Heidi King, rehearsal assistant, is currently in the masters of music education program at James Madison
University. She completed her undergraduate degree in music with a choral and instrumental pre-k-12
teaching licensure at Eastern Mennonite University. For the last six years, she was the choir director at
Stonewall Jackson High School and North Fork Middle School in Shenandoah County. Here she had the
opportunity to grow the schools’ choir programs, teach guitar and general music classes, and direct the
9
high school musical. Heidi enjoys singing in the local a cappella group Good Company, and is active in
music ministry at her church, Zion Mennonite. Heidi has enjoyed spending lots of time at home with her
husband Justin and their 4-month old, Everett, who has brought so much hope and joy during this
unprecedented year!
Tara Davis, violinist, is a seasoned freelance musician currently residing in Harrisonburg VA. She teaches
violin, piano and theory with EMU’s Music Preparatory Program and recently has been designing gifts for
musicians and other performing artists, with Musica Style Designs. Tara is grateful to SVCC for their
support and collaboration. Merry Christmas and Happy Holidays to all!
Christopher Clymer Kurtz, guitarist, was by age 10 already writing in his diary about eating
hamburgers and playing guitar. He’s still a sucker for a burger any day, and for playing guitar and
songwriting every day. He’s also worked in prison arts, education, marketing, nonprofit development,
newspaper and radio journalism. His music is included in the new Voices Together hymnal and on more
than seven albums, including two recent projects by Clymer & Kurtz, the Shenandoah Valley duo also
featuring his spouse Maria.
2020-21 Calendar
www.svcc.org
Christmas concert: Faith, Hope, & Love | Online premiere: December 19 at 7 p.m.
Featuring all SVCC choirs and guest musicians
Available at svcc.org/virtual-concert
Donations welcome!
In anticipation:
Children’s choral music festival at Carnegie Hall, New York City | June 20, 2022
Conductors Dr. Janet M. Hostetter and Dr. Maria Theresa Vizconde-Roldan
will premiere a treble work by composer Jude B. Roldan.
Headlining choirs SVCC and Young Voices of the Philippines will be featured
along with members of other children’s choirs from around the world.
10
SVCC Personnel – Fall 2020
11
Choir Members – Fall 2020
12
Chorus of Support
November 1, 2019 – October 31, 2020
Endowments Scholarships
The Henneberger Endowment Alphie and Mary Zook Memorial Scholarship
Judith Nolen Henneberger
The Community Foundation of Harrisonburg & Soloist’s Circle: $5,000 – $9,999
Rockingham County Judith N. Henneberger
Edgar I. Levy Endowment for the Shenandoah
Valley Children’s Choir
13
Roosevelt & Mary Rowe Lillian Stoltzfus Norman Webb
Laverle Sappington Pat Stoltzfus Douglas & Sylvia
Michael Shank Marcia Stutzman Woodworth
Sheldon & Lois Shank Alesia & Daniel Talbot Peng Ye
Emily Short Daniel & Mini Vasquez Paul & Ann Yoder
William & Selah Sprinkel Sr. Cyndy Walsh Laura & Edward Yoder
Dean Steel Mike & Rachel Weaver
Reid & Susan Stempel Donald & Janice Webb
14
Eugene & Annette Ritter Dave Gish & Rebecca Souder William & Peggy Tincher
Wilma & Kris Robertson Eugene & Alice Souder Harold & Millie Trotter
Brenda & Ronald Robey The Beauty Spa Lucile Vaughn
Bradley & Zoe Rohrer David & Effie Spicher Lynne & Ralph Veerman
Ranene Schrock Ropp & Sarah & Ben Sprouse Stephen Wade
Joseph Ropp Bruce & Neva Stambaugh Neil & Erin Weldon
Laura & Thomas Rosazza Frank & Nancy Steller Lowell & Marlene Wenger
Joyce Ross Hugh & Kathy Stoll Barbara & Christ Wheatley
Katie & Jonathan Roy Myron & Rebecca Stoltzfus Jenny & Dan Whiting
John Sanders Grant & Susan Stoltzfus Liisa & JJ Wilkins
Robert & Audrey Schlabach Mark & Danielle Stopek Herbert & Georganne Witter
Rachel Schlabach Jennifer & Glenn Daniel & Susan Woodworth
Elwood & Lorene Schrock Strawderman Lela Faye Yoder
Jeff & Julie Shank Patti & Raymond Studwell Milton & Dorothy Zehr
Kirk & Kris Shank Zehr Ervin & Bonnie Stutzman
Phyllis Showalter Linda Laplante & Larry
Katherine & Timothy Shrader Tarlach
Dr Beverly Silver Sarah Oddenino-Tate &
Bill & Anita Simmons Stephen Tate
Ethel Smith David & Nadine Teichert-
JR & Kelly Snow Coddington
Kristen & Ron Snyder Bruce & Joy Thomas
15
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Now offered as a dual language
program in Spanish and English!
Music
Explorers
Ages 5-8
SVCC Music Explorers is a 20-week
program that develops music reading
and listening skills and teaches music
fundamentals through singing, movement,
games, improvisation, instruments, and
story books. Instruction is active, fun, child-
friendly! Both online and in-person physically
distanced options exist.
Instructors: Joy Anderson
and Brook H. Gonzalez