Vee, String Quartet (Srd mvt) Presticsimo (b) 1.5. Bash, Canina Wace a0? © == Eat, Call Coneto (x) (@) Exercise 7 Rewrite these exainples at the same pitch in the tenor clef. (Allegro con brio) Rawsthorne, Siveet Gonter (Overture) Ee ==" © § oe gS Reproduced by permission of Oxford University Press (Lento macstoso J» 54 Copland, Billy she Kidd (ao: “The open pene?) = = == —f tc, oF = woe - a Sf narcas @Hoosey & Hawkes Music Publishers Led cS ——=Exercise 7 (continued) (Sehr lebhaft) R. Strauss, Till Eidenspiegel oS Sf -_ (©1895 by Josef Aibl Mosikvertag. Copytiiht assigned 1932 10 CF Peters. Reproduced by permission, Wagner, Tanahuser (Ovestuce) Beedboven, String Quartet, Op-I31 nd mvt) = =z z eee eT © = C Major and minor keys up to six sharps and flats (see The AB Guide to Music Theory, 4/\-3) Keys with up to five sharps ot flats were included in Grade 4. ‘The keys with six sharps are F# major and D# minor; and the keys with six flats are G} major and E}, minor.12 (continued) ‘Tehaikovsky, Overture “1812 aera oo — poe oes fg. # . © ——s Pp ove - een = -~ do Medeens Rochmaninov, Elégie, Op.3 No.1 . a= (a) = Andante molto cximo Puccini Madam Buctefly (One fae ts mol ty (One fae day’) ©24 Exercise 24 Transcribe the following passages into short score. (As a model, the solution to the opening of the first example is given.) @ Purcell, Anthem ‘Rejoice in the Lord alway”25 Exercise 25 — Transcribe the following passages into open score. (As a model, the solution to the opening of the first example is given.) Sullivan, Mibado (Madrigal) {Allegretto con spirito) @ s ‘ r ea r Beethoven, Symphony No.9 (deb mvt) ras : © (Allegro assai) : °. a : 5 TN bo aii a y in it,29 Exercise 30 Describe fully each of the intervals marked "17 (2 “ete, in the following passages. (Keep in mind the key signature and any accidentals which may have occurred earlier in the bar. Remember, too, that an interval in a melody is still calculated from the lower note, even if the higher note happens to come first.) 1S. Bach, 48 Preludes & Fugues, Bk I (Fugue No.2) roe 3 rot yt rc qt 3 4 @® 3) (6) Gershwin, Three Preludes (No.1) See & a ©) Reproduced by permission of Editions Durand S.A., Paris = (Bases , od ‘Mozart, Cos fn cutre (Act th Per pie (Adagio) ma a st Con fo une (AT Pes ves) 5 @ r ao A) exccssennae B) - 6)a1 Here is an example of what is required in Exercise 32 below: 2zii | Key: Bs major um ov 1 Any equivalent of the above chord symbols is acceptable, provided it is meant and fully describes the function of the chord in the key. Exercise 32 Name the keys of the following passages. Identify the chords marked with *, and indicate which of the notes is in the bass (or which position the chord is in). viene, Mendelssohn, Song without Words, Op.102 No.3 @ Andante Mozart, The Magis Flate (Act II, March) ) mabe re Te] ©32 Exercise 32 (continued) Beethoven, Piano Sonata, Op.10 No.3 (Menuetto) Allegre 7 —___________estoven @) Handel, Aig, from HWY 434 Allegro Purcell, Dido and Aeneas (When monarchs vnite’) 10) Allegretto (4: ~0) Shostakovich, 24 Preludes & Fugues, No.19 (Prelude) @) - = Key... Boosey & Hawkes Music Publishers Led