Lis 326
Lis 326
COURSE GUIDE
Course Information
Semester: 2nd
Edition: First
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COURSE GUIDE 1
Table of Contents ................................................................................................... 4
INTRODUCTION................................................................................................... 14
COURSE OBJECTIVES ......................................................................................... 14
LIS 326 Modules and Units ................................................................................. 15
Course Materials ..................................................................................................... 16
Assessment .......................................................................................................... 17
GETTING THE BEST OUT OT LIS 326 ................................................................ 17
MODULE 1: DEFINITION AND DESCRIPTION OF APPLICATION SOFTWARE
................................................................................. Error! Bookmark not defined.7
UNIT 1: INTRODUCTION TO APPLICATION PACKAGES 17
1.1 Introduction 18
4
2.4.2 Productivity Software 26
2.5 Specialty Software 27
2.6 Summary 28
2.7 Glossary 28
2.8 References/Further Reading 29
2.9 Possible Answers to Self-Assessment Exercises (SAEs) 29
1.1 INTRODUCTION 43
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1.2 LEARNING OUTCOMES 43
1.3 Microsoft Basic 1: Microsoft word environment 44
1.6 Summary 52
1.7 Glossary 52
2.1 INTRODUCTION 55
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2.4.2 Formatting bullet and numbers 53
2.5 Selecting of the table object and Deleting cells and Tables 63
2.6 Summary 67
2.7. Glossary 67
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3.5.2 How to use the Thesaurus 79
3.6 Summary 86
3.7 Glossary 87
3.8 References/Further Reading 87
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1.4.4 Saving Presentations 99
1.4.5 Inserting New Slides and Slide Layouts 102
1.4.6 Sharing presentations 102
1.5 Views in PowerPoint 103
1.5.1 Sorter View and Reading View 104
1.6 Summary 104
1.7 Glossary 106
1.8 References/Further Reading 106
2.5 Setting Up Your Presentation and Inserting Charts, Objects, and Tables
123
2.5.1 Inserting charts 124
2.5.2 Inserting objects 125
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2.5.3 Inserting tables 125
2.6 Summary 126
2.7 Glossary 128
2.8 References/Further Reading 128
2.9 Self-Assignment Exercises (SAEs) 128
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3.3.2 Inserting and deleting Rows and column 146
3.3.3 Changing the width and length of cells 146
3.3.4 Hiding and un-hiding excel rows and column 148
3.3.5 Naming a worksheet 148
3.4 Formatting Data in an Excel worksheet 149
3.4.1 Changing the background color of a cell 149
3.4.2 Format data as currency values 150
3.4.3 How to use conditional formatting 151
3.5 1nsert images and shapes into an Excel worksheet and Printing 152
3.5.1 Inserting Images 153
3.5.2 Inserting Excel Shapes 154
3.5.3 Working with Excel SmartArt 154
3.5.4 Printing an Excel Worksheet 155
3.5.5.1 Viewing documents in print preview in Excel 155
3.5.6 Changing the merging, scaling and orientation 156
3.5.7 Page layout view 157
3.5.8 Header and footer 157
3.5.9 Printing a specific range of cells 158
3.6 Summary 159
3.7 Glossary 160
3.8 References/Further Reading 161
3.9 Self-Assignment Exercises (SAEs) 161
MODULE 5: GRAPHICS DESIGN AND MICROSOFT ACCESS 163
UNIT 1: INTRODUCTION TO GRAPHICS DESIGN 163
1.1 Introduction 162
1.2 Learning Outcomes 163
1.3 Definition of Graphics Design and History of Graphics Design 163
1.3.1Definition of Graphics Design 163
1.3.2 History of Graphics Design 163
1.4. Industry Specializations for Graphics Design 164
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1.4.7 Environmental Design 166
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3.4.2 Arranging and organizing objects 222
3.5 Working with Text in CorelDraw 233
3.6 Summary 240
3.7 Glossary 241
3.8 References/Further Reading 241
3.9 Possible Answers to Self-Assessment Exercises 241
UNIT 4: INTRODUCTION TO MICROSOFT ACCESS 243
4.1 Introduction 243
4.2 Learning Outcomes 243
4.3 Definition of terms and Elements of a Database File 244
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NATIONAL OPEN UNIVERSITY OF NIGERIA
INTRODUCTION
The Course LIS 326: Introduction to Application Packages runs for one
Semester. It has two credit loads and it is for students in the undergraduate
programme in Library and Information of the National Open University of
Nigeria. It consists of five modules divided into 16 units. The overall goal of
LIS 326 is to introduce students to various application packages. The packages
will include general purpose and specialized application software. The general-
purpose software will include word processing, spreadsheets, presentation, and
graphics. Students will also be introduced to database development software like
Access 2000. Furthermore, students will be introduced to specialized accounting,
web development, and multi-media packages.
COURSE OBJECTIVES
To achieve the above aims, a set of relevant objectives have been formulated to
guide LIS 326. Focusing on these objectives is critical to students’ self-
evaluation as the course progresses. Students should be able to do the following
at the end of the course:
CONTENTS
INTRODUCTION
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What you will learn from the course
Course Aims
Course Objectives
Working through the Course
Study Units
Course Materials
Assessment
The Presentation Schedule
Tutor Marked Assignments
Final Examination and Grading
Summary
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Unit 2: Formulae and Functions
Unit 3: Working with Cells and Sheets
Unit 4: Working with Data
MODULE 4: PRESENTATION PACKAGES
Unit 1: PowerPoint Basics
Unit 2: Working with Slides
Unit 3: Texts and Objects
MODULE 5: GRAPHICS DESIGN AND DATABASE
Unit 1: Introduction to Graphics Design
Unit 2: Introduction to Adobe Photoshop
Unit 3: Introduction to CorelDraw
Unit 4: Introduction to Microsoft Access
Course Materials
Students who take this course will be presented with relevant materials to
facilitate their learning experience. The materials will include
Recommended textbooks;
LIS 326 Course guide;
Study Units;
Appropriate sources; and
Assignment file
Students who consult and use the above materials are likely to be better than
those who fail to do so.
Assessment
The Presentation Schedule
Tutor Marked Assignments
Final Examination and Grading
Undertaking this course is like an adventure and some vital steps/secrets will guarantee
successful completion of LIS 326. The first secret is to understand that LIS326 is
practically intensive. The second vital step is to personally practice in each application
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package’s environment. Students should studiously cover the modules and units of the
course. Fourthly, get and read recommended textbooks and other materials related to
the course. Fourthly, actively participate in the practical session and online facilitation
at the study centre. Fifthly, master the course content/structure consisting of
introduction, aims, and objectives, expected outcomes, summary, and conclusion.
Sixthly, access online resources by clicking on the links provided in this module. Take
special notice of the electronic books published by Wiley Press and Microsoft Press.
Seventhly, complete all Tutor-Marked Assignments which are objective assessments of
your progress in the course. Finally, downloading the courseware will assist you to
study it ubiquitously.
ASSESSMENT
Assessment for LIS 326 will consist of formative and summative approaches. The
formative approach is administered at the end of each study Unit and the goal is to help
students objectively assess their progress or learning outcomes. For LIS 326 there will
be three continuous assessments of 10% each (30% in all). The final approach is in the
form of a Computer-Based Test (CBT). The final examination is compulsory for all
students.
It is possible to maximise your moment in LIS 326. Please note that this course
is offered in the Open and Distant learning model. Consequently, ownership of
hardware device like a laptop or another electronic device is imperative. Internet
access is also critical to enable download of e-resources and courseware.
Computer literacy, the internet and information literacy are essential to
effectively navigate the electronic landscape which is the operational platform
for this Course.
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1.3 Introduction to Application Packages
1.3.1 Definition of Application Software
1.4 Versions, Releases, & Compatibility
1.5. Points to note on application packages
1.6. Summary
1.9 Glossary
1.8 References/Further Reading
1.9 Possible Answers to Self-Assessment Exercises (SAEs)
1.1 INTRODUCTION
This unit aims to layout an introduction to the subject of application packages.
Also, this unit will introduce you to the concepts of versions, releases, and
compatibility as they relate to application packages. Getting to know about
application packages will be both fascinating and an enriching computer
application experience. Get ready to do the Self-Assessment Exercises (SAEs)
at the end of the various section of this Unit. Welcome to the world of application
packages..
1.2 LEARNING OUTCOMES
At the end of this unit the students should be able to:
define the concept application packages
explain the meaning of versions, releases, and compatibility
understand the basic operations of application packages
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As has been before, the software can be divided into systems software (i.e., these
are programs designed to control the execution and utilization of other programs
and hardware effectively) and applications software (i.e., these are programs to
solve users’ problems). Systems software is generally supplied by hardware
manufacturers. In this section, let us look at some general points on applications
software. Applications software comprises the method and guides which enable
computer systems to do what the user requires. Software design essentially
involves three abstract concepts. These are algorithms, data structures, and file
structures.
Algorithms are simply the steps for computation. They may either be numerical
or non-numerical, for example, sorting, text searching, etc. Data structures, on
the other hand, indicate how information is organized in the computer's memory.
Self-Assessment Exercise1: What is software?
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1.5. Points to note on application packages
Basically, it can be said that a software package is a program written to help a
computer perform the required tasks. Software is a set of instructions to help a
computer do its job. Application packages are software programs written to
support tasks that a computer was originally allowed to do; they are developed
according to the needs of computer users. Most of the time the application
software has to be installed by the user. This means that the application packages
you may have on your computer will be different from what others may have on
your system because each user has different needs or tasks to perform. In
addition, application software is available in various versions and versions. And
the system properties determine which packages will work on the computer
depending on the system capacity.
Self-Assessment Exercise 3: What do you understand by compatibility of
application software?
1.6 SUMMARY
In this unit, we have examined the concept of software and application packages.
It has been seen from this unit that without software a computer system cannot
function and that application packages help to perform specific tasks on the
computer.
1.7 Glossary
Applications software: Developed to perform useful work on specific tasks, or
particular problems, or provide entertainment for users.
Release: A release can be said to be a minor upgrade of a software.
Software: Defined as a set of instructions that instruct a computer on how to
perform various tasks.
Version: A major upgrade of a software product
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1.9 Possible Answers to Self-Assessment Exercises (SAEs)
Self-Assessment Exercise1: What is a software?
Answer to SAE 1:
Software’s can be defined as a set of instructions that instruct a computer on how
to perform various tasks. Applications software is software that has been
developed to perform useful work on specific tasks, or particular problems, or
provide entertainment for users.
.
UNIT 2: CATEGORIES OF APPLICATION SOFTWARE
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CONTENT
2.1 Introduction
2.2 Learning Outcomes
2.3 Entertainment Software and Home/Personal Software
2.3.1 Entertainment Software
2.3.2 Home/Personal Software
2.4 Education/Reference Software and Productivity Software
1.4.1 Education/Reference Software
1.4.2 Productivity Software
2.5 Specialty Software
2.6 Summary
2.7 Glossary
2.8 References/Further reading
2.9 Possible Answers to Self-Assessment Exercises (SAEs)
2.1 INTRODUCTION
We have treated the subject of application packages in the previous unit and this
unit aims to treat five major categories of application software.
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Entertainment software
Home/personal software
Education/reference software
Productivity software
Specialty software
We can say that due to the loose definition of entertainment software, there is
quite a lot of software that fall into this category. One of the most well-known
sectors of entertainment software is video games or the gaming industry, we can
see how popular video games are if we take a look around, from adventure games
like tomb raider to sports games like FIFA, NBA to action games like Call of
Duty to simple games like candy crush and it’s not all games that are for leisure
purpose, we also have educational games like Hangman, Scrabble, etc. Video
games have been around since the ‘70s and they have developed rapidly to the
point that modern-day games almost look as good as the real world. The first set
of video games was not as realistic as modern games, they had basic visual
representation and were small in size, as small as a few MB compared to modern
games that are almost as large as 100GB. We had famous games like Pac-Man,
Space Invader, Pong, etc. that introduced people to video games and it didn’t
take long before the audience fell in love with video games, which lead to the
creation of more and more video games.
Figure 1.1 Image of Pac-Man Game: Source::Researchgate.net Figure 1.2: Image of Space Invaders; Source: Smithsonianmag.com
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Figure 1.3:Image of FIFA Video Game
Source: Goal.com
Another category is the Media Software, this can be for media creation and
editing or for playing media files (movies and music). Though this category may
not be as popular as the gaming category, they are still quite widely known. We
also have various software for watching movies like VideoLAN (VLC),
KMPlayer:, Netflix, etc., or listening to music like iTunes, Deezer, etc. All this
software enables us to watch videos or listen to music on our Computers. We
also have software for creating or editing video and music, which include Sony
Vegas pro, adobe Photoshop, shazam, sound cloud, virtual DJ, etc. both the video
and music editors work similarly, they can create, replace, delete, adjust,
transform and do anything to the frames on the screen. This has created endless
opportunities for content creators and professional workers.
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Figure 1.6:Image of Virtual DJ Figure 1.7: Image of Sony Vegas Pro
Source: digitaldjtips.com Source: getintopc.com
Entertainment Software are not solely for leisure purposes, we also use it for
educational purposes. Children love to be entertained, they love to have fun and
it is also easy to instruct children through educational games or videos, this is
commonly used in modern schools and it has proven to be very efficient.
Educational games come in various forms and sizes; some are general while
others offer a more specialized educational experience, examples include
Minecraft which is used by architectural schools for the project, Kahoot which
can be said to be an educational platform. Overall, there are so many different
ways to teach kids while having fun, that it's a great thing that such software
exists. Because this means modern children have many new opportunities to be
interested in learning and have fun while doing it.
All this shows that entertainment software plays an important role in our daily
lives, from movies to music to video and music editing to educational games.
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are our various web browsers like Google Chrome, Safari, Firefox, Explorer, etc.
they enable us to have access to the web and to browse it. The common feature
among all these examples are that One, we use them for personal purposes. Two,
we use them in our daily activities. Three, they are cheap to get, and most even
come along with our device, and finally, they increase personal effectiveness.
2.4 Education/Reference Software and Productivity Software
2.4.1 Educational/Reference Software
Educational software are programs that are mainly developed for teaching and
learning. It covers a wide range of different purposes right from language
learning software to reference software to classroom management software to
video instruction software etc. The potential of educational software was
recognized early by educational professionals, this lead to educational software
arriving virtually with the first desktop computers. Educational software covers
a large area of different forms, costs, and purposes, some exist to instruct
children on various letters in the alphabet, others include introducing complex
concepts to all grades, some are also for developmental purposes in the aspect of
good writing skills, good speaking skills, etc. some are designed for instructing
professionals various details of their job, etc. some examples include Encarta,
Google Classroom, Litmos, Moodle, etc.
There are various categories of educational software which include: One,
Courseware, these are additional materials that can either be intended as kits for
teachers or tutorials for students, in most cases, they are documents intended to
provide further assistance. Two, Classroom Aids, are specifically designed for
use in school classrooms. When such software are used they are typically
displayed on large whiteboards e.g. Moodle. Three, Specific Educational
purpose, these are highly specific software that is used mainly teaching on a
specific subject or instruct on a specific task e.g. driving test software, language
learning software, etc. Other categories include corporate training, custom
platforms reference software, and assessment software.
2.4.2 Productivity Software
Productivity software just as the name implies is used for the production of
information which could be in the form of databases, documents, worksheets,
charts, graphs, etc. It is primarily used for increasing productivity especially
among office workers. A bundle of productive software intended to be used by
office workers is known as Office Suite. The components are generally
distributed together, have a consistent user interface, and usually can interact
with each other.
The most popular kinds of productivity tools are:
Word processing software
Spreadsheet software
Database software, including personal information managers
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Financial software, including personal finance programs
Software for cyberspace – communications, e-mail, Web browsers
Integrated software and suites.
It may still be possible to work in an office these days without knowing any of
these programs. However, that probably won't be the case as we move along into
the 21st century. We shall describe productivity software in more detail
beginning in another few pages.
Whatever your occupation, you will probably find it has specialized software
available to it. This is so whether your career is as an architect, building
contractor, pilot, etc.Some programs help architects or engineers to be able to
simulate buildings before building them. Other programs help construction
estimators pull together the costs of materials and labour needed to estimate a
job.
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Figure 1:9 Image of AutoCAD Software: A specialty software for engineers and
Architects
Source:www.digitalengineering247.com
2.6 SUMMARY
Various categories of application software help to carry out various tasks ranging
from education-related tasks and entertainment. Users determine which of these
categories they install depending on their needsIn this unit, we have gone through
the five major categories of application packages. It is clear that users have the
choice to install any or all of the categories.
2.7 Glossary
1. Entertainment Software: Entertainment Software refers to a wide variety of
software, it can refer to video games, software for watching videos or playing
music, displaying pictures, and other forms of entertainment which users can
experience through a computer device.
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2.8 REFERENCES/FURTHER READING
Ikekeonwu, G. A. M & Oguike, O. E. (2017). Computer Applications.
Department of Enugu: Computer Science, University of Nigeria,
Nsukka., 307 .
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UNIT 3: COMMON FEATURES OF SOFTWARE
CONTENTS
3.1 Introduction
3.2 Learning Outcomes
3.3 The User Interface
3.3.1 Windows
3.3.2 Icons
3.3.3 Buttons
3.3.4 Dialog box
3.4 Tutorials and Documentation and Helps for Software Users
3.4.1 Tutorials and Documentation
3.4.2 Helps for Software Users
3.5. Public Domain Software: Freeware and Shareware and Propriety
Software and Types of Licenses
3.5.1 Public Domain Software: Freeware
3.5.2 Propriety Software and Types of Licenses
3.6 Summary
3.7 Glossary
3.8 References/Further reading
3.9 Possible Answers to Self-Assessment Exercises (SAEs)
3.1 INTRODUCTION
Having treated the various application packages, this unit aims to focus on the
various features of typical software or application. The lesson will pay attention
to the user interface, explore the issue of tutorials and documentation as well as
the issues of help for users, and other useful software assistants.
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Define what the concept of freeware, shareware, and proprietary
software
The User Interface or UI is the point at which we the users interact with a
computer program or application, the main goal of the user interface is to make
the user experience easy, enabling the user to achieve a maximum outcome with
minimal effort. The type of user interface is usually determined by the system.
There have been various types of interface in the past but the currently most used
or widely known is the Graphic User Interface or GUI as it is commonly known.
It is a form of user interface which allows users to interact with a computer
through graphical icons and an audio indicator. Various actions in GUI are
usually performed by directly manipulating the graphical elements.
A menu bar is a horizontal bar that contains the labels for drop-down menus
which is usually anchored to the top of a window, coming most times after
the title bar.
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Figure 1.11: Image of a Menu Bar in File Explorer
Source: Screenshot
A pop-up menu, also known as shortcut menu and context menu, refers to a
hidden menu that doesn’t show/appear until the user right-clicks. This menu is
mostly referred to as a context menu because the menu that appears relates to
what was right-clicked. For example in Microsoft word, if a text that is
highlighted is right-clicked on, a pop-up menu similar to the example below will
appear. This menu gives quick access to common features related to the text.
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3.3 .1 Windows
Window: A particularly interesting feature of GUIs is the use of windows.A
window is the rectangular part of the computer display in the GUI that shows the
program currently in use. For example, the browser window you use to explore
the files on your system is a window. Windows allows users to work with
multiple programs or view multiple programs at the same time. Most windows
allow you to minimize and maximize them, allowing you to temporarily hide and
show programs.
3.3.2 Icons
Icons: An icon is a small graphical representation of a program, function,
or file. When you click or double-click an icon, the associated file or
program opens or an action is performed. For example, if you double-
click the This PC icon, Windows Explorer will open windows explorer.
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Icons are components of GUI operating systems, including Apple's
macOS X and Microsoft Windows. Icons help users quickly identify the
type of file represented by the icon. The image is an example of the "My
Computer" icon in various versions of Microsoft Windows.
3.3.2 Buttons:
A button is a graphic icon that may have text that performs a software
function. For example, the Windows Start button is used to open
the Start menu, the X button by the top right of a window s used to close
the window.
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Figure 1.16: Image with the windows button clicked
Source: Screenshot
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Note: Not all software products come with tutorials.
Documentation: Documentation can be said to be a short pictorial
description of a program. The documentation may be in print, but today
it is generally available on CD-ROM and the Internet. The documentation
may be educational, but features and functions are generally grouped by
category for reference.
Let us now consider the various forms of applications software used as
productivity tools. Then we will cover specialty programs.
3.4.2 Help for Software Users
Why devote so much space to a discussion of the difficulties of software and risk
frightening newcomers before they've even begun? Because it is easy for users
(especially newcomers) to think that the reason they can't make a program work
lies with their ineptness – when the culprit is the manufacturer making slipshod
goods. There are, however, some sources of user assistance – although even here,
to be forewarned is to be forearmed.
Instruction manuals: User guides or instructions manuals printed on paper
have traditionally accompanied boxes of applications software diskettes or
CD-ROMs. Sometimes these are just what you need. Sometimes, however,
you need to know what you need help with, and it may be difficult to define
the problem. In addition, these guides may be a puzzle to anyone not trained
as a programmer because they are often written by the very people who
developed the software. And experts are not always able to anticipate the
problems of the inexpert. More recently, software manufacturers have been
giving short shrift to print-on-paper manuals. Says business-technical
writer John Merchant, "as the software has become more complex, the
(paper) user guides have become slimmer the drastically reduced time
allowed to get new software products to market does not allow for
comprehensive manuals to be written."
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problem. Both software and hardware makers have long offered telephone
helplines for customers. If your computer breaks down, you may find that
your hardware company still offers emergency advice for free (although
you may have to pay the phone company's long-distance tolls). However,
software manufacturers now invariably charge for help calls if you have
had the software longer than 30-90 days. This could run to a few hundreds
or thousands of Naira depending on the arrangement you have with them.
An analyst for Dataquest, a market-research firm based in the United States
of America estimates that microcomputer users placed 200 million calls in
1999 to ask software questions. He also found the average time a user had
to wait on hold was about 3 minutes. It is quite common to wait for 20 or
30 minutes – even at midnight – listening to bubbly music and a recorded
voice urging you to "stay on the line for the next available technician."
A final word: If you are happy with a particular applications program, don't feel
you have to go out and upgrade to the latest version just because everyone around
you seems to be doing so. The ultimate test, after all, is: How useful is the
software for you? You don't necessarily need to be influenced by the argument
that something is "better, faster, and incorporates all the latest technology."
3.5. Public Domain Software: Freeware and Shareware and Propriety
Software and Types of Licenses
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1.5.1 Public Domain Software: Freeware, & Shareware
These are the general issues you need to consider when you are thinking about
how to use someone else's intellectual property in the Digital Age. Now let's see
how software fits in. No doubt most of the applications programs you will study
in conjunction with this book will be commercial software packages, with brand
names such as Microsoft Word or Excel. However, there are some software
products – many available over communications lines from the Internet – that
are available to you as public domain software, freeware, or shareware.
Public domain software: Public domain software is software that can be
duplicated by anyone meaning, it is not protected by copyright. Public
domain programs have been donated to the public by their creators. They
are made available through various sites, for example, GitHub; users can
upload their systems and make them public if they want others to have
access to it. With public domain software, you don’t have to fear authorities
if you make any changes to it, but in hindsight, we have to be careful of the
free software we download some conceal malicious programs that can be
harmful to your system.
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3.5.2 Proprietary Software & Types of Licenses
3.6. SUMMARY
This unit has treated the various features of software such as an interface,
tutorials, and documents. It also took a look at some free and proprietary wares
and how they make the use of certain software easier. Typical software will have
the Users’ Interface which contains the Windows, the Icons, the Buttons, and the
Dialog box. To use the software a user must familiarize themselves with these
features and correctly use them. Also, to make the use of the software easier,
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most software packages have tutorials and documentation as part of the features
in the software. These and other features on software packages make them easier
to use and navigate.
Self-Assessment Exercise1: Mention the major features of graphic user interface
(Graphic User Interface.
Self-Assessment Exercise 2: What are the sources of help for software users?
Self-Assessment Exercise 3: What type of licences are available to users?
3.7 Glossary
Public domain software: A software that can be duplicated by anyone meaning,
it is not protected by copyright.
Freeware: Freeware is software that is available free of charge.
Shareware: Shareware is copyrighted software that is distributed free of charge,
but whose users must contribute to continue using it
Proprietary software: Proprietary software is software whose rights belong to
a person or a company, usually the software developer.
Tutorials: A tutorial is a book, document, or video that shows a new user the
walk through on how to get familiarized with the program.
Self-Assessment Exercise 2: What are the sources of help for software users?
Answer to SAE 2:
The major sources of user assistance include:
Instruction manuals: User guides or instructions manuals printed on paper
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have traditionally accompanied boxes of applications software diskettes or
CD-ROMs.
Answer to SAE 3:
There are at least five types of licenses available to software users. They
include:
Shrink-wrap licenses: Shrinkwrap licenses are printed licenses that are
inserted into software packages and are visible through the clear plastic
film. The use of shrink film licenses eliminates the need for a written
signature, as the buyer knows they are entering into a binding contract
simply by opening the package. Each Shrinkwrap license is for a single
system.
Site licenses: It allows a customer to make multiple copies of a software
product for use only within a specific installation.
Concurrent-use licenses: A concurrent use license allows the
simultaneous use of a certain number of copies of software within a given
installation. For example, if a concurrent use license is granted for 10 users
within a company, all 10 users in the company can use the software at the
same time..
Network single-user licenses: A single-user network license limits the use
of the software on a network to one user at a time.
Network multiple-user license: The license allows more than one person
on a network to use the software. Each user is assigned a license and only
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those licensed as such can use the network software.
CONTENTS
1.1 INTRODUCTION
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13.4 Touch mode
1.3.5 Ruler
1.3.6 Scroll Bars
1.3.7 Document View Buttons
1.3.8 Zoom sliders
1.3.9 The mini Toolbar and keyboard Shortcuts
1.6 Summary
1.7 Glossary
1.1 INTRODUCTION
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The new Word environment is designed to more closely reflect the way people
generally work with the program. Microsoft Word 2016 is a word processing
application that allows you to create a variety of documents, including letters,
resumes, and more. In this section, you'll learn how to navigate the Word
interface and become familiar with some of its most important features, such as
the Ribbon, Quick Access Toolbar, and Backstage view. Word 2016 is similar
to Word 2013 and Word 2010. If you've previously used either version, then
Word 2016 should feel familiar. But if you are new to Word or have more
experience with older versions, you should first take some time to become
familiar with the Word 2016 interface.
To open this application called Microsoft Word, go to the start button and click
it, you will see all app there, look for the Microsoft icon and lunch it. This is the
environment you will be working on, it comprises of the title bar, menu bar,
standard toolbar, formatting toolbar, ruler, insertion point, End of Document
Marker, Help, Scroll bars, Status Bar, Task pane, View Buttons, Office
Assistant, etc.
44
As seen above, the ribbon is a set of toolbars at the top of the window in Office
programs designed to help you quickly find the commands that you need to
complete a task.
1.3.3 The file tab and backstage view
As seen above, The File tab is a colored tab, for example, a blue tab in Word,
located in the upper-left corner of Microsoft Office programs while the
backstage view provides access to saving, opening, info about the currently open
file (Permissions, Sharing, and Versions), creating a new file, printing, and fc
45
The view buttons are a feature that lets you change how the presentation or
document appears.
1.3.8 Zoom sliders
The zoom slider is usually in the lower right corner of the software window as
shown above.
1.3.9 The mini Toolbar
The mini toolbar appears whenever you right-click text in Word.
1.3.10 Keyboard Shortcuts
Here are a list of shortcuts you can always use, Basic Windows
keyboard shortcuts
Ctrl+Z: Undo., Ctrl+W: Close., Ctrl+A: Select all., Alt+Tab: Switch apps.,
Alt+F4: Close apps., Win+D: Show or hide the desktop., Win+left arrow or
Win+right arrow: Snap windows., Win+Tab: Open the Task view.
Opening a document
The first step in creating a word document begins with the opening of
the Microsoft Word program. In the menu at the top, click the File menu and
select the Open option otherwise open the document direct from where you
saved it on your PC. See below.
46
Figure 2.3: Opening of Word document
Source: Screenshot
Closing a document
Click the gray "X" in the upper-right-hand corner. But ensure to save your work
if you will still use it next time for it is a good practice. See below to see the blue
arrow pointing where to click to close your document.
47
Source: Screenshot
Saving document
To save a document, press ctrl S or you click the file button and click the save
As after which you save the document with whatever name you want to save it
as and also you have the option to choose whatever file type you want to save
the document with. See below
Note the file path you are saving your document to as shown below.
Entering Text
Entering text is always done at the position of the cursor. Any newly-typed
character is added to the text at the position occupied by the cursor, after which
the cursor is moved one column to the right.
Selecting Text
Selecting is highlighting text or picking an object.
48
Printing Documents Printing to a File. Word allows you to send your output to
a file instead of to a printer.
49
Figure 2.7: Inserted screenshot window
Source: Screenshot
50
Same as seen above from the insert tab.
1.6 SUMMARY
In this Unit, we have been able to understand the title bar, the Ribbon, the touch
mode, the ruler, the scroll bar, the zoom slides, etc. The first step in creating a
word document begins with the opening of the Microsoft Word program.
Printing is an output process that enables us to have a hard copy of our word
processing activities. We can print from our PC, from the back view, or by
pressing the ctrl P key.
Self-Assessment Exercises
Self-Assessment Exercise 1. What do you understand by the ribbon?
Self-Assessment Exercise 2. What is the Microsoft environment?
Self-Assessment Exercise 3: What is the first step in creating a word document?
Self-Assessment Exercise 4: What is printing in MS Office?
Self-Assessment Exercise 5 : List at least seven window keywors short you can
use.
1.7 Glossary
Ribbon in MS Word: The ribbon is a set of toolbars at the top of the window in
Office programs designed to help you quickly find the commands that you need
to complete a task
MS Environment: The environment is where we work with word document, a
lot of document formatting are carried out here
Printing in MS Word: Printing is an output process that enables us to have a
hard copy of our word processing activities.
51
1.8 REFERENCES/FURTHER READING
Foulkes, L.(2020). Learn Microsoft office 2019: a comprehensive guide to getting
started with Word, PowerPoint, Excel Access, and Outlook. Birmingham:
Packt publishing.
Lambert, J. & Cox, J.(2010). Microsoft Word 2010 step by step. Washington:
Microsoft Press.
Murray, K. (2010). Microsoft Word 2010 inside out. Washington: Microsoft Press.
Murray, K. (2010). Microsoft Word 2010 Plain & Simple. California: O’Reilly.
VanHuss, Susie H. et.al (2017). Keyboarding & Word Processing: complete course,
Microsoft Word 2016, Lesson 1-110 20e. 20 ed. Boston: Cenage.
VanHuss, Susie H. et.al (2017). Advanced Word Processing Lesson 56-110: Microsoft
word 2016. 20 ed. Boston. Cenage.
Velsoft Training Materials, Inc. (2020). Microsoft Word 365: ( Instructor guide) Part
1. Velsoft Training Materials.
Answer to SAE 1:
The ribbon is a set of toolbars at the top of the window in Office programs
designed to help you quickly find the commands that you need to complete a
task
52
Self-Assessment Exercise 4: What is printing in MS Office?
Answer to SAE 4
Printing is an output process that enables us to have a hard copy of our word
processing activities. We can print from our PC, from the back view, or by
pressing the ctrl P key.
Self-Assessment Exercise: List at least seven window keywors short you can
use.
Answer to SAE 5
Here are a list of shortcuts you can always use. They are Basic Windows
keyboard shortcuts
53
UNIT 2: DRAWING OBJECT, PAGE BACKGROUND, APPLYING
BULLETS AND NUMBERS
2.1 INTRODUCTION
2.5 Selecting of the table object and Deleting cells and Tables
2.6 Summary
2.7. Glossary
2.8 References/Further Reading
2.1 INTRODUCTION
Having gone through MS Word basics in Unit 1, this unit is intended to take
students further in their ability to navigate the MS Word environment. You will
be introduced to drawing an object, page background, and applying for bullets
and numbers. We will be able to build bullets, apply numbers and tables in our
document, this is very essential for itemizing points we want people to see
whenever they receive or see our message or document.
54
2.2 LEARNING OUTCOMES
At the end of this course, you should be able to
You have many options to design whatever you want with the New Drawing
canvas as shown below.
55
Figure 2.10: New drawing canvas
Source: Screenshot
Inserting WordArt
On the Insert tab, in the Text group, click WordArt, and then click
the WordArt style that you want. See below
56
Formatting Shapes
To format shapes, click the shape that you want to change after which under
Drawing Tools, on the Format tab, in the Insert Shapes group, click Edit text.
See below.
Inserting SmartArt
To insert smartArt, click the insert tab, in the Illustrations group, click SmartArt.
In the Choose a SmartArt Graphic dialog box, click the type and layout that you
want. See below
57
Figure 2.12: Inserting SmartArt
Source: Screenshot
Inserting Charts
On the Insert tab, in the Illustrations group, click charts. In the Choose
a chart Graphic dialog box, click the type and layout that you want. As seen with
the case of SmartArt above.
2.3.2 Page Background
2.3.2.1 Applying Watermarks
To use watermarks, click on the layout tab, select Watermark. In the Insert
Watermark dialog, select Text and either type your own watermark text or select
one, like DRAFT, from the list. Then, customize the watermark by setting the
font, layout, size, colors, and orientation, select OK. See below
58
Figure 2.13: Applying watermarks
Source: Screenshot
59
Figure 2.14: Page borders
Source: Screenshot
In your Microsoft document, place your cursor or highlight the text where you
wish to insert a bulleted list. Under the [Home] tab in the “Paragraph” section,
click the [Bullets] drop-down menu. Choose a bullet style or select "Bullets and
Numbering” to create a customized bullet style. See below
60
Figure 2.15: Applying bullets
Source: Screenshot
61
2.4.2 Formatting Bullets and Numbering
As seen previously you can also format bullets and number an item on your
document, Select the bulleted list that you want to format. , and then click Bullets
and Numbering. Click on the style that you want. Click the button
under Customize, and then click the bullet style that you want.
Creating a table
To do this, Click Insert > Tables > Insert Table from the dropdown menu. In
the Insert Table dialog box, enter the number of columns and rows you want in
this table. You can also draw tables as displayed in Fig………
2.5 Selecting of the table object and Deleting cells and Tables
62
Figure 2.18: Table objects
Source: Screenshot
To do this, click a row or cell in the table, and then click the Table Layout tab.
Under Rows & Columns, click insert or Delete Rows. See below
63
Figure 2.19: Colunm and rows
Source: Screenshot
Position the insertion point in the cell you want to delete. And click OK. See
below
You can split and merge cells in a table. Splitting cells is similar to adding a
row or column, but it all takes place in one cell instead of a group
of cells. Merging cells, however, is similar to deleting a cell and then adjoining
it with a neighboring cell. See below
64
Figure 2.21: Splitting cells
Source: Screenshot
65
2.6 SUMMARY
At the end of this Unit, you have hopefully been acquainted with how to add
watermark to your document and custom watermark to your document. You have
also seen how you can apply borders to your document. You have also seen how
to use shapes, WordArt, how to format shapes, and also include charts on your
document. You can apply bullets and number text in your document. Hopefully,
you also can create tables and insert new rows and columns in your tables.
2.7 Glossary
Watermark in MS Word: The image or text that appears behind the main
document.
WordArt: A fast way to make text to appear special or achieve special effects.
Lambert, J. & Cox, J.(2010). Microsoft Word 2010 step by step. Washington: Microsoft
Press.
Murray, K. (2010). Microsoft Word 2010 inside out. Washington: Microsoft Press.
Murray, K. (2010). Microsoft Word 2010 Plain & Simple. California: O’Reilly.
VanHuss, Susie H. et.al (2017). Keyboarding & Word Processing: complete course,
Microsoft Word 2016, Lesson 1-110 20e. 20 ed. Boston: Cenage.
VanHuss, Susie H. et.al (2017). Advanced Word Processing Lesson 56-110: Microsoft
Word 2016. 20 ed. Boston. Cenage.
66
Velsoft Training Materials, Inc. (2020). Microsoft Word 365: ( Instructor guide) Part
1. Velsoft Training Materials.
67
SAE 7. How can we create tables and split and also merge cells on MS word?
Answer to SAE 7
a) To create:To create a table, Click Insert > Tables > Insert Table from
the dropdown menu. In the Insert Table dialog box, enter the number of
columns and rows you want in this table
b) To split or merge cells: You can split and merge cells in a table. Splitting
cells is similar to adding a row or column, but it all takes place in
one cell instead of a group of cells. Merging cells, however, is similar to
deleting a cell and then adjoining it with a neighboring cell.
68
UNIT 3: DOCUMENT VIEW AND BASIC EDITING SKILLS
3.1 INTRODUCTION
69
3.5.5.3 Setting Page and Section Breaks
3.6 Summary
3.7 Glossary
3.8 References/Further Reading
3. I INTRODUCTION
This Unit will introduce you to document viewing and editing skills which are
essential skills to have when working with a document to effectively optimize
MSWord. This Unit will also familiarise you with basic proofing tools and how
to format paragraphs essential features of document layout.
70
3.3 Document View
71
Figure 2.24: Rulers
Source: Screenshot
72
Figure 2.25: How to zoom
Source: Screenshot
To do this, click the VIEW tab in the Window group, click New Window. See
below
73
Figure 2.27: Word file document
Source: Screenshot
74
Figure 2.28: Cutting, copyiny and pasting
Source: Screenshot
Using crtl F to find and crtl H to Replace or you use the icon under editing ribbon
at the top left. See below.
75
Figure 2.29: Find and replace text
Source: Screenshot
Click File > Options > Proofing, clear the Check spelling as you type box, and
click OK. To turn spell check back on, repeat the process and select the
Check spelling as you type box. To check spelling manually, click Review
> Spelling & Grammar. See below. You can choose to do it this way from the
file option display below
76
Figure 2.30: Spelling and grammar cheking
Source: Screenshot
77
Figure 2.31: Spelling and grammar option
Source: Screenshot
Same way as the spelling and Grammar, you can use the Thesaurus in the
proofing section.
3.5.3 Font Formatting
Formatting text in Microsoft Word involves tasks like bolding the text,
italicising it, and changing the font and size. The commands to perform all of
these formatting tasks are found on the Home tab in the Font group. Select
your text and then click on the required formatting button to see the effects or
highlight it and right-click to see options. To do the former, select an option to
change the font, font size, font color, or make the text bold, italic, or underline.
See below
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3.5.4 Font Dialog Box
Just as the image above, the Font dialog box contains all the commands for
formatting text, including quite a few that didn't find their way into
the Font group on the Ribbon. See below
To do this, select the text that you want to align. on the Home tab, in the
Paragraph group, click Align Left or Align Right or Center or Justify. Align left
is the default one. See below
79
Figure 2.34: Aligning dialogue box
Source: Screenshot
Line spacing determines the amount of vertical space between lines of text in
a paragraph. Paragraph spacing determines the amount of space above or below
a paragraph. To do this, select the paragraphs you want to change. go to Home
> Line and Paragraph Spacing, after which you choose the number of line spaces
you want or select Line Spacing Options, and then select the options you want
under Spacing. See below
80
Figure 2.35: Line spacing and paragraphing box
Source: Screenshot
Go to Layout > Breaks, and then choose the type of section break you want.
Next Page Starts the new section on the following page. Continuous Starts the
new section on the same page. See below
81
Figure 2.36: Page and section break
Source: Screenshot
Select the Layout tab, then click the Columns command. A drop-down menu will
appear. Select the number of columns you want to create. The text will format
into columns. See below
82
Figure 2.37: Creating columns; Source: Screenshot
83
Figure 2.38: Header and footer
Source: Screenshot
First, click the Layout tab, click the dialog box launcher in the lower-right corner
of the Page Setup group, the Page Setup dialog box appears, Margins tab
forward. Then you type the margin offsets in the Top, Bottom, Left, and Right
boxes. Or you can use the spinner gizmo to set the values. Use the Preview to
check the margins as they relate to page size. Ensure that the Whole Document
is chosen from the Apply to menu button. You can reset margins for only a
section or selected text if you instead choose those options from the menu. Click
the OK button to confirm your new settings and close the Page Setup dialog box.
See below
Just as shown in the above picture, the margin is also in the page setup. See
below.
84
Figure 2.40: Margins
Source: Screenshot
See this on the page Setup > Orientation, you can either choose portrait or
landscape.
3.6 SUMMARY
We have studied how to change document view, how to toggle the ruler, how to
zoom a document, how to split our window, and how to select an object. We
have examined how to use the spelling and Grammer Tools, how to format fonts,
and about the font dialog box. We have also looked at how to align a paragraph,
how to use the line spacing, and setting page layout. Also learned how to use
margin for our document. Finally, we must know how to work with file formats,
how to zoom documents, and delete and copy text as the case may be.
Understanding how to use proofing tools are essential to maximize the usage of
MS Word for writing. Basic formatting of text is pivotal to bringing the beauty
of your writing to MS Word. Formatting of the paragraph makes our work look
85
professional, to accomplish that we need to align our paragraphs, we need to
learn how to do page setup, how to set our layout.
Self-Assessment Exercises (SAEs)
1. Where is the Thesaurus located?
2. How can we change the fonts of a Text?
3. What is the process of opening a new document?
4. How do you toggle the ruler?
5. How do you work with copy and pasting?
6. How do you replace s text in a document?
7. How are actions undone and redone in MS Word document?
8. Where is orientation located?
9. How can you change the orientation of your document?
3.7 Glossary
Thesaurus: This is a facility available and used in Microsoft Word to find out
synonyms and synonyms for a particular selected word. Authors are able to use
it to find exact and suitable words to express their idea
86
Lambert, J. & Cox, J.(2010). Microsoft Word 2010 step by step.
Washington: Microsoft Press.
Answer to SAE 1
The thesaurus is located under the review section of MS Word.
Answer to SAE 2
The commands to perform all of these formatting tasks are found on the Home
tab in the Font group. Select your text and then click on the
required formatting button to see the effects or highlight it and right-click to
see options. Select an option to change the font, font size, font color, or make
the text bold, italic, or underline
Answer to SAE 3
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It is assumed that you are working on an open word file. First click on the file
menu. Secondly, click on the “New” in the drop down and elect from one of
the templates/blank document to open a new document.
Answer to SAE 4
You can show and hide both rulers simultaneously by repeatedly clicking/
toggling on Ruler in the Show section, under the View tab in the top menu bar.
Answer to SAE 5
First highlight the text you what copied and pasted. Then click on the copy
menu. After this move your cursor to the place on the document you want it
pasted and click the paste menu.
Answer to SAE 6
Using crtl F to find and crtl H to replace or you use the icon under editing
ribbon at the top left.
Answer to SAE 7
At the right hand side of MS Word click on the undo icon and to redo an action
click on the redo icon. Alternatively use Ctrl Z for undoing and Ctrl Y for
redoing
SAE 8: Where is orientation located?
Answer to SAE 8
Answer to SAE 9
See this on the page Setup > Orientation,. You can then either choose
portrait or landscape.
88
MODULE 3: PRESENTATION PACKAGE: POWERPOINT
89
UNIT 1: INTRODUCTION TO POWERPOINT
1.1 Introduction
1.7 Glossary
1.1 INTRODUCTION
This Unit introduces you to the most versatile application package used for the
presentation of information; and ideas to a large audience. The beauty of it is that
It comes with a slide show. We will be creating a basic powerpoint presentation.
We will be launching our first powerpoint slide. We will be introduced to the
various viewpoint in powerpoint.
90
use the file back view and the Ribbon alongside the Title bar.
create a New presentation, how to save their presentation,
know how to insert New Slides, Share Presentations;
and lastly, understand how to apply slides layouts.
understand various viewpoints in powerpoint and these includes; Normal
view, outline View, Slide Sorter View, Note page View, and Reading View
91
Figure 3.1: Powerpoint environment
Source: Screenshot
After launching the powerpoint app on your pc as followed in the image above,
92
Figure 3.3:Blank presentation window
Source: Screenshot
TITLE BAR
The Title bar is located at the top in the center of the PowerPoint window.
The Title bar displays the name of the presentation on which you are currently
working.
93
Figure 3.4: Title bar window
Source: Screenshot
The Ribbon
The Ribbon is Microsoft's primary user interface gadget. It is the strip of labels,
which PowerPoint calls tabs, that runs across the top of the PowerPoint window.
94
Figure 3.5: Ribbon bar
Source: Screenshot
You can access the Backstage view simply by clicking on the File tab. This is
the area where files and data about them is managed— creating, saving, printing,
sending to others, inspecting for hidden metadata or personal information, and
setting options.
This section of the Unit is intended to address some practical aspects of the
PowerPoint application package. Let us begin with how to open a PowerPoint
presentation
95
First opening a presentation means you already have a powerpoint presentation
on your PC, so to do this, click the File tab, then click Open. To see files saved
in Open Document format in the File of type list, click Open Document
Presentation. Click the file you want to open and click open, you can also double
click it.
96
Figure 3.8: Opening an existing presentation
Source: Screenshot
97
Figure 3.10: New presentation windon
Source: Screenshot
98
Figure 3.11: Saving presentation
Source: Screenshot
Notice the default name of the presentation above with a red arrow and notice it
when it changes after saving it.
After clicking the Save As, you will see the Browse and click it, it will take you
to a dialog box as seen below.
99
Figure 3.13: Saving presentaion
Source: Screenshot
100
1.4.5 Inserting New Slides and Slide Layouts
Click the New Slide dialog box, select the layout that you want for your
new slide as seen below.
To share your PowerPoint, click the top right of the ribbon, select the share, and
select Invite people. After entering the email address of the people or person you
wish to share your presentation with. See below.
101
Figure 3.16: Sharing presentation
Source: Screenshot
102
1.5.1 Sorter View and Reading View
See below
1.6 SUMMARY
We have explored how we can create a new slide, how to save slides, how to
close slides, how to share our presentation, and how to apply new slides to our
presentation. PowerPoint is used for presentation, we can presentation of
information to an audience. Finally, we have seen how the Powerpoint
Environment works using the Title Bar, the Ribbon, and the File and Back view.
In conclusion, wherever you open a powerpoint presentation it is expected that
we close our work but then we first understand that documents or files not saved
can be lost hence it is a good practice to save your work whenever you made any
changes.
103
9. What is the Reading Viewpoint used for?
1.7 Glossary
PowerPoint Deck: Describes the slides that can be built on the PowerPoint
platform.
Reading View: It is used to view the content of the presentation as if you are
using the slide show view but withing the frame of the application window
compared yo the full screen.
Cox, J., Lambert, J. & frye, C. (2011). Microsoft office: professional 2010 step by step.
Washington: Microsoft press.
Lowe, D.(2019). Microsoft PowerPoint 2019 for dummies. New Jersey: Wiley.
104
SAE 1: What is the icon sign to close a presentation?
Answer to SAE 1:
SAE 2: What is the process to save a presentation for the first time?
Answer to SAE 2:
To save a presentation for the first time, click the File tab, select Save As, below
the Save As under Recent Folder, select Browse, pick the file path and the
folder you want to save it into and then name your file. After saving as type
with the file format you want.
Answer to SAE 3;
To insert a new slide, click the New Slide dialog box, select the layout that you
want for your new slide
Answer to SAE 5:
Answer to SAE 6
The PowerPoint environment contains many features that look like the ones
in Microsoft Office programs. These features include the Office button, Quick
Access toolbar, Title bar, Tabs, scroll bars, and a Status bar.
105
SAE 7: Where is the backstage view located?
Answer to SAE 7:
The backstage view is located in the File tab on the ribbon. To access this view,
click the File tab on the Ribbon.
Answer to SAE 8:
The various viewpoints in powerpoint include the normal, slide sorter, reading,
slide master, handout master and note master notes views.
Answer to SAE 9:
The Reading View is used to view the content of the presentation as if you are
using the slide show view but with the frame of the application window
compared you the full screen
106
UNIT 2 USING TEXT IN POWERPOINT AND USING PICTURES
IN POWERPOINT
2.1 Introduction
2.2 Learning Outcomes
2.5 Setting up Your Presentation and Inserting Charts, Objects, and Tables
2.5.1 Inserting charts
2.5.2 Inserting objects
2.5.3 Inserting tables
2.6 Summary
2.7 Glossary
2.1 INTRODUCTION
Text and pictures are used in powerpoint often to convey a message. We must
understand how to manipulate the image using the powerpoint picture tools.
Whenever you are done with your powerpoint document you can choose to
print it out and also you can also have your powerpoint animated.
107
how to use the picture tools
know how to print a powerpoint presentation,
how to use animations in their presentation, and
how to set a slide show.
On the slide, click the location where you want to add the text box. Type or paste
your text in the text box. As seen in Fig……….
Highlight the text you want to format, right-click on it and make whatever
formatting you want for your text as seen below
108
.
To do this, click where you want to insert the picture on the slide after which
you click, insert then will see a dropdown to Pictures.In the dialog box that
opens, browse to the picture that you want to insert, click that picture, and then
click Insert as seen below.
109
Figure 3.21: Inserting picture from PC
Source: Screenshot
110
Here is the output….
111
Figure 3.24: Inserting online picture window
Source: Screenshot
PowerPoint allows you to change the picture style and shape, add a border, crop
and compress pictures, add artistic effects, and more. With this, you can do a lot
with your desired image.
112
Figure 3.25: Powerpoint picture tools
Source: Screenshot
Click the Start from Beginning command on the Quick Access Toolbar, or press
the F5 key at the top of your keyboard. The presentation will appear in full-
screen mode as seen below.
Same process as the slide show with a click to the Custom show, and then click
the custom show that you want as seen below.
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Figure 3.27: Custom show
Source: Screenshot
Open your PowerPoint presentation to begin and then click the “Design” tab
on the ribbon bar. In the “Customise” section of the “Design” tab, select the
“Slide Size” button. This will display the two common slide sizes in a drop-
down menu. See below.
114
Figure 3.28: Choosing slide size
Source: Screenshot
In the Header and Footer box, on the Slide tab, select the Footer check box,
and then type the footer text that you want. Click Apply to All. See below.
115
Figure 3.29: Setting slide header and footer
Source: Screenshot
Click on the file at the top left and it will take you to where you will see print.
Click print to preview and print as shown below.
116
Figure 3.30: Preview of presentation
Source: Screenshot
117
Figure 3.32: inserting video and sound
Source: Screenshot
Next.
118
Output for your video
As seen below
119
Figure 3.35: Sound recording
Source: Screenshot
See below
120
Figure 3.36: Screen recording
Source: Screenshot
Select the Design tab on the Ribbon, then locate the Themes group. See below.
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From the slide show you can choose from any of your choice that befits your
presentation, you can also time your show.
122
Figure 3.39: Stting up presentation
Source: Screenshot
Click Insert > Chart then Click the chart type and then double-click the chart you
want.
123
Figure 3.40: Insertin charts
Source: Screenshot
2.5.2 Object
Objects are any elements that you can add in PowerPoint 2019. A text label is
an object. An image is an object. Graphs and charts are objects.
2.5.3 Table
You can input this in two ways as you can see below.
124
Figure 3.42: Inserting tables
Source: Screenshot
2.6 SUMMARY
You have learned how to format a paragraph, how to insert pictures saved from
your PC, how to insert pictures from online, and how to use the picture tools in
PowerPoint. At the end of this Unit, you have seen how to print out Powerpoint
documents, how to use animation, and how to use themes and also how to set
our slides. Skills on how to set up our presentation and insert tables and charts
to our presentation are critical to optimal use of tools of PowerPoint application
package. In conclusion PowerPoint has the features of editing your text, it also
gives the flexibility of inputting pictures from your PC and also gives you the
option to use pictures online. Understanding how to print your slides is pivotal
in this course. Also you see how you can use animation and also set our slides
here. You have seen how you can make your presentation and insert objects and
tables into your presentation.
125
5. How do you use themes?
6. How do you set up a presentation?
7. How do you insert a table into a presentation?
8. How do you insert charts into a presentation?
2.7 Glossary
Animations: They are visual effects for the objects in your PowerPoint
presentation
Objects: Objects are any elements that you can add in PowerPoint. A text label
is an object. An image is an object. Graphs and charts are objects.
Theme: ”A theme is a predefined set of colors, fonts, and visual effects that you
apply to your slides for a unified, professional look”
Transition: A slide transition is the visual effect that occurs when you move
from one slide to the next during a presentation.
Cox, J., Lambert, J. & frye, C. (2011). Microsoft office: professional 2010 step by step.
Washington: Microsoft press.
Lowe, D.(2019). Microsoft PowerPoint 2019 for dummies. New Jersey: Wiley.
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SAE 1: How can you insert a picture from your PC into a slide?
Answers to SAE1:
To do this, click where you want to insert the picture on the slide after which
you click, insert then will see a dropdown to Pictures. In the dialog box that
opens, browse to the picture that you want to insert, click that picture, and then
click Insert.
Answers to SAE 3:
To print, Click on the file at the top left and it will take you to where you will
see print. Click print to preview and print.
Answers to SAE 4:
Answers to SAE 5:
To use a theme, Select the Design tab on the Ribbon, then locate
the Themes group and apply as desired.
Answers to SAE 6:
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To set up your presentation, Click on the slide show. Several presentation option
will appear. You can choose from any of the choices that befits your presentation,
you can also time your show
Answers to SAE 7
To insert a table click on Insert and choose table on the dropdown and then click
on the insert the draw table option to select the numbers of colunms and rows for
your table.
Answers to SAE 8:
To insert charts, Click Insert > Chart then Click the chart type and then double-
click the chart you want.
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MODULE 4: EXCEL SPREADSHEETS
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Unit 3: Modifying, inserting images, shapes and working with SmartArt and
also printing in Excel
1.1 Introduction
1.2 Learning Outcomes
1.3 Excel basic skills
1.3.1 Move and copy data in an Excel worksheet
1.3.2 Inserting and deleting Rows and column
1.3.3 Changing the width and length of cells
13.4 Hiding and un-hiding excel rows and column
1.3.5 Naming a worksheet
1.4 Formatting Data in an Excel worksheet
1.4.1 Changing the background color of a cell
1.4.2 Format data as currency values
1.4.3 How to use conditional formatting
1.5 1nsert images and shapes into an Excel worksheet and Printing
1.5.1 Inserting Images
1.5.2 Inserting Excel Shapes
1.5.3 Working with Excel SmartArt
1.5.4 Printing an Excel Worksheet
1.5.5 Viewing documents in print preview in Excel
1.5.6 Changing the merging, scaling and orientation
1.5.6 Page layout view
1.5.7 Header and footer
1.5.8 Printing a specific range of cells
1.6 Summary
1.7 Glossary
1.8 References/Further Reading
1.9 Self-Assignment Exercises (SAEs)
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UNIT 1: INTRODUCTION TO EXCEL
CONTENTS
1.1 Introduction
1.2 Learning Outcomes
1.3 Understanding what Excel is used for
1.3.1 Microsoft Excel Startup workbook
1.4 Excel Interface/Features/Ribbon
1.5 Structure of an Excel Workbook
1.5.1 Saving an Excel Document
1.6 Summary
1.7 Glossary
1.8 References/Further Reading
1.9 Self-Assessment Exercises (SAEs)
1.1 INTRODUCTION
Excel is used for calculation; it is easy to use. With excel you can perform a
lot of mathematical functions. In this unit, we will be introducing what and
how the excel interface looks like.
The objectives of this course are to introduce the student to the excel interface
and the structure of the excel workbook. Also, this course will teach the student
how to save excel documents.
Excel, which is part of Microsoft Office Suite has become the global choice and most
widely accepted spreadsheet software.. Despite the availability of another spreadsheet,
the popularity of Excel appears to be unmatched and has been the flagship in
spreadsheet applications cross the years and globally. Preference for Excel is predicated
on its versatility. The strength of Excel lies in the performing numerical calculations.
However, Excel is also useful for non-numeric applications. The uses of Excel are many
and varied. Here are just a few uses for Excel:
1. Create budgets,
2. Tabulate expenses,
3. Analyze survey results, and
4. Perform just about any type of financial analysis you can think of.
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5. Create a variety of highly customizable charts.
6. Compiling mailing lists by using the row-and-column layout to store lists
efficiently.
7. Accessing other data Import data from a variety of sources.
8. Creating graphical dashboards Summarize a large amount of business information
in a concise format.
9. Creating graphics and diagrams
10. Use shapes and SmartArt to create professional-looking diagrams.
11. Automating complex tasks: Perform a tedious task with a single mouse click with
Excel’s macro capabilities.
Click the start icon on the left down of your pc. and if you cannot find the start
icon then click all programs to see all programs as seen below.
The Excel Starter startup screen appears, and a blank spreadsheet is displayed.
In Excel Starter, a spreadsheet is called a worksheet, and worksheets are stored
in a file called a workbook. Workbooks can have one or more worksheets in
them.
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Figure 4.2: Excel worksheet
Source: Screenshot
Excel interface revolves around the ribbon. The excel ribbon comprises of tabs,
which contain groups of controls. The commands available in the Ribbon vary,
depending upon which tab is selected. The Ribbon is arranged into groups of related
commands. Here’s a quick overview of Excel’s tabs:
Home You’ll probably spend most of your time with the Home tab selected. This tab
contains the basic Clipboard commands, formatting commands, style commands,
commands to insert and delete rows or columns, plus an assortment of worksheet
editing commands.
Insert Select this tab when you need to insert something into a worksheet—a table, a
diagram, a chart, a symbol, and so on.
Page Layout This tab contains commands that affect the overall appearance of your
worksheet, including some settings that deal with printing.
Formulas Use this tab to insert a formula, name a cell or a range, access the formula
auditing tools, or control the way Excel performs calculations.
Data Excel’s data-related commands are on this tab, including data validation
commands.
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Review This tab contains tools to check to spell, translate words, add comments, or
protect sheets.
View The View tab contains commands that control various aspects of how a sheet is
viewed. Some commands on this tab are also available in the status bar.
Developer This tab isn’t visible by default. It contains commands that are useful for
programmers. To display the Developer tab, choose File ➪ Options and then select
Customize Ribbon. In the Customize the Ribbon section on the right, make sure that
Main Tabs is selected in the drop-down control and place a checkmark next to
Developer.
Help This tab provides ways to get help, make suggestions, and access other aspects of
Microsoft’s community.
Add-Ins This tab is visible only if you loaded an older workbook or add-in that
customizes the menu or toolbars. Because menus and toolbars are no longer available
in Excel 2019, these user interface customizations appear on the Add-Ins tab. The
preceding list contains the standard Ribbon tabs. Excel may display additional Ribbon
tabs based on what’s selected or resulting from add-ins that are installed. (Alexander,
M. & Kusleika, D) (2019).
See below.
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A worksheet is inside a workbook and it is used in Excel documents which is a
collection of cells organized in rows and columns as you see above. The
worksheet is the working surface you interact with to enter data. You perform the
work you do in Excel in a workbook. Please note that it is practicable to have as many
workbooks open as may be needed, each appearing in its window.
Until now, everything that you’ve done has occurred in your computer’s memory. If
the power should fail, all may be lost—unless Excel’s AutoRecover feature happened
to kick in. It’s time to save your work to a file on your hard drive:
1. Click the Save button on the Quick Access toolbar. (This button looks like an old-
fashioned floppy disk, popular in the previous century.) Because the workbook hasn’t
been saved yet and still has its default name, Excel responds with a Backstage screen
that lets you choose the location for the workbook file. The Backstage screen lets you
save the file to an online location or your local computer.
3. In the File Name field, enter a name (such as Monthly Sales Projection). If you like,
you can specify a different location.
4. Click Save or press Enter. Excel saves the workbook as a file. The workbook remains
open so that you can work with it some more. ( Foulkes, L.(2020)
Click the file and then the Save As, under the Save As, select the place you want
to save your document to. In the file name box, write the name you want to save
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the document with and then save. When you Save, Excel assumes that the
destination where the work will be saved is already predetermined. See below.
1.6 SUMMARY
At the end of this unit, we have been able to learn about Excel as the world’s
number one spreadsheet application package because of its versatility and use
for various functions. We have also studied the workbook of Excel, the interface,
the structure, and lastly how to save an Excel document. Preference for Excel is
predicated on its versatility. The strength of Excel lies in the performing numerical
calculations create budgets, tabulating expenses, analyze survey results, performing just
about any type of financial analysis and creating a variety of highly customisable charts
1.7 Glossary
Active Cell: Is the selected cell where data is entered when typing commences
Cell: A box is formed when/where the row and column intersecton a worksheet as
soon as information is entered.
Chart: Any object that presents data in a visualor graphic manner
Column: Vertical arrangement of cells
Spreadsheet: A file consisting of cells in rows and columns which facilitates the
arrangement, calculation and sorting of data
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Row:Horinzontal arrangement of cells
Workbook:This an excel file with at least one workshhet
Worksheet: One spreadsheet in a workbook.
Cox, J., Lambert, J. & frye, C. (2011). Microsoft office: professional 2010 step
by step. Washington: Microsoft press.
1. Create budgets,
2. tabulate expenses,
3. analyze survey results, and
4. perform just about any type of financial analysis you can think of.
5. Create a variety of highly customizable charts.
6. Compiling mailing lists by using the row-and-column layout to store lists
efficiently.
7. Accessing other data Import data from a variety of sources.
8. Creating graphical dashboards Summarize a large amount of business
information in a concise format.
9. Creating graphics and diagrams
10. Use shapes and SmartArt to create professional-looking diagrams.
11. Automating complex tasks: Perform a tedious task with a single mouse click
with Excel’s macro capabilities.
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2.1 Introduction
2.2 Learning Outcomes
2.3 Creating Spreadsheet titles
2, 4 Working with some Basic Excel Functions
2.4.1 Work with SUM() function
2.4.2 Work with MIN()function
1.5 Work with AVARAGE() function and Work with COUNT() function
2.5.1 Work with AVARAGE() function
2.5.2 Work with COUNT() function
2.6 Summary
2.7 Glossary
2.8 References/Further Reading
2.9 Self-Assignment Exercises (SAEs)
2.1 INTRODUCTION
The students will be introduced to how Excel works with formulas, and performs
many mathematical functions, including addition, division, and do many other
arithmetic solutions.
At the end of this course, students should be able to work with various functions
in excel such as the SUM(), AVARAGE (), and COUNT() functions.
Click the Insert tab, then to the header and footer button on the ribbon, click the
spreadsheet title as seen below.
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Figure 4.5: Spreadsheet title
Source: Screenshot
The sum function adds values. you can add individual values, cell references or
ranges, or a mix of all three. to do this, select a cell next to the numbers you want
to sum, click auto sum on the home tab, press enter, and you're done. Remember
to alight the whole figures you want to sum before clicking the sum button at the
right corner of the ribbon. See Fig……as example.
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Figure 4.6: Sum function
Source: Screenshot
Excel MIN or MAX function returns the smallest or largest numeric value in a
range of values respectively.MIN will return the minimum value in a given list
of arguments while MAX will return the highest value in a given list of argument
from a given set of numeric values, it will return the smallest or highest value
respectively. To do this, select a cell below or to the right of the numbers for
which you want to find the smallest or highest number. On the Home tab, in the
Editing group, click the arrow next to AutoSum., click Min (calculates the
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smallest) or Max (calculates the largest), and then press ENTER. See below.
2.5 Work with AVARAGE() function and Work with COUNT() function
The same process as seen above, after highlighting the fields you want to work
on, click the arrow next to AutoSum > Average, and then press Enter
Count function returns the count of numeric values (includes numbers and
dates); To do this, the COUNT function will get the number of entries in a
number field that is in a range or array of numbers.
Use the =count function to do this operation and highlight the fields you want to
perform this function on and click ENTER, see below for example.
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Figure 4.8: COUNT() function
Source: Screenshot
Note that count gives you the number of cells you are working on.
2.6 SUMMARY
We have seen how we can create a spreadsheet title, we also learned about
functions, this includes the SUM() function, MIN() function, AVARAGE ()
function, and COUNT() function. We have also seen how we can work with
formulas. Excel as we mentioned earlier is mostly used for calculations.
2.7 Glossary
Ribbon:Refers to the band on to of the workplace that displays all the tools and
items
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Sort: Rearrangement of rows or columns according to certain criteria
Value: Any data in a one cell. It can also refer to the result of any formula
George, N. (2020). Excel 2019 Basics: a quick and easy guide to boosting your
productivity with Excel. GTech Publishing.
Harvey, G. (2010). Microsoft Excel 2010 all in one for dummies. New Jersey:
Wiley
143
UNIT 3: MODIFYING, INSERTING OF IMAGES, SHAPES AND
WORKING WITH SMARTART AND ALSO PRINTING IN EXCEL
3.1 Introduction
3.2 Learning Outcomes
3.3 Excel basic skills
3.3.1 Move and copy data in an Excel worksheet
3.3.2 Inserting and deleting Rows and column
3.3.3 Changing the width and length of cells
3.3.4 Hiding and un-hiding excel rows and column
3.3.5 Naming a worksheet
3.4 Formatting Data in an Excel worksheet
3.4.1 Changing the background color of a cell
3.4.2 Format data as currency values
3.4.3 How to use conditional formatting
3.5 1nsert images and shapes into an Excel worksheet and Printing
3.5.1 Inserting Images
3.5.2 Inserting Excel Shapes
3.5.3 Working with Excel SmartArt
3.5.4 Printing an Excel Worksheet
3.5.5.1 Viewing documents in print preview in Excel
3.5.6 Changing the merging, scaling and orientation
3.5.7 Page layout view
3.5.8 Header and footer
3.5.9 Printing a specific range of cells
3.6 Summary
3.7 Glossary
3.8 References/Further Reading
3.9 Self-Assignment Exercises (SAEs)
3.1 INTRODUCTION
With Excel, we can insert images of our various choice. Just open your
workbook and follow up.
At the end of this unit, students are expected to be able to modify the text, use
images in their worksheet, work with SmartArt and also know how to print the
worksheet out via a printer.
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3.3.1 Move and copy data in an Excel worksheet
Right-click on the worksheet tab and select Move or Copy or use your copy
and paste method.
Right-click the row number, and then select Insert or Delete. See below
insert
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Figure 4.10: Deleting Rows and column window
Source: Screenshot
Select the column or columns that you want to change. On the Home tab, in
the Cells group, click Format. Under Cell Size, click Column Width. In the
Column width box, type the value that you want. See below
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Figure 4.11: Changing width and length of cells
Source: Screenshot
It is possible to either hide of not to hide Excel rows and columns. (Please see
Figure 4.12 below).
147
To do this, double-click the sheet tab, and type the new name or you right-
click the sheet tab and see rename in the dropdown and rename it. see below.
To this, select the cell or range of cells you want to format. Click Home>
Format Cells dialog launcher. On the File tab, under Background Color, pick
the color you want. Or you right-click after highlighting the cells and you will
see format cells. See below
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Figure 4.14: Changing colour of cells
Source: Screenshot
To do this, select the cells that you want to format , and then, in the Number
group on the Home tab, click the down arrow in the Number Format box. See
below
149
Figure 4.15: Formatting data
Source: Screenshot
Note that you have the options to pick whatever conditions you want to give it.
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Figure 4.17: Conditional formattingc option
Source: Screenshot
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3.5.1 Inserting Images
To insert images in Excel, open your Excel spreadsheet, click where you
want to put a picture, and then switch to the Insert tab then to Illustrations
group, and click Pictures. See below
See also
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Source: Screenshot
153
Figure 4.22: Excel SmartArt
Source: Screenshot
The process of printing in Excel is not a big deal. Two things will facilitate this process.
The first is to have a functional printer. The second is to ensure it is properly connected
to your computer system. Alexander, M. & Kusleika, D. (2019) provide the
following four steps to accomplish your printing process:
1. Make sure that the chart isn’t selected. If a chart is selected, the chart will print on a
page by itself. To deselect the chart, just press Esc or click any cell.
2. To make use of Excel’s handy Page Layout view, click the Page Layout button on
the right side of the status bar. Excel displays the worksheet page by page so that you
can easily see how your printed output will look. In the Page Layout view, you can tell
immediately whether the chart is too wide to fit on one page. If the chart is too wide,
click and drag a corner of the chart to resize it, or just move the chart below the table
of numbers.
3. When you’re ready to print, choose File ➪Print. At this point, you can change some
print settings. For example, you can choose to print in landscape rather than portrait
orientation. Make the change, and you see the result in the preview window.
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4. When you’re satisfied, click the large Print button in the upper-left corner. The page
is printed, and you've returned to your workbook. See Fig……
Source: Screenshot
On the Page Layout tab, in the Page Setup group, click Orientation, and then
click Portrait or Landscape. See below
155
Figure 4.24: Changing the merging, scaling, and orientation
Source: Screenshot
See Fig 4.24 image and go preview it from the file button.
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Figure 4.25: Header and footers
Source: Screenshot
157
Source: Screenshot
Next
3.6 SUMMARY
We have learned how to move, copy data in excel; we have also learned how to
delete rows and columns; we also learned how we can format data as currency
values; we also learned how we can use conditional formatting e.t.c
3.7 Glossary
Autosum: Display the sum of the selected cells directly after the selected cell.
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Database: Collection of data on a particular subject area
VBA: Visual Basis Application, the programming language used for Excel.
George, N. (2020). Excel 2019 Basics: a quick and easy guide to boosting your
productivity with Excel. GTech Publishing.
Harvey, G. (2010). Microsoft Excel 2010 all in one for dummies. New Jersey:
Wiley.
159
First on the far left side of the spreadsheet, right click on the row header for the
row header for the row you want to hide. Select hide in the pop-up menu. To
hide column click the column header below the ribbon and select hide in the
pop-up menu
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MODULE 5: GRAPHICS DESIGN AND MICROSOFT ACCESS
This module aims to introduce students to the subject of graphics design and get
to understand the elements and principles of design. Also, students will be able
to use the Adobe Photoshop package for basic usage.
1.1 INTRODUCTION
This unit aims to introduce students to the subject of graphics design and get to
understand the elements and principles of design. In thisu, you get to have an
overview of what graphic design is and the professional opportunities inherent
in acquiring graphic design skills.
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1.2 LEARNING OUTCOMES
By the end of this module, students should be able to:
Define graphic design
Know the history of graphic design
Describe industry specialisation for graphic design
Understand the elements and principles of design and their
implementations.
.
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William Addison Dwiggins is considered the father of modern graphic design.
He was a typeface designer in the 1920s. His most famous fonts include Caravan
Metro, Electra, Caledonia, Eldorado, and Falcon. Dwiggins continued creating
and innovating in the design community until he died in 1956. Less than a decade
after Dwiggins’ death, Douglas Engelbart invented the mouse. This invention of
a precision pointing device paved the way for what would be the greatest
innovation in design tools of this generation: the Macintosh. Apple presented the
Macintosh in 1984. This was the first computer with a user-friendly interface.
Shortly after the invention of 1984, Macintosh graphics applications such as
Photoshop and Illustrator were introduced to the world. Since the invention of
these applications, designers have been able to create amazing works of art
across a variety of media.
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they have about a product, service, or brand. Since people will always find visual
content more engaging, graphic design helps organizations promote and
communicate more effectively. Marketing designers work with company owners,
directors, managers, or marketing professionals to create assets for marketing
strategies. They might work alone or as part of an in-house or creative team.
Designers can specialize in a specific type of media (vehicle wraps or magazine
ads, for example) or create a broad assortment of collateral for print, digital, and
beyond. Marketing designers need excellent communication, problem-solving,
and time management skills. In addition to being proficient in several graphic
design, layout, and presentation apps, they must also be familiar with production
for print and online environments. Entry-level positions in this area are a great
way for new designers to learn processes and acquire valuable skills and
experience.
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Most products require some form of packaging to protect and prepare them for
storage, distribution, and sale. But packaging design can also communicate
directly to consumers, which makes it an extremely valuable marketing tool.
Every box, bottle, and bag, every can, container, or canister is a chance to tell
the story of a brand. Packaging designers create concepts, develop mock-ups and
create print-ready files for a product. This requires expert knowledge of print
processes and a keen understanding of industrial design and manufacturing
because packaging design touches so many disciplines. Packaging designers’
work requires top-notch conceptual and problem-solving skills in addition to a
strong working knowledge of print and industrial design. They must also be
aware of current trends.
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1.5 Introduction to the Basics of Graphics Design
In this section, students should be able to know and understand the design
elements and principles and should also be able to put them into practice.
1.5.2 Line
Lines are always more than just points that are strung together. Depending on
their form, weight, length, and context, lines can help organize information,
define shapes, imply movement, and convey emotions.
Lines can:
• …be horizontal, vertical, or diagonal.
• …be straight, curved, or freeform.
• …zigzag or create other patterns.
• …be solid, broken, or implied.
The invisible lines found in the grids of print designs act as guides, offering
projects more structure and direction. Meanwhile, visible lines with weight and
form can be used to communicate a variety of messages and moods in a
designer’s finalized work. Think about the kinds of lines you see in your
everyday life and recall the kinds of messages that they convey to you.
Depending on their context, heavier dark lines can communicate stability—or
underline a threat. Scribbled lines can suggest excitement, confusion, or
messiness. Zig-zagged lines might express electricity or anger, while wavy lines
can suggest fragility, elegance, uncertainty, or beauty. It is noteworthy that
because even simple lines can convey so much, designers should always
carefully consider how and when to use them to provide the very most impact.
1.5.3 Shape
For graphic design, shapes are best understood as areas, forms or figures
contained by a boundary or closed outline. Two types of shapes are worthy of
note: geometric and organic (or “free-flowing”). Geometric shapes can include
either two-dimensional or three-dimensional forms. They are created by a set of
points that connect by either straight or curved lines and are usually abstract and
simplistic. Geometric shapes can include triangles, pyramids, squares, cubes,
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rectangles, pentagons, hexagons, octagons, decagons, circles, ellipses, and
spheres. Organic shapes are far less uniform, proportional, and well-defined.
They can be symmetrical or asymmetrical. They might include natural shapes,
such as leaves, crystals, and vines, or abstract shapes, such as blobs and squiggles.
People often equate rounded edges and rings with positivity, community, love,
friendship, and harmony. Squares and rectangles can suggest balance,
dependability, and strength. And triangles have cultural associations with
science, religion, history, civilization, and power. If you choose a certain set of
shapes, you can convey stability, dependability, and organization. Choose others,
and you communicate chaos, creation, and fun. According to Gestalt
psychology—a reigning design theory—audiences make sense of designs by
seeing them as a whole rather than as their parts. Pick interesting, appropriate
shapes, and you’re on your way to giving viewers a more visually pleasing,
attention-sustaining design.
1.5.4 Colour
Colour can be a useful tool for communicating a mood or provoking an
emotional response from your viewer. Color theory and the color wheel provide
a practical guide for graphic designers who want to select a single color or
combine multiple colors in a harmonious—or intentionally discordant—way.
In graphic design, some colors are grouped into particular categories.
• Primary colors (red, yellow, and blue) are defined as the pure-
pigment colors from which all others are made. There is no way to mix
any other color to get red, yellow, or blue. But mix them, and you create
all kinds of shades.
• Secondary colors (violet, green, and orange) are the immediate
results of mixing two primary colors: Red and yellow make orange; blue
and red make purple; and yellow and blue make green.
• Tertiary colors (red-orange, yellow-orange, yellow-green, blue-
green, blue-violet, and red-violet) are the six colors that result from
mixing a primary color and a secondary color.
Color harmonies are created when two or more colors are chosen from
their positions on the color wheel.
• Complementary colors lie opposite one another on the color wheel.
They are highly contrasting and can express vibrancy and energy or be
visually jarring, depending on how they’re used. Red and green are
complementary colors.
• Analogous color schemes use colors that lie next to one another on
the color wheel. They are visually pleasing and can create a sense of
harmony and calm in a design. However, they can also seem dull if used
incorrectly, or if they don’t have other contrasting elements to energize
them.
• Triad color schemes use colors that are evenly spaced around the
color wheel. They are very vibrant and require balance to be visually
pleasing.
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• Split-complementary color schemes use a base color and the two
colors that are adjacent to its complementary color. They provide great
visual contrast without being jarring, which is why so many designers
prefer them.
• Tetradic or rectangular color schemes use two sets of
complementary colors. Because they feature four colors, tetradic schemes
offer designers a myriad of varieties and possible outcomes.
• Square color schemes feature four colors that create the shape of a
square on the color wheel. They also present many possible design
outcomes, but should always be balanced when used.
While you consider your color schemes, you may also want to decide
which tint and shade are appropriate for your project. Pastel colors can
seem calming or unconfident, while bright tints might convey fun and
happiness—or seem cheap in the wrong context. Darker shades connote
seriousness and professionalism, but they can also come across as somber
or boring if you’re not careful. According to the experts, human beings
have different psychological responses to color depending on the cultural
context. It’s important to learn your audience’s color associations and to
exploit or avoid them, depending on the goals of your project.
1.5.5 Texture
The texture is the feel of a surface—furry, smooth, rough, soft, gooey, or glossy.
Most graphic designers must visually convey texture by using illusions to
suggest how their work might feel if viewers could touch it. Mastering texture is
an important part of making designs look polished and professional. There are
different ways to experiment with texture in your design work. If you are inspired
by nature, you may want to work with organic textures, drawing inspiration from
leaves, tree bark, stones, fur, flowers, grass, and soil. Or you can create an
abstract pattern by uniformly repeating two-dimensional elements, then use that
pattern to make textured backgrounds. Consider working with textured
typography to provide extra visual interest. If you’re interested in photography,
you can also learn to incorporate images into your background that layer your
work. For added textural contrast, adjust your photo’s color saturation and
transparency levels and see how it affects the mood of your design.
1.5.6 Type
Whether you’re choosing a font or creating your typography for a graphic design
project, it’s important to make sure the type you use is legible and appropriate
for your subject. Type affects the overall mood of a design, so consider whether
your letters should be printed or script and whether they should have angles that
are sharp or rounded. The weight of your lettering is also an important part of
your design. Typically, large or thick letters convey that the words they convey
are important. If you aren’t careful, though, they can also seem heavy-handed or
disrupt a design’s balance. Thin letters can connote elegance or modernity, but
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they can also seem fragile. If you can’t settle on one font or size, there may be
room for you to incorporate more than one into your logo’s final design. But as
a general rule, don’t exceed three in a given project.
1.5.7 Space
Spacing is a vital part of any designer’s toolkit. It can give a design breathing
room, increase its visual impact, balance out heavier visual elements, and
emphasize images or messages that viewers should remember. Without enough
space, a design can risk becoming too visually cluttered for your audience to
understand.
Spacing can separate objects or link them together. Narrow spacing between
visual elements conveys that they have a strong relationship, while wider spacing
communicates that they are less related. When you surround a visual element
with space, you’re emphasizing its importance, but the space can also suggest
loneliness and isolation. Positive space refers to the space occupied by visual
elements that a designer wants their audience to focus on. Negative space refers
to everything else, including the background. Many designers make the mistake
of only focusing on crafting a positive space but organized negative space is just
as essential to a cohesive, visually interesting composition. If you pay attention
to the way negative space affects your design, it could elevate your project from
amateurish to professional.
1.5.8 Image
1.5.9.1Balance
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This refers to the distribution of the graphic design elements, such as shapes, text
boxes, and images, of a design evenly throughout a certain layout. Designers can
choose between a balanced (stable) design or an off-balanced (dynamic) layout.
In the context of graphic design, balance is of three types:
• Symmetrical – This type of design is formed along a vertical axis
and or horizontal axis, where the weight of the elements is evenly divided
into both sides of the layout.
• Asymmetrical – This type of balance employs scale, contrast, and
colour to even out the flow of a layout. It is usually found in websites,
where two sides of a webpage differ from each other but contain similar
elements.
• Radial – Here, the elements of a design are placed in a circular
pattern on the layout. This provides a sense of movement and dynamism
to the eyes of the viewer.
1.5.9.2 Alignment
1.5.9.3 Hierarchy
This method combines two aspects, dominance and priority, giving extra weight
to certain elements of a design over others. It helps brands convey their message
to the audience by focusing on a particular element of the design. Hierarchy can
be achieved by:
• Highlighting the title using large or bold fonts;
• Placing the key message at a higher level than other elements;
• Adding shapes to frame the focal view;
• Implementing detailed and colourful visuals.
1.5.9.4 Contrast
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1.5.9.5 Rhythm
1.5.9.6 Proximity
Choosing the right colour can help define the tone of the design. Designers can
choose from a wide range of colour combinations for the background and text of
the layout. Space refers to the area around or between the various elements of
the design. It can either be used to create shapes or highlight the important
aspects of a design. Graphic designers use a colour palette to choose colours that
can create contrast or even work together to complement other elements.
1.6 SUMMARY
In this unit, you have been able to learn about the core of design, from its history
and specializations in designs to design principles and elements. We have also
considered graphic design basics which are critical to practical applications.
Whether you are a design enthusiast who simply wants to make community
bulletins and attractive flyers, or a designer in a large enterprise who is forced to
measure output in volume, you might not immediately know where you’re going
creatively. But, especially as fine artists who are looking for that “special
something” to redefine their work, we all pack toolkits for our artistic voyages,
both virtual and physical. You’ve seen in this unit that the design software
outlined here is a necessary part of your computer graphics toolkit. You’ve got
the right applications, and basic knowledge needed to fire on, and now it’s simply
up to you to create your gallery of ideas. You are guided toward a goal, you can
modify the goal to suit scores of personal artistic needs, and the end goal is as
simple or as ambitious as the situation calls for.
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SELF-ASSESSMENT EXERCISES (SAEs)
1. Define graphic design?
2. What is the focus of graphic design?
3, List and explain the elements of design
4. List and explain the principles of design
1.7. Glossary
Balance: This refers to the distribution of the graphic design elements, such as
shapes, text boxes, and images, of a design evenly throughout a certain layout.
Environmental desisgn: It is a broad type of design and multidisciplinary
practice that merges graphic, architectural, interior, landscape, and industrial
design.
Marketing designers: Designers who work with company owners, directors,
managers, or marketing professionals to create assets for marketing strategies.
Motion designs: Designs that are in motion.
Publication design: A classic type of design that range from books and
newspapers to magazines and catalogs.
Texture: The texture is the feel of a surface—furry, smooth, rough, soft, gooey,
or glossy.
Visual identity design: is also called brand identity design.
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The focus of graphics design is the visual communication of a message which
could be to provide information, invoke thought, sell a product or even stimulate
meaningful conversation
1) Line
2) Shape
3) Colour
4) Texture
5) Type
6) Space and
7) Image
Answer to SAE 4:
The principles of design—sometimes referred to as “the principles of art”—are
rules that help define and regulate how those elements interact with one another,
their context, and their audience. The following are the major principles in design:
1) Balance
2) Alignment
3) Hierachy
4) Contrast
5) Rhythyn
6) Proximity
7) Colour and space
CONTENT
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2.1 Introduction
2.2 Learning Outcomes
2.3 Overview and Photoshop Basics
2.3.1 Overview
2.3.2 Photoshop Basics
2.3.3 Getting images for use in Photoshop
2.4 Photoshop Tools
2.4.1. Marque Tools
2.4.2 Magic Wand Tool
2.4.3 Quick Selection Tool
2.4.4 Lasso Tool
2.4.5 Crop Tool
2.4.6 Brush Tool
2.4.7 Clone Stamp Tool
2.4.8 Type Tool
2.5 Image Adjustment in Photoshop
2.5.1 Sizing Images for the Screen
2.5.2 Saving an Image
2.5.3 Photoshop Actions
2.6 Summary
2.7 Glossary
2.8 References/Further Reading
2.9 Possible Answers to Self-Assessment Exercises
2.1 INTRODUCTION
This unit aims to introduce students to the subject of Adobe Photoshop. In this
Unit you get to have an overview of Adobes a tool and the practical application
of Photoshop in various design contexts
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Adobe Photoshop is a bitmap application, meaning it is good for just about
anything with continuous ranges of tones like photographs. Photoshop uses the
graph paper-like way of drawing, which means that unless the squares of the
graph paper you happen to be using are not small enough, those squares (pixels)
are going to be visible to the naked eye. Photographs and other continuous-tone
images are very important in design, so Photoshop is a vital tool in the designer’s
toolbox.
Please note: Adobe Photoshop is just a tool. It is the easy part of the design. The
hard part is how to best use it to make designs that communicate well. This
module attempts to lead you through the basic features of the applications so that
you can also learn the more important design aspect with minimum frustration.
The version of the application used as a reference is Adobe Photoshop Version:
22.3.0. Photographs and other continuous-tone images are very important in
design, so Photoshop is a vital tool in the designer’s toolbox. To see the graph
paper-like quality of Photoshop, open the application up, go to File / New, and
figure out how to draw something like a diagonal line with the paintbrush tool.
Use the magnifier tool to zoom in on this repeatedly until you can see the squares.
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Find an image that you like on your PC. Click and
hold on to it, then drag the icon for that image (the
image file) on your PC over the Photoshop icon to
open it in Photoshop. You could also open it in
Photoshop by control-clicking or right-clicking
the file and choosing Photoshop. Use the zoom
tool to magnify the image many times. You should
see a couple of things. First, the image is
Figure 2.2: Adobe Photoshop composed of squares—these are called pixels.
zoom tool Each pixel can be only one color (if they appear to
contain more than one color then it is an optical
Source: Adobe Photoshop PC
software
illusion called an adjacency effect). These pixels
are the basic building blocks for an image, and all
Photoshop (bitmap) images are composed entirely of these and nothing
else.
The second thing to notice is that there are no lines or objects in Photoshop.
What may look like a line, such as at the side of someone’s face, is just
colored pixels transitioning softly to differently colored pixels. This is
important. It is a fundamental difference between Photoshop and
Illustrator.
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Figure 5.3: Adobe Photoshop New document Interface
Photoshop has no page, only those little pixels that make up an image.
The more pixels there are in an image, the smaller they will look. To use
an analogy presented earlier in this module, we need graph paper with
very small squares (pixels), hence a lot of squares.
For your image, specify 1080 pixels by 1080 pixels. For just looking at
some things on the screen this is plenty of pixels for now. The number in
the resolution box does not matter at all for now. For color mode, choose
RGB. This stands for Red, Green, and Blue. Also, choose 8 bit. Bits
determine how many colors each pixel color could be chosen from.
Images with more than 8 bits have more color information possible for
each pixel, but we wouldn’t see it. Let’s start with a document filled with
white pixels (it has to be filled with some color of pixels), so set the
background contents to white. When you click ‘OK’ you will get a
window with a white square. This is called the canvas. If you drag your
whole window frame a bit larger you will see the difference between the
canvas and the area surrounding it. The canvas is full of pixels we can
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change, the area surrounding it is... well, just the area surrounding it—no
pasteboard, no functionality.
Assuming you have an image that is just right, let’s look at a few things.
If you are zoomed in, you can hold down the space bar to drag around the
view. Zoom in close enough to look at the individual pixels that make up
the image. Zoom back out to see how those individual pixels make the
illusion of continuous tones. Now let’s look at the tools. We are going to
be most concerned with the first 13 tools. The first group of 6 tools is
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selector and move tools, and the second group of 9 are the tools that
Group A Group B
change the color of pixels or the editing tools.
2.4. Photoshop Tools
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Choose the rectangular
marquee tool and drag a
box with it within your
‘painting’ of lines. You
should see a rectangle of
‘marching ants’. Within that box
the pixels are selected, outside
Figure 5.6: Photoshop Marquee Tool group they are not. With the zoom tool
Source: Adobe Photoshop 2021 PC Software magnify the view on one of
these borders to see how the
selection lies between pixels, then double-click on the magnify tool to
bring the view back to 100%. Now choose the move tool at the top of
the panel. Click and drag to move your selection. Notice that the area
where you moved your selection from is now filled with pixels the
color of your background color. Select something else and move it.
The tool with which we can best see how this works is the magic wand tool
(associated with the quick selection tool). If the tolerance (in the option panel) is
set to 1, this tool will only select the color (and tone) where you click. But in a
photograph, one color usually doesn’t go very far (zoom up close to what appears
to be one color and you will see that the pixels are usually composed of several
colors). If you set the tolerance to a higher number you will see that the higher
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the number, the more pixels close to that color will be selected. Checking the
box labeled ‘contiguous’ is usually a good idea since it will limit the selection to
those pixels which touch each other, rather than any pixel in the image that
happens to be close in color.
Click around your image changing tolerances to see how this works. As
in most Adobe number boxes, you need to hit the enter key after you enter
the number. You will also notice that making any selection deselects your
last selection. If you would like to add to your selection click on the
second box at the left of the options panel (or hold shift), and if you would
like to subtract from your selection
choose the third box (or hold down
the alt key). If you would like your
selection to be a little smoothed at
the edges, then click the option
labeled ‘anti-alias’. Whenever you
have a selection in Photoshop, any action you do will only effect that
selection. Choose the brush tool and paint over the selection. Now change
the (brush options) mode from ‘normal’ to ‘color’ in the pull-down
menu— the brush will only change the color within the selection, not the
tonality (darkness). Remember to set the mode back to ‘normal’ when you
are done. Copy your selection using the move tool and hold down the alt
key while you drag it to see how that works. When you are finished with
your selection, go to Select / Deselect.
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1.4.3 Quick Selection
Tool
The quick selection tool is
probably the most useful.
With this tool choose a brush
size in the options panel, and
‘paint in’ your selection. The
tool will attempt to find the
line where colors change and
conform to that line. If the
selection goes beyond where
you want it to, click in the
options panel on the icon
with the brush and the minus
symbol to paint the selection
back out (or just hold down
the alt key while painting),
then go back to the plus icon
(or hold shift) to add it back
in if you need to. By going
back and forth like this you
are teaching Photoshop what
Figure 5.9: Photoshop Quick Selection Action the object you are selecting
Source: Adobe Photoshop 2021 PC Software
looks like.
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2.4.4 Lasso Tool
The lasso tool is one of the crudest selection tools, but also one of the
quickest. This tool doesn’t look at the colors and tones in an image but
just selects along the line that you draw with it. The magnetic lasso
tool does much the
same thing but
attempts to ‘snap’
to color changes
close to where you
are drawing.
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Many of the options are the same
for different tools, so let’s look at
these in detail. The most important
options are in the second box on the
left. Clicking on this will give you a
pop-up menu that allows you to
change the size of your brush (let’s
set it on 125 pixels), the hardness
(or fuzziness) of your brush (set it
to 5%), and the shape of your brush
Figure 5.14: Photoshop Brush (leave it a circle). Now set the mode
tool Panel of your brush to ‘Normal’. The
Source: Adobe Photoshop 2021
mode determines how the color is
PC Software applied. The opacity and flow of the
brush is how dark your paintbrush
will paint. 100% on both is good for now. Paint a few lines, then
change the size and hardness of your brush and paint a few more lines.
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source at one image or layer and your destination at another. The clone
stamp tool is a very good way to not only put another eye on your
friends’ foreheads but also to clean up parts of images, such as wires
in the sky, trash on the grass, or ex-boss in the photo.
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Perhaps the most basic and commonly used Photoshop techniques are
adjusting the brightness, contrast, and color of images. With any image
you work on you should at least consider the possibilities of tweaking
these. With an open
document, go to
Image Adjust /
Brightness / Contrast.
With preview
selected, adjust your
image. If you have a
selection it will only
work in the area of
the selection, but if
you have everything
selected or nothing
selected your entire
image will be adjusted.
A more accurate and
flexible alternative to
brightness/contrast is
to go to Image /
Adjust / Levels. In the
main window of this
panel, there is what
looks like a
mountain(s). This is
called a histogram,
and it is a map of the
different tones in your
image. At the left are
the darker areas, and
at the right are the
lighter areas. The
height of the
mountain is how
many pixels there are
of a certain tone. By
dragging the small
triangle sliders
directly below the
histogram you can
‘remap’ the way these
Figure 5.18: Photoshop Color Balance, tones look. Drag the
Brightness/Contrast & Levels Panels
right slider to make
Source: Adobe Photoshop 2021 PC Software the light areas lighter,
and drag the left slider
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to make the dark areas darker. Generally, you first put the triangles near
the bottom of the mountains. After you do this, drag the middle slider
(called the gamma) back and forth until the image looks good (you may
have to go back and tweak the other sliders after you do this). In all
Photoshop requester boxes click ‘Preview’ on so that you can see the
results as you adjust. To adjust the colors of an image, go to Image /
Adjust / Color Balance. Even though there are only three colors you adjust
directly, these are all that is needed to adjust all the colors in your image.
Notice that there is no way to make an image more yellow and bluer at
the same time. These colors are opposites. Remember that if you would
like to change only one part of your image, make a selection first.
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do need a long rectangle from a square image, go back to the crop tool. If
that doesn’t work, find a new image!
Resample is a fancy way of saying ‘change the number of pixels’, so
without this checked we wouldn’t be able to do what we need to (check
it). Now change either the width or the height of the pixel dimensions. If
your resulting image is too large at 100%, undo your image size and enter
a smaller number. You have to get used to pixels as a measurement.
Screens have different sizes and resolutions, so inches or other
measurement units don’t apply when talking about screens. A standard
small screen is 1024 pixels wide by 768 pixels high.
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else, then JPEG is probably the best option. These are small files that send
quickly, and they can be opened in any application that accepts images,
including email, presentation, and web applications. The downside is that
JPEG compresses the information in the image, so you lose some quality,
and you also lose any layers you may have.
Also, when naming an image, keep the file format suffix that Photoshop
adds (.jpg or .psd). Changing this suffix or taking it off can lead to
problems.
2.6 SUMMARY
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Adobe Photoshop is a bitmap application used for just about anything with
continuous ranges of tones like photographs. Adobe Photoshop is just a tool. It
is the easy part of the design. The hard part is how to best use it to make designs
that communicate well. This is what this Unit attempts have been made to lead
you through the basic features of the applications so that you can also learn the
more important design aspect with minimum frustration. The Photoshop and
CorelDRAW interface provides no mysteries, but only things you have not
discovered yet. So if you read up and study this Unit, you’ll be that much more
ahead when you decide to paint and retouch. This unit has intended to work the
element of discovery into a creative process: you pick up the knowledge of how
a tool or feature works, you discover several purposes for the tool, and finally,
you take your new-found knowledge and apply it—to realize an idea on paper.
Developing skill in any field including design comes with time and practice. If
you take the time, this unit will provide you with the other ingredients needed so
that your footing is sound in a new application, and your bearings are based first
on knowledge and eventually on instincts
2.7 Glossary
Lasso tool: Used for the creation of freeform selection areas.
Line tool: Used to draw straight lines
Pencil tool: Used to paint strokes of different sizes and shapes with hard
edges.
Ruler tools: Used to measure the distance between selected objects.
Sharpen: A filter that sharpens up the edges of an image by definition
enhancement.
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2.9 POSSIBLE ANSWERS TO SELF-ASSESSMENT EXERCISES
(SAEs)
Self-assessment Exercise: Adobe Photoshop is a tool for design use in
various contexts. Highlight these tools.
3.1 Introduction
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3.2 Learning Outcomes
3.3 Definition and Overview
3.3.1 Working with Paged Documents
3.4 Creating Basic shapes and applying transformations
3.4.2 Arranging and organizing objects
3.5 Working with Text in CorelDraw
3.6 Summary
3.7 Glossary
3.8 References/Further Reading
3.9 Possible Answers to Self-Assessment Exercises
3.1 INTRODUCTION
This unit aims to introduce students to the CorelDraw application package and
get them to understand how to work paged documents, create shapes, arrange
and organise objects.
CorelDraw doesn’t just offer drawing tools, you also have filters and panels
(dockers). It offers everything from color samples to the Align and Distributes
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object feature. You’ll find effects for bitmap imports, typography tools for
Desktop Publishing, and more.
To make the most of your valuable time, there are a lot of ways to perform just
about everything in CorelDRAW—and there are hard ways and easy ways.
Guess which way you’ll learn in this chapter? There aren’t secrets or mysteries
to unravel with CorelDRAW.There’s just stuff you might not be prepared to find
or to use. Let’s get down to some serious exploration of the fun features of this
new version right now.
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Once CorelDRAW has loaded and you’ve specified a default document, the
sheer wealth of options and tools can make one feel more than a little intimidated
and lost. Suppose you want to change the page size or hide all the guides you
dragged from the rulers. Or maybe you need a more detailed explanation of the
B-Spline tool as you’re trying to use it. You can refine, redefine, and customize
your document and your view of the document with a few well-placed clicks.
Please note that the quickest way to access all options for the drawing page is by
double-clicking the page shadow with the Pick tool.
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Figure 5.23: CorelDraw Document Preset
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 84)
Dimension number boxes: These are numerical entry fields for the units you’ve
selected for the current page size. Although an abbreviation for the units follows
the numerical entry, you don’t have to type, for example, the double-prime
character (”) denoting inches to enter a value—CorelDRAW puts it in there after
you put the cursor in a different field because the software understands you’ve
specified inches when you created a new document. Therefore, you can change
the page size at any time in a document merely by typing in a new value. Only
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when you’re done resetting the values should you press ENTER to confirm the
current entries.
Elevator buttons: Most of the time in CorelDRAW, where there’s a num box,
there are elevator buttons directly to the right of the fields. You click the up
button to increase the current value and click the down button to decrease the
current value in the corresponding box. For the Dimension boxes, the value (in
inches) for increasing or decreasing the amount is 0.05”.
If you put your cursor directly between the up and down elevator buttons on any
of these “combo boxes” (a box that accepts number entry and clicking/dragging
on elevator buttons), you’ll see that the cursor changes to a two-way arrow with
a divider in between the arrows. Drag up or down to significantly change the
value of a nudge, a page dimension, or any value box that features elevator
buttons.
Set dimensions for all pages: You should only click this button after you’ve
sent new page size. Then, all the pages in your multipage document are identical
in orientation and size.
Set dimensions for only the current page: If you’ve made a different sized
page, perhaps for printing scrapbook content, and want only this page uniquely
sized, click this button while viewing the page. All other pages will remain the
same size.
Units drop-down: Clicking this button reveals a drop-down list of units, from
which you change all features that display and use units. For example, if your
current unit of measurement in CorelDRAW is inches, and for some reason, you
choose Feet from the Units drop-down, a standard U.S. Letter page size will be
displayed as .917’ wide instead of 11”. Similarly, if you had a nudge distance set
on the Property Bar of 1”, the distance displayed will be the same absolute value,
but it will read 0.083’ now.
Nudge distance: The keyboard ARROW KEYS can be used to move a selected
object by a predefined distance, called the nudge distance, although you can also
shove, push, and propel a selected shape, depending on the distance you specify
in this box.
Alternatively, you can use the elevator buttons to nudge an object up, down, and
across in increasing increments of 0.05” per ARROW KEY hit. This is a very
useful feature for moving an object out of the way and then returning it to its
original position when you’ve finished editing some other object.
While Nudging, Use CTRL while you press a nudge ARROW KEY to perform
a micro-nudge, a fraction of the nudge distance determined by what you specify
in the Options | Workspace | Document | Rulers tab. If you hold SHIFT, this is
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called super-nudging, and it’s a multiple of the nudge distance, again, set in the
Rulers tab of the Options dialog.
Modifier Keys: The modifier keys CTRL, ALT, and SHIFT are used by many
programs to extend a command; even the simple Windows Copy command uses
the modifier key CTRL, for CTRL-C. In CorelDRAW, you should learn to
reflexively reach for a modifier key when using a tool to change its function.
Although no two tools are the same in CorelDRAW, the most common functions
of these three modifier keys are as follows:
• CTRL An abbreviation for “Control,” you should think of this term as similar
to “Constrain.” For example, when using the Rectangle tool, if you hold CTRL
while you drag, it constrains the dimensions of the object to a perfect square.
Similarly, if you put an object into Rotate/Skew mode (you click with the Pick
tool on an object that’s already selected) and then hold CTRL while you drag on
a rotation handle, the rotation is constrained to the number of degrees you’ve
specified in Options | Workspace | Edit.
You can also constrain node control handles while you’re drawing by holding
CTRL. This is useful for creating objects whose angles at nodes are all identical.
• ALT You can think of this key as offering Alt(alternatives) to the basic
command you’re executing or the tool you’re using. For example, when dragging
with the Bézier tool, you usually wind up with curved path segments, but if you
hold ALT while click-dragging, a straight line segment is a result. Similarly, the
Eraser tool switches from freehand style to straight lines when you click a start
point and then hold ALT and click your endpoint. ALT is not as common a
modifier key as CTRL or SHIFT, but the point is that when you believe a tool or
command has more than one way to work, you try out these three keys before
stopping your work to find help.
• SHIFT can be thought of as “Add to.” For example, if you hold SHIFT while
using the Eraser tool, the nib becomes larger. When drawing shapes with object
tools such as the Polygon, Ellipse, and Rectangle tools (and others), holding
SHIFT before you click-drag draw the object from its center outward instead of
from the corner.
And remember that modifiers can also be used in combination. If you hold
CTRL-SHIFT while you click-drag a rectangle, the rectangle is drawn from its
center outward, and it is also constrained to a square at the same time.
Right-Click Menu: It’s called different names by different companies, but for
ages, Windows has supported a pop-up menu called the context menu or
contextual menu. What it does is a lot more important than what it’s called!
Contextual means that the menu commands on this pop-up menu change,
depending on which tool is currently chosen. As an exercise, choose the Pick
tool and then right-click over an empty area of the drawing page. The menu gives
you commands for undoing the last edit, creating a new object, and other
commands specific to helping you out when the Pick tool is chosen and you
right-click over an empty page area, not an object or an effect. These are pure
commands useful when you use the Pick tool.
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Particularly important when the context menu is used in combination with the
Shape tool, you can turn selected nodes and path segments from straight and
sharp to smooth and curved, respectively.
Dropping a Copy of a Selected Object
When you’re using the Pick tool, left-button dragging moves a selected object,
but right-button dragging can do something entirely different, especially when
you use the right-button drag in combination with the left button, other keys, and
the SPACEBAR. Here are the three methods for making a copy—and several
copies—without using the Copy and Paste commands, the Duplicate command,
or the Step and Repeat command:
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• Right-click and then drag, release, and use the pop-up menu: If you’re just
getting the hang of using a point-and-click device, this is the most surefire way
to quickly copy an object. See the following illustration.
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Figure 5. 27: CorelDraw Mouse duplicating action with space bar
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 101)
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Figure 5.28: Zomming In & Out with mouse wheel in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 105)
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Figure 5.29: CorelDraw Standard Bar
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 107)
Export: This is the opposite of importing something. Also, exporting is not the
same as saving a file. CorelDRAW has extensive export filters—including
exporting objects as typefaces. As an example, if you need a PNG file made from
your Corel drawing, you can do so in the Export dialog, and you can choose a
resolution and whether or not you want transparency supported. When you
export, you’re not sending your Corel artwork original anywhere; it’s a copy,
usually in a different file format, that is leaving the drawing window.
Publish to PDF: Corel sees the need for many graphic designers and Desktop
Publishing professionals to quickly create a high-fidelity document for the web.
You can choose Settings from the Publish to PDF box, or just click Save. Using
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either option, you now have a time- and energy-saving button on the Standard
Bar all the time.
Zoom levels: This is a combo box that offers preset resolutions, and you can also
type in a custom value (and then press ENTER). 264,583% is the maximum
value you can enter, and 1% is the minimum. You’d be hard-pressed to exceed
those levels of magnification in your work, and at each extreme, it’s very difficult
to navigate and see objects.
Full-screen preview: Clicking this button removes the entire UI, and you are
presented with your drawing at whatever magnification you had before clicking
the button. This is a great feature for making a presentation and for taking
uncluttered screen captures.
Although in full-screen preview you can see the printable page and its drop
shadow, the guidelines, and the grid will not display. A click anywhere returns
you to the UI and your work.
Show/Hide Rulers: This button toggles on and off the display of the rulers on
the top and left of the drawing window border.
Show/Hide Grid: This toggles the visibility of the different grids on and off,
although a grid can continue to “snap to” objects you move around, even if the
grid is hidden. There are three types of grids in CorelDRAW, and you choose
which one to hide and display via the View | Grid command. The Document grid
is the default grid in all documents, and you can change its spacing and whether
it appears as lines or dots through the Options | Document |Grid command. The
Baseline grid has no line/dot options, but you can change its spacing and the
color with which it displays. The Pixel grid is not visible until you’ve imported
a bitmap—a pixel-based graphic—and View | Pixels is your current choice of
viewing the page. You can set the color, the opacity of the Pixel grid, and whether
it appears on screen after you’ve zoomed in more than 800 % — an unchangeable
value, for reasons apparent when you’re at 800 percent and all you can see is the
grid!
Search Content: Clicking this button takes you to the Get More docker, also
accessed by using the Window | Dockers menu. You can add content to your
document or a tray.
Snap To settings: This drop-down list offers a checkmark area to make each
interface object magnetic (“sticky”) or not, which is useful when you want to
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enable the stickiness of the pixels in a photo you imported, or the guides, or the
grid, or other objects. In general, you probably don’t want any item enabled for
“snapping to” if you’re simply drawing things freehand and have no need for
precision in creating nodes or moving objects.
Options: The Options dialog is the nerve center for customizing the way your
documents behave and look, but also how CorelDRAW behaves and looks. This
is probably the most important dialog you’ll need for overriding default settings,
and therefore this button is a welcome alternative to hunting for the command in
the main menu
Every new file you create has its own set of page properties that have two
attributes: physical properties and display preferences. The physical properties
refer to the size, length, and color of each page as you’d define a physical page
in the real world. Display preferences control how page values are viewed.
If you’ve unchecked the Always Show The Welcome Screen At Launch check
box, the default size of a new document is CorelDRAW’s default, which might
depend on the language version of CorelDRAW you use. For this U.S. author,
it’s U.S. Letter, 8 1/2” by 11”, but this can be changed. The quickest route for
document size change is through the Property Bar while the Pick tool—and no
objects—are selected. The Property Bar features options for setting your page to
standard and custom sizes as well as its orientation.
If you have a multipage document, the Property Bar also has ways to change all
pages at once or only the currently visible page.
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Figure 5.30: CorelDraw Property Bar
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 172)
Paper type / Size
The Paper Type/Size and orientation options control the format of your
document. When you have a specific format for a design you need to print, the
following sections cover the options available to you in CorelDRAW.
To make sure your CorelDRAW page matches the paper in your printer, clicking
a Paper Type/Size option from the Property Bar is the quickest method. From
the drop-down box, you can choose Letter, Legal, Tabloid, or other common
sizes. Once you’ve made a selection, the dimensions are automatically entered
as values in the Page Width and Height boxes on the Property Bar. If you have a
limited need for different paper sizes, click the Edit This List button at the bottom
of the drop-down list, and you can delete seldom-used sizes: with the preset
highlighted, click the trash can icon in the Options dialog. Here’s a list of your
paper-type options; you’ll surely find one or more that suit a specific need.
Page Width and Height: You are not limited to a page size that’s the same as
the paper in your printer; page width and height values can be freely adjusted to
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match just about any paper size. For a custom page size, type-specific values
directly into the Page Width and Height boxes and then press ENTER.
All Pages/Current Page: You can create a document up to 999 pages long, with
different pages set to any size or orientation. The All Pages and Current Page
buttons operate in “either/or” fashion—like the orientation buttons—so you can
set the page size either for all pages in your document at once (the default) or
only for the current page. To set only the current page to be different from the
others in your document, click the right of these two buttons on the Property Bar
(directly to the left of the Units drop-down) and set your new page size and
orientation as needed. Other pages in the document aren’t resized when you
choose this option.
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Figure 5.31: CorelDraw Rectangle tool usage
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 242)
Drawing a Rectangle
To create a rectangle, choose the Rectangle tool from the Toolbox and
then click diagonal drag in any direction to define its corner positions.
The act of click-dragging begins by defining the first two corners; as you
drag, the corner positions can be redefined, depending on where your
cursor is on the page. Then, before you release the mouse button, you’ve
defined the position for the remaining two rectangle corners.
208
Figure 5.32: Drawing a rectangle in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 244)
While the Rectangle tool is selected, notice that the cursor is a crosshair with a
small rectangle shape at its lower right. As you click-drag using the cursor, you’ll
also notice that the Status Bar and Property Bar show the coordinate, width, and
height properties of your new object shape.
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0 into any of the size boxes while the rectangle is selected, you remove the corner
style. Corner Roundness, Scalloped, and Chamfered can be set uniformly for all
corners (the default) or independently when the Edit Corners Together lock
option is in the unlocked state.
While a rectangle is selected, use any of the following operations to change
corner properties according to your needs:
• Click the type of corner style you want on the Property Bar and then either type
in the size for the corner values or drag the elevator buttons up or down to adjust
the size of the corners.
• Set your rectangle’s corners manually, using the Shape tool, by first unlocking
the Edit Corners Together toggle button and then CTRL-dragging any corner
control point away from its corner (toward a side that makes up the rectangle).
Enabling the Edit Corners Together option causes all corners to be rounded or
scalloped in an equal amount by dragging any of the control points.
• Use the Object Properties docker; press ALT-ENTER, click the Rectangle icon
to go to the Rectangle Properties tab on the docker, and then edit any property
you so choose.
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Figure 5.33: Creating corners in Rectangles in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 246)
211
Creating 3-Point Rectangles
If you want to create a rectangle and have it rotated all in one fell swoop, you
can use the 3-Point Rectangle tool. You’ll find it grouped with the Rectangle tool
in the Toolbox. Using this tool, you can draw new rectangles at precise angles.
The rectangle you create is a native rectangle shape, so you can round its corners
and manipulate it as any other shape.
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To create a rectangle
using the 3-Point
Rectangle tool, you
click-drag. Clicking
sets the first point of
the rectangle, and the
subsequent distance
you drag determines
both the angle and
length of the rectangle.
As soon as you release
the mouse button, you
move your cursor
(without clicking; this
is called hovering) to
determine the height of
the rectangle. A final
click seals the deal—
you now have a
rectangle. You can
now round its corners
and perform other
operations on your
Figure 5.34: The Ellipse tool in CorelDraw work.
Source: CorelDraw X8, The Official Guide by Gary David
Bourton (Page 250) Using the Ellipse
Tool and Property
Bar
Ellipses are a staple of commercial design work, and essentially an ellipse is a
circular shape that is not perfect. The Ellipse tool can be used to draw both circles
and ellipses, but in CorelDRAW an ellipse shape has additional, special
properties, just like a rectangle can be a round-cornered rectangle. Ellipse shapes
can be edited to create dramatically new shapes while retaining their elliptical
properties. In contrast, a shape you might draw that looks like an oval, using the
Bézier tool, for example, will have no special properties and always remains an
oval. Ellipses are easy enough to draw with the Ellipse tool and can be set in
several different states: oval or circular closed paths, pie wedges, and arcs. Pie
wedges are the portions of an ellipse—like a single slice of a pie, or conversely,
a whole pie with a slice removed. Arc shapes are open paths, exactly like pie
wedges, except the two straight line segments are missing.
To create an ellipse, choose the Ellipse tool from the Toolbox or press F7,
followed by a click-drag in any direction. While the Ellipse tool is selected, the
Property Bar shows ellipse-specific options that enable you to control the state
of your new ellipse shape before or after it has been created. Choose Ellipse, Pie,
or Arc. A complement is reserved for pie and arc shapes: for example, if you
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specify a 15° pie wedge, clicking the Change Direction icon changes the shape
to a 345° wedge. Additionally, if you want a pie or arc to travel in a different
path direction, double-click the Ellipse tool icon on the Toolbox, which takes
you to Options, where you can choose a clockwise or counterclockwise path
direction.
Most of the trick to creating symmetrical, complex shapes with the Polygon tool
lies in the editing of them.
To create a default polygon, you use the same click-diagonal-drag technique as
you use with the Rectangular and Ellipse tools. This produces a symmetrical
shape made up of straight paths. Because you’ll often want a shape more elegant
than something that looks like a portion of snack food, it helps to begin a polygon
shape by holding SHIFT and CTRL while dragging: doing this produces a
perfectly symmetrical (not distorted) polygon, beginning at your initial click
point and traveling outward. Therefore, you have the shape positioned exactly
where you want it and can begin redefining the shape. Here you can see the
Polygon tool cursor and asymmetrical default polygon. Because the Polygon tool
can be used to make star-shaped polygons, there are control points that govern
the polygon points and nodes in-between these point controls that are used to
alter the coves between points. When you edit a polygon, the position of these
points can be reversed. These control points have no control handles because
they connect straight path segments.
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Figure 5.35: Creating a Polygon in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 256)
215
Using the
Spiral Tool
With the Spiral
tool (press A as
the keyboard
shortcut), you
can create
circular-shaped
paths that
would be
tedious if not
impossible to
create manually.
Spiral objects
are composed
Figure 5.36: Star tool in CorelDraw of a single open
Source: CorelDraw X8, The Official Guide by Gary David Bourton path that curves
(Page 265) in a clockwise
or
counterclockwise direction. They can also be designed to expand in even-
segment distances or increasing distances as the spiral path segments travel away
from the center (called a logarithmic function). You find the tool in the Toolbox,
grouped with the Polygon and Graph Paper tools. Spiral tool options share space
in the Property Bar with the options for the Graph Paper tool and include the
Spiral Revolutions, Symmetrical and Logarithmic Spiral modes, and a Spiral
Expansion slider.
216
Figure 5.37: Spiral tool in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 272)
The
objects you create can have between 1 and 100 revolutions, each of which is
equal to one complete rotation around its center point. The direction of the
revolutions is set according to the click-diagonal-drag action during the creation
of the initial shape.
217
Figure 5.38: Spiral objects in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 274)
Please note that Spiral objects are not dynamic; no special editing or redefining
is possible once the spiral has been created. This means you must set their
properties before they are created. Other than using the Pick or Shape tool to edit
their size or shape, spiral objects are a “done deal.”
By default, all new spiral objects are set to Symmetrical. If you choose the
Logarithmic Spiral, the Spiral Expansion slider becomes available. Here’s how
the modes and options affect the spiral objects you can create.
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• Logarithmic Expansionoption: While the Logarithmic Spiral mode is
selected, the Logarithmic Expansion slider becomes available—as well as a
value field you can type in—and you can set this rate based on a percentage of
the object’s dimensions. Logarithmic Expansion may be set from 1 to 100
percent. A Logarithmic Expansion setting of 1 results in a symmetrical spiral
setting, whereas a setting of 100 causes dramatic expansion. If you need a shape
that is reminiscent of a nautilus, increase the Logarithmic Expansion option to
50 or so.
219
Figure 5.39: Graph Paper tool in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 276)
220
object includes a fill of any type, the fill is created as a new and separate object
applied with an outline width and color of
None. When you’re converting open paths, only the path itself is created as a
single outline object of the path according to the Outline Pen width applied.
When you create or import an object, it might not be exactly where you want it
on the page. Or the position might be fine, but the object’s a little too large. It
might also be rotated by a few unwanted degrees, or it's part of a group or on the
wrong layer—you get the picture. Learning how to transform objects—both the
manual approach and the “pinpoint precise numerical entry” approach and
composing elements on a page to be where you want them to be is what will be
covered in this section.
The Pick tool—by default, the tool at the top of the Toolbox—can be used to
move, scale, and make other transformations when you click an object to select
it and then drag to move the selection, for example. Use the SHIFT key as the
modifier when you’re selecting things on a page; you add to your existing
selection by SHIFT-clicking other objects. If you’ve selected an object
unintentionally, SHIFT-click on the object (which is already selected) to deselect
it.
With one or more items selected, you’ll notice that information about the selected
shapes is displayed on the Status Bar. The other workspace area to watch is the
Property Bar; it shows the position, size, and rotation of the selection. In addition
to seeing info about your selection, you can also change transformations by
entering numbers directly into the info boxes and then pressing ENTER. Also, if
you press ALT-ENTER when something is selected, the Object Properties
docker provides you with not only details about the object, but also the
opportunity to quickly change many of the object’s properties.
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Figure 5.40: Pick tool group in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 286)
222
The Freehand Pick
tool is located in the
Pick tool group, and
both new and
experienced
CorelDRAW users
might want to give
this selection tool a
try; the Freehand
Pick tool behaves
exactly like the
(regular) Pick tool
after an object is
selected, so you can
move or perform
other transformations
without switching
tools.
The main difference
between these tools is
that with the Pick tool,
you must click-drag
to define a rectangle
Figure 4.41: Selection Handles in CorelDraw that the desired
Source: CorelDraw X8, The Official Guide by Gary David objects are
Bourton (Page 288)
completely within.
The Freehand Pick
tool is used more like a shape-creation tool than a rectangle-creation tool; you
can click-drag around objects, selecting some and avoiding others, regardless of
how closely the objects neighbor one another. The illustration here visually
demonstrates the different properties of the Pick and Freehand Pick tools.
223
Figure 5.42: Picktool vs Freehand picktool in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 290)
Selection Techniques
You can use mouse and keyboard combinations while navigating through a
collection of objects and for selecting more than one object at a time using the
Pick tool. Many of these object-selection techniques can also be used in
combination with each other. Here’s how to select more than one object in one
fell swoop:
• SHIFT-clicking to select: Holding the SHIFT key while clicking an unselected
object adds it to your current selection. This also works in the reverse: holding
SHIFT while clicking a selected object deselects the object. This technique
works with both the Pick and Freehand Pick tools.
• Marquee-selecting objects: To select all objects in a specific area, use the
(regular) Pick tool and click-drag diagonally to surround the objects; a dashed
blue outline representing the rectangular area being selected appears until you
release the mouse button. When you do so, all object shapes completely within
the area you define are selected.
• Holding ALT while marquee-selecting: Holding the ALT key as the modifier
while click-dragging to marquee-select a specific area selects all objects
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within—and even ones whose edge you touch. Holding SHIFT-ALT while
marquee-selecting causes the reverse to occur—deselecting any objects that are
already selected.
• Pressing TAB to select the next object: Suppose you have a bunch of objects
in a document, but some of them overlap, and you’re getting nowhere by
attempting to click the one you need. Pressing the TAB key alone while the Pick
tool is active selects a shape and selects the next single object arranged directly
behind your current selection (whether or not it overlaps the current object).
Holding SHIFT while pressing the TAB key selects the single object arranged
directly in front of your current selection. This tabbing action works because
each new object created is automatically ordered in front of the last created object.
Tabbing cycles through single object selections on a page, whether you have a
current object selected or none at all. The key is to begin tabbing after you’ve
chosen the Pick tool.
• ALT-clicking to select objects covered by other objects: To select an object
that is ordered in back of and hidden by other objects, hold the ALT key while
the Pick tool is selected and then click where the object is located. Each time you
ALT-click with the Pick tool, objects that are ordered farther back in the stack
are selected, enabling you to “dig” to select hidden objects.
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So far, you’ve
learned to select
any objects on or
off your page. But
you can also
select objects by
their type (such as
text objects,
guidelines, and
path nodes) using
commands from
the Select All
menu, as shown
in the following
illustration. All
text objects
Figure 5.43: Object selection by type in CorelDraw shown here are
Source: CorelDraw X8, The Official Guide by Gary David Bourton selected, and
(Page 294) CorelDRAW is
being very
clever—it didn’t
select the O and the A because they are drawings and not text. You can extrude,
add a perspective, and put any type of fill you like on text—and it’s still text. See
how effortless sifting through a page of objects can be? Each time you use a
command from the Select All menu, a new selection is made (and any current
selection of objects becomes not selected).
Please note that you can’t select what’s locked or hidden. Check the status of
layers with the Object Manager if an object is welded to the page. Also, if click
an immovable object and its selection handles are tiny lock icons, right-click
over it and choose Unlock Object from the pop-up contextual menu.
Here’s how to use each of the commands:
• Select All Objects: Choosing Edit | Select All | Objects selects all objects in
your current document window. Quicker is the CTRL-A keyboard shortcut,
which accomplishes the same thing and is easy to remember.
• Select All Text: Choosing Edit | Select All | Text instantly selects all text
objects both on and off the current document page. Both artistic and paragraph
text objects are selected after this command is used (unless they have been
grouped with other objects, in which case they are ignored). Text objects that
have effects (such as Contour and Extrude effects) also are selected using this
command.
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• Select All Guidelines: Guidelines are a class of document page objects,
different from objects you draw, but objects nonetheless. To select all guidelines
on your document page, choose Edit | Select All | Guidelines. Selected guidelines
are indicated by a color change (red, by default). To select guidelines, they must
be visible and cannot be locked. Probably the fastest way to unlock or unhide a
bunch of guidelines is to double-click one using the Pick tool to display the
Guidelines docker (only if the docker is closed and not docked to the Pasteboard
edge). The Guidelines docker has options for locking/unlocking and
hiding/revealing existing guides. If guidelines you’ve placed merely aren’t
visible on your page, and you’re sure you laid some down in your last session,
try choosing View | Guidelines.
• Select All Nodes: You can have the Shape tool or the Pick tool (which will
magically change into the Shape tool) and an object selected (closed or open
paths qualify) when using this Select command. Choose Edit | Select All | Nodes
to select all the object’s path nodes, as shown next. For a quicker method in the
same situation, use the CTRL-A shortcut when the Shape tool is your current
tool. Special CorelDRAW objects, such as rectangles, ellipses, and polygons,
can’t be selected this way because their shapes are defined dynamically by
“control points” instead of nodes.
227
Figure 5.44: Object nodes selection in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 297)
Transforming Objects
A transformation is any type of object shape or position change, short of actually
editing the object’s properties. This includes changing an object’s position, size,
skew, and/or rotating or reflecting it. Dragging an object directly in a document
is more intuitive than precision transformations—but both approaches have their
special advantages.
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Transforming Objects Using the Cursor
For the intuitive method, the Pick tool is what you need to transform objects by
the simple act of click and
dragging. Depending on
the type of transformation
you need to apply, you
can click-drag any of the
four black, square
selection handles that
surround the selected
object or group of objects
to change the size
proportionally—by width
only and by height only.
Dragging any middle
selection handle or side
handle scales the object
disproportionately—
“smush” and “stretch” are
the more common terms
for disproportionate
scaling.
During transformations,
CorelDRAW keeps track
of the object’s
transformed size, position,
width, height, scale, and
Figure 5.45: Object scaling in CorelDraw rotation angle.
Source: CorelDraw X8, The Official Guide by Gary
David Bourton (Page 303) CorelDRAW remembers
your object’s original
shape from the time it was created, regardless of how many transformations have
been applied to it. You can remove all transformations and restore the object to
its original state in a single step: choose Object | Transformations | Clear
Transformations to return your object to its original shape immediately.
While transforming objects, you can constrain certain shape properties by
holding modifier keys. Here are the effects of holding modifier keys for
constraining a transformed object’s shape:
• To change object size (scale) Click-drag any corner handle to change an
object’s size proportionally, meaning the relative width and height remains in
proportion to the original object’s shape. Hold ALT while dragging any corner
selection handle to change an object’s shape disproportionately, meaning width
and height change, regardless of original proportions.
• To change width or height only Click-drag any side, top, or bottom selection
handle to change the size of the object in the drag direction. Hold SHIFT while
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doing this to change the width or height from the center of the object, or hold
CTRL while dragging to change the width or height in 200 percent increments.
You can also rotate or skew an object using Pick tool states that become available
after you click a selected object a second time—you click an object that is already
You control the point around which objects are rotated or skewed by moving the
center origin marker or anchor point of an object or group of objects. Your cursor
will change to display either the rotation or skew cursor when held over a corner
or side handle.
230
To flip a selected object quickly, either vertically or horizontally, use the Mirror
Vertical and Mirror Horizontal buttons on the Property Bar while using the Pick
tool.
231
Figure 5.48: Free transform tool in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page
309)
To transform a selected object in one of these four modes, click to select the
mode and then use a click-drag action on your object. A live preview of the new
object’s shape appears. While you’re using Rotation or Angle Reflection mode,
a reference line appears as you drag to indicate the object’s angle transformation
from its original state.
Using the Free Transform tool and then applying a little transparency can yield
compositions that contain believable reflections. The Free Transform tool works
with bitmaps as well as native CorelDRAW vector objects.
232
Figure 5.49: Precise transformation in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 314)
For all transformations, the procedure is the same: click the button for the type
of transformation, enter the values you need, and then click the Apply button in
the docker to transform the selected object(s).
233
its button in the Toolbox or press F8. If there’s already text on the page, double-
clicking the text with the Pick tool switches the current tool to the Text tool and
makes an insertion point for adding text. The Text tool cursor is a small crosshair
with an A in the bottom-right corner, which becomes an I-beam (a text-editing
cursor) when it’s over a text object. You click anywhere on the page or the
pasteboard to create an insertion point, and then you get to work with your
keyboard.
Text copied from the Clipboard can be pasted when the Pick tool is your current
tool. Usually, unformatted text—text from a TXT file you copied from TextPad,
for example—will import as Paragraph Text. Text copied from word processors
will import as a document object; double-clicking the object offers in-place
editing exactly as you’d edit a WordPerfect or Microsoft Word document. It’s
usually best to choose Edit | Paste Special when pasting Clipboard text to ensure
correct formatting and the original fonts are used and to use the Text tool’s I-
beam cursor to insert pasted text.
When you use the Text tool, you can produce two different types of text objects
in a document: Artistic Text and Paragraph Text.
The smaller body copy text uses Paragraph Text; the top paragraph wraps around
the top of the image by use of a CorelDRAW Envelop. Artistic Text and
Paragraph Text have different properties but are added to a document using the
same Text tool. Artistic Text, by the way, it’s produced in a document, is easy to
reshape and distort—you’ll find it simple to do artistic things with it, such as
creating a company logo. Conversely, Paragraph Text is optimized for longer
amounts of text, and it’s a great text attribute for quickly modifying columns of,
for example, instructions, recipes, and short stories. In short, Paragraph Text is
best used for several paragraphs of text in a composition while Artistic Text
should be reserved for headlines and just a few lines of text you might want to
curve along a path, extrude, or do something else unique and fancy with.
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Figure 5.50: Artistic & Paragraph text in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 473)
Although there are similarities between Artistic and Paragraph Text, you’re best
off using one or the other depending on the type of text element you want in your
design.
Artistic Text will serve you best for illustration headlines, callouts, and on any
occasion when you want to create text that has a special effect such as extrusion,
an envelope, text on a path, and so on. To add a line of Artistic Text to a
235
document, with the Text tool you click an insertion point and then type your
phrase; alternatively, after clicking an insertion point you can press CTRL-v to
paste any text you have loaded on the Windows Clipboard. To create several
lines of Artistic Text, you type and press ENTER to put a carriage return at the
end of the line; you then continue typing. By default, all Artistic Text is set in
Arial, 24 points.
Artistic Text is also easy to convert to curves so you can modify a character in a
word. To duplicate this effect, you begin with Artistic Text for the company
name, press CTRLQ (Object | Convert to Curves), and then edit away using the
Shape tool. Artistic Text can be fine-tuned using the features on the Property Bar
when the text is selected using either the Pick tool or the Text tool.
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Figure 5.51: Artistic Text in CorelDraw
Source: CorelDraw X8, The Official Guide by Gary David Bourton (Page 475)
• Type of Font (File): To the left of the font name displayed in the drop-down
box is an icon signifying what file format the chosen font uses: OpenType, Type
1, or TrueType. This is a nicety when you’re using the Filter List feature, covered
later in this section.
• Font Name, Font Family: The font name is the name of the typeface you
decide upon. By default, you’re using Arial 24 points. You change fonts in a new
document by selecting the text you’ve typed with the Pick tool and then choosing
237
a different font from the drop-down list. If a font has family members, a right-
facing triangle can be seen to the right of the font name when the drop-down list
is extended, and you can choose one by hovering above the triangle to reveal the
flyout and then clicking the family member title. You can also perform a speed-
search by clicking the current name in the font name box and then typing the first
few letters of the font you want. The drop-down list immediately scrolls to the
neighborhood of installed fonts, making your selection a fast and effortless one.
Note also that on the Font List, at the top, above the divider bar, are the fonts
you’ve chosen recently, from previous documents, and even from previous
CorelDRAW sessions.
• Point Size: Text has traditionally been measured in points; with current digital
typeface technology, the measure is 72 points to the inch. Artistic Text used as a
printed headline can be anywhere from 18 points for a flyer headline to 72 points
for an impactful newspaper headline, to 300 points and up for headlines that
fairly shout at the reader.
• Bold and Italic: These buttons on the Property Bar are shortcuts to defining a
whole line of text or only selected characters as bold and italic members of the
typeface shown in the Font Name box. If a specific font has no family members,
CorelDRAW doesn’t “fake” a bold or italic look, and the buttons are dimmed. If
you need an italic treatment of a font that has no italic family member, a quick
fix is to use the Transformation docker and then set Skew to about –12° to apply
to the Artistic Text.
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Justification creates the same flush-left and -right column edges, but it will also
create extra space between words and characters if a line has only a few
characters. In the illustration here, you can see an awkward presentation of a few
lines. You might want a wide character-spacing effect, and to do this, you put a
soft return at the end of a line (press SHIFT-ENTER).
• Text Properties: Clicking this button displays the Text Properties docker. Text
Properties is very similar to the top area of the Object Properties docker.
Essentially, anything you need to do to customize one or more characters in a
text string can be done using the features on the Text Properties docker. You can
access the features of the Text Properties docker by clicking the button when text
is selected with the Text tool and Pick tool, or by pressing CTRL-T when the
Shape tool is the active tool.
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average users to
access and add to
the text. The
Interactive
OpenType
button shows and
hides alternatives,
allowing one-
click addition of
special
characters when
a specific Open
Type font
contains them.
• Edit Text: This
button displays a
text-editing box,
which also
appears when
you click the
Text tool on the
text that has an
effect such as
Envelope or
Extrude.
CorelDRAW is
designed with
text editing
Figure 5.52: Text formatting with Property bar in CorelDraw flexibility in
Source: CorelDraw X8, The Official Guide by Gary David Bourton mind, so to
(Page 482) transform text
using just about
any feature—and to allow the text to still be editable—you work in a proxy box
so you don’t have to start over when you make a typographic error. You can also
display the Edit Text box by clicking a line of text that has, for example, an
Envelope effect, using the Text tool. The Edit Text box just pops up, with the
text selected and ready to edit.
• Bulleted List: With text selected (with the Pick tool) or highlighted (using the
Text tool), clicking the Bulleted List button creates a bulleted list from your text,
using a standard bullet symbol, a hanging indent for the text, and a new bullet
wherever you’ve put a hard return in Paragraph Text. This button is inactive
when Artistic Text is chosen.
• Drop Cap: By default, when Paragraph Text is highlighted and you click this
button, a three-line-tall drop cap is auto-created. Options to adjust the drop cap
height and spacing, as well as whether a hanging indent is used or not, are found
under the Text menu.
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• Hide Preview, Filter, Options: These three buttons can be seen when the font
list has been rolled down. The Hide (or Show) Preview button shows the first
few characters of the text you want to use, displayed with the selected text on the
page. The Filter option lets you choose whether the Installed Font List shows
only OpenType fonts, shows font “favorites,” or only fonts are shown in the
current document. It’s handy. Finally, the Options button lets you choose how
the fonts on the list are displayed—fonts displayed by name, show/don’t show
the recently used fonts, and so on.
• Recently Used Fonts: When this option is turned on in Options, a list of fonts
you’ve used in the current and previous documents is displayed.
3.6 SUMMARY
The Photoshop and CorelDRAW interface provides no mysteries, but only things
you have not discovered yet. So if you read up on the software, you’ll be that
much more ahead when you decide to paint and retouch.This unit intends to work
the element of discovery into a creative process: you pick up the knowledge of
how a tool or feature works, you discover several purposes for the tool, and
finally, you take your newfound wisdom and apply it—to realize an idea on
paper. Developing skill in any field including design comes with time and
practice. If you take the time, this unit will provide you with the other ingredients
needed so that your footing is sound in a new application, and your bearings are
based first on knowledge and eventually on instinct.
Define CorelDraw
What is the transformation docker used for?
What is the pick tools used for?
What is the graph paper tools?
What is the polygon and property bar used for?
What is the Ellipse tools used for?
3.7 Glossary
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Object: Describes an element in a drawing; Examples: layer, logos, poster, line
and shape
Answer to SAE 1:
Answer to SAE 2:
Answer to SAE 3:
The Pick tool can be used for several things; the two most important are to choose
an object (or several objects) and to create a change in the selected object(s) by
moving it and adjusting its selection handles.
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Answer to SAE 4:
The Graph Paper tool (the shortcut is D) is used to create a grid containing
hundreds (even thousands) of rectangles—an emulation of graph paper. Graph
paper is invaluable in chart making as well as artistic uses.
Answer to SAE 5:
The Polygon tool (the shortcut is Y) is unique to the category of vector drawing
software. Although competing applications offer a polygon tool, CorelDRAW’s
Polygon tool produces shapes that can be edited for making dynamic changes,
just like CorelDRAW rectangles and ellipses.
Answer to SAE:
Ellipses are a staple of commercial design work, and essentially an ellipse is a
circular shape that is not perfect. The Ellipse tool can be used to draw both circles
and ellipses, but in CorelDRAW an ellipse shape has additional, special
properties, just like a rectangle can be a round-cornered rectangle.
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4.5.3 Helps for Practical Access Design
4.6 Summary
4.7 Glossary
4.8 References/Further Readings
4.9 Possible Answers to Self-Assessment Exercises (SAEs)
4.1 INTROBUCTION
This Unit will introduce you to the meaning of a database, and the Microsoft
Access Database framework.
4.2 LEARNING OUTCOMES
At the end of this Unit, you will be able to:
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changes in all the locations where the information is stored. The case is different
where the information is stored in the database because you only have to update
that information in one place — the vendors’ information is automatically
updated wherever it is used in the database.
Indeed a database is a collection of logically related data files which is
integrated and organized so as to provide s single comprehensive file system.
Database system design is concerned with the problem of organizing the
database, accessing data on it, using it, updating it and providing output (reports
or responses to file interrogations) to a variety of users; e. g. a students’ file,
Marks file, Payment’s file. The Marks’ file will comprise records of marks
scored by the students. Database Management System refers to software that
‘builds, manages and provides access to a database’. Examples are Microsoft
Access, FoxPro, Clipper, Oracle, Foxbase
There are at least five elements that must be present in every database.
These are:
A) A field: In Table 5:1 below, students’ name constitutes a field. So also do their
faculties, departments, age and serial number. A column, or field, is a specific
category of information that exists in a table. (Stephen 2003)
B) A File: In Table 5.1, the data is arranged in a row. So student’s complete file
consists of his name, faculty, department street address and age. Furthermore if
a library has in its holdings 100, 000 different titles, the accession register will
contain 100, 000 files of information about the records or rows of data. It is
important to note that the file is organised into records that are related in logical
characteristics.
D) Data type: There are three data types common in most databases. The is
numeric data type which are in numbers. In Table 5.1, serial numbers and ages
are listed in raw numbers. The second data type is alpha as illustrated by
students’ names, faculty and departments. The third data type is alphanumeric
which is a combination of numbers and alphabets as is seen in the column of
street address.
E) Table: They are used to store data that users will access
The design of most databases will involve the use of the following tables:
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Data tables: Their basic role is to store most of the data found in a
database.
Join tables: They are used to create a relationship between two tables
that would otherwise be unrelated.
Subset tables: They contain a subset of data from a data table.
Validation tables: These are regarded as code tables, and they are used for
the validation of data entered into other database tables.
1 2 5
3 4 6
S/ STUDENTS STREET
FACULTY DEPT AGE
N NAME ADDRESS
ABDULLAHI LIBRRY 12 KANO ST
1 EDUCATION 17
YUSUF SCIENCE KANO
OLADELE PHYSICAL 15 LEKAN
2 CHEMISTRY 18
AYINDE SCIENCE MUSHIN
BIOLOGICAL 5 ACHI ST
3 NWACHI OJI ZOOLOGY 20
SCIENCE ENUGU
JOSEPHINE ANIMAL
4 AGRICULTURE 4 IJAW ST. PH 16
JOHNSON SCIENCE
YUSUF 7 REMI ST
5 ARTS FINE ARTS 21
YAKUBU KADUNA
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8 JONATHAN
GREEN SOCIAL POLITICAL
6 ST 19
GREAT SCIENCES SCIENCE
YENOGUWA
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1) It is Database Management System from Microsoft
2) It is a relational database
3) Data storage is in MS Access’ own file
4) Users can create tables queries, reports, and link them together
5) It has report creation capability that can work with any data source that it
can access
6) It can export and import data from FoxPro, Excel, Oracles, etc
7) Heterogeneous joining of data between data set stored in different
platforms can be handled by MS Access
8) In terms of programming, it is relatively compatible with Structured
Query Language (SQL)
9) End users can access data from any system
10) Latest versions (from 2013) can be used to create web applications
11) Runtime versions of MS Access allow users to access desktop
applications without having to buy and install licensed editions of
Access
a) What purpose will the database serve or who are the ultimate end-users?
b) How many tables will be needed for the database?
c) Which fields will the database require?
d) How will the tables be related?
e) At what stage will it require to be modified or be redefined?.
There could be more questions. Please note that the primary goal of database
deign is to arrange data into tables and fields. You will find the following
guidelines articulated by Shelly and Vermaat (2012) as vital considerations in
the database design process.
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To identify the number of tables for the database it is important to first identify
the main objects of the database.. If for example the objects for a library database
are library users and circulation services, there will be two tables, one for each
object.
What is primary key? It is the unique identifier for a record in the table. In the
example in Consideration 1 above, the registration number can serve as the key
for library user while the ISBN will serve as the key for books be borrowed or
returned by students,
In most cases, while the primary key provides a unique identification for a record
in a table, there may be the need for more fields to fully describe the record. In
the example of student registration number there may be the need to create
additional field for the student’s name, department, faculty, hostel, telephone
numbers, etc.
The determination of data type for the tables will define whether numeric, alpha
or alphanumeric data will be entered in the field. It is most likely that student
telephone numbers will be numeric, their names alpha and street addresses
alphanumeric.
Redundancy occurs when a piece of information is stored in more than one place
may result to wasted space, and data inconsistency. It is advisable to remove the
redundancy by splitting a table and put the redundant field in a different table.
Databases are often stored as a single file and it vital to determine in good time
where it will be stored, whether in a server, a system or cloud.
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Considerations here will include: what is the field size (number of character)?;
any abbreviation?; and any description?
4.6 SUMMARY
A database is a collection of logically related data files which is integrated
and organized so as to provide s single comprehensive file system. Database
system design is concerned with the problem of organizing the database,
accessing data on it, using it, updating it and providing output. The design
and implementation of a database management system will require critical
planning, just like an architect and engineer will do in a building project.
Database Management System refers to software that ‘builds, manages and
provides access to a database’. Examples are Microsoft Access, FoxPro,
Clipper, Oracle, Foxbase
SELF-ASSESSMENT EXERCISES
1) Define database
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2) List the elements of a database file
3) Highlight at least five basic facts about Microsoft Access
4) List seven considerations in the design process of a data base
5) A University Librarian has engaged your services to design library
database management system using Microsoft Access. What preliminary
questions will you ask?
4.7 Glossary
File: It is important to note that the file is organised into records that are related
in logical characteristics.
Tables: They are used to store data that users will access
Data tables: Their basic role is to store most of the data found in a database.
Join tables: They are used to create a relationship between two tables
that would otherwise be unrelated.
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4.8 REFERENCES/FURTHER READINGS
Bucki, Lisa A. et. al.(2013).Microsoft office 2013 Bible: the comprehensive tutorial
resource. Indianapolis: Wiley.
Cox, J., Lambert, J. & Frye, C. (2011). Microsoft office: professional 2010
step by step. Washington: Microsoft press.
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3 A record: Please observe that a record is constituted by building up several
but related fields of data. Significantly, database table records are usually in
rows.
4) Data type: There are three data types common in most databases. The is
numeric data type which are in numbers. The second data type is alpha as
illustrated by students’ names, faculty and departments. The third data type is
alphanumeric which is a combination of numbers and alphabets as is seen in the
column of street address.
5) Table: They are used to store data that users will access
SAE 4: List seven considerations in the design process of a data base. There
are several considerations to make before embarking on Database design. The
following considerations are germane:
Answer to SAE 4:
There are several considerations to make before embarking on Database
design. The following considerations are germane:
Consideration 1: Table identification
Consideration 2: Primary keys
Consideration 3: Additional fields
Consideration 4: Relationship between tables
Consideration 5: Data types for fields
Consideration 6: Unwanted redundancy
Consideration 7: Storage location
Consideration 8: Additional properties for fields
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Consideration 9: Best distribution method
a) What purpose will the database serve or who are the ultimate end-users?
b) How many tables will be needed for the database?
c) Which fields will the database require?
d) How will the tables be related?
e) At what stage will it require to be modified or be redefined?
Validation tables: These are regarded as code tables, and they are used for
the validation of data entered into other database tables.
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