Thanks to visit codestin.com
Credit goes to www.scribd.com

0% found this document useful (0 votes)
23 views96 pages

Scream Machine!

The document is a musical arrangement titled 'Scream Machine' by Cameron Boyington, performed by the Army Blues Jazz Ensemble. It includes detailed instrumentation for various instruments such as flutes, trumpets, saxophones, trombones, piano, bass guitar, and drums, along with performance notes. Additionally, it contains disclaimers and instructions for musicians regarding performance techniques.

Uploaded by

dragonstorm449
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
23 views96 pages

Scream Machine!

The document is a musical arrangement titled 'Scream Machine' by Cameron Boyington, performed by the Army Blues Jazz Ensemble. It includes detailed instrumentation for various instruments such as flutes, trumpets, saxophones, trombones, piano, bass guitar, and drums, along with performance notes. Additionally, it contains disclaimers and instructions for musicians regarding performance techniques.

Uploaded by

dragonstorm449
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 96

Scream Machine Arr.

Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C

  
 
 = 145
Flute 1

  
Flute 2 (OPT)  
   
B♭ Trumpet  
   
B♭ Trumpet  
   
B♭ Trumpet  
   
B♭ Trumpet  

  
Horn in F (OPT) 
   
Alto Saxophone  
   
Alto Saxophone  
   
Tenor Saxophone  
   
Tenor Saxophone  
   
Baritone Saxophone  


 
Tenor Trombone
 

Tenor Trombone
    


 
Tenor Trombone
 

    


Bass Trombone

  
 

    
Piano

   
 
 
Bass Guitar

                                 
      
 
Drumset

DISCLAIMER FOR TPT. 1: DO NOT UNDER ANY CIRCUMSTANCES FEEL THE NEED TO HAVE A "GEORGE COMPLEX!" FEEL FREE TO TAKE ANY NOTES DOWN THE OCTAVE OR YOUR HEAD WILL EXPLODE LIKE AN EGG IN A MICROWAVE!
  

3

Fl. 1

  
Fl. 2 (OPT) 
   
B♭ Tpt. 
   
B♭ Tpt. 
   
B♭ Tpt. 
   
B♭ Tpt. 

Hn. in F (OPT)    

   
A. Sax. 
   
A. Sax. 
   
T. Sax. 
   
T. Sax. 
  
Bar. Sax.     

T. Tbn.
   

T. Tbn.
   

   
T. Tbn.  

    



B. Tbn.

   

   

Pno.

    
        
B. Guit.
    
                                            
         
  
Drs.

2
  

6

Fl. 1

  
Fl. 2 (OPT) 
   
B♭ Tpt. 
   
B♭ Tpt. 
   
B♭ Tpt. 
   
B♭ Tpt. 

Hn. in F (OPT)    

   
A. Sax. 
   
A. Sax. 
   
T. Sax. 
   
T. Sax. 

Bar. Sax.       

 

T. Tbn.
   

T. Tbn.
   

    
T. Tbn.    

    
 


 
B. Tbn.

   

   

Pno.

      
  
  
    
 
gliss. gliss.

  
B. Guit.

          
               
      
 
         
  
Drs.

3
 
       
    

9

Fl. 1

 
       
Fl. 2 (OPT)     

 
 
  
B♭ Tpt.           
 

        
    
B♭ Tpt.

 

 
      
    
B♭ Tpt.

 

 
   

    
B♭ Tpt.

     



Hn. in F (OPT)

      
A. Sax.  

       

 
     
A. Sax.


 
   
T. Sax.

 
   
T. Sax. 

    

 
     
Bar. Sax.

 

     
T. Tbn.

T. Tbn.
 

   
T. Tbn.  

   


 
B. Tbn.

     
           
      

Pno.

   


       
  
gliss.

 
B. Guit.

                         
      
 
Drs.

4
   

        
  
11

Fl. 1

 

   
       

Fl. 2 (OPT)

    
        
 

B♭ Tpt.

  
 
    
     

B♭ Tpt.

   
 
    
    

B♭ Tpt.

      
B♭ Tpt.         

     



Hn. in F (OPT)

      
A. Sax.  

       

 
     
A. Sax.


 
   
T. Sax.

 
   
T. Sax. 

    

 
     
Bar. Sax.

 

     
T. Tbn.

T. Tbn.
 

   
T. Tbn.  

   


 
B. Tbn.

 
   
     
     
      
 
Pno.

  

 

     
 
gliss.

 
B. Guit.

                       
      
 
Drs.

5
   
      
   
     
    
13


Fl. 1

          
            
       
Fl. 2 (OPT)

  
    
     
      
 
       
B♭ Tpt.

  
  
     
      
 
 
B♭ Tpt.

   
        
    
      
 
 
B♭ Tpt.

 
  
  

    
          
B♭ Tpt. 
     

 

   


      
Hn. in F (OPT)

      
A. Sax.    

            
   
       
     
A. Sax.


   
   
T. Sax.

 
        
T. Sax.    


              
 
           
Bar. Sax.

   
           
T. Tbn.

   

     
T. Tbn.

   
T. Tbn.    


             


 
B. Tbn.


                    
             
      
          
Pno.

     
   


                   
   
gliss
.
B. Guit.

                                  
         
  
Drs.

6
       
     

      
    
16

 
Fl. 1

   
               
    
        
Fl. 2 (OPT)

             
    
       
            
B♭ Tpt.

    
 
 
            
B♭ Tpt.

          
 
 
            
B♭ Tpt.

       
B♭ Tpt.     
       
    
     
Hn. in F (OPT)

        
A. Sax.     

           
 
     
A. Sax.

     
T. Sax.  

           
T. Sax.  
         
   
       
Bar. Sax.

    
       
T. Tbn.

    

T. Tbn.

       
T. Tbn.    
 
           
    



B. Tbn.

            


 
 
           
Pno.

      
         


       
  
       
B. Guit.

              
       
     
Drs.

7
   
               
 
18

 
Fl. 1

         
  
 
   
       
Fl. 2 (OPT)

    
 
   
             
B♭ Tpt.

    

   
             
B♭ Tpt.

    

   
             
B♭ Tpt.

    
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
 
 
Bar. Sax.


 
T. Tbn.


T. Tbn. 
 
T. Tbn.


  


B. Tbn.

  

  

Pno.

  
 
  

            
B. Guit.
     
                              
      
 
Drs.

8
 
             
  
20

 
Fl. 1

            
   
 
Fl. 2 (OPT)

             
 

 
            
B♭ Tpt.

 
 
 
           
B♭ Tpt.

   

 
            
B♭ Tpt.

 
B♭ Tpt.  

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax.  
  
T. Sax. 
  
T. Sax. 
  


Bar. Sax.





T. Tbn.




T. Tbn.




T. Tbn.

 


B. Tbn.

  

  

Pno.

  

   



    

B. Guit.
     
                    
      
 
Drs.

9
   
               
 
22

 
Fl. 1

         
  
 
   
       
Fl. 2 (OPT)

    
 
   
             
B♭ Tpt.

    

   
             
B♭ Tpt.

    

   
             
B♭ Tpt.

    
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
 
 
Bar. Sax.


 
T. Tbn.

T. Tbn.


 
T. Tbn.


  


B. Tbn.

  

  

Pno.

  
 
  

            
B. Guit.
     
                              
      
 
Drs.

10
         
    
 
Opt. Flute Solo


24

 3
Fl. 1

  
3

  
    
Fl. 2 (OPT)

 
    
Opt. Flute Solo

    
 3
B♭ Tpt.

   
3

B♭ Tpt.  

    
B♭ Tpt. 
    
B♭ Tpt. 

  


Hn. in F (OPT)

   


A. Sax.

   


A. Sax.

   


T. Sax.

   


T. Sax.

  
 

Bar. Sax.

        
  


T. Tbn.

        
  


T. Tbn.

      
  
T. Tbn.
  
 
         



B. Tbn.

   

         
 

Pno.


           
          
       

B. Guit.


                                   
               

Drs.
11
  
   

    
27

        
Fl. 1

      

3

    
    
Fl. 2 (OPT)

   
    
          
B♭ Tpt.

      
3

    
        
B♭ Tpt.

             

        
B♭ Tpt.

       
    
 
B♭ Tpt.

  

 
Hn. in F (OPT)

   
A. Sax. 
      

  
A. Sax.

   
T. Sax. 
       
T. Sax. 
 
   
 
 
   
Bar. Sax.



     
T. Tbn.


   
T. Tbn.

 

     
T. Tbn.

 


B. Tbn.

   
   
 

Pno.

                  
      
B. Guit.
      

                         
Drs.                  

12
      


30

               
Fl. 1


3

    
      
Fl. 2 (OPT)

 

               
B♭ Tpt.

 
3

    
              
B♭ Tpt.

     

       
B♭ Tpt.

              

         
B♭ Tpt.

        
   
                 
Hn. in F (OPT)

    

       
A. Sax.

          
   
                
A. Sax.

    

         
T. Sax.

             
T. Sax. 


                      

                 
Bar. Sax.

   

                
T. Tbn.

   
                  
T. Tbn.

   

                
T. Tbn.


   


B. Tbn.

  


                  
  
Pno.

        
           
        
   
    
B. Guit.

                                 

         
    
Drs.

13
            

   
33

Fl. 1

  
3 3


 
Fl. 2 (OPT)

        
   
B♭ Tpt.   

   
3 3

B♭ Tpt. 
   
B♭ Tpt. 
   
B♭ Tpt. 
  
Hn. in F (OPT) 
   
A. Sax. 
    
A. Sax. 
   
T. Sax. 
   
T. Sax. 

   

  
Bar. Sax.


  
T. Tbn.



  
T. Tbn.

T. Tbn.

  


B. Tbn.

   

   

Pno.

           
                   
B. Guit.

                          
Drs.                   

14
     
 
36


Fl. 1

        
      

      
Fl. 2 (OPT)


 
 
       
B♭ Tpt.

       


B♭ Tpt.

        
       


B♭ Tpt.

                


B♭ Tpt.

        
    
       
Hn. in F (OPT)

     
A. Sax. 
         
    
       
A. Sax.

     
T. Sax. 
         
T. Sax.     


             
 
        
Bar. Sax.

    
        
T. Tbn.

    

        
T. Tbn.

T. Tbn.
    

           
  


B. Tbn.

   

         
    
Pno.

                 
   
   
 
B. Guit.

             
Drs.                

15
 
 
39

      
Fl. 1

      
Fl. 2 (OPT)    

 
3


 
        
B♭ Tpt.

   
  
      
B♭ Tpt.

       
3

B♭ Tpt.    

               
3

B♭ Tpt.   

          
3

    
       
Hn. in F (OPT)

        
A. Sax. 
      
      
 

       
A. Sax.

    
T. Sax. 
      
      
 
T. Sax. 
 
  
       
   
  
 
     
  
Bar. Sax.

    
          
T. Tbn.

    

          
T. Tbn.

 
T. Tbn.    

               


B. Tbn.

  

           
    
Pno.

           
   
 
B. Guit.

 
Drs.             

16
 
              
 
 
41


Fl. 1

 
             
 
  
         
Fl. 2 (OPT)

 
       
 

B♭ Tpt.

       
  
       

      
B♭ Tpt.

   
      
 
    
              
B♭ Tpt.

   
B♭ Tpt. 

    
 

Hn. in F (OPT)

    

3

 

A. Sax.

    

3

 

A. Sax.

   
  
3


 
T. Sax.

   

3

 

T. Sax.

  
3


 
Bar. Sax.



 
T. Tbn.




T. Tbn.



T. Tbn. 

  


B. Tbn.

 


  
Pno.

  



  


         
B. Guit.
     
                           
      
 
Drs.

17
 
              
 
43

 
Fl. 1

             
  
 
       
Fl. 2 (OPT)

       
 
 
              
B♭ Tpt.

 

 
              
B♭ Tpt.

 

 
              
B♭ Tpt.

 
B♭ Tpt. 
    
Hn. in F (OPT)   

      
3

A. Sax.  

      
3

A. Sax.  
    
 
3

T. Sax.  
    
 
3

T. Sax.  

  
3


 
Bar. Sax.


 
T. Tbn.


T. Tbn. 
 
T. Tbn.


 



B. Tbn.

  

  
Pno.

   
    

          
    
 
B. Guit.

                        
      
 
Drs.

18
 
              
 
 
45

 
Fl. 1

             
 
  
 
Fl. 2 (OPT)

              
  
 

 
              
B♭ Tpt.

    

 
              
B♭ Tpt.

    

   
         
B♭ Tpt.

     
B♭ Tpt.  

    
Hn. in F (OPT)  
    

3

A. Sax.  
    

3

A. Sax.  
   
  
3



T. Sax.

   

3

T. Sax.  

  
3


 
Bar. Sax.


 
T. Tbn.



T. Tbn.


T. Tbn.


 



B. Tbn.

  

 

Pno.

  

   


        
    
 
B. Guit.

                   


      
 
Drs.

19
 
              
 
47

 
Fl. 1

             
  
 
       
Fl. 2 (OPT)

       
 
 
              
B♭ Tpt.

 

 
              
B♭ Tpt.

 

 
              
B♭ Tpt.

 
B♭ Tpt. 
      
  
Hn. in F (OPT)

        
3

A. Sax.   

        
3

  
  
A. Sax.

    
3

   
  
T. Sax.

    
3

T. Sax.    


          
3


      
Bar. Sax.

   
  
      
T. Tbn.

   
  
      
T. Tbn.

   
  

T. Tbn.

         
 



B. Tbn.

  

          

Pno.

  

 
              
B. Guit.
   
                       
      
 
Drs.

20

 
  
49


Fl. 1

 
  

Fl. 2 (OPT)

  
  

B♭ Tpt.

  
  

B♭ Tpt.

     


B♭ Tpt.

   
B♭ Tpt.   

    

Hn. in F (OPT)

     
A. Sax. 
     


A. Sax.

     


T. Sax.

     
T. Sax. 
     


Bar. Sax.

    

T. Tbn.

    


T. Tbn.

T. Tbn.
     

   
  


B. Tbn.

   


    

Pno.

      
  
B. Guit.

                                 


 
         
  
Drs.

21
 

52

Fl. 1

 
Fl. 2 (OPT) 
  

  
B♭ Tpt.

 
     
Solo


B♭ Tpt.

  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
Bar. Sax.  

T. Tbn.
  

T. Tbn.
  

T. Tbn.
  

  


B. Tbn.

  

  

Pno.

       

 
B. Guit.

                               
      
 
Drs.

22
 

54

Fl. 1

 
Fl. 2 (OPT) 
  


     
B♭ Tpt.

  
B♭ Tpt.   

  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
Bar. Sax.  

T. Tbn.
  

T. Tbn.
  

T. Tbn.
  

  


B. Tbn.

  

  

Pno.

             
 
 
B. Guit.

                               
      
 
Drs.

23
 

56

Fl. 1

 
Fl. 2 (OPT) 
  
B♭ Tpt. 
    
 



B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
Bar. Sax.  

T. Tbn.
  

T. Tbn.
  

T. Tbn.
  

  


B. Tbn.

  

  

Pno.

             
 
 
B. Guit.

                               
      
 
Drs.

24
 

58

Fl. 1

 
Fl. 2 (OPT) 
  


B♭ Tpt.

             
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
Bar. Sax.  

T. Tbn.
  

T. Tbn.
  

T. Tbn.
  

  


B. Tbn.

  

  

Pno.

             
 
 
B. Guit.

                               
      
 
Drs.

25
 

60

Fl. 1

 
Fl. 2 (OPT) 
  
B♭ Tpt. 
  


       
B♭ Tpt.  
  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
 
    
Bar. Sax.

 
gliss.



T. Tbn.

    
  
gliss.



T. Tbn.

    
  
gliss.


T. Tbn.

     
 



B. Tbn.

  

      
 
Pno. gliss.

      
        
 
B. Guit.

                               
      
 
Drs.

26
 

62

Fl. 1

 
Fl. 2 (OPT) 
  


B♭ Tpt.

     
B♭ Tpt.    

  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
 
      
Bar. Sax.


gliss. gliss.


     
T. Tbn.

 
gliss.


  
T. Tbn.

     

gliss.

T. Tbn.

     
 


B. Tbn.

  

       
 
Pno. gliss. gliss.

            
 
 
B. Guit.

                               
      
 
Drs.

27
 

64

Fl. 1

 
Fl. 2 (OPT) 
  

      
B♭ Tpt.

 
B♭ Tpt.     

  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
 
      
Bar. Sax.


gliss.

 
     
T. Tbn.

 
gliss.


    
T. Tbn.

  

gliss.

T. Tbn.

     
 


B. Tbn.

  

       
 
Pno. gliss.

            
 
 
B. Guit.

                               
      
 
Drs.

28
 

66

Fl. 1

 
Fl. 2 (OPT) 
  

       
B♭ Tpt.

        
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 

Hn. in F (OPT)   

  
A. Sax. 
  
A. Sax. 
  
T. Sax. 
  
T. Sax. 
  
 
      
Bar. Sax.


gliss. gliss.

 
     
T. Tbn.

 
gliss.

  
T. Tbn.

     
 
gliss.

T. Tbn.

     


B. Tbn.

 


        

Pno. gliss. gliss.

            
  
 
B. Guit.

                               
      
 
Drs.

29
 

68

Fl. 1

 
Fl. 2 (OPT) 
  
B♭ Tpt. 
  
B♭ Tpt.    

  
B♭ Tpt. 
  
B♭ Tpt. 

   
Hn. in F (OPT)  
    
A. Sax.  

    
A. Sax.  
  
T. Sax.    

  
  
T. Sax. 
   
   

Bar. Sax.

   
 

gliss.

 
     
T. Tbn.

 
gliss.


    
T. Tbn.

  

gliss.

T. Tbn.

     



B. Tbn.

  

      
 
Pno. gliss.

            
  
 
B. Guit.

                               
      
 
Drs.

30
 

70

Fl. 1

 
Fl. 2 (OPT) 
  
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 
      
 
gliss.
Hn. in F (OPT)

       
 
gliss.

A. Sax.

     
 
  
A. Sax.

  
 
  
T. Sax.

  
T. Sax.  

     
 
      
Bar. Sax.


gliss. gliss.


     
T. Tbn.

 
gliss.


  
T. Tbn.

     

gliss.

T. Tbn.

     
 


B. Tbn.

  

       
 
Pno. gliss. gliss.

            
 
 
B. Guit.

                               
      
 
Drs.

31
 

72

Fl. 1

 
Fl. 2 (OPT) 
  
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 

      
Hn. in F (OPT)  
       
A. Sax.  

       
A. Sax.  
      
T. Sax.   

      
 
T. Sax. 
      
   
      
Bar. Sax.


gliss.


     
T. Tbn.

 
gliss.

    
T. Tbn.

  
 
gliss.

T. Tbn.

     


B. Tbn.

 


       

Pno. gliss.

            
  
 
B. Guit.

                               
      
 
Drs.

32
 

74

Fl. 1

 
Fl. 2 (OPT) 
  
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 
  
B♭ Tpt. 
    
Hn. in F (OPT)  

     
A. Sax.  

     
 
  
A. Sax.

  
 
  
T. Sax.

  
T. Sax.  

     
 
      
Bar. Sax.


gliss. gliss.


     
T. Tbn.

 
gliss.


  
T. Tbn.

     

gliss.

T. Tbn.

     
 


B. Tbn.

  

       
 
Pno. gliss. gliss.

            
 
 
B. Guit.

                               
      
 
Drs.

33
 

76

Fl. 1

 

  
Fl. 2 (OPT)

 
    
 
B♭ Tpt.

   

  
B♭ Tpt.

     

  
B♭ Tpt.

     
B♭ Tpt. 

      
Hn. in F (OPT)  
       
A. Sax.  

       
A. Sax.  
      
T. Sax.   

      
 
T. Sax. 
      
   

Bar. Sax.

   
 

gliss.

 
     
T. Tbn.

 
gliss.

    
T. Tbn.

  
 
gliss.

T. Tbn.

     



B. Tbn.

  

       

Pno. gliss.

     
        
 
B. Guit.

                               
      
 
Drs.

34
 

78

Fl. 1

 

      
Fl. 2 (OPT)


        
    
B♭ Tpt.

     

     
B♭ Tpt.

        

  
B♭ Tpt.

   
B♭ Tpt.         

    
Hn. in F (OPT)  

     
A. Sax.  

     
 
  
A. Sax.

  
 
  
T. Sax.

  
T. Sax.  

       
 
gliss.

      
Bar. Sax.


gliss. gliss.


     
T. Tbn.

 
gliss.


  
T. Tbn.

     

gliss.

T. Tbn.

     
 


B. Tbn.

  

       
 
Pno. gliss. gliss.

            
 
 
B. Guit.

                               
      
 
Drs.

35
 

80

Fl. 1

 

     
Fl. 2 (OPT)


        
     
B♭ Tpt.

 
   
     
B♭ Tpt.

        

  
B♭ Tpt.

   
B♭ Tpt.         

      
Hn. in F (OPT)  
       
A. Sax.  

       
A. Sax.  
      
T. Sax.   

      
 
T. Sax. 
      
   
      
Bar. Sax.


gliss.


     
T. Tbn.

 
gliss.

    
T. Tbn.

  
 
gliss.

T. Tbn.

     


B. Tbn.

 


       

Pno. gliss.

            
  
 
B. Guit.

                               
      
 
Drs.

36
 

82

Fl. 1

 

      
Fl. 2 (OPT)


        
      
 
B♭ Tpt.

  

gliss.

 
gliss.

     
B♭ Tpt.

        

  
B♭ Tpt.

   
B♭ Tpt.         

    
Hn. in F (OPT)  

     
A. Sax.  

     
 
  
A. Sax.

  
 
  
T. Sax.

  
T. Sax.  

     
 
      
Bar. Sax.


gliss. gliss.


     
T. Tbn.

 
gliss.


  
T. Tbn.

     

gliss.

T. Tbn.

     
 


B. Tbn.

  

       
 
Pno. gliss. gliss.

            
 
 
B. Guit.

                               
      
 
Drs.

37
  

84

Fl. 1

  

   
Fl. 2 (OPT)

 
      
    

B♭ Tpt.

    
 
 
glis
s.

   
B♭ Tpt.

       
B♭ Tpt. 
   
 
B♭ Tpt.        

      


Hn. in F (OPT)

       
A. Sax. 
  
     


A. Sax.

    
T. Sax.    

     
T. Sax.    

     
    
  
Bar. Sax.

   
 
T. Tbn.

   
T. Tbn. 

T. Tbn.
    
  

     


B. Tbn.

   

    
  
Pno.


            

B. Guit.

                                
         
 
Drs.

38

          
 
    
87

 
Fl. 1

        
 
    

Fl. 2 (OPT)


        
      

 
B♭ Tpt.

         
      

B♭ Tpt.

 
         
      

B♭ Tpt.

  

        
    

B♭ Tpt.

   
   

Hn. in F (OPT)

   
    

A. Sax.

      
 

A. Sax.

    
   

T. Sax.

      
 

T. Sax.

   
Bar. Sax.   
 
 
     

T. Tbn.

   
    

T. Tbn.

      


T. Tbn.

     




B. Tbn.

    

      

Pno.



      

                        
B. Guit.

  
    
 
Drs.


39

                 
  
    
91

       
Fl. 1

            
      
3

   

         
Fl. 2 (OPT)

 

     
   
3

     
  
B♭ Tpt.

     
        
   
  
3

    
  
B♭ Tpt.

       
            
3

      
         
B♭ Tpt.

   
     
               
3

 
B♭ Tpt.
 
   
   
3

Hn. in F (OPT)   

     
   
A. Sax. 
   
     
A. Sax.
 
    
T. Sax.       

   
     
T. Sax.
 
  
    
   
Bar. Sax.

T. Tbn.
      
   

    
T. Tbn.    
   

        
T. Tbn.
 
  
    


   
B. Tbn.

    

  
     
Pno.

 
 
B. Guit.
      

        
   
 
Drs.

40
    
                 
            
95


     
           
Fl. 1

   
          

    
            
Fl. 2 (OPT)

    
 
          


     
             
B♭ Tpt.



            

 
 
                
B♭ Tpt.



            

 

           
B♭ Tpt.

      
     
B♭ Tpt.       
   
Hn. in F (OPT)       

     

 
A. Sax. 
   
     
A. Sax.
 
     
   
T. Sax. 
   
     
T. Sax.
 
  
      
  
Bar. Sax.

 
T. Tbn.
       

   
T. Tbn.       

        
T. Tbn.
 
     


  
B. Tbn.

    

       
Pno.

 

       
B. Guit. 

        
   
 
Drs.

41

                 
  
    
99

       
Fl. 1

            
      
3

   

         
Fl. 2 (OPT)

 

     
   
3

     
  
B♭ Tpt.

     
        
   
  
3

    
  
B♭ Tpt.

       
            
3

      
         
B♭ Tpt.

   
     
               
3

 
B♭ Tpt.
 
   
   
3

Hn. in F (OPT)   

     
   
A. Sax. 
   
     
A. Sax.
 
    
T. Sax.       

   
     
T. Sax.
 
  
    
   
Bar. Sax.

T. Tbn.
      
   

    
T. Tbn.    
   

        
T. Tbn.
 
  
    


   
B. Tbn.

    

  
     
Pno.

 
 
B. Guit.
      

        
   
 
Drs.

42
             
  
           
103


     
Fl. 1

            

           

      
Fl. 2 (OPT)

         
   


         

     
B♭ Tpt.

            
    
        
          
B♭ Tpt.

         
           

          
B♭ Tpt.

              
     
 
B♭ Tpt.

   
         
   


Hn. in F (OPT)

      
      
    
  

A. Sax.

   
          
  
 

A. Sax.

      
      
    
  

T. Sax.

    
        
    


T. Sax.

   
            

 
 
Bar. Sax.


          
    

T. Tbn.

             
 
  

T. Tbn.

      
          
   

T. Tbn.

   
          
 


      
B. Tbn.


    

   
         
  
 
Pno.

  
        
      

B. Guit.

 
   
 
           
   
   
Drs.

43
   

107

Fl. 1

   
Fl. 2 (OPT) 
    
B♭ Tpt. 
    
B♭ Tpt. 
    
B♭ Tpt. 
    
B♭ Tpt. 

Hn. in F (OPT)     

    
A. Sax. 
    
A. Sax. 
    
T. Sax. 
    
T. Sax. 
       
             
       

Bar. Sax.

T. Tbn.
    

    

T. Tbn.

T. Tbn.
    

      

               


   

B. Tbn.

    

    

Pno.

                  
     


B. Guit.

               
                

Drs.

44
   

111

Fl. 1

   
Fl. 2 (OPT) 
    
B♭ Tpt. 
    
B♭ Tpt. 
       


B♭ Tpt.

       


B♭ Tpt.

Hn. in F (OPT)     

    
A. Sax. 
        


A. Sax.

       


T. Sax.

       


T. Sax.

       
            
      
        
Bar. Sax.


 

T. Tbn.

       

 


T. Tbn.

          

 

T. Tbn.

      
     
          


B. Tbn.
    

    
       
 

Pno.

  
                  
    
B. Guit. 

Drs.                                 

45
   

115

    
Fl. 1

 


Fl. 2 (OPT)

    

      
B♭ Tpt.



 
B♭ Tpt.

      


B♭ Tpt.

       


B♭ Tpt.

      


Hn. in F (OPT)

        


A. Sax.

        

 
A. Sax.

      


T. Sax.

       


T. Sax.

       
            
       

Bar. Sax.

    
    
 

T. Tbn.

       

 

T. Tbn.

          

 

T. Tbn.

      

     
          


   

B. Tbn.

    
       
 

Pno.

  
                  
    


B. Guit.

Drs.                                 
46
   
Opt. Flute Solo if 1st Tpt is requested to be alive after performance


119

   
Fl. 1

    
    

Fl. 2 (OPT)

   

Opt. Flute Solo if 1st Tpt is requested to be alive after performance


   
B♭ Tpt.

     
    
   
B♭ Tpt.

     
    

B♭ Tpt.

            

   
B♭ Tpt.

    
    
   
Hn. in F (OPT)

         
   
   
A. Sax.

         
   
   
A. Sax.

     
    
   
T. Sax.

     
   

T. Sax.


           


   
Bar. Sax.

    
    

   
T. Tbn.

     
   

T. Tbn.

             

T. Tbn.

        
 




B. Tbn.

  

  

         
Pno.

   
     
    

B. Guit.

 
  
Drs.            
47
 

 
121

      
Fl. 1

      
   

Fl. 2 (OPT)

 
Have Fun! :)

 
3

 
        
B♭ Tpt.

   
  
      
B♭ Tpt.

        
3

B♭ Tpt.   

               
3

B♭ Tpt.   
          
3

    
       
Hn. in F (OPT)

        
A. Sax. 
      
      
 

       
A. Sax.

    


T. Sax.

        
T. Sax.    

 
              
  
          
Bar. Sax.

T. Tbn.
    

           
T. Tbn.     

T. Tbn.
                

         



      
B. Tbn.

  

       
  
        
Pno.

           
    
 
B. Guit.

 
Drs.             

48
 
              
 
 
123

 
Fl. 1

             
 
  
 
Fl. 2 (OPT)

              
  
 

 
              
B♭ Tpt.

    

 
              
B♭ Tpt.

    

   
         
B♭ Tpt.

     
B♭ Tpt.  

    
Hn. in F (OPT)  
    

3

A. Sax.  
    

3

 

A. Sax.

   
  
3


 
T. Sax.

   

3

 

T. Sax.

  
3


 
Bar. Sax.


 
T. Tbn.



T. Tbn.


T. Tbn.


 



B. Tbn.

  

 

Pno.

  

   


        
    
 
B. Guit.

                   


      
 
Drs.

49
 
              
 
125

 
Fl. 1

             
  
 
       
Fl. 2 (OPT)

       
 
 
              
B♭ Tpt.

 

 
              
B♭ Tpt.

 

 
              
B♭ Tpt.

 
B♭ Tpt. 
    
Hn. in F (OPT)   

      
3

A. Sax.  

      
3

A. Sax.  
    
 
3

T. Sax.  
    
 
3

T. Sax.  

  
3


 
Bar. Sax.


 
T. Tbn.


T. Tbn. 
 
T. Tbn.


 



B. Tbn.

  

  
Pno.

   
    

          
    
 
B. Guit.

                        
      
 
Drs.

50
 
             
  

 
127

 
             
  
Fl. 1


Fl. 2 (OPT)  

       
     
Yikes... (Yes this is from the original)

   
 
    
B♭ Tpt.

                 

    
              
B♭ Tpt.

   

           
B♭ Tpt.

        
B♭ Tpt. 
 
Hn. in F (OPT)                 
  

    
A. Sax.   
   
 
3

A. Sax.  
   
  
3



T. Sax.

   

3

T. Sax.  


   
3

 
Bar. Sax.



 
T. Tbn.




T. Tbn.



T. Tbn. 

  


B. Tbn.

  

  
Pno.

   
    

          
    
 
B. Guit.

                        
      
 
Drs.

51
   
              

 
129

   
             
Fl. 1

    
  
  

Fl. 2 (OPT)

   
          

 

        
B♭ Tpt.

            

  
  
                 
B♭ Tpt.

   
  
    
B♭ Tpt.

                 
 
B♭ Tpt.

        
            
  
   
Hn. in F (OPT)

         
A. Sax.   

             
3

  
  
A. Sax.

       

3

    
  
T. Sax.

         
3

    
  
T. Sax.

          
3

  
            
Bar. Sax.

   
           
T. Tbn.

   

      
T. Tbn.

   
    
T. Tbn.

         
  


B. Tbn.
    

   

            
 

Pno.


   

                
  
 
B. Guit.
   
                 
   

Drs.

52

      
 

       
132

 
Fl. 1

          
     

       
Fl. 2 (OPT)

  
  
    
 
B♭ Tpt.

          
     

        
B♭ Tpt.

 
     
   
B♭ Tpt.

       
  
  
     
   
B♭ Tpt.

  
    
     
    
Hn. in F (OPT)

  
     

   
A. Sax.

        
    
   
A. Sax.

        
T. Sax.     

           
  
T. Sax.
 
         
     
 
     
     
Bar. Sax.

    
      
    
T. Tbn.

 
T. Tbn.     
 
               
T. Tbn.
 
 
    


B. Tbn.
        
   

    
   
       
      

Pno.


 
              
B. Guit.
 

Drs.     

53
Flute 1 Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C

 = 145   
    
                            
   

      
       

 
    
    
            
13

       
                               
  
17

               
                  
   
Opt. Flute Solo

  
21


                    
3

  
   
26

                      
3 3 3


      
33

       
                               
3 3

  
41

 
            
                  
       
45

                 
       
        
 
50

 
        
     
     
   

           
93

3

             
      
    
        
98

              
   
 
Opt. Flute Solo if 1st

       
103


  
 
       
                
  
120

   
                     
              
  
125

        
               
    
       
129

2
Flute 2 Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C

 = 145         

       
  
                
 

 
       
    
       
     
           
13

       
                               
  
17

       
                                
  
21

                
             
   
27

              
           
 
        
32


              
3

                    


   
40

       
                      
    
44

 
              
       
49


                     

   
      
92



                            
              
  
96

                
           
           
101


3
 

          
    
  
      
106

 
      
                          
    
121

   
3

                     
              
  
125

   
                  
       
    
129


 
  
135

2
B♭ Trumpet Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

  = 145        
Fixed by Zach. C


     
  
               
  

       

          

     
         
13

            
     
                      
  
17

       
                                  
  
21

                  
Opt. Flute Solo

      
  
25

 3
               
3 3

 
3

    
  
32

  
           
3 3

                          
     
40

 
             
                      

45

            
 
                
50

DISCLAIMER FOR TPT. 1: DO NOT UNDER ANY CIRCUMSTANCES FEEL THE NEED TO HAVE A "GEORGE COMPLEX!" FEEL FREE TO TAKE ANY NOTES DOWN THE OCTAVE OR YOUR HEAD WILL EXPLODE LIKE AN EGG IN A MICROWAVE!
             
                 
  
81


                   
          
       
89



3

         
          
        
          

94

    
             
     
       
99


3 Have Fun! :)

              
Opt. Flute Solo if 1st Tpt is requested to be alive after perfo

     
      
 
104

  
            
     
                      
  
123

            
           
Yikes... (Yes this is from the original)

            

  

127

 
         
     
133



2
B♭ Trumpet (1) Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

      
Fixed by Zach. C

 = 145  
     
  
               
  

       
    
       

     
         
13

            
     
                      
  
17

            
     
                 
  
21

              
              
    

27

                   
 
       
32


                 
                 

    
39

        
                           
3

   
  
43

        
                  
       
Solo


47



     
         

  
         

54
              
            

59

              
                       

63

     
                   
   

67

          


        
        
79

     
               
        
84



gli 


ss.


    



            
      
       
92


          
              
3

      
     

     
96

        
 
                    
       
  
101

 
               
3

    

107

 
             

   
                 
    

121

2
        
     
                        
  
125


              
                         

129

3
B♭ Trumpet (2) Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

      
Fixed by Zach. C

 = 145  
     
  
               
  

       
           
     
            
13

       
                                
   
17

            
     
                 
  
21

                          
       
27

        
           
        
      
32


         
                          
3

  
   
40

       
                             
   
44

         
    
           

49

              
                    

80


                     
               
85


 
         
 
 
 
  
         
     
   
       
93

              
          
          
 

  
98

    
                                  
     
103

  

            
     
    
113

 
   
                                
    
121

        
            
                 
  

125

             
                   

  
 
129

2
B♭ Trumpet (3) Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

      
Fixed by Zach. C

 = 145  
     
  
               
  

      

 
   
                       
  
13

       
                                  
  
17

            
     
                 
  
21

                           
     
27

    
                  
           

32


       
                          
3

          

40

       
                             
   
44


             

            
49

  
                 
                    
80
         
       
                
       
86

 3

       

     
          
        
         
94

                             
       
 
99

                        


        
     
104

   

                            
 

   
116

 3

            
     
                      
  
123

             
  
    
             
    
  

127

   
     
     
  
132

2
Horn in F Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

              
Fixed by Zach. C

 = 145    
    

                    
    
15


       
                      

     
30

     
   
   

      

          
38

 3
  
3

   
                   

45

          
3

                
71

    
        
          
 
80


                      
  
92

      

      
          
  
105

  
         
    

      
           
120

3 3
                   
                               
   
127


   

   
133

2
Alto Saxophone Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

              
Fixed by Zach. C

 = 145    
    

     


                            
 
15


                  
  
  
  

29

               
             

37


                     

       
42

 3
     
3 3

       
    
3

     

50

                   
          
76

 
      
                
85


   

                    
 
  
99


                   
      
115

 
       
                    


122

3 3 3

     
        
            
     
129

2
Alto Saxophone (1) Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C

 = 145                   
    

            
    
 
        

15


               
      
   
30

       


 
  
 
 
 
    


   

 

37

 3
                   
  

 
 
43

     
3 3

      
3

         

50

                   
          
76

  
            
   
    
85


   
           
              
99


              

               
111

  
          
 
     


           


120

 3 3

                    
    
    
127

3 3

  
  

135

2
Tenor Saxophone Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

              
Fixed by Zach. C

 = 145    
    

     


                         
 
15


                 
     
   
29

               

              




37

 
           
3

         

43

 
             
3 3 3

  
    
50


                        
    
76

 
                   
    
85


      
   
                  
  
99


                  
  
111

  
                
             


120

 3 3

   
                  
       
126

3 3

     

135

2
Tenor Saxophone (1) Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

           
Fixed by Zach. C

 = 145       
    

                            
 
15


        
                  
 
30


         
 
   
 
      
    


37

 
           
3

         

43

 
             
3 3 3

  
    
50


                        
    
76

  
    
           
    
85


   
           
              
99


                         
  
111

  
        
 
  
   
     
     


120

 3 3

  
              
        
       
126

3 3

     

135

2
Baritone Saxophone Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C

  
 = 145
                          
    
     
                
       
15


                       
    
29

 
      
            
            
  
37


                   
 

45

 
                    
      
71


              
           

79


      
       
          
90

          
  
          
                 
102

 
                   
                         
             
110

 

      
       
   
      
       
  
118


   
         
 


      
  
125

    
     

134

2
Tenor Trombone Scream Machine
              
Arr. Cameron Boyington

  
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C

 = 145 
     
     
       
      
    

15

   
           
  
23


                        
     
31

                   
      
38

              gliss.      

      

46

    gliss.      gliss.           gliss. 


    

gliss.

    
64

    gliss.      gliss.      gliss.      gliss.      


     

73

      gliss. 
 
  
          
82


     

                  
93

         
                 
 
    
105

  
  
                  
        
117


                     
    
124

    

   
133

2
Tenor Trombone (1) Scream Machine Arr. Cameron Boyington

              
As Performed by Army Blues Jazz Ensemble (Sorta...)

  
Fixed by Zach. C

 = 145 
     

                  
    

15

   
            
  
23


                 
          
     
31

                   
      
38

              gliss.     

      
46

    gliss.      gliss. 
            
    

64

    gliss.           gliss.           
     
73

          
           
82


       
 
                
93

         
        
               
 
105

   

         
             
       
117

                     
    
125

 
  
   
134

2
Tenor Trombone (2) Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C
 = 145
    
                           

                  
    

15

   
            
  
23

                     
   
31

                    
        
37

             
    

43


        
           gliss.             gliss. 
     

61


       gliss.      gliss.      gliss.      gliss. 
    
70

    gliss.      gliss.      gliss.   


        

79


                  
     
90
         
    
              
 
    
102

 
     
                
            
115

 

      
          
122

      
       
                
 
130

2
Bass Trombone Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)
Fixed by Zach. C
 = 145
                 
              
 
                      
        
15

                 
           
24


          
                
        
32

          
 
        
 
39

        
                       
48

 
                         
66


                             

75



            

       
84


            
         
98

      

    
        
    
                                 
  
         
107

  

              
                       
  
       
115


 

       
        
122

      

            

  
        

130

       

2
Piano Scream Machine


As Performed by Army Blues Jazz Ensemble (Sorta...) Arr. Cameron Boyington
Fixed by Zach. C

 = 145 
     


 

 
      
   
 
  
           


 
                        
                 
12

 

      
     
     



            
      
16

 
       
                     
      


       

25

          
                
   


       

33

              
         

       

        

41

                 



        
50


     gliss.      gliss.      gliss.      gliss. 
   


        

69

    gliss.      gliss.      gliss.      gliss.      


     



       

78

        gliss.      gliss.      gliss.   


    


           

89

                  
     

2


       

101

    
         
    
          
 

 


        
113

     
        
  
     
 

 


        

121

             
          


     

130

               
     
   
 

3
Bass Guitar Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

              
Fixed by Zach. C
 = 145
 
                        
     
   
                  gl
           iss.        
 
   
10

                     
             
        
     
16

                   
                        
       
20

            
     
                       
24

   
               
                      
 
28

                   
                     
 
32

        
                   
           
36

                 


                       
       
41

              
                         
   
   
     
45
    
                            

50

   
                                 
57

   
                                 
61

                       
            
65

   
                                 
69

   
                                 
73

   
                                 
77

   
                                         
81

   
               

86

         
       
             
99

 
2
                
                             
       
  
108

      
                       
        
116

      
               
                    
     
122

                   
                         
       
126

   
             
              
 
130

3
Drumset Scream Machine Arr. Cameron Boyington
As Performed by Army Blues Jazz Ensemble (Sorta...)

  
Fixed by Zach. C
 = 145
                                               
          
    
                                               
         
4

     
  
            
7

     
                                               
         
10

     
                                                   
               
13

      
  
  
            
17

     
                                               
         
20

   
                                                   
              
23

 
                             
                                              
27

   
                                           
                                    
32

    
  
  
                  
37

  
                                               
            
40

 
  
  
            
43

  
  
                                               
         
46

  
  
                                               
         
49

  
  
                                               
         
52

  
  
  
            
55

  
  
                                               
         
58

  
  
                                               
         
61

  
  
  
            
64

  
2
  
  
            
67

  
  
                                               
         
70

  
  
  
            
73

  
  
                                               
         
76

  
  
                                               
         
79

  
  
                                                        
            
82

  
      
86

   
                           
 
  

            
     
91

     
 
                        
                    
103

    
                       
                        
110

3

            
                   
116

  
  
                  
120

  
                                               
         
123

  

  
                                               
         
126

  


                
   
129

You might also like