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Unit-1 Session 1

This document provides an introduction to animation, covering its definition, key concepts such as the phi phenomenon, key frames, and tween frames. It outlines various types of animation, including traditional, stop motion, and computer animation, and discusses the historical development of animation from the 19th century to early animated films. The content is structured into sessions that explore different aspects of animation techniques and production.

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0% found this document useful (0 votes)
31 views10 pages

Unit-1 Session 1

This document provides an introduction to animation, covering its definition, key concepts such as the phi phenomenon, key frames, and tween frames. It outlines various types of animation, including traditional, stop motion, and computer animation, and discusses the historical development of animation from the 19th century to early animated films. The content is structured into sessions that explore different aspects of animation techniques and production.

Uploaded by

mansha
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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UNIT - 1

Introduction To Animation
Class - 11
TABLE OF
CONTENTS

• Session 1: Introduction To Animation.


• Session 2: Traditional Animation.
• Session 3: Stop Motion Animation.
• Session 4: 3D And 2D Animation.
• Session 5: Production Pipeline.
• Session 6: Pre-Production And Storyboarding.
Session 1
Introduction
To Animation
In this session, you will learn
about the common terms used
in animation and an overview
of the historical developments
in the field of animation.
Definition

• "Animation is the process of


creating a continuous motion and
shape change illusion by means
of a rapid display of a sequence
of static images that minimally
differ from each other. "

• "The illusion - as in motion


pictures in general - is thought to
rely on the phi phenomenon."

Introduction to Animation | 4 of 39
Phi Phenomenon

• "The phi phenomenon is the


optical illusion of perceiving
continuous motion between
separate objects viewed rapidly
in succession.“

• "There are two types of frames:


key frames and tween frames."

Introduction to Animation | 5 of 39
Key frames

• "A key frame is a single still image (frame)


in an animated sequence that occurs at an
important point in that sequence.“

• "Key frames are always drawn or


constructed by the user. They define
crucial points of motion, such as the start
and end of a motion."

Introduction to Animation | 6 of 39
Tween Frames

• "Tween frames are intermediate frames with


the purpose of creating a smooth transition
between two key frames."

• "For a smooth appearance, animation


requires at least 24 frames per second (fps).

Introduction to Animation | 7 of 39
Types of animation

• "There are several methods for creating animation, including traditional methods and
those involving stop motion animation of two and three-dimensional objects."
• "Images are typically displayed in rapid succession, at a rate of 24, 25, or 30 frames per
second."
• "The various types of animation include: flip book animation, traditional animation, cut-
out animation, clay animation, stop motion animation, and computer animation. "

1. Flip book animation 4. Clay animation


2. Traditional animation 5. Stop motion animation
3. Cut-out animation 6. Computer animation

Introduction to Animation | 8 of 39
History of Animation
1-2

• "Animation refers to the recording of


any image which goes through
changes over time to portray the
illusion of motion.“

• "In the 19th century, several devices


were invented that successfully
displayed animated images, including
the zoetrope, praxinoscope, and flip Praxinoscope, the first projection (1877)
book."

Introduction to Animation | 9 of 39
History of Animation
2-2

• "The first animated projection was


created in France by Charles-Émile
Reynaud in 1892, and the first entirely
animated film was the 1906 Humorous
Phases of Funny Faces by J. Stuart
Blackton."

• El Apóstol (Spanish: “The Apostle”) was a


1917 Argentine animated film utilizing
cutout animation, and the world’s first
animated feature film.

Introduction to Animation | 10 of 39

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