We Are Still the Web - The History of the Web
The web is just people. Lots of people, connected across global networks. In 2005, it was the audience that made the web. In 2025, it will be the audience again.
The web is just people. Lots of people, connected across global networks. In 2005, it was the audience that made the web. In 2025, it will be the audience again.
CSI London, York, and Oxford:
Discover the murders, sudden deaths, sanctuary churches, and prisons of three thriving medieval cities.
A curated selection of visually interesting datasets collected by local, state and federal government agencies.
This site must’ve started as a way of showcasing really interesting collections, but now it’s turning into an archive of what’s being systematically destroyed by the current US regime.
Marcin has outdone himself this time. Not only has he created an exhaustive history of the settings controls in Apple interfaces, he’s gone and made them all interactive!
While it’s easy to be blown away by the detail of the interactive elements here, it’s also worth taking a moment to appreciate just how good the writing is too.
Bravo!
I love the interactive illustrations in this article filled with type and architecture nerdery!
Engaging with AI as a technology is to play the fool—it’s to observe the reflective surface of the thing without taking note of the way it sends roots deep down into the ground, breaking up bedrock, poisoning the soil, reaching far and wide to capture, uproot, strangle, and steal everything within its reach. It’s to stand aboveground and pontificate about the marvels of this bright new magic, to be dazzled by all its flickering, glittering glory, its smooth mirages and six-fingered messiahs, its apparent obsequiousness in response to all your commands, right up until the point when a sinkhole opens up and swallows you whole.
👏👏👏
Search has bent in quality towards its earliest days, difficult to navigate and often unhelpful. And the remedy may be the same as it was a quarter century ago.
An enjoyable guided tour of album artwork starting at the beginning of the twentieth century.
Let’s go back to a website!
Matt’s beach thoughts are like a satisfying susurrus in my RSS reader.
Here’s a fun account of the early days of the ARPANET.
After the sort of winters we have had to endure recently, the spring does seem miraculous, because it has become gradually harder and harder to believe that it is actually going to happen.
George Orwell on the coming of spring during the darkest of times:
It comes seeping in everywhere, like one of those new poison gases which pass through all filters.
The atom bombs are piling up in the factories, the police are prowling through the cities, the lies are streaming from the loudspeakers, but the earth is still going round the sun, and neither the dictators nor the bureaucrats, deeply as they disapprove of the process, are able to prevent it.
Many of us got excited about technology because of the web, and are discovering, latterly, that it was always the web itself — rather than technology as a whole — that we were excited about. The web is a movement: more than a set of protocols, languages, and software, it was always about bringing about a social and cultural shift that removed traditional gatekeepers to publishing and being heard.
This is absolutely wonderful!
There’s deep dives and then there’s Marcin’s deeeeeeep dives. Sit back and enjoy this wholesome detective work, all beautifully presented with lovely interactive elements.
This is what the web is for!
I’m not a fan of Nicholas Carr and his moral panics, but this is an excellent dive into some historical media theory.
What Innis saw is that some media are particularly good at transporting information across space, while others are particularly good at transporting it through time. Some are space-biased while others are time-biased. Each medium’s temporal or spatial emphasis stems from its material qualities. Time-biased media tend to be heavy and durable. They last a long time, but they are not easy to move around. Think of a gravestone carved out of granite or marble. Its message can remain legible for centuries, but only those who visit the cemetery are able to read it. Space-biased media tend to be lightweight and portable. They’re easy to carry, but they decay or degrade quickly. Think of a newspaper printed on cheap, thin stock. It can be distributed in the morning to a large, widely dispersed readership, but by evening it’s in the trash.
Strong Deb Chachra vibes in this ongoing series by Charles C. Mann:
he great European cathedrals were built over generations by thousands of people and sustained entire communities. Similarly, the electric grid, the public-water supply, the food-distribution network, and the public-health system took the collective labor of thousands of people over many decades. They are the cathedrals of our secular era. They are high among the great accomplishments of our civilization. But they don’t inspire bestselling novels or blockbuster films. No poets celebrate the sewage treatment plants that prevent them from dying of dysentery. Like almost everyone else, they rarely note the existence of the systems around them, let alone understand how they work.
We wonder often if what is created by AI has any value, and at what cost to artists and creators. These are important considerations. But we need to also wonder what AI is taking from what has already been created.
A terrific article by James.
This is a great history of the idea of progressive enhancement:
It is an idea that has been lasting and enduring for two decades, and will continue.